Dissertations / Theses: 'Guattari, Félix'

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Camargo, André Campos de 1979. "Félix Guattari : subjetividade, capitalismo e educação." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/253965.

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Orientador: Silvio Donizetti de Oliveira Gallo
Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação
Made available in DSpace on 2018-08-24T16:29:12Z (GMT). No. of bitstreams: 1 Camargo_AndreCamposde_M.pdf: 897486 bytes, checksum: ad576261e8ca9dd0fd3e00b1ddc8a19a (MD5) Previous issue date: 2014
Resumo: A obra conceitual de Félix Guattari - formada por livros, cursos, artigos, entrevistas, etc.- pode ser descrita como o resultado de sua intensa militância política misturada à prática clínica e às leituras filosóficas, científicas e artísticas. Nela encontramos ecos de um antigo e grande projeto geral que permeou as pesquisas de inúmeros intelectuais desde Kant e que em sua época constituía uma pergunta da qual se ocupavam vários pensadores franceses. Tal projeto pode ser resumido pela questão: como nos tornamos o que somos? Nessa (im) possível filiação, Guattari parece ter respondido: tornamo-nos o que somos pela produção de subjetividade. Mas antes de respondê-la, ele formulou inúmeras perguntas, como por exemplo: Qual a relação do capitalismo com a produção de subjetividade? A produção de subjetividade é estritamente humana? Como os processos de subjetivação organizam a subjetividade na atualidade? Por que uma determinada produção de subjetividade se faz presente e não outra? Os equipamentos coletivos funcionam como produtores de subjetividade? É possível resistir aos processos de produção de subjetividade? Analisar a obra de Guattari, tendo em vista esse provável projeto geral em que ela se insere e os questionamentos que ela suscita frente ao presente, nos parece uma tarefa gigantesca, mas possível de ser realizada. Para que possamos tratá-la no limite desta dissertação, elaboraremos uma introdução ao pensamento de Guattari, buscando apresentar o conceito de subjetividade maquínica e o de produção de subjetividade capitalística - conceitos que parecem cortar transversalmente toda obra do pensador francês e dar sustentação aos demais conceitos ¿ com o intuito de compreendermos o papel da instituição escolar no processo de subjetivação dos indivíduos na atualidade
Abstract: The conceptual oeuvre of Félix Guattari, portrayed by books, essays, articles, lectures, courses and interviews, are the result not only of his intense political activism but also of his clinical practice and readings about philosophy, science and art. We also find in his works echoes of an old overall project that could be summarized by a question on which French scholars, among a several number of other intellectuals, have been discussing since Kant. This project corresponds to the question: How did we become what we are? Regarding this (im) possible association, Guattari seems to reply that we become what we are by producing subjectivity. Before attempting to answer the issue, he formulated several questions such as: What is the relation between capitalism and subjectivity production? Is the subjectivity production strictly human? How do the subjectivation procedures (the active production of subjectivity) organize the subjectivity currently? Why does a specific subjectivity production take place instead of another? Do the collectivity instances work as subjectivity producers? Is it possible to withstand the processes of subjectivity production? Although an analysis of Guattari's works seems an ambitious proposal, as regards the overall project in which his works are inserted and the questions raised by them towards contemporaneity, it can be done. In order to achieve it, this dissertation aims to develop this analysis attempting to comprehend the educational institution role in the subjectivation process of the individuals at the present time. Considering this goal, we will elaborate an introduction to Guattari's thought. This will allow us to introduce the concepts of the machinic subjectivity as well as the production of capitalistic subjectivity, concepts which seem to be throughout Guattari's oeuvre and also appear to support the remaining concepts, significant for the analysis
Mestrado
Filosofia e História da Educação
Mestre em Educação

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Araujo, dos Santos Zamara. "A geophilosofia de Deleuze e Guattari." Thesis, Paris 10, 2013. http://www.theses.fr/2013PA100135/document.

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La Géophilosophie est un concept tardif dans l’oeuvre de Deleuze et Guattari, et bien qu’il s’applique au dernier livre qu’ils ont écrit ensemble « Qu´est-ce que la Philosophie ? », il s’agit d’une notion qui enveloppe leurs principales créations conceptuelles et circonscrit la période de « Capitalisme et schizophrénie », tout en dialoguant avec des notions et des moments distincts de l’oeuvre des auteurs. Sous la rubrique de cette notion, la philosophie se définit selon le rapport entre un plan d’immanence qu’il s’agira de définir et d’un milieu immanent et social constituant une conjonction de relations variables entre le territoire et la terre. Ainsi l’acte de penser ne gravite-t-il pas dans l’orbite des catégories du sujet et de l’objet, mais concerne un milieu intensif et contingent qui, tout en composant une milieu de circonstances extérieures, délimite un champ de connexions et frontières, de relations multiples et de devenirs, qui contournent le molaire et le moléculaire en établissant un régime d’échange, de capture et de surcodage de codes. Selon ce tracé, la pensée et les concepts invoquent un “ dehors”, un devenir moléculaire, que Deleuze et Guattari analysent en utilisant les concepts de devenirs-animaux et imperceptibles. Ce sont ces concepts que nous cherchons à expliquer, dans la mesure où ils explorent le caractère géophilosophique de la pensée, dans son rapport aux concepts de territoire et d’agencements. Nous entendons en délinéer les connexions, les ramifications hétérogènes et rhizomatiques qui suivent des lignes intensives en conjurant des forces et des mouvements de la terre, et qui opèrent par des mouvements diagrammatiques, géodésie et déterritorialisation. En effet, une cartographie des déplacements, directions et chemins circonscrivant la carte d’une géographie agitée par des lignes de fuite, des longitudes et des lattitudes est configurée. Ces conditions définissent le plan d’immanence de la pensée, de sa déterritorialisation et de sa reterritorialisation
Geophilosophy is a lag concept in Deleuze and Guattari’s work, and besides its can be applied at the last book in partnership « Qu´est-ce que la Philosophie ? », it is a notion that involves their main conceptual creations, circumscribing the period of Capitalisme et schizophrénie, but in dialogue with distincts notions and moments of both autors work. Under the heading of the notion, philosophy consecrates the conexion of a absolut immanence plan derivative of a social and immanent environment that constitutes the conjunction of variable relations between the territory and the earth. This way, the act of thinking doesn’t gravitate in the orbit of the categories of suject and object, but concerns to a intensive and contingent environment, that, setting an ambience of external circunstances, delimits a field of conexions and borders, of multiple relations and becomings that skirts the molar and the molecular, establishing a system of change, capture and overcoding of the codes. In this route, the thought and the concepts invocate an « outside », a molecular becoming, animal and inconspicuous becomings that settle the territory and the assemblages, profiling conexions, heterogeneous and rhizomatic ramifications that follow by intensive lines, conjuring forces and movements of earth that operates by diagrammatic movements, geodey and deterritorialization. Setting up, in effect, a cartography of displacements, directions and pathways that circumscribes the map of a geography agitated by creepage, longitudes and latitudes, being these, by the way, the conditions of the absolut immanence plan of thinking, of its deterritorialization and reterritorialization
A Geofilosofia é um conceito tardio na obra de Deleuze e Guattari e, embora se aplique aoúltimo livro em parceria, Qu´est-ce que la Philosophie ?, trata-se de uma noção queenvolve suas principais criações conceituais, circunscrevendo o período de Capitalisme etschizophrénie, mas dialogando com noções e momentos distintos da obra dos autores. Soba rubrica da noção, a filosofia consagra a conexão de um plano de imanência absolutoderivado de um meio imanente e social que constitui a conjunção de relações variáveisentre o território e a terra. Assim, o ato de pensar não gravita sob a órbita das categoriassujeito e objeto, mas concerne a um meio intensivo e contingente, que, compondo umaambiência de circunstâncias externas, demarca um campo de conexões e fronteiras derelações múltiplas e devires que contornam o molar e o molecular, estabelecendo umregime de troca, captura e sobrecodificação dos códigos. Nesse traçado, o pensamento e osconceitos invocam um “fora”, um devir molecular, devires animais e imperceptíveis quepovoam o território e os agenciamentos, perfilham conexões, ramificações heterogêneas erizomáticas que seguem por linhas intensivas, conjurando forças e movimentos da terra queoperam por movimentos diagramáticos, geodésia e desterritorialização. Configura-se, comefeito, uma cartografia dos deslocamentos, direções e trajetos que circunscreve o mapa deuma geografia agitada por linhas de fuga, longitudes e latitudes, sendo essas, portanto, ascondições do plano de imanência absoluto do pensamento, de sua desterritorialização ereterritorialização

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Ocaña, Karen Isabel. "Synthetic authenticity, the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29558.pdf.

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Ocaña, Karen Isabel. "Synthetic authenticity : the work of Angela Carter, Gilles Deleuze and Félix Guattari." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26748.

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This thesis constitutes an investigation into contemporary writing--both fictional and philosophical. More specifically, it is a comparative analysis of the work of British novelist Angela Carter, and French philosophers Gilles Deleuze and Felix Guattari, in the light of the concept of synthetic authenticity. It is divided into three chapters, "Becomings", "Events", and "Machines", and each chapter presents the work of both Carter and Deleuze and Guattari, respectively, in light of one of these topics. Chapter Two, however, focuses closely on Angela Carter's first novel, Shadow Dance, as it relates to the concept 'event'. And Chapter Three focuses on Carter's novel The Infernal Desire Machines of Doctor Hoffman, as it relates to and differs from the schizoanalytic notion of desiring machines.

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Roberts, Marc Warren. "Gilles Deleuze and Félix Guattari : ontology and the question of living well." Thesis, Staffordshire University, 2010. http://eprints.staffs.ac.uk/1868/.

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This aim of this study is to investigate the manner in which Deleuze’s individual and collaborative work can be productively understood as being concerned with the question of living well, where it will be suggested that living well necessitates that we not only become aware of, but that we also explore, the forever renewed present possibilities for living otherwise that each moment brings. In particular, this study will make an original contribution to existing Deleuzian studies by arguing that what legitimises this conception of living well, and what can motivate us to engage in such a practice, is that a life that becomes aware of and explores the open field of present possibilities for living otherwise that each moment engenders is a life that reflects, or that is lived in accordance with, the challenging ontological account that can be discerned throughout Deleuze’s individual and collaborative work; a life lived in accordance with his open, dynamic and thoroughly temporal theory of Being or what I will suggest he came to refer to simply as ‘Life’. In addition, I will argue that in so far as each individual human being is to be understood as an ongoing and immanent expression of Life, an immediate expression of Life understood as a universal, impersonal and pre-individual dynamism, then a life that strives to explore the forever renewed present possibilities for living otherwise that each moment brings - a practice that I shall propose also necessitates that each individual strives to resist the diverse ways in which their present possibilities are continually hindered, thwarted and negated - is not only a life that strives to live in accordance with the temporal dynamism of Life, but is also a life lived in accordance with our own dynamic and thoroughly temporal being.

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Waterhouse, Brent Alton. "Strates, plan, rhizome. John Cage et la philosophie de Gilles Deleuze et Félix Guattari." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040272.

