Log in

Relevant bibliographies by topics / Group Art or Death (Group of Artists) / Journal articles

To see the other types of publications on this topic, follow the link: Group Art or Death (Group of Artists).

Journal articles on the topic 'Group Art or Death (Group of Artists)'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Group Art or Death (Group of Artists).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Nyarko, Nyamekye Nyamekye. "Can Art be Offensive? To Whom? A View of Artistic Obligations." International Journal of Current Research in the Humanities 27, no. 1 (2024): 426–34. http://dx.doi.org/10.4314/ijcrh.v27i1.27.

Full text

Abstract:

All over the world, there are artists of varied fields. These artists express their skills, thoughts, philosophies, and beliefs through their artistic works. Humans are not a homogenous group who share common and basic beliefs and philosophy of life. Consequently, any work of art is mostly not going to be liked by all. To address the need the question; can art be offensive and to whom? requires us to first examine the works of art and the persons who appreciate them as a means of examining how artworks could be considered offensive to people. This article uses textual and content analysis as a

APA, Harvard, Vancouver, ISO, and other styles

2

Hall, Gregory M. "Tension in the Field of Art: The Practical Tattoo Artist and Perceptions of the Fine Art Community." Qualitative Sociology Review 10, no. 2 (2014): 102–14. http://dx.doi.org/10.18778/1733-8077.10.2.06.

Full text

Abstract:

This is an ethnographic study utilizing observation and in-depth interviews. The following research analyzes a collaborative circle of tattoo artists and its tension with the fine art community. The tension is a result of perceptions of the fine art community and the nature of tattoo shops as enterprises. This article contributes to the understanding of collaborative circles by incorporating taste distinctions and a formal group element, the enterprise. Taste distinctions and the enterprise allow artists to erect boundaries between themselves and others in the art community.

APA, Harvard, Vancouver, ISO, and other styles

3

Adams, Jacqueline. "When Art Loses its Sting: The Evolution of Protest Art in Authoritarian Contexts." Sociological Perspectives 48, no. 4 (2005): 531–58. http://dx.doi.org/10.1525/sop.2005.48.4.531.

Full text

Abstract:

Change in art is an understudied topic in sociological research. This article examines protest artworks ( arpilleras) produced by shantytown women during and shortly after the dictatorship in Chile, to explore the question why political art that is for sale changes over time. This research is based on 136 semi-structured and in-depth interviews with various members of the art world in Chile, Europe, and the United States, a year's worth of participant observation of art groups in Santiago and over five hundred photographs of arpilleras, taken by the author and analyzed thematically. Political

APA, Harvard, Vancouver, ISO, and other styles

4

O'Neill, Mary. "Speaking to the dead: Images of the dead in contemporary art." Health: An Interdisciplinary Journal for the Social Study of Health, Illness and Medicine 15, no. 3 (2011): 299–312. http://dx.doi.org/10.1177/1363459310397978.

Full text

Abstract:

In this article I explore works by three artists in which we can see images that relate to bereavement. In the work of the first two, Araya Rasdjarmrearnsook and Andres Serrano, we can see photographic images (still and moving) of human corpses, which have been criticized as morbid and unhealthy. However I argue that it is not in fact images of death or the dead that are problematic but those images which present or evoke evidence of the emotions associated with death, and create a situation where we imagine the circumstances of our own deaths or the death of those we love. Images of the dead

APA, Harvard, Vancouver, ISO, and other styles

5

Lee, Jung-Hyun, and Hee-Chung Lee. "A Study on Commercialization of Mullae Art Village and Changes in Art Ecology." Korean Association of Urban Policies 14, no. 4 (2023): 143–65. http://dx.doi.org/10.21447/jusre.2023.14.4.8.

Full text

Abstract:

This paper aims to analyze the impact of the commercialization of the recently emerged Mullae Art Village, an art cluster, on the art ecology, specifically the creative activities of artists. To achieve this goal, Focus Group Interviews (FGI) and in-depth interviews were conducted with a total of 13 artists. Various data related to Mullae Art Village were also analyzed to examine the current state of commercialization and its effects on the art ecology. The analysis revealed that Mullae Art Village has entered a rapid stage of commercialization. Significant changes in the local space are rapid

APA, Harvard, Vancouver, ISO, and other styles

6

Savran, David. "The Death of the Avantgarde." TDR/The Drama Review 49, no. 3 (2005): 10–42. http://dx.doi.org/10.1162/1054204054742390.

Full text

Abstract:

Despite the disappearance of the historical avantgarde before WWII, both scholars and the popular press are reluctant to relinquish the belief in a radical, American, theatrical avantgarde. No other artists epitomize this avantgarde more than the Wooster Group, which, in its 30 years of work, has gradually become recognized as the emblematic avantgarde company. But was the avantgarde that developed in the 1970s ever really an avantgarde at all?

APA, Harvard, Vancouver, ISO, and other styles

7

Pusposari, Wulan, Novi Anoegrajekti, and Sitti Gomo Attas. "PEREMPUAN DAN KEMATIAN DALAM SASTRA BANDINGAN: KOLABORASI LAB TEATER CIPUTAT INDONESIA DAN THEATRE COMPANY SHELF JEPANG." Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia 10, no. 1 (2023): 68–84. http://dx.doi.org/10.15408/dialektika.v10i1.31622.

