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Journal articles on the topic 'Grünewald'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2024

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1

Thomas, R. S. "Grünewald Now." Anglican Theological Review 100, no. 3 (June 2018): 597. http://dx.doi.org/10.1177/000332861810000319.

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2

Hughes, Lesley. "“A German Artwork for the German People”." Journal of Musicology 40, no. 2 (2023): 131–58. http://dx.doi.org/10.1525/jm.2023.40.2.131.

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The opera Mathis der Maler (1935), based on the sixteenth-century German painter Matthias Grünewald, is Paul Hindemith’s most iconic work. Because of its artist protagonist, scholarship on Mathis has traditionally focused on how Hindemith may have used the figure of Grünewald to express his views on aesthetics, the position of the artist in society, and/or his position under the Nazi regime. Little attention has been paid, however, to the cultural significance of Grünewald as a factor behind Hindemith’s choice of topic. This article examines the reception history of Grünewald from his rediscovery in the late nineteenth century through the interwar period in Germany. Drawing on contemporary periodicals and the scholarly literature, I show how the artist became a symbol of German Kultur in the nationalist context of the Franco-Prussian War and the First World War. This symbolic status arguably attracted Hindemith to Grünewald as an operatic subject at the beginning of the Third Reich. Not only did the topic align with National Socialist rhetoric about promoting German art, it also allowed Hindemith to draw parallels between himself and Grünewald, portraying himself and his work as inherently German. Given Hindemith’s determination to avoid controversy in the first tumultuous months of the Nazi regime, I conclude that Mathis represented an accommodation to the rapidly shifting social and political environment.
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3

Meireles, Selma Martins. "Resenha: Grünewald, Comics." Pandaemonium Germanicum, no. 8 (December 19, 2004): 263. http://dx.doi.org/10.11606/1982-8837.pg.2004.68443.

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4

Grünewald, Thomas. "Wer ist ... Thomas Grünewald?" Im Fokus Onkologie 23, no. 5 (October 2020): 87. http://dx.doi.org/10.1007/s15015-020-2565-1.

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5

Grünewald, Tilman A., Andreas Johannes, Nina K. Wittig, Jonas Palle, Alexander Rack, Manfred Burghammer, and Henrik Birkedal. "Bone mineral properties and 3D orientation of human lamellar bone around cement lines and the Haversian system. Corrigendum." IUCrJ 10, no. 3 (April 28, 2023): 376. http://dx.doi.org/10.1107/s2052252523002695.

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6

Setzler, Sibylle. "Rezension von: Dürer, Holbein, Grünewald. Meisterzeichnungen der deutschen Renaissance aus Berlin und Basel." Schwäbische Heimat 48, no. 4 (February 2, 2024): 409–10. http://dx.doi.org/10.53458/sh.v48i4.9841.

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7

Nusser, Bernd. "Außen- und Radiowerbung als probate Kanäle." Lebensmittel Zeitung 75, no. 39 (2023): 39. http://dx.doi.org/10.51202/0947-7527-2023-39-039.

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8

Düthmann, Christiane. "„Emotionale Nachspielzeit“." Lebensmittel Zeitung 75, no. 26 (2023): 86. http://dx.doi.org/10.51202/0947-7527-2023-26-086.

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9

Wunder, Gerd, and Hans Jürgen Rieckenberg. "Rezension von: Rieckenberg, Hans Jürgen, Matthias Grünewald." Württembergisch Franken 64 (March 4, 2024): 294–95. http://dx.doi.org/10.53458/wfr.v64i.10689.

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10

Klein, Richard. "Thomas Grünewald, Constantinus Maximus Augustus." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte. Romanistische Abteilung 109, no. 1 (August 1, 1992): 633–34. http://dx.doi.org/10.7767/zrgra.1992.109.1.633.

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11

Zaczyk, Rainer. "Anette Grünewald: Das vorsätzliche Tötungsdelikt." JuristenZeitung 67, no. 4 (2012): 197. http://dx.doi.org/10.1628/002268812799420433.