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Une recension exhaustive des références à la musique et au sonore montre l’importance de cet art dans la production philosophique de Gilles Deleuze et Félix Guattari. La présente recherche se concentre sur la position occupée par la pensée musicale de John Cage dans certains de ces textes. La période créative de Cage située entre 1939 et 1952, se focalise sur deux aspects principaux : la structure micro-macrocosmique caractéristique de ces premiers travaux, et les quatre éléments qui synthétisent alors pour Cage la composition musicale. Ces derniers sont considérés en rapport avec la théorie de la double articulation que Deleuze et Guattari reprennent de Hjelmslev ; les deux aspects renvoient au système des strates et de la stratification exposé dans Mille plateaux. La musique des décennies centrales de la production cagienne, à la lumière du passage de Mille plateaux où l’œuvre de Cage est mise en rapport avec le concept de « plan fixe sonore ». Une attention particulière est donnée à la manière dont Cage conçoit le rapport entre la durée et les matériaux sonores, et au degré variable de présence du hasard et de l’indétermination. Les compositions de cette période sont en outre vues en référence au concept deleuzo-guattarien de cartographie. Les derniers quinze ans de la production de Cage sont analysés à travers le concept de rhizome entendu comme théorie des multiplicités. La partition de Sylvano Bussotti qui figure au début de Mille plateaux ainsi que les travaux textuels et musicaux de Cage, les procédures compositionnelles des mésostiches, des parenthèses de temps qui créent une structure variable, et l’harmonie anarchique du dernier Cage sont également explicités
On the basis of a exhaustive identification of the references to music and sound in the philosophical production of Gilles Deleuze and Félix Guattari, the present research concentrates on the position occupied by John Cage’s musical thought in a number of deleuzian texts. The first chapter analyses the works composed by Cage between 1939 and 1952, focusing on two principal aspects: the micro-macrocosmic structure that characterises his first works, and the four elements that resume Cage’s approach to composition in the period in question. The latter are considered in relation to Hjelmslev’s theory of double articulation as elaborated by Deleuze and Guattari; both aspects are referred to the system of strata and stratification found in A Thousand Plateaus. The second chapter is dedicated to the compositions of the central decades of Cage’s production, in the light of the passage of A Thousand Plateaus in which Cage is considered in relation to the concept of a “fixed sonorous plane”. Particular attention is given to the way in which Cage conceives the relation between duration and sound materials, and to the variable degree to which chance and indeterminacy are present. The compositions of this period are furthermore seen in reference to the deleuzo-guattarian concept of cartography. The last fifteen years of Cage’s production are studied through the theory of multiplicity and the concept of rhizome. The score composed by Sylvano Bussotti that appears at the beginning of A Thousand Plateaus is therefore considered, followed by an examination of Cage’s late textual and musical works, giving particular attention to mesostics, time brackets and variable structure, and anarchic harmony

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Waterhouse, Brent Alton <1971&gt. "Strati, piano, rizoma. John Cage e la filosofia di Gilles Deleuze e Félix Guattari." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amsdottorato.unibo.it/5096/.

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In base ad una recensione esaustiva dei riferimenti alla musica e al sonoro nella produzione filosofica di Gilles Deleuze e Félix Guattari, la presente ricerca s’incentra sulla posizione che il pensiero musicale di John Cage occupa in alcuni testi deleuziani. Il primo capitolo tratta del periodo creativo di Cage fra il 1939 e il 1952, focalizzandosi su due aspetti principali: la struttura micro-macrocosmica che contraddistingue i suoi primi lavori, e i quattro elementi che in questo momento sintetizzano per Cage la composizione musicale. Questi ultimi sono considerati in riferimento alla teoria della doppia articolazione che Deleuze e Guattari riprendono da Hjelmslev; entrambi gli aspetti rimandano al sistema degli strati e della stratificazione esposta su Mille piani. Il secondo capitolo analizza la musica dei decenni centrali della produzione cagiana alla luce del luogo in Mille piani dove Cage è messo in rapporto al concetto di “piano fisso sonoro”. Un’attenzione particolare è posta al modo in cui Cage concepisce il rapporto fra durata e materiali sonori, e al grado variabile in cui sono presenti il caso e l’indeterminazione. Le composizioni del periodo in questione sono inoltre viste in riferimento al concetto deleuzo-guattariano di cartografia, e nelle loro implicazioni per il tempo musicale. L’ultimo quindicennio della produzione di Cage è considerata attraverso il concetto di rizoma inteso come teoria delle molteplicità. In primo luogo è esaminata la partitura di Sylvano Bussotti che figura all’inizio di Mille piani; in seguito, i lavori testuali e musicali di Cage sono considerati secondo le procedure compositive cagiane del mesostico, delle parentesi di tempo che concorrono a formare una struttura variabile, e dell’armonia anarchica dell’ultimo Cage.
On the basis of a exhaustive identification of the references to music and sound in the philosophical production of Gilles Deleuze and Félix Guattari, the present research concentrates on the position occupied by John Cage’s musical thought in a number of deleuzian texts. The first chapter analyses the works composed by Cage between 1939 and 1952, focusing on two principal aspects: the micro-macrocosmic structure that characterises his first works, and the four elements that resume Cage’s approach to composition in the period in question. The latter are considered in relation to Hjelmslev’s theory of double articulation as elaborated by Deleuze and Guattari; both aspects are referred to the system of strata and stratification found in A Thousand Plateaus. The second chapter is dedicated to the compositions of the central decades of Cage’s production, in the light of the passage of A Thousand Plateaus in which Cage is considered in relation to the concept of a “fixed sonorous plane”. Particular attention is given to the way in which Cage conceives the relation between duration and sound materials, and to the variable degree to which chance and indeterminacy are present. The compositions of this period are furthermore seen in reference to the deleuzo-guattarian concept of cartography, and in their implications for musical time. The last fifteen years of Cage’s production are studied through the theory of multiplicity and the concept of rhizome. The score composed by Sylvano Bussotti that appears at the beginning of A Thousand Plateaus is therefore considered, followed by an examination of Cage’s late textual and musical works, giving particular attention to mesostics, time brackets and variable structure, and anarchic harmony.

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Garcin-Marrou, Flore. "Gilles Deleuze, Félix Guattari : entre théâtre et philosophie. Pour un théâtre de l’à venir." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040231.

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Gilles Deleuze et Félix Guattari ne sont pas connus pour avoir manifesté un réel intérêt pour le théâtre. En adoptant une première approche historique et biographique, ce jugement s’avère être une injustice profonde envers ces deux esprits, car l’un ne cesse d’évoquer le théâtre afin d’en faire une critique constructive et l’autre se révèle être l’auteur d’une production théâtrale inédite à ce jour, dont nous dévoilons les enjeux dramaturgiques. Dans une seconde partie, il s’agit de cartographier une pensée du théâtre hétérogène, défendue par les deux philosophes : le théâtre est utilisé dans la création de nouveaux concepts et d’une nouvelle énonciation philosophique. Le « théâtre de la pensée », la « dramatisation », le « théâtre de signes », le « schizo-théâtre », le « théâtre mineur », le « théâtre pris dans des devenirs-autres » constituent les signes avant-coureurs d’un « théâtre de l’à venir » qui constitue le fil rouge de notre recherche. Comme une réponse à la crise du drame, Gilles Deleuze oriente le théâtre vers d’autres lignes de fuite qui portent le théâtre vers les limites de l’abstraction pure, pendant que Félix Guattari conçoit un théâtre postdramatique. Cette thèse inclut des index répertoriant le vocabulaire théâtral et les personnalités de théâtre à partir de l’œuvre complète des deux philosophes, ainsi que des interviews de quelques uns de leurs proches amis artistes
Gilles Deleuze and Félix Guattari are not famous for having a deep, enduring interest in theatre. This thesis first develops historical and biographical elements to reveal that the notion of their indifference to theatre is cruelly inexact: the former repeatedly mentions drama and constructively criticises it, while the latter turns out to be the author of dramas which are yet unpublished, and whose theatrical characteristics are revealed here. In a more conceptual part, I then offer the mapping of a heterogeneous web of notions that both philosophers abide by: theatre is used in the creation of new concepts; it is at the service of a new wording of philosophy. The Theatre of Thought, the Method of Dramatisation, the Theatre of Cruelty, the Schizo Theatre, the Minor Theatre and the Theatre through the process of Becoming-Other are the signposts of A Coming Theatre that our research sets out to explore. Gilles Deleuze’s philosophy offers a reaction to the crisis of theatre. While Deleuze takes theatre on new lines of flight and pushes it on the verge of pure abstraction, Félix Guattari forges a Postdramatic Theatre. My thesis includes indexes of all the theatrical vocabulary and characters to be found in the works of both philosophers, as well as interviews by some of their close artist friends

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Park, Daeseung. "La stratégie minoritaire chez Deleuze et Guattari." Thesis, Toulouse 2, 2020. http://www.theses.fr/2020TOU20003.

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La présente thèse se propose d’examiner les éléments de la stratégie d’émancipation dans la perspective guattaro-deleuzienne de la minorité. L’enjeu est de montrer comment le « devenir-minoritaire » élaboré dans Mille plateaux opère comme « stratégie minoritaire » révolutionnaire. L’opposé de celle-ci est la « stratégie majoritaire » que représente la théorie de Gramsci sur l’« hégémonie ». Afin de définir ces deux stratégies et de formuler leur « antinomie », nous prenons d’abord la réflexion de Balibar sur les « stratégies de civilité » pour guide de la recherche. Cette thèse a trois moments. La Première partie porte sur le concept de « stratégie » : du 12ᵉ des Mile plateaux sur la « machine de guerre », nous dégageons le concept de « pure stratégie » qui distingue les deux stratégies au niveau du concept de stratégie. Dans la Deuxième partie, la théorie gramscienne de la subalternité et du « bloc historique » est traduite en perspective guattaro-deleuzienne, si bien que nous concevons la subalternité et la minorité comme constituant un « bloc de devenir ». Il s’avère ainsi que la stratégie gramscienne est constituée par un double mouvement de l’hégémonie et du devenir-subalterne. Cette traduction nous permet de percevoir le rapport entre les deux stratégies comme une coexistence antinomique. Il y a d’abord une impossibilité d’articuler entre celles-ci : un groupe social mineur déclarerait dans la stratégie majoritaire que « nous sommes tous humains », tandis que la puissance révolutionnaire de la stratégie minoritaire consiste à affirmer que « nous ne sommes pas humains, vous ne l’êtes pas non plus, et on devient tous sauvage, animal, inhumain et moléculaire ». Toutefois, ces deux stratégies antinomiques coexistent dans les luttes actuelles des minorités contre l’axiomatique capitaliste mondiale. Enfin, Il s’agit dans la Troisième partie d’examiner les problèmes qui se posent dans cette coexistence
This thesis attempts to examine elements of the strategy of emancipation from Deleuze and Guattari’s perspective of the minority. It is about showing how the "becoming-minoritarian" developed in A Thousand Plateaus works as a revolutionary "minoritarian strategy". Its opposite is the "majoritarian strategy" represented by the Gramscian theory of "hegemony". In order to define these two strategies and formulate their "antinomy", we first take Balibar’s reflection on "strategies of civility" as a guide for research. The thesis has three moments. The First part deals with the concept of "strategy": from the 12th Plateau of A Thousand Plateaus on the "War machine", we bring out the concept of "pure strategy" which distinguishes the two strategies in terms of the concept of strategy. In the Second part, the Gramscian theory of subalternity and the "historical bloc" is translated into the Guattaro-Deleuzian perspective, so that we conceive of subalternity and minority as constituting a "block of becoming". Thus, it turns out that Gramsci’s strategy consists of a double movement of hegemony and becoming-subaltern. This translation allows us to understand the relationship between the two strategies as an antinomic coexistence. First, there is an impossibility of articulating between them: a minor social group will declare in the majoritarian strategy that "we are all human", while a revolutionary power of the minoritarian strategy consists in asserting that "we are not human, neither are you, and we all become savage, animal, inhuman and molecular". However, these two antinomic strategies coexist in the current struggles of minorities against the world capitalist axiomatic. Finally, the Third part examines problems that arise from this coexistence

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Vinci, Christian Fernando Ribeiro Guimarães. "Deleuze-Guattarinianas: experimentações educacionais com o pensamento de Gilles Deleuze e Félix Guattari (1990-2013)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-01042015-134108/.