Full text

Abstract:

The comparative literature used by artists creates a unique experience in supporting the appearance of the works of art they are contemplating. The purpose of writing is to explain the interrelated themes/motifs in the two literary works, namely the short story Rintrik by Danarto and the play Sotoba Komachi by Yukio Mishima and to correlate comparative literary studies in theater collaboration work through testimonies from actors/artists involved in the collaborative program. The research method used is descriptive qualitative by placing the object of research, namely the Indonesian Lab Teater

APA, Harvard, Vancouver, ISO, and other styles

8

Rohmah, Sofiatur, Siti Nor Maisyah, Nurdiana Aprilia Firdausi, Intan Maulydia Taufany, and Ainun Amira. "Akuntansi Seni Jaranan Pada Masyarakat Kalibaru Dengan Pendekatan Etnografi." Jurnal Akuntansi Terapan dan Bisnis 3, no. 2 (2023): 110–16. http://dx.doi.org/10.25047/asersi.v3i2.4513.

Full text

Abstract:

The research aims to depict and interpret accounting practices within the Jaranan art community and understand the accounting concept within the cultural context of Jaranan art. Cultural art is created by humans as a symbol of belief in the surrounding environment, reflecting back to the creator to follow their teachings. The Jaranan art in Kalibaru is known as Jaranan Campursari Turonggo Sakti. The author observes Jaranan art in Kalibaru as an organization and a means of livelihood for artists involved in this Jaranan art group. Data were obtained from informants (members of the Jaranan art c

APA, Harvard, Vancouver, ISO, and other styles

9

Wright, Richard. "The Posthumous World: Our selves, Our Bodies and a World that Will Continue Without Us." Proceedings of the ACM on Computer Graphics and Interactive Techniques 8, no. 3 (2025): 1–7. https://doi.org/10.1145/3736790.

Full text

Abstract:

How would our attitudes to death and dying change if we could see how a human body is reabsorbed back into the environment? What kind of visualisation could evoke such a response? The Posthumous World is an interdisciplinary research project about death, dying and our relationship with the planet. At its centre will be a new artwork – a scientifically accurate, visual simulation of a human body being reabsorbed back into the environment after a so-called green burial. The body in question will be the artist's own. Taking the form of a computer animated, durational sculpture, the viewer will se

APA, Harvard, Vancouver, ISO, and other styles

10

Dubrovskaya, Dinara V. "А Message from the Imperial Court to the European Reader as Written by the Painter Wang Zhicheng (Jean-Denis Attiret; 1702–1768)". Vostok. Afro-aziatskie obshchestva: istoriia i sovremennost, № 5 (2024): 156. https://doi.org/10.31696/s086919080032227-6.

Full text

Abstract:

French painter Jean-Denis Attiret (1702–1768) lived and worked in Beijing from 1739 until his death among the small number of European artists working at the Manchu court of China during the heyday of the Qing Empire. Attiret (Wang Zhicheng) is rightfully considered the second figure in a close-knit group of masters who personified the Sino-European style, which introduced China to European art and after the destruction and looting of the Yuanming Yuan Palace in 1860 – Europe to the art of China. Being not only the “right hand” of famous Giuseppe Castiglione, but also a court artist of Qianlon

APA, Harvard, Vancouver, ISO, and other styles

11

Yasseen, Iman. ""Al-Jabadar" artistic family." Madarat Tarikhia Review 1, no. 1 (2019): 377–96. https://doi.org/10.5281/zenodo.4442273.

Full text

Abstract:

Aljabadar family is one of the most important and prominent artistic families that played a leading role in promoting the artistic life in Iran throughout the 18th - 20th centuries. This family has produced a large number of famous artists who have influenced the art scene in various artistic products belong to many pioneers of artists for nearly four successive generations. Each generation derives from its predecessors the innate talent through which it has passed on genetic genes. then develops its innate talent through study, learning and training by the masters of the arts Enlightened them

APA, Harvard, Vancouver, ISO, and other styles

12

Vasiliu, O., D. Vasile, F. Androne, M. Patrascu, and E. Morariu. "Between creativity and death: Abstract expressionists and alcohol use disorders." European Psychiatry 41, S1 (2017): S519—S520. http://dx.doi.org/10.1016/j.eurpsy.2017.01.687.

Full text

Abstract:

American Expressionists were a group of American artists who valued free expression of unconscious elements, combining emotional intense expressions with anti-figurative abstract style. Their main place of creative debates was Cedar Tavern in New York City, considered by art critics an important incubator of the Abstract Expressionism. Jackson Pollock, one of the most prominent figures of this movement, suspected of having bipolar disorder, abused alcohol during long periods of his life, for which he even underwent psychotherapy. Unfortunately, he died in a car accident while driving under inf

APA, Harvard, Vancouver, ISO, and other styles

13

Boronoeva, T. A. "Картина мира в графике бурятского художника Ц.-Н. Очирова". Iskusstvo Evrazii [The Art of Eurasia], № 1(20) (31 березня 2021): 12–23. http://dx.doi.org/10.46748/arteuras.2021.01.001.

