Academic literature on the topic 'Grotesque'

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Journal articles on the topic "Grotesque"

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Daly, James Oliver. "Antonin Artaud and the grotesque." Ephemera: Revista do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal de Ouro Preto 2, no. 3 (2019): 55–72. http://dx.doi.org/10.70446/ephemera.v2i3.4021.

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Grotesque performatives (or ways of performing grotesquely) have not been the object of close study in neither general studies of the grotesque nor in Performance Studies. My doctoral study (in progress)2 centres around an inquiry into practice of gestural and vocal hybridity and excess in embodied performance. Non-compatible hybridity – where two or more things sit together unfit and in contrast – contributes to the grotesque, as does excess. In this article, I test the presence and extent of hybridity and excess as constitutive qualities of the grotesque in Artaud’s own embodied performance,
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Montandon, Alain. "« Das Groteske — Le grotesque — The Grotesque » , Colloquium Helveticum 35 , Fribourg, Academic Press, 2004." Revue de littérature comparée o 317, no. 1 (2006): VI. http://dx.doi.org/10.3917/rlc.317.0085f.

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Mello, Júlia Almeida de. "Revisitando o grotesco: O indefinível como transgressão na arte." Todas as Artes Revista Luso-Brasileira de Artes e Cultura 3, no. 2 (2020): 55–70. http://dx.doi.org/10.21747/21843805/tav3n2a4.

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This article presents an analysis of the grotesque as a transgressive element of artistic canons, norms and dominant discourses, considering different periods in the art history(ies). From its manifestation as an aesthetic category in descriptions of Domus Aurea in fifteenth century to the disordered bodies that confront categorizations in contemporary art, the grotesque is constantly in motion and although it cannot be classified it is immediately identified as provocative. Approaches linking Visual Culture to gender issues and political identities are made by emphasizing works that incorpora
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Stoicescu, Alexa. "Een labyrint voor onze tijd. Het metaverhaal van de metropool in Paul van Ostaijens grotesken." Neerlandica Wratislaviensia 28 (June 26, 2019): 203–17. http://dx.doi.org/10.19195/0860-0716.28.15.

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A labyrinth for our time: The meta-story of the metropolis in Paul van Ostaijen’s grotesques Apart from poetry, Paul van Ostaijen also wrote grotesque prose. The grotesque shows an inverted world that is equally logical as the real world but governed by different norms and an upside-down morality. It is alienating and familiar at the same time. The grotesque texts reflect on the grand narratives of modernism. In this article, I focus on the image of the metropolis in three stories: De kudde van Claire, De gehouden hotelsleutel and De verloren huissleutel. Firstly, I define the concept of the g
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Minaeva, Olga. "Writings from the Grotesque World: «Julio Jurenito» by Ilya Ehrenburg and «The Naked Year» by Boris Pilnyak." Izvestia of Smolensk State University, no. 4 (56) (January 26, 2022): 39–47. http://dx.doi.org/10.35785/2072-9464-2021-56-4-39-47.

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In the article we focus on grotesque nature of Ilya Ehrenburg’s and Boris
 Pilnyak’s creative prose, viz. «Julio Jurenito» and «The Naked Year». These nov-
 els were written almost at the same time. They share commonality in issues and
 style. We compare these novels to trace how the both writers use grotesques in
 their works about Russian Revolution.
 Despite both Ehrenburg and Pilnyak sharing one technique, they realize
 it in a quite different manner. Ilya Ehrenburg finds grotesque in every human
 being. Thus, the world, where people live, act and communi
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Donn, Katharina. "Migration and the Grotesque in Salman Rushdie’s The Satanic Verses." Anglia 131, no. 1 (2013): 100–120. http://dx.doi.org/10.1515/anglia-2013-0006.

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Abstract In the following, I explore the mutually enriching dialogue between the grotesque (based on Mikhail Bakhtin) and postcolonial literature that provides a leitmotif in Salman Rushdie’s The Satanic Verses on multiple levels: first and foremost, it defines the migrant protagonists’ experience as one of metamorphosis, transgression and change; in the grotesque just as in the experience of migration, the familiar and the unfamiliar conflate, and this is foregrounded in The Satanic Verses in striking manner: the protagonists Saladin Chamcha and Gibreel Farishta transform physically into grot
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Rosen, Elisheva. "Grotesque, modernité." Romantisme 21, no. 74 (1991): 23–28. http://dx.doi.org/10.3406/roman.1991.5812.