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Essa pesquisa parte da percepção, cada vez mais acentuada, da centralidade que alguns conceitos formulados pelo filósofo Gilles Deleuze e pelo psicanalista Félix Guattari têm tido no pensamento educacional brasileiro. Não é difícil depararmos com apropriações de conceitos tais como nomadismo, devir, cartografia, rizoma, platôs, micropolítica, desterritorialização e tantos outros. A apropriação do conceitual deleuze-guattariano tem produzido deslocamentos e inspirado procedimentos analíticos diversos daqueles que tomaram corpo no início dos anos 1990, no seio dos estudos denominados de póscríticos, abrindo espaço para aquilo que denominamos de experimentações do pensamento. Procurando erigir uma crítica capaz de afectar o leitor e levá-lo a produção um pensamento outro, mais do que conduzi-lo à constatação de uma verdade presente alhures, a produção que tem se valido da filosofia de Deleuze e Guattari assume contornos analíticos até então inéditos, experimentando o intensivo que os conceitos elaborados pela dupla de autores comportam. Diante desse cenário, da imensa miríade de escritos que vemos surgir a cada dia articulando de maneira inusitada o pensamento da diferença de Deleuze e Guattari a tópicos educacionais, faz-se necessário interpelar essa literatura de forma a apreender sua singularidade e os novos procedimentos analíticos resultantes desse cruzamento. Dessa forma, buscaremos apresentar uma problematização dos estudos de cunho deleuze-guattarianos no campo educacional brasileiro, focalizando para tanto os artigos publicados nos 44 melhores conceituados periódicos acadêmicos da área de acordo com a tabela Qualis 2013 entre os anos 1990 e 2013. Orientado por uma abordagem pós-estruturalista em educação, trata-se de um estudo crítico fundamentado nos conceitos de arquivo e problematização, ambos oriundos do legado do pensador francês Michel Foucault; tendo por objetivo apreender as condições de emergência da literatura deleuzeana na seara educacional, tomamos como referência analítica a seguinte questão frente ao fundo documental dos periódicos indexados: de que maneira a produção acadêmica educacional tem experimentado a necessidade de deleuzear ou guattariar ou deleuze-guattariar?
This research aims at developing an analisys about the importance of the concepts formulated by Deleuze and Deleuze-Guattari in Brazilian educational thought. It is not difficult, in academic articles, to come across with concepts such as nomadism, devir, cartography, rhizome, plateaus, deterritorialization and many others. The appropriation of the conceptual deleuze-guattarian has produced displacements and inspired analytical procedures other than those that took shape in the early 1990s , within the study called \"post- critical\" , paving the way for what we call trials of thought. Looking erect a critical able to affect the reader and get him to produce a thought the other , rather than lead him to the discovery of a truth this elsewhere, a production that has been using the philosophy of Deleuze and Guattari assumes analytical contours hitherto unpublished , experiencing intensive that the concepts developed by the duo of authors behave . Given this \"deleuzean\" shadow which hovers over the field such as the myriad of writings that we see emerging every day, it is necessary to question this literature in order to set up a possible horizon of dissemination of such thinking in Brazilian education academic production. Therefore, we try to present a problematization of deleuz-guattarian studies in Brazilian educational field, focusing on the top 44 articles published in reputable journals in the area - according to the table Qualis 2013 - between 1990 and 2013. Guided by a post-structuralist approach in education, this research is a critical study which is grounded in an interrogational sitting here on the concepts of file and problematization which comes from the legacy of French thinker Michel Foucault. Our objective is to apprehend the emergency conditions of this Deleuzian literature in the educational studies. We submit the following analytical question to the archive of journals indexed: how educational scholarship has experienced the need for deleuzear or guattariar or deleuze-guattariniar?

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Jambois, Fabrice. "Hégélianisme et schizo-analyse : l'idée de mort et la formation de la psychiatrie matérialiste dans la philosophie de Gilles Deleuze." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20059.

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Cette thèse a pour objet la « psychiatrie matérialiste » (ou « schizo-analyse ») élaborée par Gilles Deleuze et Félix Guattari dans L’anti-Œdipe en 1972. Elle vise à déterminer le contenu conceptuel de cette pratique théorique, trop facilement reléguée dans l'abstraction d'un imaginaire spéculatif. La schizo-analyse, qui s'édifie avec et contre la psychanalyse, se propose de transformer les directions de la cure psychanalytique en procédant à une refonte de la théorie métapsychologique à partir du modèle clinique de la schizophrénie. Notre projet consiste à mettre en évidence la présence d’une métapsychologie fonctionnaliste dans L’anti-Œdipe et à mesurer les effets de déviation qu’elle implique pour la psychanalyse, dont elle modifie conceptuellement les principales opérations. Dans une première partie, nous prenons pour fil conducteur le concept de « corps sans organes », différencié en plusieurs moments renvoyant chacun à une station vitale déterminée, pour montrer que des schèmes dialectiques organisent l’exposition des synthèses du processus de production de l’inconscient et examiner ensuite les conditions de l’incorporation de cette dialectique du désir dans la théorie de la production sociale. Dans une deuxième partie, nous déduisons de la métapsychologie deleuzo-guattarienne les principes des relations intersubjectives et nous efforçons de déterminer le statut de la perversion qui les affecte à divers degrés pour appréhender la relation analytique qui constitue, selon L’anti-Œdipe, une relation perverse paradigmatique. La troisième partie examine les conditions d’une psychanalyse rénovée par la schizo-analyse
The object of this thesis is the « materialist psychiatry » (also referred to as « schizoanalysis ») which Gilles Deleuze and Félix Guattari detailed in their 1972 work entitled Anti-Œdipus. Our project is to outline the conceptual contents of this practical theory which has too often been misapprehended and discarded as mere abstraction. Schizoanalysis, which was set up both along and against psychoanalysis, aims at reorienting the basis of psychoanalytical cures by remodelling the metapsychological theory, using the clinical study of schizophrenia. Our concern is to show evidence of a functionalist metapsychology within Anti-Œdipus and to measure exactly how and how much it bends the ways of psychoanalysis by modifying the concepts that lie at the core of its operations. In our first chapter we will pore over the concept of the “body without organs”, which falls into several distinct parts, each corresponding to a vital station, in order to show that the synthesis of the production of the unconscious is exposed in agreement with different dialectical schemes, and then to examine under which conditions this dialectic of desire is incorporated into the theory of social production. In our second chapter, we infer from Deleuze and Guattari’s metapsychology the principles of subjective interactions and we strive to determine the precise nature of the perversion that affects them, in order to get a thorough grasp of the analytical relationship which, according to Anti-Œdipus, amounts to the paradigm of a perverse relationship. Our third chapter examines to what extent psychoanalysis can be rejuvenated thanks to schizoanalysis

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Landefeld, Ronnelle Rae. "Becoming Light: Releasing Woolf from the Modernists Through the Theories of Giles Deleuze and Félix Guattari." Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/32497.

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Critics of Virginia Woolf's fiction have tended to focus their arguments on one of the following five cruxes: Woolf's personal biography, the role of art, the nature of reality, the structure of her novels, or they focus their arguments on gender-based criticism. Often, when critics attempt to explain Woolf through any of these categories, they succeed in constructing borders around her writing that minimize the multiplicities outside them. Post-structuralist theory helps to open up difference in Woolf's writing, specifically, the theories of Giles Deleuze and Félix Guattari. Their book, A Thousand Plateaus, allows readers of Woolf's novel, To the Lighthouse, outside the confines some past critics have put around it. I apply select Deleuze and Guattarian metaphors to Woolf's To the Lighthouse in order that multiplicities of the novel stand out. The Deleuze and Guattarian metaphors that are most successful in opening up difference in To the Lighthouse are strata; the Body without Organs; becoming; milieu and rhythm; and smooth and striated spaces.
Master of Arts

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SOUZA, David Britto de. "A subjetividade maquínica em Guattari." http://www.teses.ufc.br, 2008. http://www.repositorio.ufc.br/handle/riufc/2239.

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SOUZA , David Britto de. A subjetividade maquínica em Guattari. 2008. 125 f. Dissertação (Mestrado em Psicologia) – Universidade Federal do Ceará, Departamento de Psicologia, Programa de Pós-Graduação em Psicologia, Fortaleza-CE, 2008.
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This work intents to address two main themes:1) At large, we aim to explain the concept of ‘machinic subjectivity’ coined by Felix Guattari; 2) In a more specific way we tried to analyse the contributions that this concept brings to the understanding of the subjectivity in a more social and wide way considering the heterogeneity not-human, machinic of this production, fact that is strongly noted on the postindustrial capitalism. We have demonstrated that the production of subjectivity is the base industry of this period e the breaking possible points found by Guattari that have been possible by the technological advancements and the forms of social organization of this period. Before the massification and homogenization of subjectivity production the guattarian theory propose a singular and autonomy production from a ethic-esthetic paradigm based on his concept of ecosophy that propose an articulation ethic-politic of subjectivity, social and environment. The subjectivity is machinic it means that it is a production from socius through heterogenic elements such as social relations, technological and invisible machines, aesthetic field, the economy, the politics etc. Through the concepts of micro-politics, autopoiesis and post-media we saw how a production of subjectivity can be more close to autonomy and singularity
A presente pesquisa se propôs a dois objetivos principais: 1) Um geral, que será expor o conceito de subjetividade maquínica de Felix Guattari; 2) e um outro, mais específico, que pretende analisar as contribuições deste conceito para uma compreensão mais social e ampla da subjetividade, levando em consideração a heterogeneidade não-humana, maquínica, desta produção, fato este que se evidencia fortemente no capitalismo pós-industrial. Mostramos como a produção de subjetividade é a indústria de base deste pe-ríodo e os pontos de ruptura possíveis encontrados por Guattari, proporcionados pelos avanços tecnológicos e as formas de organização social característicos deste período. Frente à massificação e homogeneização da produção de subjetividade, a teoria guatta-riana propõe uma produção singularizante e autônoma, a partir de um paradigma ético-estético, baseada em seu conceito de ecosofia, o qual propõe uma articulação ético-política da subjetividade, do social e do ambiental. A subjetividade é maquínica, ou seja, é produzida no socius através de elementos heterogêneos como as relações sociais, as máquinas tecnológicas, as máquinas incorporais, o âmbito estético, a economia, a política etc. Através dos conceitos de micropolítica, autopoiese e pós-mídia vimos as indicações de como é possível uma produção de subjetividade mais autônoma e singular.

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Guesdon, Maël. "Clinique, musique et expression : le concept de ritournelle chez Félix Guattari et Gilles Deleuze (1956-1980)." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0059.