Full text

Abstract:

The article deals with the artistic heritage of the outstanding Buryat artist Tsyren-Namzhil Ochirov (1920–1987), whose artistic phenomenon is based on the specific combination of the life philosophy, “naive” simplicity of depiction and the poetic love to his motherland called the Tonto Nyutag by the Buryat people. The public interest to his art was raised during the artist’s lifetime. In the early 1970s, several articles dedicated to his art were released in local newspapers. His unique artistic manner was studied by a group of young amateur artists who were members of the Republican Center o

APA, Harvard, Vancouver, ISO, and other styles

14

Vasnetsov, Viktor. "Remembering Savva Ivanovich Mamontov." Experiment 25, no. 1 (2019): 19–26. http://dx.doi.org/10.1163/2211730x-12341326.

Full text

Abstract:

Abstract At the memorial service held for Savva Mamontov after his death in 1918, Viktor Vasnetsov delivered his reminiscences by way of a eulogy. He describes his relationship with the impresario, some key moments in the history of the Abramtsevo circle and his own artistic life. In so doing, Vasnetsov conveys the deep affection held by artists in the circle for Mamontov, and hints at some of the reasons why his role was so critical and influential in coaxing the group towards their many artistic successes.

APA, Harvard, Vancouver, ISO, and other styles

15

Togyer, Eleanora. "Reading the ‘wordless unease’ in Margaret Atwood’s ‘Death by Landscape’." Short Fiction in Theory & Practice 13, no. 1 (2023): 7–21. http://dx.doi.org/10.1386/fict_00070_1.

Full text

Abstract:

This article examines the way Margaret Atwood’s short story ‘Death by Landscape’ (1991) engages with the representational strategies of Canada’s celebrated Group of Seven artists. I situate my reading of Atwood’s work first within aesthetics, focusing on her subtle problematization of the masculine ideology and wilderness aesthetic of the Group of Seven. I argue that Atwood unsettles the dominant, virulently male tradition of representation of the wilderness by uncovering an alternative female narrative through an ekphrastic engagement with the paintings. By doing so she not only dismantles th

APA, Harvard, Vancouver, ISO, and other styles

16

Ekkart, Rudolf E. O. "De Rotterdamse portrettist Jan Daemen Cool (ca. 1589 -1660)." Oud Holland - Quarterly for Dutch Art History 111, no. 4 (1997): 201–20. http://dx.doi.org/10.1163/187501797x00230.

Full text

Abstract:

AbstractUntil now, the Rotterdam portraitist Jan Daemen Cool was known in the literature only as the maker of a group portrait painted in 1653 of the governors and administrator of the Holy Ghost Hospital at Rotterdam, and of a portrait of Piet Hein, which is dated 1629. Closer scrutiny of his activities reveals that the artist, who never signed his work, was Rotterdam's leading portrait painter in the second quarter of the 17th century. Jan Daemen Cool was born in Rotterdam in 1589 or thereabouts. He may have studied with Michiel Jansz. van Mierevelt in Delft, where he married Agniesje Jasper

APA, Harvard, Vancouver, ISO, and other styles

17

Stefanou, Maria-Ioanna, and Sophia Peloponnissiou-Vassilacos. "Angelos Katakouzenos (1902–1982): A Lifework of Neurology and Art." European Neurology 80, no. 3-4 (2018): 217–22. http://dx.doi.org/10.1159/000496352.

Full text

Abstract:

Angelos Katakouzenos, a Greek neurologist and prolific medical writer at the beginning of the 20th century, belonged to a group of artists and scholars that formed the “generation of the 30s,” a cultural movement that emerged after World War I and introduced modernism in Greek art and literature. Born in 1902, Katakouzenos studied medicine in France at the Universities of Montpellier and Paris, where he trained in neurology and psychiatry under Georges Guillain, Henri Claude, Jean-Athanase Sicard, Pierre Marie, Clovis Vincent and Théophile Alajouanine. In Paris, he attended to Freud’s patien

APA, Harvard, Vancouver, ISO, and other styles

18

Sukmi, Sih Natalia, Christian H. J. De Fretes, Elly Esra Kudubun, Roberto Octaviaus Cornelis Seba, and Ferdy Karel Soukotta. "Restorasi Identitas Masyarakat Maluku melalui Pendekatan Berbasis Kearifan Lokal." Indonesian Journal of Sociology, Education, and Development 5, no. 1 (2023): 25–40. http://dx.doi.org/10.52483/ijsed.v5i1.97.

Full text

Abstract:

Abstrak Globalisasi dan postmodernitas menawarkan konsep berpikir dan praktek yang berimbas pada cara hidup masyarakat secara berbeda. Euforia gelombang budaya Korea dan Jepang, sedikit menggeser budaya barat (dewesterinisasi) yang telah mengkooptasi budaya anak muda di Indonesia, menjadi salah satu bukti bagaimana kontestasi kepentingan terjadi pula dalam era kini. Terlebih ketika isu ini kemudian melekat dengan persoalan pergeseran identitas anak muda, pun yang terjadi di Maluku, dimana lokus penelitian ini akan dilakukan. Dalam kondisi tersebut, berbagai gerakan diinisiasi oleh bebera

APA, Harvard, Vancouver, ISO, and other styles

19

Moffor, Exodus Tikere. "Arts and Livelihood: The Case of Sculpturing and Weaving in Kedjom Chiefdoms in the Western Grassfields of Cameroon." Journal of Religious and Cultural Dynamics 1, no. 1 (2022): 1–17. http://dx.doi.org/10.58425/jrcd.v1i1.75.