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Forcione, Alban, and Henry W. Sullivan. "Grotesque Purgatory." Hispanic Review 66, no. 3 (1998): 345. http://dx.doi.org/10.2307/474477.

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Wilson, Ann. "Canadian Grotesque." Canadian Theatre Review 89 (December 1996): 25–28. http://dx.doi.org/10.3138/ctr.89.005.

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Theatre audiences in England discovered Judith Thompson’s work in 1992 when the Gate Theatre presented The Crackwalker, directed by James Macdonald, from 5 March until 4 April. The production was praised by critics and led the Hampstead Theatre to produce Lion in the Streets in April of 1993 – a production which was acclaimed by critics – and the Battersea Arts Centre to produce Loose Change’s production of White Biting Dog – which received less critical attention than the two other productions – from 19 November to 23 December of the same year. These productions, by companies which are well-r
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Kanashina, Svetlana. "Representation of Grotesque Forms in English Internet Memes." Vestnik of Northern (Arctic) Federal University. Series Humanitarian and Social Sciences, no. 3 (July 21, 2021): 55–64. http://dx.doi.org/10.37482/2687-1505-v103.

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This article looks at the grotesque as a stylistic device in English memes. The novelty of the research is determined by the fact that for the first time the grotesque is analysed in detail within the context of such a popular and understudied phenomenon of computer-mediated communication as the Internet meme. The relevance of the paper consists in the necessity of studying the grotesque in the Internet meme with the aim of developing and complementing a coherent theory of Internet memes. The aim of the paper is to examine the functioning of the grotesque in English Internet memes from the per
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Dissertations / Theses on the topic "Grotesque"

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Miller, Erin L. "Grotesque Evolutions." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363097197.

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Kubacki, Iwona Maria. "Angela Carter's feminist grotesque." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23812.pdf.

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Stine, Jon M. "Absurd and grotesque circumstances." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1115754.

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The work is a reflection of my opinions and criticism of society and the world as I see it. The absurd behavior of individuals in my environment provided the basis for my research. The seven woodcut prints that were completed, attempted to examine universal and personally significant themes.I utilized visual techniques to convey personal feelings and ideas about relationships with other people. Technical as well as conceptual abilities were drawn upon to produce a series of prints that depicted specific experiences I have had in life.<br>Department of Art
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Davidson, Chad (Chad Thomas). "Revisiting the Grotesque: Poems." Thesis, University of North Texas, 1997. https://digital.library.unt.edu/ark:/67531/metadc278154/.

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This thesis consists of a group of poems around a central concept: language as a physical dwelling place—a place much like what Raphael discovered in the grottoes of Rome and named "grotesque," or "grotto-esque." Using the word, "grotesque," as an example, the preface illustrates how poetry can play with the lost histories of words while still searching for new referents and associations.
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Costantino, Thea. "Diseased Estate: historiographic grotesque." Thesis, Curtin University, 2010. http://hdl.handle.net/20.500.11937/856.

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This thesis proposes the historiographic grotesque as an interdisciplinary aesthetic and thematic mode which occurs in representations of the past. Characterised by the contradictory interplay of horror and pleasure, the grotesque provides the grounds for an affective engagement with history. The historiographic grotesque thus operates in opposition to those modes of history which stress the importance of objectivity in representations of the past, assert the authority of the historian and promote the possibility of understanding the past as it was really lived. In undermining this approach, t
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Pellerin, Erika. "La Swala, suivi de À l'exemple de Rabelais, le grotesque contemporain et la possibilité grotesque." Mémoire, Université de Sherbrooke, 2002. http://savoirs.usherbrooke.ca/handle/11143/2287.

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L'essai"À l'exemple de Rabelais, le grotesque contemporain" et la création grotesque La Swala explorent la présence du grotesque dans la société contemporaine, ainsi que la possibilité de l'utiliser comme moteur de la création, malgré la réduction sémantique du terme et le fait que cette esthétique souffre d'une certaine méconnaissance chez une majorité de lecteurs. La Swala , histoire en trois volets, narrée par Dieu lui-même à travers les ondes de la radio, raconte l'ascension au statut de déesse d'une mère qui a décidé d'avaler ses enfants pour leur donner un monde meilleur, et cela, à la s
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Fuss, Peter. "Das Groteske : ein Medium des kulturellen Wandels /." Köln : Böhlau, 2001. http://catalogue.bnf.fr/ark:/12148/cb38962352t.