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En 1980, Deleuze et Guattari consacrent un chapitre entier de Mille Plateaux à la ritournelle. Plus de vingt ans avant cette conceptualisation, en 1956, Guattari utilise le terme pour qualifier, dans un bref compte-rendu clinique, les réponses « stéréotypées » d'un patient psychotique qu'il suit en psychothérapie. Partant d'une analyse de cette première occurrence, de son inscription dans la thérapie expérimentale proposée alors par Guattari et de la manière dont celle-ci déplace les approches psychiatriques et psychanalytiques dont elle hérite, cette étude se propose de retracer une histoire des rapports entre répétition et expression vitale dans la philosophie deleuzo-guattarienne. Comment, de l'expérimentation clinique des effets concrets de la répétition dans les thérapies pratiquées par Guattari à La Borde jusqu'à la définition de la musique comme « déterritorialisation de la ritournelle » dans Mille Plateaux, cette ligne se module-t-elle en intégrant successivement, par croisements, confrontations ou couplages, les approches analytiques du sujet, les expériences politiques des années 1960 et 1970, la pensée deleuzienne de la répétition différenciante, les études éthologiques des semiotiques animales et l'histoire de la musique, des chansonnettes enfantines aux oeuvres canoniques ? Appuyé sur des lectures comparatives restituant les reprises et les transformations des sources sollicitées par Deleuze et Guattari, ce parcours propose de relire le concept sous son versant écologique, décrivant, dans une perspective pragmatique, les prises de consistance - subjective, éthologique et esthétique - comme les résultantes de jeux relationnels entre variables expressives
In 1980, Deleuze and Guattari devoted an entire chapter of A Thousand Plateaus to the refrain. More than twenty years previously, in 1956, Guattari used this term in a short clinical report to describe the "stereotypical" responses of a psychotic patient in his care. This first use of the term is the starting point of our study, which then tracks its application in the experimental therapy techniques proposed by Guattari and the way it moves away from its origins in psychiatric and psychoanalytical approaches. Thus, our aim is to reconstruct the history of the relationship between repetition and vital expression in Deleuzoguattarian philosophy. We show how the notion of the refrain is shaped by successively integrating -though crossing, confronting, or combining - analytical approaches of the subject, political upheavals of the 1960s and 1970s, Deleuzian thought on repetition, ethological studies on animal semiotics and the history of music from nursery rhymes to canonic works. This development can be traced starting in Guattari's clinical experiments in La Borde on the concrete effects of repetition in therapeutic practice, all the way through the definition of music as the "deterritorialization of the refrain" in A Thousand Plateaus. Our analysis calls us to look at the ecological dimensions of this concept, by describing, in a pragmatic fashion, how it gradually gains subjective, ethological, and aesthetic consistency as the result of a relational play between expressive variables

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Fernández, Ramírez Cristian. "El deseo y lo social: cartografía de una politización del deseo en Gilles Deleuze y Félix Guattari." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/143787.

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Tesis para optar al grado de Magíster en Filosofía
La presente tesis explora la problemática del deseo y el inconsciente en la obra de Gilles Deleuze y Félix Guattari, proponiendo y asumiendo como punto de partida el horizonte revolucionario y emancipatorio que gravita en la revisión crítica y política de tal noción en el presente contexto histórico. Así nuestro objetivo central tendrá en mente rescatar la noción «maquínica del deseo» que ambos autores exhiben como fundamental para una nueva «psiquiatría materialista». En este sentido nos encargaremos de comentar algunas tentativas y representaciones teóricas sobre el inconsciente que contrastan con la particular visión y concepción materialista que tienen ambos autores sobre el deseo. Para Deleuze y Guattari el deseo se comprenderá en términos productivos e inmanentes al campo social, por ende situaremos la discusión del deseo y del inconsciente sobre las insuficiencias de la comprensión de la inmanencia del deseo inconsciente en las estructuras socioeconómicas. Finalmente y respecto a esto, intentaremos elucidar por medio del desarrollo de la tesis parte del potencial crítico, político y social que tendría esta politización del deseo puntualizada ya desde El Antiedipo. Esto nos brindará algunos de los elementos teóricos fundamentales que nos permiten evidenciar la reproducción de diferentes estructuras de dominación, y formas de explotación en el contexto capitalista actual. En este sentido una revisión crítica y materialista del deseo tiene por fin deslindar las condiciones bajo las cuales debe ser concebida la inmanencia del deseo y la producción social evidenciando las formas de represión y alienación que se dan en este condicionamiento de mutua interacción.

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Carneiro, Altair de Souza. "Deleuze & Guattari: uma ética dos devires." Universidade Estadual do Oeste do Parana, 2013. http://tede.unioeste.br:8080/tede/handle/tede/2046.

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Cette dissertation recherche l éthique des devenirs présente dans les uvres de Gilles Deleuze et Félix Guattari. D abord, elle aborde la Philosophie Pratique créée par les philosophes cités ci-dessus; souligne le privilège donné au mouvement plutôt qu au repos, à la variation continue au détriment de la forme déterminée et de la structure, aux videments qui sont toujours en voie de dissoudre l organisation et la stabilité des structures endurcies, à l indéfini sur ce qui a déjà fini, à la primauté de l informel et de l illimité sur l équilibre des formes et la mesure des limites; elle aborde aussi les paires conceptuelles nomadisme et sédentarisation, déterritorialisation et territoire, moléculaire et molaire. Pour montrer que cette éthique des devenirs se rapporte directement à une politique de l existence, la deuxième partie de la recherche recourt aux procédés artistiques théâtral de Carmelo Bene et littéraire de Franz Kafka; telles créations fonctionnent comme des outils pour la création du concept de mineur , ce qui est indispensable à l invention du concept de devenir, d une fois que tout devenir est mineur. Finalement, au troisième chapitre, on présente une typologie des devenirs qui affirme l immanence de l existence; typologie produite sans prétention d universalité car il ne s agit pas d une représentation pour tous, ni avec de l ambition essentialiste, car elle n affirme pas que ces types soient une essence pour tous, moins encore qu ils soient les uniques composants d une typologie des devenirs; les types choisis ont eu, en tant que critère, la plus grande insistance dans l uvre des philosophes, et ce sont bien eux qui, dans la perspective de cette recherche, rendent possible l accomplissement d une éthique des devenirs, quels qu ils soient: devenir-femme, devenir-enfant, devenir-animal, devenir-révolutionnaire et devenir-imperceptible. La recherche a été produite dans le cadre du Projet Escrileituras: um modo de ler-escrever em meio à vida de l Observatoire de l Education/CAPES/INEP-2010 réalisé conjointement à l UFRGS, à l UNIOESTE, à l UFPel et à l UFMT , qui a comme référentiel théorique la Philosophie de la Différence et s occupe de faire de la pensée le chemin même de sa production; à travers des parcours inconnus et ouverts trace des détours et opère des ruptures avec le déjà su et légitimé comme des vérités instituées; pensée qui opère orientée par une politique et une éthique des devenirs, où la création est indispensable pour rebattre les phénomènes d imitation et de standardisation en produisant des manières de vie inouïes.
Esta dissertação investiga a ética dos devires presente nas obras de Gilles Deleuze e Félix Guattari. Em um primeiro momento aborda a Filosofia Prática criada pelos referidos filósofos; destaca o privilégio que é dado ao movimento ao invés do repouso, à variação contínua em detrimento da forma determinada e da estrutura, aos vazamentos que sempre estão em vias de dissolver a organização e a estabilidade das estruturas enrijecidas, ao indefinido sobre o já acabado, à primazia do informal e ilimitado sobre o equilíbrio das formas e a medida dos limites; também aborda os pares conceituais nomadismo e sedentarismo, desterritorialização e território, molecular e molar. A fim de mostrar que esta ética dos devires está diretamente relacionada com uma política da existência, a segunda parte da pesquisa recorre aos procedimentos artísticos teatral de Carmelo Bene e literário de Franz Kafka, os quais funcionam como ferramentas para a criação do conceito de menor , o qual é imprescindível para a invenção do conceito de devir, uma vez que todo devir é menor. Por fim, no terceiro capítulo, é apresentada uma tipologia dos devires que afirma a imanência da existência; tipologia produzida sem pretensão de universalidade, porque não se trata de uma representação para todos, nem com ambição essencialista, pois não afirma que estes tipos sejam uma essência para todos, menos ainda que sejam os únicos componentes de uma tipologia dos devires; os tipos escolhidos tiveram como critério a maior insistência na obra dos filósofos, e são eles que, na perspectiva desta pesquisa, possibilitam a efetivação de uma ética dos devires, quais sejam: devir-mulher, devir-criança, devir-animal, devir-revolucionário e devir-imperceptível. A pesquisa foi produzida no âmbito do Projeto Escrileituras: um modo de ler-escrever em meio à vida do Observatório da Educação/CAPES/INEP-2010 realizado concomitantemente na UFRGS, na UNIOESTE, na UFPel e na UFMT , o qual tem como referencial teórico a Filosofia da Diferença e ocupa-se de fazer do pensamento o próprio caminho de sua produção; através de percursos desconhecidos e abertos traça desvios e opera rupturas com o já sabido e legitimado como verdades instituídas; pensamento este que opera orientado por uma política e uma ética dos devires, em que a criação é imprescindível para rebater os fenômenos de imitação e de padronização produzindo modos de vida inauditos.

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Thouvenot, Olivier. "Ontologie et politique dans la conception du lien social dans une perspective deleuzienne et guattarienne." Paris 8, 2007. http://www.theses.fr/2007PA083610.

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Ontologie et politique dans la conception du lien social chez Deleuze et Guattari se déterminent mutuellement jusque dans leur inscription dans une logique du « et », inclusive et empiriste. Si l’inscription de l’Evénement comme dette dans le Socius se fait par l’affect, c’est que la société comme l’être ne saurait être que molairement rendue transcendante à l’égard des forces sociales et vitales. L’auto-praxis est le mode opératoire de production des conditions d’expression sociale de différences servant à agencer instincts et institutions – un acte « connecteur » hasardeux constituant « un acte fondateur » différentiel dont la violence instituante est « libératrice et inventive ». Ainsi, en société de contrôle, « désirer, c’est être capable d’agencer » sa praxis d’une manière instituante produisant une subjectivité larvaire en heccéité. Inclusif, le lien social est une affaire de création et d’organisation de territoires et non une affaire d’administration et de gouvernement. Rapporté à la dette, ce « et » s’inscrit dans la construction institutionnelle de la réalité sociale en s’inscrivant à même le Socius. Si la socialisation engage la problématisation de l’expression des différences jusque dans la subjectivité et l’habitus, c’est que la société se définit aussi par ses lignes de fuite tracées par les devenirs minoritaires et non par ses seules contradictions de classes. Ainsi la différence peut se faire , en se faisant instituante jusque dans les déguisements et les hésitations que revêtent les habitus lors de leurs retraductions disjonctives. L’imitation créatrice sera leur mode opératoire de reconduction et le nomadisme leur socialité adéquate.

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De, Gregorio Carisio Marcello. "Riprodurre lo Stato, superare lo Stato : ideologia e soggettivazione politica in Louis Althusser, Gilles Deleuze e Félix Guattari." Thesis, Toulouse 2, 2019. http://www.theses.fr/2019TOU20037.