Full text

Abstract:

Purpose: Arts is a source of livelihood in all societies and one of the major reasons artists produce objects is to sell and raise an income. This paper is on arts and livelihood: the case of sculpturing and weaving in Kedjom chiefdoms. Kedjom is one of the centres of wood carving in the Grassfields with the artists producing all sorts of carvings which include beds, thrones, stools, walking sticks and many more. This trade was regarded by the young people in the past as a job reserved for old people. But today, youths have found out that the trade is lucrative and many of them are currently e

APA, Harvard, Vancouver, ISO, and other styles

20

Yarmolenko, Vladyslava. "The Infinity of Fedir Tetianych." Text and Image: Essential Problems in Art History, no. 2 (2023): 163–68. http://dx.doi.org/10.17721/2519-4801.2023.2.11.

Full text

Abstract:

Ukrainian art in the late 20th century witnessed significant changes marked by the independence and originality of artists, responding to the repressive Soviet system. Fedir Tetianych, also known as Frypulia, personified a unique Ukrainian phenomenon from the 1970s to the early 21st century. Despite being an outsider during his lifetime, Tetianych's posthumous recognition has grown, with his works now featured in prominent contemporary art centers worldwide, including the prestigious Center Pompidou in Paris. The book «Fedir Tetianych. Frypulia», published in 2021 by the PinchukArtCentre resea

APA, Harvard, Vancouver, ISO, and other styles

21

György, Horváth. "Adalékok Kondor Béla sors-történetéhez." Művészettörténeti Értesítő 69, no. 2 (2021): 171–256. http://dx.doi.org/10.1556/080.2020.00011.

Full text

Abstract:

In the course of my research in archives – in search of documents about the history of the Art Foundation of the People’s Republic (from 1968 Art Fund) – while leafing through the sea of files in the National Archives of Hungary (MNL OL) year after year, I came across so-far unknown documents on the life and fate of Béla Kondor which had been overlooked by the special literature so far.Some reflected the character of the period from summer of 1956 to spring 1957, more precisely to the opening of the Spring Exhibition. In that spring, after relieving Rákosi of his office, the HWP (Hungarian Wor

APA, Harvard, Vancouver, ISO, and other styles

22

Markiewicz, Joanna. "THE CHALLENGE OF SUPPORTING CREATIVE INDUSTRIES—SCOTTISH EXAMPLE." CBU International Conference Proceedings 3 (September 19, 2015): 037–42. http://dx.doi.org/10.12955/cbup.v3.581.

Full text

Abstract:

This article aims to explore the idea of the supporting system for creative industries, which plays a pivotal role in today’s economy. Creative businesses, which range from individual musicians to companies dealing with publications, demand special attention and tailor-made support services. Therefore, in this article, the analysis is carried out based on the information gained in an in-depth interview and the supporting system for creative industries, which have been functioning in Scotland and the main barriers in providing support services.As shown by the research, a problem exists regardin

APA, Harvard, Vancouver, ISO, and other styles

23

Samoshchuk, Oksana. "PSYCHOLOGICAL ASPECTS OF SALVADOR DALÍ'S PERSONALITY AND CREATIVE PROCESS." PSYCHOLOGICAL JOURNAL 6, no. 1 (2020): 175–86. http://dx.doi.org/10.31108/1.2020.6.1.17.

Full text

Abstract:

The article is devoted to the study of the psychological aspects of Salvador Dalí’s personality and creative process. Based on the analyzed data taken from cultural and historical conditions of the artist's life, as well as from biographical, autobiographical facts and works of art, the following groups of factors were found that influenced both the psychological characteristics and elements of the artist's creative products. The group of macro factors includes geographical, in particular the tendency to portray the landscape, where the artist lived, as the background image in his paintings; g

APA, Harvard, Vancouver, ISO, and other styles

24

Maiste, Juhan. "Miks kõneleb Laokoon kirjasõnas ja ei kõnele marmoris?" Baltic Journal of Art History 11 (November 30, 2016): 9. http://dx.doi.org/10.12697/bjah.2016.11.02.

Full text

Abstract:

In this article, the author focuses on the work called Laocoön, which was one of the most popular subjects for 18th century art writers. The first description of the work was provided by Pliny the Elder who, in the 36th volume of his Naturalis historia, calls it the best work of the art in the world – be it painting or sculpture. Pliny identifies three artists from Rhodes – Hagesandros, Polydoros and Athenedorus – as the authors of the Laocoön Group. After the sculpture was found in the vicinity of the Basilica of Santa Maria Maggiore, the Laocoön has repeatedly aroused the interest of art his

APA, Harvard, Vancouver, ISO, and other styles

25

Ajadi, Michael Olaniyi. "Identification and Stylistic Analysis of the Artistic Expression on Opa, Yoruba Sculptural Verges." Yoruba Studies Review 8, no. 1 (2023): 163–82. http://dx.doi.org/10.32473/ysr.8.1.134092.