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12

Köpf, Ulrich, and Uwe Scharfenecker. "Rezension von: Scharfenecker, Uwe, Tübingen, katholisch-theologisch." Zeitschrift für Württembergische Landesgeschichte 82 (July 11, 2023): 575–76. http://dx.doi.org/10.53458/zwlg.v82i.6829.

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Uwe Scharfenecker, Tübingen, katholisch-theologisch. Eine kirchenhistorische und staatskirchenrechtliche Untersuchung. Ostfildern: Matthias Grünewald Verlag 2022. 400 S. ISBN 978-3-7867-3301-0. Geb. € 52,–
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13

Marquard, Reiner. "Karl Barth, das Manifest der 93 und der Isenheimer Altar. Ingolf U. Dalferth in Dankbarkeit!" Evangelische Theologie 80, no. 2 (April 1, 2020): 113–28. http://dx.doi.org/10.14315/evth-2020-200206.

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Abstract Without the contemplation of the Isenheim Altar, Karl Barth would not have achieved a certain theological breakthrough in this radical and precise manner. It can be assumed that his theological linguistic doctrine for the turn from the first to the second version of the Commentary on the Letter to the Romans was promoted by the pictorial contemplation of the Isenheim Altar (caused by the disappointment about his theological teachers). The thesis is that Barth presented his theological metaphor of the ›death line‹ (17 October 1920) in derivation of the ›death wall‹ (17 April 1920) of the closed representation of the altar, which had previously been viewed by Grünewald, so that Barths with his Grünewald reception also and decisively initiated and carried out his theological reorientation.
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14

Chkhan, M. V. "Green Economy as the Instrument of Providing Sustainable Finances in the EU." MGIMO Review of International Relations 14, no. 5 (November 1, 2021): 224–31. http://dx.doi.org/10.24833/2071-8160-2021-5-80-224-231.

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Book review: Busch D., Ferrarini G., Grünewald S. 2021. Sustainable Finance in Europe. Corporate Governance, Financial Stability and Financial Markets. Springer. 511 p. DOI: 10.1007/978- 3-030-71834-3
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15

Biester, Silke, and Mathias Himberg. "„Angst, im Lockdown durchzudrehen“." Lebensmittel Zeitung 73, no. 14 (2021): 25–26. http://dx.doi.org/10.51202/0947-7527-2021-14-025.

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Stephan Grünewald, Geschäftsführer des Rheingold-Instituts, befragt Kundinnen und Kunden tiefenpsychologisch zu Handel und Konsum. Mit der LZ spricht er über Ohnmachtsgefühle in Corona-Zeiten, Furcht vor Zivilisationsverlust und Marken als Trostspender.
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16

Litwinowicz, Zofia. "Entre la danse macabre et l’apologie de la vie, ou les vanités selon Joris-Karl Huysmans." Quêtes littéraires, no. 8 (December 30, 2018): 129–39. http://dx.doi.org/10.31743/ql.3486.

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Dans l’œuvre huysmansienne, en particulier celle de la transition entre sa phase décadente, marquée par Là-bas (1891), et la période du naturalisme mystique, dont le fruit le plus mûr reste La Cathédrale (1898), il est possible de retracer la transformation complète et profonde du traitement de la vanitas. Le présent article propose une analyse de trois étapes de cette évolution. Il part de la vanitas macabre de Là-bas, proche de l’esthétique de Félicien Rops, auquel Huysmans s’intéresse dans les années 1880, et du motif de la tentation de saint Antoine dans les arts de la fin du Moyen-Âge et du début de Renaissance. Ensuite, il examine l’approche huysmansienne à la Crucifixion de Cassel et au retable d’Issenheim de Matthias Grünewald, qui constitue un passage entre l’esthétique de la danse macabre et celle du naturalisme mystique. Finalement, il étudie le legs des ekphraseis de Grünewald : l’apologie de la vie et un regard nouveau sur la vanitas dans La Cathédrale.
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17

Eichberger, Vanja. "Dietrich Grünewald. Visuelle Satire: Deutschland im Spiegel politisch-satirischer Karikaturen und Bildergeschichten. Kulturlandschaft Schaumburg 22. Edited by Dietrich Grünewald." Seminar: A Journal of Germanic Studies 56, no. 3-4 (November 1, 2020): 399–400. http://dx.doi.org/10.3138/seminar.56.3-4.rev005.