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La recherche traite de l'idéologie en général - et de la subjectivation politique en particulier - pour comme lue et expliquée depuis philosophes comme Althusser, Deleuze et Guattari (mais aussi en passant par Spinoza, Marx, Lacan et Foucault). L'analyse est conduite dans la perspective d'une meilleure compréhension des processus qui mènent à la naissance et à la tenue (à travers sa reproduction quotidienne) de la forme-État en tant que ‘Appareil de Capture’, en concluant avec des hypothèses - et des pistes d'investigation très ouvertes (théoriques et pratiques) - visantes à penser une réorganisation sociale qui essaye de concevoir des scénarios de vie collective différents et plus égalitaires. Le regard se concentre sur l'existence d'une duplicité qui exige d'être mieux articulée: a) d'une part, l'obligation de comprendre la nature, les mécanismes de fonctionnement et le but de l'idéologie comme une pratique de 'subjectivation-par-assujettissement'; b) d'autre part, le thème principalement politique de l'existence d'individualités et de collectivités - énergies et positions toujours placées dans la conjoncture déterminée - lisibles comme l'expression d'une présence subjective active et inventive, créative et non subjuguée, capable d'action et de réaction aux mécanismes d'interpellation et de mise en ‘forme-ad hoc' opérées par l'appareil de signification générale du système productif. En référence constante à la littérature primaire et secondaire - et sur cette base, en faisant des interprétations, analogies et connexions dont chaque responsabilité est évidemment assumée par l'auteur -, sont ici montrées points de contact inattendus, jusqu'ici peu identifiés parmi les auteurs sous examen. Ça est accompli en examinant leur travail pour comme il se déroule, d'autant plus qu'il se développe, s'étend et spécifie mieux (c'est le cas d'Althusser) avec une sémantique différente, qui interprète néanmoins de manière nouveau - dans notre lecture - thèses déjà prises, avec la mise en jeu, en forme nouvelle, de catégories déjà utilisées dans de plus vieilles études, et donc jamais abandonné malgré les lectures "critique" qui identifient seulement ruptures et 'coupures' irréconciliables. De cette façon, nous découvrons des éléments de proximité de les dernières thèses d'Althusser avec les conceptions deleuzeannes et guattariannes du sujet et du son 'devenir'
The research deals with ideology in general – and politics subjectivation in particular – as read and explained by philosophers such as Althusser, Deleuze and Guattari (but also, inevitably, passing through Spinoza, Marx, Lacan and Foucault). The analysis is dealt with in the perspective of a better understanding of the processes that lead to the birth and keeping (through its daily reproduction) of the State-Form as a Capture Apparatus, concluding with some hypotheses – and very open investigative tracks (theoreticaland practical) – aimed at thinking about a social reorganization that attempts to design different and more egalitarian scenarios of collective life.The gaze focuses on the existence of a duplicity that now demands to be better articulated: a) on the one hand, the obligation to understand the nature, the mechanisms of functioning and the purpose of ideology as a practice of 'subjugation-through-subjectivation'; b) on the otherhand, the primarily political theme of the existence of individualities and collectivities – energies and positions still collocated in the determined conjuncture – yet readables as an expression of an active and inventive subjective presence, creative and not subjugated, capable of acting and re-acting to the mechanisms of interpellation and 'shaping ad-hoc' implemented by the apparatus of general signification of the productive system. In a constant reference to the primary and secondary literature – and on this basis, by making interpretations, analogies and connections of which every responsibility is evidently assumed by the writer –, are here shown unexpected points of contact so far little identified among the authors under exam. This is accomplished by examining their work as it unfolds, especially as it evolves, expands and better specifies (this is the case of Althusser) with a different semantics, which nevertheless reinterprets – in our reading – thesis and positions already taken, making play (in a new form) categories already used in older studies, and therefore never abandoned despite every “critical” reading that identifies only breakages and irreconcilable 'coupures'. In this way, we discover elements of closeness of Althusser's latest thesis with the deleuzean and guattarian conception of the subject and of its ‘becoming’
La ricerca tratta dell'ideologia in generale - e della soggettivaione politica in particolare - per come letta e spiegata da filosofi come Althusser, Deleuze e Guattari, ma anche passando per Spinoza, Marx, Lacan e Foucault. L'analisi è condotta nella prospettiva di una migliore comprensione dei processi che conducono alla nascita ed alla tenuta, attraverso la sua riproduzione quotidiana, dalla forma-Stato in quanto 'Apparato di Cattura', concludendo con ipotesi - e piste di investigazione molto aperte (teoriche e pratiche), - mirate a pensare una riorganizzazione sociale che provi a concepire nuovi scenari di vita collettiva, differente e più egualitaria. Lo sguardo si concentra sull'esistenza di una duplicità che esige di essere ben articolata: 1) da una parte, l'obbligo di comprendere la natura, i meccanismi di funzionamento e lo scopo dell'ideologia come pratica di 'soggettivazione-per-assoggettamento'; 2) dall'altra parte, il tema principalmente politico dell'esistenza di individualità e di collettività - energie e posizioni sempre collocate nella congiuntura determinata - leggibili come espressione di una presenza soggettiva attiva ed inventiva, creativa e non soggiogata, capace di azione e di reazione ai meccanismi di interpellazione e di plasmazione 'ad hoc' operati dall'apparato di significazione generale del sistema produttivo. In riferimento costante alla letteratura primaria e secondaria - e su questa base, facendo delle interpretazioni, analogie e connessioni di cui ogni responsabilità è assunta evidentemente dall'autore -, sono mostrati qui punti di contatto inattesi, fino ad oggi poco identificati tra gli autori sotto esame. Ciò è compiuto esaminando il loro lavoro per come si svolge, tanto più che si sviluppa e specifica meglio (è il caso di Althusser) con una semantica differente che interpreta tuttavia in modo nuovo - nella nostra lettura - tesi già prese, con la messa in gioco, in forma nuova, di categorie già utilizzate in vecchi studi e mai abbandonate, dunque malgrado le letture "critiche" che identificano solamente rotture e 'tagli' irriparabili. In questo modo, scopriamo degli elementi di prossimità delle ultime tesi di Althusser con le concezioni deleuzeane e guattariane del soggetto e del suo 'divenire.'

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Benedetti, Sandra Cristina Gorni. "Entre a educação e o plano de pensamento de Deleuze & Guattari: uma vida." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-26062007-090606/.

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Por meio de nove atmosferas distintas, distribuídas em três capítulos, construiu-se um esboço de cartografia teórica de alguns estudos educacionais voltados à filosofia das multiplicidades de Gilles Deleuze & Félix Guattari, a partir da seguinte questão: o que se passa entre a educação e o plano de pensamento desses autores? As atmosferas anteriores e o primeiro capítulo dizem da construção do objeto da presente pesquisa: desde sua errância até a opção por tal plano de pensamento, e não outro. No segundo capítulo, são selecionados e apresentados alguns conceitos que permitem considerar a educação escolar na ausência do sujeito da educação, tradicionalmente tomado como fundamento e fim último da lida pedagógica; daí a opção pela concepção de aprendizagem de Deleuze. No último capítulo, questiona-se o lugar da identidade como ficção psíquica que a escola tem auxiliado a construir desde sua fundação, assim como se discutem os devires da educação por meio da análise dos efeitos de ruptura, resistência e criação materializados em 11 textos que enfrentam a tradição pedagógica com novas armas. Municiados de conceitos do plano de pensamento de Deleuze & Guattari e de outros criados a partir deste, os autores realizam uma experimentação que esgarça as concepções de representação e de recognição acopladas à idéia de sujeito da educação, expondo os artifícios de produção e corrupção das subjetividades pelo capitalismo. A última atmosfera, abraçando o derradeiro texto de Deleuze: Imanência: uma vida..., dedica-se a recolher os efeitos de ressonância captados por tal linha minoritária do pensamento educacional atual, a qual enseja fomentar as chances de a escola tornar-se lócus privilegiado de composição de forças desejantes capazes de ampliar a potência de dizer sim a outras formas de existência; existências dispostas, se necessário for, a criarem \"máquinas de guerra\" afeitas a desintegrar tudo o que ofusca a vida, seja na escola, seja fora dela.
Through nine different atmospheres, distributed in three chapters, it was outlined a theoretical cartography of some studies addressed to Gilles Deleuze & Félix Guattari\'s philosophy of multiplicities, from the following question: what happens between education and the plane of thought of these authors? The Previous atmospheres and the first chapter are on the building of the object of this research from its roaming to the option for such a plane of thought, and not any other one. The second chapter deals with some concepts that allow us to think school education while in the absence of the subject of education, traditionally considered the purpose and the ultimate end of the pedagogical task; thus the reason for the option for Deleuze\'s pedagogical concept. The last chapter argues which is the place of identity as psychic fiction that school has helped us to build since its origins, as well as it discuss the coming-to-be of education through the analysis of the effects of disruption, resistance and e creation developed in 11 essays that face the pedagogical tradition with new weapons. Furnished with the concepts of Deleuze & Guattari\'s plane of thought, and with other ones created from them, the authors make an experimentation that tears apart the conceptions of representation and of recognition connected with the subject\'s idea of education, unveiling the artificialities of production and corruption of the subjectivities by capitalism. The last atmosphere, which embraces Deleuzes\' final essay: Immanence: a life..., gathers the resounding effects picked up by this minor part of the present educational thought, which wishes to promote chances of the school to become privileged locus of the composing of desiring forces able to enlarge the potency to say yes to other forms of existence; forms willing, if necessary, to create \"war machines\" used to disintegrating everything that hinders life, be it at school, or outside it.

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Lima, Henrique Rocha de Souza. "Da Música, de Mil Platôs : a intercessão entre filosofia e música em Deleuze e Guattari." Programa de Pós-Graduação em Filosofia. Departamento de Filosofia, Instituto de Filosofia, Artes e Cultura, Universidade Federal de Ouro Preto, 2013. http://www.repositorio.ufop.br/handle/123456789/3352.

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A dissertação consiste em uma investigação de caráter ensaístico a respeito da relação produzida entre a filosofia de Deleuze e Guattari e a música. A investigação proposta aqui se faz por meio do conjunto de temas e conceitos trabalhados no livro Mil platôs (1980). A relação entre filosofia e música produzida em Mil Platôs se mostra peculiar na medida em que este livro produz seus conceitos em continuidade com um universo nocional – prático, técnico, abstrato, experimental – da música. Do primeiro ao terceiro capítulo nossos assuntos são: no primeiro, o problema do tempo em Deleuze; no segundo, os devires da música, o caráter histórico e o caráter ―trans-histórico‖ da experiência musical, textos e composições musicais que colocam em questão as noções de silêncio e escuta, e a música pensada como ―captura de forças‖; no terceiro, este último tema é desdobrado em meio a uma investigação do conceito de ritornelo. Tendo feito este percurso, o texto propõe uma retomada do problema do tempo e uma incursão no corpo de um sintetizador de sons. Ao final, o assunto é a síntese, de sons e de pensamento. __________________________________________________________________________________________
ABSTRACT: The dissertation consists of an investigation about the relationship produced between the philosophy of Deleuze & Guattari and the art of music. The research proposed here is done through the set of themes and concepts worked in the book A Thousand Plateaus (1980). The relationship between philosophy and music produced by this book is quite peculiar because of a continuity between his concepts and a musical – practical, experimental, technical, abstract – notional universe. From the first to the third chapter our issues are: at first, the problem of time in Deleuze; second: the becomings of music, the historical and "trans-historical" character of the musical experience, texts and musical compositions that call into question the notions of silence and listening, and the music conceived as "force capture"; on the third place, the latter theme is unfolded amid an investigation on the concept of refrain. Having done this route, this text proposes a return to the problem of time, and a foray into the architecture of a sound synthesizer. In the end, our issue is the synthesis, of sound and thought.

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Landaeta, Mardones Patricio Alfonso. "Implicancias políticas de la idea de geofilosofía de Deleuze y Guattari." Paris 8, 2012. http://www.theses.fr/2012PA083879.