Full text

Abstract:

Opa is an emblematic Yoruba sculptural verge and preserved transcendence expressional art amongst the social group in order to describe hierarchical structure in ranking chiefs, religious cults’ priests/priestesses and aged right. Significantly, time-scale conscious and in-depth exploration of the hierarchical motifs on diverse verges and artistic formats of integrated motifs have not been considered using deco-hierarchical structures analysis. The visual artistic expression of verges sculptural forms demands contextual exploration to give meaningful time-scale oriented written reports that co

APA, Harvard, Vancouver, ISO, and other styles

26

Mihaylova, Gergana. "IMPACT OF COLLAGE MAKING UPON THE DEVELOPMENT OF CREATIVE SKILLS OF CHILDREN AT THE AGE OF 7-8." Knowledge International Journal 34, no. 2 (2019): 541–46. http://dx.doi.org/10.35120/kij3402541m.

Full text

Abstract:

The focus of the paper is on the collage, which as a creative mix of various forms and structures, finds broad application in modern art, especially when it comes to fields such as fine and applied arts, advertising, modern design etc. The origin of the word comes from French, coler (glue), which is also the way it has been translated in Bulgarian.Collage is normally an authentic piece of art which combines different materials glued together, for instance paper, press-cuts from newspapers and/or magazines, photos, cloth, sometimes even wood, etc. The collage not only offers a new piece of art,

APA, Harvard, Vancouver, ISO, and other styles

27

Verhunova, Nataliia, and Serhii Verhunov. "Neoplasticism Interdisciplinarity on the Example of Thomas Gerrit Rietveld's Designing Practice." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 224–32. https://doi.org/10.31866/2410-1176.45.2021.247399.

Full text

Abstract:

The purpose of the article is to reveal the interdisciplinary potential of neoplasticism in the context of designing practice study of one of the brightest representatives of the De Stijl group — Thomas Gerrit Rietveld. The following methods were used to study the issue status: a comprehensive historical, cultural and stylistic analysis for consideration of Rietveld’s designing practice within actual social and cultural development trends of European society at that time; chronological analysis and synthesis — to generalize historical and cultural issues and art transformatio

APA, Harvard, Vancouver, ISO, and other styles

28

Bartlett, Vanessa. "Psychosocial curating: a theory and practice of exhibition-making at the intersection between health and aesthetics." Medical Humanities 46, no. 4 (2019): 417–29. http://dx.doi.org/10.1136/medhum-2019-011694.

Full text

Abstract:

A recent Manifesto for a Visual Medical Humanities suggested that more in-depth analysis of the contribution of visual art to medical humanities is urgently required. This need perhaps arises because artists and curators experience conflict between the experimental approaches and tacit knowledge that drive their practice and existing audience research methods used in visitor studies or arts marketing. In this paper, I adopt an innovative psychosocial method—uniquely suited to evidencing aesthetic experiences—to examine how an exhibition of my own curation facilitated audiences to undertake psy

APA, Harvard, Vancouver, ISO, and other styles

29

Law, Moira A., Pamela Pastirik, and Isdore Chola Shamputa. "Expressive Arts for Grieving Youth: A Pilot Project." OBM Integrative and Complementary Medicine 08, no. 01 (2023): 1–17. http://dx.doi.org/10.21926/obm.icm.2301009.

Full text

Abstract:

The experience of loss due to death, illness, and social mitigation was inevitable during the COVID-19 pandemic. Mental health services are chronically difficult to access in Canada, and this barrier is further exacerbated when trying to access certified art therapists to deliver expressive arts therapy. This pilot project attempted to provide an alternative to this service through an interprofessional alliance with a professional artist and certified counselors. A small group (n = 6) of vulnerable youth who had suffered the recent loss of a loved one and were at risk for mental health issues

APA, Harvard, Vancouver, ISO, and other styles

30

Bruyn, J. "François Venant. Enige aanvullingen." Oud Holland - Quarterly for Dutch Art History 111, no. 3 (1997): 163–76. http://dx.doi.org/10.1163/187501797x00195.

Full text

Abstract:

AbstractSince J. G. van Gelder was able to identify a number of works by François Venant (1591/92-1636) in 1938 (note 2) and Kurt Bauch and Astrid Tümpel added to these one painting and a drawing (notes 14 and 3), the artist has been known as one of the so-called Pre-Rembrandtists. Together with his contemporaries Claes Cornelisz. Moeyaert (c. 1590/91-1655) and Jacob Pynas (1592/93-after 1650) he was one of the younger artists of this group. Its style was dominated by Pictcr Lastman (1583-1633) and Jan Pynas (1581/82-1633), both of whom underwent the influence of Adam Elsheimer during their st

APA, Harvard, Vancouver, ISO, and other styles

31

Postma, Hugo J. "De Amsterdamse verzamelaar Herman Becker (ca. 1617-1678); Nieuwe gegevens over een geldschieter van Rembrandt." Oud Holland - Quarterly for Dutch Art History 102, no. 1 (1988): 1–19. http://dx.doi.org/10.1163/187501788x00546.