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18

Spiller, Ralf. "Zowislo-Grünewald, Natascha, Beitzinger, Franz: Lehrbuch Strategisches Kommunikationsmanagement." Publizistik 62, no. 2 (March 16, 2017): 251–52. http://dx.doi.org/10.1007/s11616-017-0334-8.

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19

Weiche, Iris. "Multiresistente Keime: Infektionsprävention ist die beste Therapie." kma - Klinik Management aktuell 23, no. 11 (November 2018): 83. http://dx.doi.org/10.1055/s-0036-1595526.

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Berichte über schwere Infektionen und MSRA in Krankenhäuser verunsichern Patienten zusehends. Das Klinikum Heidenheim entwickelt seit Jahren innovative Konzepte für einen besseren Schutz vor Infektionen und kooperiert mit Universitäten und Unternehmen wie der PAUL HARTMANN AG. Laut Dr. Martin Grünewald, Chefarzt Medizinische Klinik I im Klinikum Heidenheim, „ist die Prävention im Vergleich zur Behandlung und Therapie oftmals nicht nur kostengünstiger, sondern auch effektiver und damit hilfreicher für die Betroffenen – insbesondere im Infektionsschutz“.
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20

Koszyk, Kurt. "Dietrich Grünewald (Hrsg.): Politische Karikatur. Zwischen Journalismus und Kunst." Publizistik 47, no. 4 (December 2002): 483. http://dx.doi.org/10.1007/s11616-002-0126-6.

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21

Borroni, Giovanni, and Giuseppe Vignati. "Should Sutton Nevus Really Be Called Grünewald-Sutton Nevus?" American Journal of Dermatopathology 15, no. 5 (October 1993): 506–8. http://dx.doi.org/10.1097/00000372-199310000-00019.

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22

ADAMS, ALEXANDER. "MATTHIAS GRÜNEWALD: DIE ZEICHNUNGEN/DRAWINGS/ DESSINS BY MICHAEL ROTH AND MATTHIAS GRÜNEWALD: ZEICHNUNGEN UND GEMÄLDE BY MICHAEL ROTH, ANTJE-FEE KÖLLERMANN ET AL." Art Book 15, no. 4 (November 2008): 32–33. http://dx.doi.org/10.1111/j.1467-8357.2008.00992.x.

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23

Breil, Reinhold. "Hans Wagner: Philosophie und Reflexion. Hrsg. v. Bernward Grünewald. (Hans Wagner, Gesammelte Schriften, hrsg. v. Reinhold Aschenberg, Bernward Grünewald, Stephan Nachtsheim, Hariolf Oberer, Bd. 1)." Philosophischer Literaturanzeiger 67, no. 2 (June 13, 2014): 158–74. http://dx.doi.org/10.3196/219458451467282.

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24

Vieira, André Soares. "Huysmans e Gonzaga Duque: transposições de arte em textos franceses e brasileiros do Simbolismo." Aletria: Revista de Estudos de Literatura 23, no. 3 (December 31, 2013): 59–72. http://dx.doi.org/10.17851/2317-2096.23.3.59-72.

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Este ensaio pretende refletir sobre alguns processos de tradução de obras picturais transpostas para textos críticos e literários. O processo de transposição escrita da pintura será examinado segundo uma análise do discurso sobre arte produzido pelo escritor e crítico brasileiro Gonzaga Duque (1863-1911) e pelo romancista e também crítico de arte francês Joris-Karl Huysmans (1848-1907). O objetivo é o de mapear, através de obras dos pintores Matthias Grünewald (1470-1528) e Félicien Rops (1833-1898), alguns modos de transferência entre a arte pictórica e os textos críticos e literários, tomando-se por base, sobretudo, os estudos de Françoise Lucbert.
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25

Glasmeier, Michael. "Ansichten vom dösenden Ohr. Abschweifungen zu Hans Baldung und Terry Fox." Zeitschrift für Ideengeschichte 15, no. 4 (2021): 69–84. http://dx.doi.org/10.17104/1863-8937-2021-4-69.