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Esta investigación presenta una lectura de los efectos políticos de la idea de geofilosofía concebida por Deleuze y Guattari. La perspectiva que guía esta tesis radica en la relación de inmanencia y ciudad propuesta en ¿Qué es la filosofía? Allí se defiende que la ciudad crea y ofrece, desde su emergencia en Grecia, un medio inmanencia y heterogeneidad radical beneficioso para el pensamiento filosófico y la política. Pero, si la ciudad aparece para la filosofía como medio o atmósfera que hace posible la heterogeneidad y el conflicto, al mismo tiempo, como para el pensamiento de Platón o sus herederos, el conflicto y la heterogeneidad se presentan como los elementos que deben ser controlados, domesticados o expulsados de la ciudad perfecta para alcanzar el orden superior. Considerando lo anterior, decidimos mantener en pie esas dos ideas u posiciones contrarias para analizar tres momentos históricos: Mundo griego; Renacimiento y modernidad; Mundo contemporáneo. Por un lado, el desarrollo de nuestra investigación intenta comprender y explicar el control de la heterogeneidad a través de la concepción y práctica de la idea de Organismo en filosofía and arquitectura-urbanismo. Por otro lado, intentamos hacer visible la expresión del conflicto en la ciudad como un devenir singular de la inmanencia
Ce travail de recherche présente l'étude des enjeux politiques de l'idée de géophilosophie conçue par Gilles Deleuze et Félix Guattari. La clé de lecture qui nous permet de comprendre la dimension politique de celle-ci, nous la trouvons dans la relation "immanence et cité", rapport proposé spécifiquement dans la dernière collaboration des deux penseurs "Qu'est-ce que la philosophie ?". Chez Deleuze et Guattari, depuis sa naissance en Grèce, la cité offre un milieu inédit pour la pensée et la vie libre des citoyens. Afin de comprendre la valeur de ce milieu qui fait que la philosophie devient "géophilosophie", différentes disciplines sont étudiées : politique, histoire, philosophie, architecture, etc. La synthèse de cette étude peut se lire ainsi : si la cité émerge en tant que milieu ou atmosphère pour la philosophie, c'est parce que celle-ci rend possible l'hétérogénéité et le conflit tant pour la pensée que pour la vie pratique ou citoyenne. Cependant, en même temps, le conflit et l'hétérogénéité apparaissent aux yeux de la métaphysique (qui naît avec Platon) sous la figure de la menace qui doit être contenue ou bien expulsée de la cité afin de conserver l'ordre de la parole et des mouvements des âmes des individus, c'est-à-dire l'ordre qui doit régner dans l'espace de la "cité politique". A partir de ces remarques, nous analysons trois moments historiques : le monde grec, la Renaissance et la modernité, le monde contemporain. Le but est de comprendre la tension existant entre l' "ordre-organisme" et le "conflit-hétérogénéité". Spécifiquement, le fait qu'essaie de rendre compréhensible notre recherche, c'est d'une part le contrôle de l'hétérogénéité à travers le discours et la mise en place de l'organisme au moment de penser et planifier la cité et, d'autre part, l'expression du conflit en tant que devenir de l'immanence
This research presents a lecture of the political challenges of the idea of geophilosophy conceived by Deleuze and Guattari. The perspective that guides this thesis is lead by the relationship of "immanence and city" presented in "What is philosophy?" - the last piece of collaborative work by the two philosophers. In their own words, the city creates and offers a medium to the philosophical thought, a sort of "environment" or "atmosphere" since being developed in Greece, a radical immanence and heterogeneity through it a common place. Given this, to understand the value of this medium that converts philosophy in geophilosophy, multiple references will be presented and analysed. We can synthesize this approach in the following words: if the city appears for philosophy as a medium or atmosphere, it is because those make possible both heterogeneity and conflict, the fundamental elements of thought and citizen praxis. But at the same time, in front of Plato's Metaphysics, the conflict and heterogeneity emerges as a menace that must be controlled, domesticated or expelled of the perfect city to reach the conservation of the order of words and the order of movements of the souls of the individuals, the superior order that must govern the city. We decide to take this argument between these two approaches of the city and conflict to analyse three moments in history: the Greek world, the Renaissance and Modernity, and finally the contemporary world. The reason for this is found in what we think is important to be remarked: the tension between "order-organism" and "conflict-heterogeneity". Our research tries to understand and explain on the one hand the control of heterogeneity through the conception and practice of organism in philosophy and urbanism, on the other hand, the expression of conflict a singular becoming of immanence

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Davies, James. "A reading of selected writings of James Joyce in relation to the works of Gilles Deleuze (and Félix Guattari)." Thesis, University of Leeds, 2005. http://etheses.whiterose.ac.uk/183/.

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Chapter One consists in a more complete survey of the writings of Gilles Deleuze and Felix Guattari on the works of James Joyce than has previously been available, together with an overview of Deleuzian philosophy. The focus in the first chapter is on Deleuze and Deleuze and Guattari's reading of philosophers and writers alike as 4 symptornatologists' of their times and the ethico-political beliefs which they implicitly share with Joyce. I relate this to Hardt and Negri's political speculations. The conceptual 'tools' which make up 'schizoanalysis' are set out. The second chapter uses these tools in a 'symptomatological' diagnosis by first setting out and then going beyond Joyce's depiction of the 'paralysis' of the populace in Dubliners and A Portrait to his fuller understanding of our problematic situation in modernity depicted and diagnosed in the masochism of Bloom in Ulysses. In Chapter Three, I look at the epiphany, Deleuze's concept of Joyce's 'epiphanic machine', 'duration' as understood by Bergson and Deleuze, and the Deleuzian concept of 'affect' as potentially liberatory insights, after the preceding focus on negative 4 symptornatological' diagnoses. Together with a critique of the prevailing views of Joyce's epiphany I analyse three stories in Dubliners as illustrative of Deleuze's understanding of the concept of the epiphany. In the fourth and fifth chapters I focus on Issy in the Wake read in terms of the 'bird-girl' of A Portrait and couple this with the Deleuzian concept of the 'girl' as a crucial, but misunderstood, node in what can be seen as the 'rhizomatic assemblage' or 'network' constituting the 'epiphanic machine' of the Wake. In Chapter Four, after first setting out the range of readings of Issy available in current Joycean criticism, I look at 'The Mime of Mick Nick and the Maggies' (FW219.18-252.21) in terms of a further Joycean challenge to modernity's 'oedipalising' tendencies through Izod/ Issy. Here, I place a final emphasis on the significance of incest and the incest taboo in 'the Mime' as the culmination of Joyce's 'symptomatological' diagnosis of modernity, and in counterbalancing this, his use of the 'affect' of colour to offer us a productive 'line of flight'. In Chapter Five I recapitulate on Deleuze's highlighting of the letter in his positive comments on the Wake and then, by using some established discussions in Joycean criticism as an introduction, engage in a reading of Issy's letter (FW 279F 1) as the Wakean 'line of flight' by reading 'her' as liberatory 'desiring machine' with all of its ethico-political potentialities.

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Toledo, Liliane de Paula. "Reich e o enfoque de Deleuze e Guattari: o pensamento crítico em busca do desenvolvimento humano." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/47/47131/tde-10122009-104929/.

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Nossa pesquisa objetiva apurar interseções, ressonâncias e diferenças entre aspectos do pensamento de Wilhelm Reich e dos fundadores da esquizoanálise, Gilles Deleuze e Félix Guattari. Seguimos, assim, a inclinação de estudiosos brasileiros da obra de Reich à interlocução com outros autores e ao enlace entre formulações reichianas e esquizoanalíticas presente em outros artigos, dissertações e teses. Nosso interesse específico recai sobre a questão do pensamento crítico dos autores escolhidos tema que pode trazer contribuições para a investigação acadêmica, visto que vislumbramos um terreno a ser habitado e, até onde temos conhecimento, ainda inexplorado. Em termos metodológicos, realizamos um levantamento de publicações que mencionam proposições de Reich, Deleuze e Guattari. Além de constatar que ultrapassam as fronteiras nacionais, verificamos que se trata de diálogo instaurado há mais de trinta anos e retomado depois de 1994. O material totaliza 24 textos, nos quais observamos dois grupos com características distintas. No primeiro deles, verifica-se uma breve referência a Reich e à esquizoanálise, sem uma acurada comunicação entre suas idéias; e, no outro conjunto, ao contrário, busca-se o debate conceitual. Localizamos nossa dissertação junto ao segundo grupo em razão de constituir-se como um trabalho teórico, que se concentra na discussão de idéias de Reich, Deleuze e Guattari e de pesquisadores de seus enfoques. Em conclusão, no que diz respeito à visão crítica, observamos o explícito combate cultural de Reich e destacamos igualmente a proposta da esquizoanálise em favor do inconformismo e da produção de transformação social. Todavia, se notamos essa peculiar convergência, o estudo de Deleuze acerca da diferença vem influenciar nossa dissertação no sentido de deixar de lado a exaltação das semelhanças, uma vez que o reconhecimento das distinções estabelece a possibilidade de vibração intensiva. Pretendemos, então, assinalar divergências inegáveis entre a abordagem reichiana e a de Deleuze e Guattari, e a militar por múltiplas interferências. Assim, ao longo da depuração dos tópicos deste trabalho, procuramos dar lugar à formação inusitada de heterocomposições entre formulações de Reich e de Deleuze e Guattari. Mostramos como tal exercício de comunicação estabelece um rico campo de correspondências e afetações e, percebendo o potencial dessa interlocução, sugerimos temas para novos estudos.
This research aims at examining intersections, resonances and differences among certain aspects of the thought of Wilhelm Reich and that of the founders of schizoanalysis, Gilles Deleuze and Félix Guattari. We have thus followed a trend in Brazilian researchs of establishing a dialogue between Reichs work and that of other authors, as well as between Reichian and schizoanalytic formulations present in other articles, dissertations and theses. Our focus dwells specifically upon the critical reasoning of the chosen authors a theme that may bring in contributions to academic investigations, since a whole field can be explored in that subject, and, as far as we can tell, it has not been explored yet. In methodological terms, we have listed up publications that mention the propositions of Reich, Deleuze and Guattari. Besides noticing that they go beyond national boundaries, we have also seen that this dialogue started more than 30 years ago, and was taken up after 1994. This material sums up to 24 texts, in which we can note two groups with distinct characteristics. In the first one, a short reference to Reich and to schizoanalysis is made, without a focused communication between them; in the second group of texts, on the contrary, a conceptual debate is sought for. We place this dissertation among the second group, since it constitutes a theoretical work, focusing on the discussion of ideas brought up by Reich, Deleuze and Guattari and also by researchers of their work. Summing up, insofar as a critical approach is concerned, we have observed the explicit cultural battle of Reich, equally highlighting the proposal of schizoanalysis in favor of dissent and the production of social transformation. However, if, on the one hand, we see this peculiar convergence, on the other hand, the study of Deleuze on difference comes as an influence in our dissertation in the sense of putting aside the craving for similarities, since recognizing distinctions establishes the possibility of intensive vibration. We aim, then, at pointing out undeniable divergences between the Reichian approach and that of Deleuze and Guattari, and to set forth multiple interferences. Thus, throughout the depuration of the topics in our work, we intend to give a place for the unusual formation of heterocompositions among the formulations of Reich and of Deleuze and Guattari. We show how such an exercise of communication establishes a rich field of correspondences and affectations, and, realizing the potential of this dialogue, we suggest themes for upcoming further studies.

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Forssblad, Katarina. "Begär i Bluets : en läsning med Lacan, Deleuze och Guattari." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-160020.

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Föreliggande uppsats är en analys av Maggie Nelsons Bluets (2009), med fokus på begär. Texten beskriver en kvinna som är förälskad i färgen blått. Den innehåller även minnen från en relation som berättarjaget haft. Syftet med uppsatsen är att visa på textens olika uttryck för begär och tolka dessa för att kunna fördjupa läsningen av texten. Jag kommer att undersöka vilka begär som gestaltas och vilka funktioner dessa har, samt på vilka sätt som begären i Bluets ger möjlighet till en feministisk förståelse av begärsbegreppet. Begärsteman är vida undersökt i litteraturen. Många gånger har psykoanalytiska teorier använts för analys, inte minst Lacan och konceptualiseringen av begär som en brist. I denna uppsats används dels Lacans teori och dels en vidareutveckling av te orin som gjorts av Deleuze och Guattari, där begär inte beskrivs som konstituerat av en brist, utan som ett flöde. Studien visar att på tre huvudsakliga begärsteman i Bluets: begäret efter det förlorade kärleksobjektet, begäret efter det kroppsliga/sexuella och begäret efter färgen blå. Dessa analyseras utifrån aspekterna det betecknande och det betecknade, dikotomin man-kvinna, det blåa begärets funktion samt romanens form. Studien visar på att det är möjligt att göra en lacansk läsning av boken, som en illustration av sorgen orsakad av det förlorade kärleksobjektet och det blåa som en symbol för denna sorg. Men analysen öppnar också upp för en annan förståelse av begär: begäret som en maskin, som ger upphov till ett mer mångfaldigt kvinnligt subjekt, som står i förbindelse med en rad andra personliga och opersonliga maskiner. Ett begär som genererar kreativitet och produktion utanför subjektets fantasier.