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Levkovich, Rivi Cara. "Harlan Ellison and the technological grotesque." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63836.

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Monnier, Jean. "Le grotesque dans l'œuvre de Céline." Tours, 1996. http://www.theses.fr/1996TOUR2033.

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On s'attache à démontrer que l'œuvre de Céline dans son ensemble appartient à la catégorie esthétique du grotesque ; on tente aussi de définir la notion de grotesque littéraire dans un contexte historique. On aborde la question du grotesque au travers de la thématique romanesque de Céline qui est analysée grâce aux instruments théoriques avancés par Mikhail Bakhtine, qui sont présentés en parallèle à la théorie de Wodfgang Kayser - la rencontre de ces deux théories permet d'élucider l'essence du grotesque célinien qui apparait à la lueur de leur synthèse. Cette recherche aboutit à montrer une
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Lachaud, Maxime. "Harry Crews : un maître du grotesque /." Paris (5 rue Henri-Brisson, 75018) : K-ïnite, 2007. http://catalogue.bnf.fr/ark:/12148/cb411733374.

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Books on the topic "Grotesque"

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Kirino, Natsuo. Grotesque. Methuen Drama, 2007.

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Kirino, Natsuo. Grotesque. Alfred A. Knopf, 2007.

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Kirino, Natsuo. Grotesque. Alfred A. Knopf, 2007.

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Kirino, Natsuo. Grotesque. Vintage International/Vintage Books, 2008.

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Kirino, Natsuo. Grotesque. Vintage International/Vintage Books, 2008.

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Kirino, Natsuo. Grotesque. Alfred A. Knopf, 2007.

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Kirino, Natsuo. Grotesque. Alfred A. Knopf, 2007.

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Ponchione, Sergio. Grotesque. Coconino Press, 2007.

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Perova, Natalii︠a︡. Soviet grotesque. Russlit in cooperation with Izvestiya, 1991.

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Perova, Natalii︠a︡. Soviet grotesque. Russlit in cooperation with Izvestiya, 1991.

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Book chapters on the topic "Grotesque"

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Mc Elroy, Bernard. "The Grotesque and the Modern Grotesque." In Fiction of the Modern Grotesque. Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-20094-8_1.

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Lewis, Vek. "Grotesque Spectacles." In Crossing Sex and Gender in Latin America. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109964_3.

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Stead, Evanghelia. "1. Grotesque Vignettes and the “All Margin” Book." In Grotesque and Performance in the Art of Aubrey Beardsley. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0413.01.

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Chapter 1, Grotesque Vignettes and the Book “All Margin,” showcases the vignettes decking three tiny volumes of witticisms known as Bon-Mots, which Beardsley illustrated in 1893–94 on the side of his major commission for Le Morte Darthur. The chapter argues that the foundational spirit of such an early grotesque nucleus in the artist’s work has been unduly neglected and discusses its meaning, uses and origins. It flags up the grotesque vignettes, set in a variety of paradoxes and plays on words, as a crucible of themes and graphic styles. They free Beardsley from influences, supply him with fl
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"Grotesque." In The Visual Dictionary of Typography. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: English Language Support Office, 2010. http://dx.doi.org/10.5040/9781474293488.0106.

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"Grotesque bodies." In Grotesque. Routledge, 2013. http://dx.doi.org/10.4324/9780203383438-10.

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"Disharmony and transgression." In Grotesque. Routledge, 2013. http://dx.doi.org/10.4324/9780203383438-11.

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"Attraction/repulsion." In Grotesque. Routledge, 2013. http://dx.doi.org/10.4324/9780203383438-12.

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"Laughter and grotesque." In Grotesque. Routledge, 2013. http://dx.doi.org/10.4324/9780203383438-13.

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"Queerly grotesque." In Grotesque. Routledge, 2013. http://dx.doi.org/10.4324/9780203383438-14.

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"Postcolonial grotesque." In Grotesque. Routledge, 2013. http://dx.doi.org/10.4324/9780203383438-15.