Full text

Abstract:

AbstractUp to now Herman Becker, one of the people who lent Rembrandt money in the straitened circumstances of the last years of his life, has had a bad press as an art-dealer who owed his wealth and influence to the exploitation of artists (Notes 1, 2). It is now possible to correct this image on the basis of recent research in the Amsterdam archives. Becker was born around 1617 and the supposition that he came from Riga in Latvia is borne out by the facts that he had contacts there, that his father Willem certainly lived there between 1640 and 1650 and that the words 'of or 'to' Riga appear

APA, Harvard, Vancouver, ISO, and other styles

32

Oliander, Luiza, and Viktoriia Ostapchuk. "Dzienniki (Diaries) of Jarosław Leon Iwaszkiewicz: World War II (1939–1945) in the writer’s individual perception." Sultanivski Chytannia, no. 12 (June 1, 2023): 37–50. http://dx.doi.org/10.15330/sch.2023.12.37-50.

Full text

Abstract:

The article aims to characterize a topical issue through poetics: the Second World War from the perspective of J. Iwaszkiewicz’s individual perception from September 2, 1939, when the Luftwaffe began to bomb Warsaw until the moment of its liberation on January 18, 1945. It is noted that the writer recorded on the pages of his diary not only his psychological state but also that of other people. Particular attention is paid to the first entry of August 12, 1939, where the breakdown of the peaceful life was recorded, during which the writer had been immersed in the problems of art, intending to

APA, Harvard, Vancouver, ISO, and other styles

33

Zoryana Haladzhun, Zoryana, Alina Ilchuk, and Andriy Yarmolovych. "TYPOLOGICAL FEATURES OF THE SPECIALIZED MAGAZINE «BANDURA»." Bulletin of Lviv Polytechnic National University: journalism 1, no. 7 (2024): 1–8. http://dx.doi.org/10.23939/sjs2024.01.001.

Full text

Abstract:

The work analyzes the typological features of the specialized music and literary bilingual (Ukrainian and English) magazine’ Bandura,’ published by the School of Bandura Art from 1981 to 2002 in the United States of America. It has been established that the publication of the magazine was preceded by the issuance from 1972 to 1981 of the ’Kobzarski Lystky’ (Kobzar Sheets), which were compiled by the School of Kobzar Art under the leadership of Mykola Czorny since its founding; the subscription costs varied based on two criteria: the region of distribution (America, Canada, or other countries)

APA, Harvard, Vancouver, ISO, and other styles

34

Nelson, Glen. "Mormon Artists Group: Adventures in Art Making." Dialogue: A Journal of Mormon Thought 39, no. 3 (2006): 115–24. http://dx.doi.org/10.2307/45227285.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Zaynutdinova, Zukhra. "ACTIVITY OF THE GROUP OF ARTISTS "5 + 1" IN CONCEPTUAL ART." CURRENT RESEARCH JOURNAL OF HISTORY 02, no. 12 (2021): 6–12. http://dx.doi.org/10.37547/history-crjh-02-12-02.

Full text

Abstract:

The article examines the role and significance of the "5 + 1" group in the development of contemporary art in Uzbekistan in the context of the creativity of the group's artists. The ideas and aesthetics of paintings, installations, video art in the work of individual artists are revealed in detail.

APA, Harvard, Vancouver, ISO, and other styles

36

Moss, Anne Eakin, Niloofar Haeri, and Narges Bajoghli. "Legacies of Protest Art in Iran." Public Culture 36, no. 2 (2024): 153–79. http://dx.doi.org/10.1215/08992363-11158958.

Full text

Abstract:

Abstract This article examines the art practice of a group of professors and students—who later came to be known as Group 57—at the Fine Arts College of the University of Tehran during the revolutionary period of 1978 to 1980. Through interviews with artists and art historical research, the authors describe the artists’ workshop where they produced posters against the Shah, the United States, and imperialism. Their posters drew on the bold colors, clear text, symbolic imagery, and easy reproducibility of international radical poster art and the early Russian revolutionary avant-garde. The auth

APA, Harvard, Vancouver, ISO, and other styles

37

Shirai, Yumi, and Carissa Maria DiCindio. "Museum as a Mutual Learning Space for Artists with Intellectual and Developmental Disabilities and University Students." Canadian Journal of Disability Studies 11, no. 3 (2022): 30–60. https://doi.org/10.15353/cjds.v11i3.926.

Full text

Abstract:

Using a university museum as a mutual learning space, guided by the core principles of multivocality and inclusive arts practice, six adult artists with intellectual disability and 16 undergraduate students collaborated to plan a public art exhibition. In this article, we describe the facilitation of the 6-week group process with artists with intellectual disability who have varied cognitive and communication abilities, to curate their own stories and prepare for a public art exhibition, and students to gain field experiences as community art educators, working with a community artist group. B

APA, Harvard, Vancouver, ISO, and other styles

38

Lake, Susan. "The Challenge of Preserving Modern Art: A Technical Investigation of Paints Used in Selected Works by Willem de Kooning and Jackson Pollock." MRS Bulletin 26, no. 1 (2001): 56–60. http://dx.doi.org/10.1557/mrs2001.20.