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Videla, Zabala Fabián. "Literatura menor, estado y máquina de guerra: proyecciones para una política literaria en Deleuze-Guattari." Tesis, Universidad de Chile, 2016. http://repositorio.uchile.cl/handle/2250/137664.

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Informe de Seminario para optar al grado de Licenciado en Filosofía
Autor no autoriza el acceso a texto completo de su documento.
La siguiente investigación sistematiza y analiza la preocupación literaria presente en la obra conjunta de Gilles Deleuze y Félix Guattari producida entre los años 1975 y 1980, en un sentido cronológico, la etapa posterior a la publicación del Anti-Edipo (1972) y anterior a su obra cúlmine ¿Qué es filosofía? (1991). Su hipótesis central emerge del interés de considerar el lugar común Deleuze-Guattari desde la óptica de una teoría política de la literatura. Para ello se enfatiza el valor que adquiere la reflexión literaria dentro del pensamiento político y filosófico de ambos autores, reinscribiendo esta unidad de sentido en el concepto: «política literaria».

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Mats, O. Svensson. "Jag vill meddela mig : Exil, psykoanalys, 40-talism och det politiska i Peter Weiss tidiga svenska prosa." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-257731.

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In Peter Weiss debut Från ö till ö (1947) the ‘I’ travels from island to island as a castaway. The island here can signify, or work as a synecdoche for exile and the feeling of isolation that exile often induces. But the movement from island to island also implies a restless state: Peter Weiss shifting from painting to writing to filmmaking and theatre, from German to Swedish and then back to German. The years during exile and the years that followed the exile until his breakthrough in Germany with Schatten des körpers des Kütchens (1960), Abschied von den Eltern (1961) and Fluchtpunkt (1962), were the formative years of Peter Weiss authorship. In Sweden he abandoned a Hesse-influenced new-romanticism – an aesthetical and political dead-end in the 1940s – and oriented towards the Swedish modernists – fyrtiotalisterna – discovered psychoanalysis and became politically “aware”. These happenings – or machines as this essay likes to view them – all influenced and produced Weiss Swedish prose which is this essay’s main focus. Following Gilles Deleuze and Félix Guattari this essay understands Weiss Swedish authorship as a minor authorship. As Franz Kafka was in the German language, Peter Weiss was a stranger in Swedish and in Sweden, a “foreign bird” as one critic calls him. As a minor writer he is a political writer, the political realities are connected to him, his half-Jewish body is intertwined in the (bio)political realities of mid-century Germany; and those realities are visible in his prose, even if he himself, or his contemporaries, see him as an unpolitical author. Therefore there is no unpolitical and political period in the œuvre of Peter Weiss. Instead there are different flows and movements, from the political, from the production of the psychoanalytic-, modernist- and romantic-machine among others. There are lines of flights, deterritorialization and reterritorialization. This essay aims to follow some of these lines in the Swedish prose of Peter Weiss.

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Silva, Dayse Paulo da [UNESP]. "O inconsciente entendido à luz de Gilles Deleuze e Félix Guattari: intersecções entre a psicanálise de Melanie Klein e a esquizoanálise." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/97633.

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Made available in DSpace on 2014-06-11T19:29:03Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-12-13Bitstream added on 2014-06-13T20:38:10Z : No. of bitstreams: 1 silva_dp_me_assis.pdf: 649681 bytes, checksum: 23913eac6bab07592b9fb69e67956fb1 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Gilles Deleuze e Félix Guattari, autores do século XX, criaram a Esquizoanálise e estudaram várias áreas de conhecimento, dentre as quais, a Psicologia. A fim de propor um conceito de inconsciente, discussão que ocupa boa parte de sua obra, os teóricos discutiram alguns tópicos da Psicanálise, procurando definir seu funcionamento maquínico. A importância de nosso trabalho reside na reconstituição do inconsciente psicanalítico, aproveitando esses aspectos e apontando perspectivas de análise. Na presente dissertação, focamos-nos nos seus escritos acerca da psicanálise de Melanie Klein, a qual possui como um de seus elementos-chave para a compreensão do inconsciente a noção de objeto parcial. Fez-se necessário, então, investigar essa concepção, pois ela é vital e revolucionária e nos ajuda a compreender o inconsciente, embora Deleuze/Guattari tenham se utilizado dos objetos parciais de forma diferente da autora, procurando ressaltar seus aspectos produtivos. Assim, essa dissertação, que possui um caráter teórico-explorativo, busca entender e sistematizar o pensamento de Deleuze/Guattari no que se refere à construção do inconsciente esquizoanalítico. Para alcançar nosso objetivo, realizamos uma leitura da psicanálise kleiniana a partir da perspectiva esquizoanalítica, procurando intersecções entre esses dois campos epistemológicos. Além disso, quando necessário, complementamos a visão de Deleuze/Guattari. Sendo assim, adotamos como primeiro eixo de análise a dinâmica dos objetos parciais nas posições esquizo-paranóide e depressiva, em relação a sua função integradora ou desintegradora do ego e, como segundo eixo, a participação dos objetos parciais na expressão do corpo...
Gilles Deleuze and Félix Guattari were twentieth century authors who not only studied several knowledge areas, such as Psychology, but also founded Schizoanalysis. In order to elaborate an unconscious concept, these theoreticians discussed some topics from Psychoanalysis. This discussion concerns a great part of their works and searching for a definition of machinic unconscious. The importance of this work lies in the reconstitution of a psychoanalytic unconscious, taking advantage of those productive aspects and showing new perspectives of analysis. In this dissertation, we focused on their writings about Melanie Klein s Psychoanalysis, which possesses as one of its fundamental element the notion of part-objects. Therefore, it was necessary to investigate this statement because it is revolutionary and help us to understand the unconscious. On the other hand, Deleuze/Guattari used these objects in a different way, trying to emphasize the part-object productive aspects. In that way, this study, which has a theoretical-exploratory characteristic, had as purposes to understand and to systematize Deleuze/Guattari s thoughts in reference to the construction of Schizoanalysis unconscious. To reach this goal, we examined Klein s theory through the Schizoanalytic perspective, searching for intersections between these two epistemological fields. Moreover, we complemented Deleuze/Guattari reflections whenever it was necessary. So, as our first point of analysis we adopted the part-object dynamic in paranoid-schizoid and depressive positions in their relation to the ego integrated and desintegrated functions. As our second point, we study how the part-objects participate in the body expression... (Complete abstract, click electronic address below)

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Silva, Dayse Paulo da. "O inconsciente entendido à luz de Gilles Deleuze e Félix Guattari : intersecções entre a psicanálise de Melanie Klein e a esquizoanálise /." Assis : [s.n.], 2006. http://hdl.handle.net/11449/97633.

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Orientador: Vera da Rocha Resende
Banca: Hélio Rebello Cardoso Júnior
Banca: José Leão Marinho Falcão Neto
Resumo: Gilles Deleuze e Félix Guattari, autores do século XX, criaram a Esquizoanálise e estudaram várias áreas de conhecimento, dentre as quais, a Psicologia. A fim de propor um conceito de inconsciente, discussão que ocupa boa parte de sua obra, os teóricos discutiram alguns tópicos da Psicanálise, procurando definir seu funcionamento maquínico. A importância de nosso trabalho reside na reconstituição do inconsciente psicanalítico, aproveitando esses aspectos e apontando perspectivas de análise. Na presente dissertação, focamos-nos nos seus escritos acerca da psicanálise de Melanie Klein, a qual possui como um de seus elementos-chave para a compreensão do inconsciente a noção de objeto parcial. Fez-se necessário, então, investigar essa concepção, pois ela é vital e revolucionária e nos ajuda a compreender o inconsciente, embora Deleuze/Guattari tenham se utilizado dos objetos parciais de forma diferente da autora, procurando ressaltar seus aspectos produtivos. Assim, essa dissertação, que possui um caráter teórico-explorativo, busca entender e sistematizar o pensamento de Deleuze/Guattari no que se refere à construção do inconsciente esquizoanalítico. Para alcançar nosso objetivo, realizamos uma leitura da psicanálise kleiniana a partir da perspectiva esquizoanalítica, procurando intersecções entre esses dois campos epistemológicos. Além disso, quando necessário, complementamos a visão de Deleuze/Guattari. Sendo assim, adotamos como primeiro eixo de análise a dinâmica dos objetos parciais nas posições esquizo-paranóide e depressiva, em relação a sua função integradora ou desintegradora do ego e, como segundo eixo, a participação dos objetos parciais na expressão do corpo... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: Gilles Deleuze and Félix Guattari were twentieth century authors who not only studied several knowledge areas, such as Psychology, but also founded Schizoanalysis. In order to elaborate an unconscious concept, these theoreticians discussed some topics from Psychoanalysis. This discussion concerns a great part of their works and searching for a definition of machinic unconscious. The importance of this work lies in the reconstitution of a psychoanalytic unconscious, taking advantage of those productive aspects and showing new perspectives of analysis. In this dissertation, we focused on their writings about Melanie Kleins Psychoanalysis, which possesses as one of its fundamental element the notion of part-objects. Therefore, it was necessary to investigate this statement because it is revolutionary and help us to understand the unconscious. On the other hand, Deleuze/Guattari used these objects in a different way, trying to emphasize the part-object productive aspects. In that way, this study, which has a theoretical-exploratory characteristic, had as purposes to understand and to systematize Deleuze/Guattaris thoughts in reference to the construction of Schizoanalysis unconscious. To reach this goal, we examined Kleins theory through the Schizoanalytic perspective, searching for intersections between these two epistemological fields. Moreover, we complemented Deleuze/Guattari reflections whenever it was necessary. So, as our first point of analysis we adopted the part-object dynamic in paranoid-schizoid and depressive positions in their relation to the ego integrated and desintegrated functions. As our second point, we study how the part-objects participate in the body expression... (Complete abstract, click electronic address below)
Mestre

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29

Nowrousian, Schirin. "Vers une idée de la scénophonie : un parcours à travers Gilles Deleuze et Félix Guattari ainsi que, notamment, Samuel Beckett et Morton Feldman." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040277.

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La notion de « scène » étant, comme le montre Esa Kirkkopelto dans son livre Le théâtre de l’expérience – Contributions à la théorie de scène, un concept-limite qui deviendrait distinguable de nos jours à cause de ou grâce à un certain effacement du théâtre, nous voilà étrangement confrontée à l’un de ses pans qui est celui du son et de la musique. Car si la scène semble aussi et surtout à voir avec le théâtre en ce qui concerne son côté optique, quel serait son rapport au sonore, et avec celui-ci, à la voix et à la musique, mais aussi au temps et à l’espace ? Cette recherche tâche de poursuivre ce questionnement en une étude kaléidoscopique qui sollicite, d’un côté, une partie de la philosophie de Deleuze et Guattari (notamment dans Mille plateaux) et ce qu’a pu formuler Sartre dans son livre L’imaginaire, et, de l’autre, l’enquête de certaines œuvres artistiques choisies de Beckett et de Feldman, mais aussi, de façon très ciblée, de Rilke et de Jaccottet. Dans ce parcours à maintes résonances, le projet était et est une première mise à l’épreuve de la notion de scénophonie vers laquelle la présente étude se dirige, mais qui en même temps lui a permis de se mettre en route ainsi que de poursuivre. Il s’agit d’une contribution aux recherches et aux sciences de la scène
The notion of « scene » being, as has been shown by Esa Kirkkopelto in his book Le théâtre de l’expérience – Contributions à la théorie de scène, a concept-limite (a limit-concept) which becomes distinguishable nowadays because of or thanks to a certain seclusion of theatre, puts us in front of one of its threads which is the one of sound and of music. Because the scene, if it seems to also and mainly deal with theatre as for being concerned by its optical side, what about its relation to and with sound, and thus to and with voice and music, but also time and space ? This thesis project intends to follow up this problem in a kaleidoscopic study which, on one side, mobilizes some of the philosophy of Deleuze and Guattari (especially as to be found in Mille plateaux) as well as what Sartre has been able to formulate in his book L’imaginaire, and, on the other side, the investigation of some chosen artistic oeuvres by Beckett and Feldman, but also two texts of Rilke and Jaccottet. On this line of multiple resonances, the project put and puts to prove of value the notion of scénophonie (scenophony) towards which it runs, but which at the same time has allowed it to come into existence and to pursue. It is a contribution to the research and science of the scene

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Prignot, Nicolas. "L'onde, la preuve et le militant: L'écosophie de Félix Guattari à l'épreuve de l'électrosensibilité et de la polémique sur les dangers des ondes électromagnétiques." Doctoral thesis, Universite Libre de Bruxelles, 2016. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/226172.