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Die deutsche Renaissance hat eine Fülle bemerkenswert extremer Bildäußerungen hervorgebracht. Neben den gemäßigten Albrecht Dürer oder Hans Holbein sind es beispielsweise Albrecht Altdorfer, Matthias Grünewald, Hans Schäufelin, Martin Schongauer oder Konrad Witz, die insgesamt zwischen Humanismus und Reformation, neuem Bürgertum und abgewirtschafteten Adel, Bildverehrung und Ikonoklasmus laborierten und mit teilweise möglichst unsublimierten Darstellungen die sinnliche und brutale Erfahrung von Körperhaftigkeit ins Zentrum ihres Wirkens stellen. Diesem Kreis ist auch der äußerst spezielle Hans Baldung Grien (1484/85–1545) zuzurechnen, dem unter dem Titel heilig | unheilig 2019 die große Landesausstellung in der Staatlichen Kunsthalle Karlsruhe gewidmet war.
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26

Sleibi, Ahmed Sami, and Sameer Qasim Hasan. "Stability of Caputa–Katugampola fractional differential nonlinear control system with delay Riemann−Katugampola." Journal of Interdisciplinary Mathematics 27, no. 4 (2024): 913–21. http://dx.doi.org/10.47974/jim-1911.

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This paper presents the existence, uniqueness and stability of nonlinear fractional order systems of the Caputa–Katugampola Fractional Differential with delay Riemann−Katugampola in finite time, which takes advantage of the “generalized Grünewald inequality”. Therefore, we propose necessary and sufficient conditions to guarantee the finite time stability of a system of order 0 < α <1 and we provide a basic criterion for the stability of systems. We also provide examples and illustrations that show the relevance of the proposed theory. Moreover, our results indicate that our conclusions are more accurate than the existing literature on stability requirements.
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27

Wagner, Hans, Bernward Grünewald, and Reinhold Breil. "Hans Wagner: Kleinere Schriften I: Systematische Abhandlungen. Hrsg. v. Bernward Grünewald. (Hans Wagner, Gesammelte Schriften, hrsg. v. Reinhold Aschenberg, Bernward Grünewald, Stephan Nachtsheim, Hariolf Oberer, Bd. 3)." Philosophischer Literaturanzeiger 69, no. 2 (June 1, 2016): 153–65. http://dx.doi.org/10.3196/219458451669260.

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28

Cardoso, Luis Gustavo. "Imagem e corrosão: a écfrase crítica na narrativa de W. G. Sebald." Jangada: crítica | literatura | artes 12, no. 1 (May 23, 2024): e120103. http://dx.doi.org/10.35921/jangada.v12i1.550.

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Este artigo investiga a écfrase na produção narrativa de W. G. Sebald. Seu corpus está delimitado por uma série de imagens e écfrases selecionadas do romance Os anéis de Saturno, bem como por passagens do primeiro longo poema da obra Nach der Natur: Ein Elementargedicht (“Segundo a Natureza: um poema elementar”), em que narrador trata da vida e obra de Matthias Grünewald. Ao mobilizar a análise e descrição da écfrase, situando-a como recurso retórico e literário de efeito poético e crítico, este artigo desenvolve-se sobre a hipótese de que Sebald se vale da écfrase a fim de restituir a experiência tal como tomada por Walter Benjamin, isto é, como tradução do vivido em experiência viva.
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29

Grünewald, Dietrich. "Dietrich grünewald geliebt und beargwöhnt: Zum kulturellen stellenwert von comics in Deutschland." Kultura, no. 165 (2019): 241–58. http://dx.doi.org/10.5937/kultura1965241g.