Full text

Abstract:

Willem de Kooning (1904–1997) and Jackson Pollock (1912–1956) are perhaps the best-known members of the abstract expressionist movement, a group of diverse artists from disparate backgrounds who radically transformed American art during the 1940s and into the 1950s. While the development and legacy of abstract expressionism remains a subject of considerable debate, what this diverse group of artists had in common was the belief that the materials, and the ways the artists applied them, are crucial to the expression of their art.

APA, Harvard, Vancouver, ISO, and other styles

39

Ragil, Tri Wibowo, Srimuda Pitana Titis, and Abdullah Wakit. "The Existence of "Turangga Mudha" Jathilan Art Group in Pandemic Era." International Journal of Arts and Social Science 4, no. 3 (2023): 251–56. https://doi.org/10.5281/zenodo.7740869.

Full text

Abstract:

: This research is used to know the change of jathilan art performance after Covid-19 pandemic strikes and to understand the factors which cause jathilan art survives in pandemic era. This is a qualitative research which employs descriptive qualitative research using data collection methods such as interview, documentation and theoretical review. Based on the research, “TuranggaMudha” Jathilan art group keeps performing but limited only for the residents of one village by applying health protocols. The health protocols are social distancing, washing hands, wearing masks and using h

APA, Harvard, Vancouver, ISO, and other styles

40

Vašíčková, Kateřina, Andrea Mikotová, and Lucie Šilerová. "Stress in Music Managers and Artists: Pilot study on Czech and Slovak Students." Zeitschrift für Kulturmanagement 4, no. 1 (2018): 133–44. http://dx.doi.org/10.14361/zkmm-2018-0108.

Full text

Abstract:

AbstractThe aim of the presented study was to do a pilot research on the comparison of the incidence of stress in a group of students of music management and art of music. We examined whether artists and music managers differ in the perception of the intensity of stress when playing (working) solo from the intensity when playing (working) in group. Furthermore, we focused on the most common stressors and main stress symptoms among music managers and artists. Total 63 students of music, cultural or art management (average age 28.6 years; 69.8 % were women) and 75 students of art of music (avera

APA, Harvard, Vancouver, ISO, and other styles

41

Tamás, Borbála, Andrea Barta, and István Szamosközi. "The effect of art expertise on visual symmetry and asymmetry preference." European Journal of Behavioral Sciences 5, no. 1 (2022): 11–17. http://dx.doi.org/10.33422/ejbs.v5i1.592.

Full text

Abstract:

The main differences between artists and non-artists can be discovered in information processing, drawing performance and aesthetical preferences. Aesthetical preference is influenced by stimulus complexity and by the symmetry-asymmetry dimension of the presented stimulus. Although the differences between artists and non-artists are clear regarding aesthetical evaluation, there are evidence supporting the assumption that symmetry is preferred over asymmetry regardless of domain specific knowledge. In the current study we investigated the role of expertise in visual art on aesthetical evaluatio

APA, Harvard, Vancouver, ISO, and other styles

42

Хайрулина, А. В. "The inspirer of the Shikotan group of artists O.N. Loshakov." Iskusstvo Evrazii [The Art of Eurasia], no. 2(29) (June 30, 2023): 210–23. http://dx.doi.org/10.46748/arteuras.2023.02.006.

Full text

Abstract:

Статья посвящена творчеству академика Российской академии художеств, заслуженного художника Российской Федерации, профессора Олега Николаевича Лошакова. Материалы исследования расширяют диапазон представлений о годах творчества мастера на Дальнем Востоке. Вместе с организованной им группой молодых живописцев и графиков, первых выпускников Владивостокского художественного училища, он несколько десятилетий писал пейзажи на острове Шикотан. В статье представлены произведения живописи членов Шикотанской группы, обозначены характерные стилевые, композиционные и колористические особенности их работ.

APA, Harvard, Vancouver, ISO, and other styles

43

Ort, Thomas. "Cubism's Sex: Masculinity and Czech Modernism, 1911–1914." Austrian History Yearbook 44 (April 2013): 175–94. http://dx.doi.org/10.1017/s0067237813000118.

Full text

Abstract:

Among those who interest themselves in modernism in the context of the Austro-Hungarian Empire, Prague is sometimes referred to as the “second city of cubism.” In 1911, at a time when the style was still largely unknown in Europe, an artists’ group devoted to the defense and promotion of the new art was founded in Prague. The members of the Skupina výtvarných umělců, or Visual Artists Group, wrote extensively about cubism in their journal Umělecký mesičník [Art Monthly] as well as in other publications. They sponsored numerous exhibits of the art at home and participated in shows of Czech cubi

APA, Harvard, Vancouver, ISO, and other styles

44

Durand-Ruel, Victoria Mouraux, and John Zarobell. "Contemporary art from the Global South in the art auction market from 2020 to 2022." Arts & Communication 2, no. 1 (2023): 1608. http://dx.doi.org/10.36922/ac.1608.