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Conference papers on the topic "Grotesque"

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Sheng Cai, Mohammad Jahangoshahi, Mayank Bakshi, and Sidharth Jaggi. "GROTESQUE: Noisy Group Testing (Quick and Efficient)." In 2013 51st Annual Allerton Conference on Communication, Control, and Computing (Allerton). IEEE, 2013. http://dx.doi.org/10.1109/allerton.2013.6736667.

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Malis, Jon. "The Grotesque Hand and Other Stories: Using AI as a creative collaborator." In Proceedings of EVA London 2024. BCS Learning & Development, 2024. http://dx.doi.org/10.14236/ewic/eva2024.55.

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Riaguzova, Liudmila. "THE META-AESTHETIC FUNCTION OF THE GROTESQUE IN V.V. NABOKOV�S ARTISTIC THINKING." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s27.073.

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Bright, Anita. "Purposeful Profanity in Addressing the Grotesque: Pursuit of Truth Through Poetry in a Doctoral Seminar." In 2023 AERA Annual Meeting. AERA, 2023. http://dx.doi.org/10.3102/2011444.

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Duleba, M. "ON THE IMPLICATION OF MIKHAIL BAKHTIN'S «GROTESQUE BODY» TO THE SCHOLARLY COMPREHENSION OF JOACHIM RINGELNATZ'S PROSE." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-110.

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Ajdačić, Dejan. "Ivo Brešan’s Grotesque Comedies about Political Power and the Rebel the Role of Irony in Renarration." In Drugi Brešanov svibanj: kultura i politika. University of Zadar, 2025. https://doi.org/10.15291/9789533315614.14.

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Serrac, Halil. "Metaphor in the System of Stylistic Devices of the Language." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.13.

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Determining the place of metaphor in the system of figurative means of language, it is necessary to note that metaphor is freer than other means of expression. Metaphor intersects with comparison, metonymy, personification, synecdoche, hyperbole, irony, grotesque, etc. The rationale for identifying transference and metaphorical simile stems largely from the complexity and structural ambiguity of the meaning expressed by them. The transfer of signs from one object to another allows us to speak only of a general tendency in their identification and interpretation. As a rule, it is impossible to
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Popescu, Dana Nicoleta. "Mircea Cărtărescu – Androgynous Figures." In Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN" cu genericul G. Călinescu. 125 ani de la naştere, Ediţia a 18-a. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2024. http://dx.doi.org/10.52505/filomod.2024.18.21.

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The present approach aims to present the classical androgyne motif and its often-contradictory significances as shown in Mircea Cărtărescu’s prose (the novel "Travesty" and the short story "The Twins"). In the era of Greek and Roman antiquity the bisexual myths and rites were setting primordial unity, seen as perfection, as a goal; this ideal became the androgyne in late cosmogonies. Modern transfigurations of the androgyne myth alter its initial positive meanings, favoring ambiguity. Playing with animus-anima does not equal attempting to return to the state of grace in illo tempore any longer
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Men, Delai, Yitao Huang, and Xiaoping Hu. "Study of Colors Cognitive Preference in Grotesque Advertising with Influence Factors of Consumers Gender, Age and Living Areas." In 2013 International Conference on the Modern Development of Humanities and Social Science. Atlantis Press, 2013. http://dx.doi.org/10.2991/mdhss-13.2013.93.

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Ibadova, N. "A CHANGİNG MOSCOW: IMAGE OF THE CAPİTAL İN THE WORKS BY YU. TRİFONOV AND YU. POLYAKOV." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3762.rus_lit_20-21/358-362.

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The article compares the poetics of embodiment of the image of Moscow in the prose of outstanding Russian writers Yu. Polyakov and Yu. Trifonov. The image of Moscow in the works of Trifonov and Polyakov is autobiographical and filled with the signs of time and the authors’personal attitudes. Moscow in the works of both writers has temporal and spatial multilayeredness. Urban toponymy is widely represented in the literary works of both authors. Both of them resort to the use of spatial oppositions. In Yu. Polyakov's work a new spatial opposition "city - province" appears, mythologems are actual
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Reports on the topic "Grotesque"

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Mackenzie L. Gorham and John D. Bess. GROTESQUE: Complex Geometric Arrangement of Unreflected HEU (93.15) Metal Pieces. Office of Scientific and Technical Information (OSTI), 2011. http://dx.doi.org/10.2172/1042364.

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