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30

Frankemölle, Hubert. "Johannes der Täufer und Jesus im Matthäusevangelium: Jesus Als Nachfolger des Täufers." New Testament Studies 42, no. 2 (April 1996): 196–218. http://dx.doi.org/10.1017/s0028688500020701.

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Das traditionelle christliche Bild des Täufers ist geprägt durch religiöse Volkskunde und Feömmigkeitsgeschichte, die aufgrund der unseligen ‘Zergegnung’ zwischen Christen und Juden durch die Jahrhunderte hindurch bis zum Holocaust von antijüdischen Stereotypen bestimmt sind. Je ausgeprägter die Christologie, um so unmiβverständlicher ist die theologische Degradierung oder Enterbung in Form der Vereinnahmung, etwa wenn man Johannes den Täufer aufgrund von Mt 11.11 (‘Amen, das sage ich euch: Unter alien, die von einer Frau geboren sind, trat keiner auf, der gröβer ist als Johannes der Täufer’) als ersten überregionalen Heiligen der christlichen Kirche in Ost und West verehrte. Oder: Wer erinnert sich nicht an den Johannes auf dem Isenheimer Altar des Matthias Grünewald, wo der langgestreckte Zeigefinger des Täufers überdeutlich seine heilsgeschichtlich-hinweisende, unter-geordnete Rolle festlegt.
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31

Grünewald, Andreas. "La motivación de los alumnos en la clase de lengua extranjera. Resultados de una investigación empírica en el contexto del uso de las tecnologías de comunicación e información." Pulso. Revista de educación, no. 32 (October 30, 2009): 75–93. http://dx.doi.org/10.58265/pulso.4991.

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Los resultados expuestos en este artículo se basan en una investigación sobre el tema software y uso de Internet en la clase de español: desarrollo de la motivación y la autoevaluación (Grünewald, 2006). El presente estudio tiene por objeto comprobar: a) si existe y, en caso a rmativo, cómo cambia la motivación en el aprendizaje de una lengua extranjera usando el ordenador, así como la actitud de los sujetos con respecto a la lengua extranjera en sí cuando trabajan con software didáctico y con Internet; b) cómo perciben los alumnos su propio progreso en el aprendizaje cuando trabajan con el ordenador; c) si pueden observarse relaciones de algún tipo entre el aumento de la motivación y el incremento del éxito en el aprendizaje que el alumno percibe a título individual.
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32

Merello, Ida. "Joris-Karl Huysmans. De Degas à Grünewald, dir. S. Guégan et A. Guyaux." Studi Francesi, no. 191 (LXIV | II) (August 1, 2020): 431–32. http://dx.doi.org/10.4000/studifrancesi.32113.

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33

Higuet, E. A. "A Crucifixão de Matthias Grünewald à Luz de Uma Teologia Protestante da Imagem." Correlatio 8, no. 16 (December 31, 2009): 74–94. http://dx.doi.org/10.15603/1677-2644/correlatio.v8n16p74-94.

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34

WANG, YU, XIANG-YANG LI, and OPHIR FRIEDER. "DISTRIBUTED SPANNERS WITH BOUNDED DEGREE FOR WIRELESS AD HOC NETWORKS." International Journal of Foundations of Computer Science 14, no. 02 (April 2003): 183–200. http://dx.doi.org/10.1142/s0129054103001674.

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In this paper, we review some new distributed algorithms that construct sparse subgraphs with bounded degree of the unit disk graph efficiently for wireless ad hoc networks. They maintain a linear number of links while still preserving power-efficient routes for any pair of nodes. It was open whether the Yao plus reverse Yao graph and the symmetric Yao graph are spanners. We show that the Yao plus reverse Yao graph has a bounded power stretch factor 2 in civilized unit disk graph. In addition, we review a recent example by M. Grünewald et al. [6] to show that the symmetric Yao graph does not have a constant bounded stretch factor. Finally, we conduct simulations to study the practical performances of these structures. All structures have small power stretch factors for randomly generated unit disk graphs in our experiments.
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35

Schmid, Gilbert. "Heinrich Pompey, Sterbende nicht allein lassen. Erfahrnngen christlicher Sterbegeleitung, Mainz, Matthias-Grünewald-Verlag 1996." Zeitschrift für medizinische Ethik 42, no. 2 (April 19, 1996): 162–63. http://dx.doi.org/10.30965/29498570-04202014.