Full text

Abstract:

In recent years, emerging artists from the Global South have garnered substantial attention in the art market. This study seeks to examine the market value and ecosystem evolving around these emerging artists by analyzing the sales results of 51 artists between 2020 and 2022. This research aims to establish patterns linking unprecedented sales results with exhibition history and highlights the essential network required for these artists&rsquo; commercial success. The study reveals that the emergence of artists in the global art market results from a deliberate effort by a network of stake

APA, Harvard, Vancouver, ISO, and other styles

45

Piątkowska, Renata. "Artystki i miłośniczki sztuki – kobiety w żydowskim życiu artystycznym międzywojennej Warszawy. W kręgu Żydowskiego Towarzystwa Krzewienia Sztuk Pięknych." Studia Judaica, no. 1 (47) (2021): 175–211. http://dx.doi.org/10.4467/24500100stj.21.007.14609.

Full text

Abstract:

Artists and Art Lovers: Women in the Jewish Artistic Life of Interwar Warsaw. In the Circle of The Jewish Society for the Encouragement of Fine Arts Research on Jewish artistic life in interwar Warsaw, especially in the context of the activities of the Jewish Society for the Encouragement of Fine Arts (Żydowskie Towarzystwo Krzewienia Sztuk Pięknych), reveals active and numerousparticipation of women, both artists and art lovers (by and large a group of professionals, bourgeois, political and social activists, Jewish art collectors). In the article, special attention is paid to Tea Arciszewska

APA, Harvard, Vancouver, ISO, and other styles

46

Winestein, Anna. "Artists at Play." Experiment 25, no. 1 (2019): 328–45. http://dx.doi.org/10.1163/2211730x-12341346.

Full text

Abstract:

Abstract The exhibition of Russian folk art at the Paris “Salon d’Automne” of 1913 has been generally overlooked in scholarship on folk art, overshadowed by the “All-Russian Kustar Exhibitions” and the Moscow avant-garde gallery shows of the same year. This article examines the contributions of its curator, Natalia Erenburg, and the project’s instigator, Iakov Tugendkhold, who wrote the catalogue essay and headed the committee—both of whom were artists who became critics, historians, and collectors. The article elucidates the show’s rationale and selection of exhibits, the critical response to

APA, Harvard, Vancouver, ISO, and other styles

47

Choi, Sooran. "Art-Kut! The Counter-Cultural and Feminist Spirituality of Shamanism in Postwar South Korean Art." Religion and the Arts 27, no. 1-2 (2023): 86–106. http://dx.doi.org/10.1163/15685292-02701012.

Full text

Abstract:

Abstract On 17 January 1981, during a cold Winter Day at the height of an authoritarian military regime, a group of South Korean artists named “Baggat Misul [Outdoor Art]” gathered around a riverbank outside Seoul to interact with nature and called it “jayeon misul [nature art].” A young woman artist Yong-sin Suh performed an act the group called “a lark,” during which Suh alternated with two male artists in reading aloud sections of newspaper articles. These unhinged, free-spirited acts were inspired by the Korean folk theater tradition of pansori (traditional Korean musical opera), and kut (

APA, Harvard, Vancouver, ISO, and other styles

48

Mon, Nor Suliana Mak, Siti Zuraida Maaruf, and Akmal Ahamed Kamal. "The Development of Artique - Independent Artists and Online Art Criticism." European Journal of Social & Behavioural Sciences 30, no. 2 (2021): 3358–68. http://dx.doi.org/10.15405/ejsbs.293.

Full text

Abstract:

Learning art online breaks the geographical barriers and frontiers between art students, artists, galleries, and museums. Studio critique can now be performed beyond the brick walls of a physical room through the virtual platform. This research studies on the impact of art criticism in an online gallery for independent artists which was developed through the design and development method (DDR) while Visual Culture Model was employed for Phase One in the Needs Analysis. The positive feedback obtained from five independent artists who participated in the research revealed that it is common for a

APA, Harvard, Vancouver, ISO, and other styles

49

Hume, Naomi. "Avant-Garde Anachronisms: Prague's Group of Fine Artists and Viennese Art Theory." Slavic Review 71, no. 3 (2012): 516–45. http://dx.doi.org/10.5612/slavicreview.71.3.0516.

Full text

Abstract:

The Czech Group of Fine Artists published their journal, Umělecký měsíčník (Art Monthly, 1911-1914) to justify their abstraction and their interest in French cubism in response to criticism that denigrated their work as incomprehensible and foreign. In this article, Naomi Hume argues that the Group's strategy was fundamentally at odds with how avantgardes have been understood to operate in scholarship on modernism. Rather than asserting a break with the past, the Group applied new Viennese art historical approaches—particularly those of Alois Riegl, Max Dvořák, and Vincenc Kramář—to draw paral

APA, Harvard, Vancouver, ISO, and other styles

50

Ittu, Gudrun-Liane. "Siebenbürgisch-deutsche Künstlerinnen vom Ende des 19. und Anfang des 20. Jahrhunderts." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (2020): 127–55. http://dx.doi.org/10.24193/subbhistart.2020.07.

Full text

Abstract:

"Transylvanian German women artists from the end of the 19th and beginning of the 20th century. The paper is aiming at analyzing the life and art of a group of six German women artists from Transylvania, the first ones who studied abroad, real forerunners for the next generation of female plastic artists. Emancipated ladies, determined to become artists and earn their own money, the gifted women studied in Budapest, Vienna, Munich or Paris. Only Molly Marlin did not come back home, while the others had a prodigious artistic and pedagogical activity, being present at the annual exhibitions, tog

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!