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36

Ermolaeva, M. V., and D. V. Lubovsky. "The Psychotherapeutic Value of Tragic Catharsis." Консультативная психология и психотерапия 26, no. 1 (2018): 29–44. http://dx.doi.org/10.17759/cpp.2018260103.

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The article analyzes the phenomenon of catharsis that occurs from the perception of the tragic in art. Based on the eudemonistic understanding of catharsis we trace the cultural and historical aspects of the problem and show that catharsis as an aesthetic and psychological phenomenon that emerged in antiquity in order to facilitate acceptance of the necessity of dying of Self for rebirth into a new life. Using the examples of expressionist paintings and their early origins (M. Grünewald, E. Munch, P. Picasso) we analyze catharsis that occurs in the process of the tragic artworks perception, showing its therapeutic value for the audience (accepting the inevitable and searching for meaning, struggling with despair, resisting chaos, evil, and destruction). We show that the tragic in art, including painting, creates an aesthetic space that penetrates the living space of the subject of artistic perception and creates the possibility of expanding the conceptual horizon and spiritual renewal.
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37

Odero, J. M. "Walter KASPER, Theologie und Kirche, Matthias-Grünewald-Verlag, Mainz 1987, 322 pp., 14,5 x 22,5." Scripta Theologica 20, no. 2-3 (February 28, 2018): 955. http://dx.doi.org/10.15581/006.20.19683.

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38

Berthold, Ruth, Ilka Isfort, Cihan Erkut, Lorena Heinst, Inga Grünewald, Eva Wardelmann, Thomas Kindler, et al. "Abstract PR004: Fusion protein-driven IGF-IR signals deregulate hippo pathway promoting oncogenic cooperation of YAP1 and FUS-DDIT3." Clinical Cancer Research 28, no. 18_Supplement (September 15, 2022): PR004. http://dx.doi.org/10.1158/1557-3265.sarcomas22-pr004.

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Abstract Introduction: Myxoid liposarcoma (MLS) is molecularly characterized by a recurrent chromosomal translocation which generates a chimeric FUS-DDIT3 fusion gene. The FUS-DDIT3 oncoprotein, acting as a transcriptional dysregulator, has been shown to be essential in MLS pathogenesis, among others through deregulation of IGF-IR/PI3K/AKT signaling, but its exact mode of function remains incompletely understood. Recently, a particular reliance on the Hippo pathway effector and transcriptional co-regulator YAP1 was found in MLS; however, the molecular mechanism of FUS-DDIT3-dependent YAP1 activation and its contribution to MLS pathogenesis remain unclear. Experimental Procedures: The expression of IGF-IR and YAP1 was analyzed in a large cohort of MLS specimens by immunohistochemistry. In vitro analyses were performed employing a human mesenchymal stem cell system stably expressing FUS-DDIT3 and human MLS cell lines. RNA interference-based approaches, experiments with small-molecule kinase inhibitors, co-immunoprecipitation, proximity ligation assays, transcriptome sequencing and adipogenic differentiation assays were performed to determine the interplay of FUS-DDIT3, IGF-IR-dependent signals, and YAP1 in MLS cells. Results: Immunohistochemically, a significant subset of MLS samples showed concurrent expression of IGF-IR and nuclear YAP1. In vitro, FUS-DDIT3-driven IGF-IR signaling was found to promote stability and nuclear accumulation of YAP1 via deregulation of the Hippo pathway. Co-immunoprecipitation and proximity ligation assays revealed nuclear co-localization of FUS-DDIT3 and YAP1 in FUS-DDIT3-expressing mesenchymal stem cells and MLS cell lines. Transcriptome sequencing of MLS cells demonstrated that FUS-DDIT3 and YAP1 co-regulate specific oncogenic gene signatures related to proliferation, cell cycle progression, apoptosis, and adipogenesis. In differentiation assays, FUS-DDIT3 and YAP1 were found to cooperate in adipogenic differentiation arrest. Conclusions: Our study provides molecular insights into a complex FUS-DDIT3-driven network involving IGF-IR signals acting on Hippo/YAP1, and uncovers cooperative effects of YAP1 and FUS-DDIT3 in the pathogenesis of MLS. Citation Format: Ruth Berthold, Ilka Isfort, Cihan Erkut, Lorena Heinst, Inga Grünewald, Eva Wardelmann, Thomas Kindler, Pierre Åman, Thomas G.P. Grünewald, Florencia Cidre-Aranaz, Marcel Trautmann, Stefan Fröhling, Claudia Scholl, Wolfgang Hartmann. Fusion protein-driven IGF-IR signals deregulate hippo pathway promoting oncogenic cooperation of YAP1 and FUS-DDIT3 [abstract]. In: Proceedings of the AACR Special Conference: Sarcomas; 2022 May 9-12; Montreal, QC, Canada. Philadelphia (PA): AACR; Clin Cancer Res 2022;28(18_Suppl):Abstract nr PR004.
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Jacobsson, B., P. Bernell, I. Arvidsson, and R. Hast. "Classical morphology, esterase cytochemistry, and interphase cytogenetics of peripheral blood and bone marrow smears." Journal of Histochemistry & Cytochemistry 44, no. 11 (November 1996): 1303–9. http://dx.doi.org/10.1177/44.11.8918905.

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We used peripheral blood (PB) and bone marrow (BM) smears in the development of two methods based on cytomorphology and esterase cytochemistry in combination with fluorescence in situ hybridization (FISH). The first method involves photodocumentation of May-Grünewald-Giemsa (MGG)-stained cells, followed by destaining in methanol-acetic acid, fixation in paraformaldehyde, and digestion with protease and RNAse before FISH using alpha-satellite probes that specify chromosomes X, 7, 8, and 17. On average, two hybridization signals were seen in 94.5% of disomic BM cells. The hybridization sensitivity was found to vary, however, both among morphologically defined hematopoietic cell lineages and among differentation levels within a lineage. In the second method, an esterase staining technique was followed by the same treatment as for MGG-stained cells. The esterases and FISH signals could be simultaneously visualized and the method was found suitable for rapid screening of in situ signals in cytochemically defined granulocytes and lymphocytes but not in monocytes. The combined methods proved very useful in elucidating the clinical significance of chromosomal abnormalities seen in two cases of leukemia.
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40

Mayer, Mathias. "Die Rezeption des Isenheimer Altars zwischen Ethik und Ästhetik. Grünewald-Spuren in der Literatur des 20. Jahrhunderts." Zeitschrift für Germanistik 27, no. 3 (January 1, 2017): 528–41. http://dx.doi.org/10.3726/92158_528.

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41

Carabine, Deirdre. "Book Review: Fernöstliche Weisheit und christlicher Glaube. By Hans Waldenfels and Thomas Immoos, Matthias Grünewald, Mainz, 1985." Irish Theological Quarterly 53, no. 2 (June 1987): 152–54. http://dx.doi.org/10.1177/002114008705300207.

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42

Tepe, Gerhard. "Wunjbald Müller: Die Ehre Gottes ist der lebendige Mensch. Selbstverwirklichung als Menschwerdung, Mainz (Grünewald) 1995, 128 Seiten." Zeitschrift für medizinische Ethik 43, no. 1 (April 19, 1997): 89. http://dx.doi.org/10.30965/29498570-04301014.

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43

Kieβling, Klaus. "Heribert W. Gärtner: Zwischen Management und Nächstenliebe. Zur Identität des kirchlichen Krankenhauses, Mainz (Grünewald) 1994, 251 S." Zeitschrift für medizinische Ethik 42, no. 4 (April 19, 1996): 350–51. http://dx.doi.org/10.30965/29498570-04204017.

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44

Gstach, Johannes. "Hans-Georg Trescher, Christian Büttner (Hrsg.): Jahrbuch der Psychoanalytischen Pädagogik 1. Matthias-Grünewald-Verlag, Mainz 1989, 215 S." Vierteljahrsschrift für wissenschaftliche Pädagogik 66, no. 1 (July 26, 1990): 118–21. http://dx.doi.org/10.30965/25890581-06601012.

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45

Steinkühler, Martina. "Mirjam Schambeck: Biblische Facetten. 20 Schlüsseltexte für Schule und Gemeinde. Ostfildern: Matthias Grünewald Verlag 2017, 288 S. € 20,–." Zeitschrift für Pädagogik und Theologie 70, no. 4 (December 19, 2018): 439–42. http://dx.doi.org/10.1515/zpt-2018-0061.

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46

Kodera, Sergius. "Giordano Bruno: “Die heroischen Leidenschaften.” Maria Moog-Grünewald. Blaue Reihe. Hamburg: Felix Meiner Verlag, 2017. 192 pp. €24.90." Renaissance Quarterly 72, no. 3 (2019): 1001–2. http://dx.doi.org/10.1017/rqx.2019.261.

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47

Zeitschrift für medizinische Ethik, Editors. "Eberhard Schockenhoff, Natullecht und Menschenwürde. Universale Ethik in einer geschichtlichen Welt, Mainz (Matthias-Grünewald-Verlag) 1996, 326 Seiten." Zeitschrift für medizinische Ethik 44, no. 3 (April 19, 1998): 253–54. http://dx.doi.org/10.30965/29498570-04403011.

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48

Zeitschrift für medizinische Ethik, Editors. "Herman Andriessen, Sich von Gott berühren lassen. Geistliche Begleitung als pastorates Handeln heute, Mainz (Grünewald) 1995, 255 S." Zeitschrift für medizinische Ethik 41, no. 4 (April 19, 1995): 334. http://dx.doi.org/10.30965/29498570-04104015.

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49

Zeitschrift für medizinische Ethik, Editors. "Wunibald Müller, Ganz Ohr. Grundhaltungen in der seelsorglichen und spirituellen Beralung und Begleitung, Mainz (Grünewald) 1994, 131 S." Zeitschrift für medizinische Ethik 41, no. 4 (April 19, 1995): 333. http://dx.doi.org/10.30965/29498570-04104013.

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50

Monge Juárez, Mariano. "Biopolitica, anatomía, y dolor social." ACCADERE. Revista de Historia del Arte, no. 07 (2024): 113–30. http://dx.doi.org/10.25145/j.histarte.2024.07.05.

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This article reflects on the ways of representing Picasso’s human anatomy in relation to the biopolitical and, above all, thanatopolitical development of fascism during the 1930s and 1940s in Spain and Europe, according to the theoretical proposals of Arendt, Foucault and Esposito. To this end, we have chosen three works: Guernica (1937), Woman Weeping (1937) and The Ossuary (1945), which make up the Malaga painter’s analytical and aesthetic line around his process of deconstructing the human anatomy from a Cubist viewpoint, but, from 1937, with a clearly vindictive function, of international struggle and denunciation against fascism. On the other hand, we have attempted to approach these works by Picasso from the point of view of the plastic art of Grünewald, Bosch, Goya and, much more closely, the painting of the expressionist Otto Dix, that is to say, we have looked at the pictorial tradition that has dealt with the human body, pain and war, in order to establish possible threads linked to Picasso’s work. In this sense, our objective has been to analyze the relationship between totalitarian power and the ways of understanding the representation of the human body, deconstructed anatomy, monstrosity, and collective suffering through the different aesthetic interpretations of Pablo Picasso.
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