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Les ondes électromagnétiques utilisées pour la téléphonie mobile, le WiFi ou encore le Bluetooth sont-elles nocives pour la santé et l’environnement ? La polémique fait rage entre ceux qui considèrent qu’il n’y a aucune raison de s’inquiéter, et qu’il n’est donc pas nécessaire de légiférer à ce sujet, et ceux qui voient de vrais faisceaux de preuves à propos de la dangerosité de ces ondes. Les militants contre celles-ci soulèvent des risques, des doutes ou même des certitudes sur leurs dangers sanitaires, mais aussi sociaux, environnementaux et même mentaux. Au cœur de la polémique, les malades des ondes, les électrosensibles, ont une place particulière :eux souffrent déjà des ondes et sont donc une vraie preuve de ce danger, leur corps est l’inscription de ce danger. À l’aide des outils conceptuels développés par le philosophe Félix Guattari, ce travail déploie cette controverse à travers ces multiples composantes. La thèse explore l’électrosensibilité comme une maladie relative à un milieu et à une époque, en décrivant les épreuves que les malades et les militants subissent.
Doctorat en Philosophie
info:eu-repo/semantics/nonPublished

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Fredriksson, Sophia. "The Schizoid Subject : Filth and Desire in Samuel R. Delany's Hogg." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-39605.

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This thesis investigates in which ways Samuel R. Delany’s novel Hogg challenge the discourse of normality as stipulated, supported and maintained by the capitalist Oedipal repression of desire. Drawing from Deleuze and Guattari’s theory of the Anti-Oedipus, this thesis explores how Deleuze and Guattari’s notion of desire as a free and productive force can be seen as a disruptive element in a society that relies on repression of the subject for its stability. Furthermore, this thesis explores how the novel questions the understanding of civilisation being dependent on the individual’s submission to the Oedipus triangulation and in extension the Oedipal capitalist separation between the public and the private sphere. Ultimately, the main argument claims that Oedipal repression of desire only allows desire to invest in a restricted number of representations, making other identities than the heteronormative suspicious or invisible. Hogg depicts a society where capitalism commodifies everything, and need the Oedipal subject to ensure its stability. The characters in the novel that do not subject themselves to the capitalist discourse escape the subjection to the Oedipal triangulation, and are thus free to invest their desire in any way they choose, primarily in non-heterosexual and salirophiliac activities. These characters can be seen as schizoid subjects that are constantly threatening to expose the fragility of the social structure by embodying a contrast to the hegemonic discourse and therefore constantly question its authority as main creator of reason and reality.

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Ortega, Dolors. "Deterritorialising patriarchal binary oppositions: Deleuze & Guattari, Virginia Woolf, Masculinities and Film Adaptations." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/132672.

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This thesis aims to problematise the hegemonic set of relations that has been aligned to gender and sex within the framework of binary thought when reading Woolf’s narrative of gender. Woolf’s elusive and intense style, the plasticity and ambivalence of her language and her complex, polyhedric characters make of Virginia Woolf’s literature a literature of her own; a radical literature that is able to draw new undefined landscapes, unsettled territories, dislocating and challenging routes mapped out through her experimental method, her crossing of generic boundaries, and her fluid and limitless characterisations. This project focuses on Woolf’s male characters as a reaction to the constraints that gender studies have generally imposed upon her writings. Two main objections have been considered; on the one hand, much of the critical effort related to gender and Woolf’s writing has focused on femininity, by ignoring her radical male characters. On the other hand, despite vast female-centred studies and the small amount of studies focused on masculinities there is a number of scholars who have dealt with rigid and fluid male characters (studies that assimilate Woolf’s work on masculinities to the discourse of patriarchy, war, imperialism and fascism; psychoanalytic perspectives on gender; studies that focus on homosexuality; and studies that focus on androgyny). However, most of these approaches to masculinities in Woolf have inscribed gender/sex in rigid binary taxonomies. My reading of Deleuze’s and Guattari’s collaborative body of work (their fluid conception of individuation and their concept of difference-in-itself) together with my reading of Men’s studies (Connell, Kimmel, Segal) and Difference Feminism (Irigaray, Jardine, Braidotti, Grosz, Olkowski, Colebrook) constitute the theoretical framework for this thesis in order to explore Woolf’s masculinities beyond gender/sex binary oppositions. This thesis has aimed to contribute to the field of Woolf Studies with an analysis of both Woolf’s criticism of rigid discourses of masculinity and by proving Woolf’s radical concept of gender and her proposal of alternative gender behaviours. My two case studies have been Septimus Warren Smith and Orlando. I have proved these two novelistic characters to be polymorphous and multilayered figurations of gender and paradigmatic examples of the Deleuzo-Guattarian process of becoming-woman (Septimus as the empty BwO and Orlando as the full BwO). Finally, this thesis evaluates the impact that Woolf’s visionary narrative of gender has had on more contemporary narratives. In order to analyse a more contemporary response to Woolf’s narrative I chose to work with two cinematic texts. This project focuses on Marleen Gorris’s Mrs Dalloway (1997) and Sally Potter’s Orlando (1992) as new texts that extend, reread, implement and reappropriate Woolf’s work to respond to different social demands in relation to gender. It analyses the extent to which the gender narrative of these two cinematic texts fail or succeed in projecting radical figurations of masculinities beyond man/ woman, male/female, heterosexual/homosexual taxonomies. This thesis approaches literature conceptually, from a philosophical perspective. An interdisciplinary methodology has been used. The whole nature of the project is interdisciplinary in its focus on both different media, novels and film adaptations, and in the crossing of literature, film studies, philosophy, and cultural studies. The main focus throughout is Virginia Woolf’s novelistic narrative of gender and two late twentieth century approaches to Woolf’s gender narrative carried out by two film adaptations of Woolf. The analysis of Gorris’s and Potter’s adaptations has been purely narratological. Formalist devices of the cinematic media have been used in narrative terms. That is to say, I have analysed the transformation, adaptation, amplification, or re-evaluation that these two more contemporary cinematic narratives have carried out from Woolf’s complex narrative of gender at two specific contexts with given social demands.
Aquesta tesi analitza la narrativa de gènere que Virginia Woolf articula a partir de les seves novel•les i la compara amb la narrativa de gènere de dues adaptacions cinematogràfiques més contemporànies (Potter, 1992; Gorris, 1997), centrant-se en l’anàlisi dels personatges masculins. Aquest projecte explora la crítica que Woolf adreça a la representativitat rígida de la masculinitat, així com la seva proposta de construccions de gènere alternatives. Per tal d’atendre aquestes alternatives, la tesi defineix un marc teòric que combina la filosofia sobre el procés d’individuació de Gilles Deleuze i Félix Guattari, el feminisme de la diferència (Grosz, Olkowski, Colebrook) i la teoria i crítica de les masculinitats (Connell, Kimmel, Segal). La tesi postula la radicalitat de la visió de gènere de Woolf, en tant que demostra el seu trencament amb el pensament binari. Septimus Warren Smith i Orlando, els dos estudis de cas, representen exemples paradigmàtics d’una concepció de gènere polimòrfica, fluida, múltiple, i polisexual. És així com la tesi avalua l’impacte de la visionària narrativa de gènere de Woolf sobre narratives més contemporànies. Les adaptacions cinematogràfiques Mrs Dalloway (Gorris, 1997) i Orlando (Potter, 1992) són analitzades com a textos que extenen, rellegeixen, implementen i reapropien els textos de Virginia Woolf per tal de respondre a les demandes socials específiques del seu temps.

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Cooper, Melinda. "Nouvelle alliance, nouvelle naissance : la question de la genèse dans la philosophie de G. Deleuze et F. Guattari." Paris 8, 2000. http://www.theses.fr/2000PA081775.

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Nous nous proposons ici d'aborder la philosophie de deleuze et guattari du point de vue de la genese (selon toutes les acceptions du terme : production, creation, vie, filiation, generation). En effet, si l'on a tendance a voir chez deleuze et guattari une pensee de la "disposition" ou de la "circulation", une telle figure implique une logique particuliere de la production. A notre sens, une des innovations les plus fondamentales de cette philosophie est d'avoir pense la genese sous la figure de la distribution (et non pas de l'histoire). Nous aborderons cette question selon deux points du vue : celui de la filiation du desir dans la psychose (schizophrenique en particulier), et celui de la production economique chez marx. Du point de vue donc du capitalisme et de la schizophrenie. Ce quiveut dire que notre question prend comme point de depart les deux volumes de deleuze et guattari qui portent ce sous-titre : l'anti-oedipe (1972) et mille plateaux (1980). Mais ces textes ne constituent nullement une reference exclusive. En general, nos questionnements nous obligent a inventer des itineraires a travers le corpus de deleuze et guattari, et en dehors. Quitte a revenir, en derniere instance, a ces deux textes.

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Romero, Pérez Abigail. "Pensamiento antisistema en cuatro textos de Andrés Caicedo a través de un esquizoanálisis literario." Tesis de Licenciatura, Universidad Autónoma del Estado de México, 2020. http://hdl.handle.net/20.500.11799/110312.

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Andrés Caicedo (Cali, Colombia, 1951, 1977) cuya obra literaria se desarrolló en los años del gran movimiento latinoamericano: boom, ha sido foco de múltiples lecturas y estudios basados sobre la línea psicoanalítica. Opuesto a ello, esta tesis aborda a Deleuze y Guattari, autores del esquizoanálisis, quienes propusieron una teoría enfocada en el entorno social y las artes, así como líneas que funcionan en niveles de control y poder, por esta razón se establece un esquizoanálisis de cuatro textos que evidencian la narrativa caicediana que desafía las estructuras narratológicas con historias basadas en la oposición del sistema.

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Karam, Samantha. "Art and Becoming-Animal: Reconceptualizing the Animal Imagery in Dorothea Tanning's Post-1955 Paintings." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/470.

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In 1955, American artist Dorothea Tanning abandoned her figurative Surrealist renderings of dream-like scenarios in favor of a complexly abstract and fragmented style of painting. With few exceptions, the ways in which Tanning’s later works function independently of her earlier paintings tends to be downplayed in the scholarship on her oeuvre. Equally sparse is the scholarship on Tanning’s dog imagery, which pervades her oeuvre but becomes most apparent in her later phase. This thesis seeks to shift attention toward Tanning’s later abstract paintings; it also seeks to fill the gap in scholarship on Tanning’s dogs. Specifically, through the study of five Tanning paintings from the late 1950s and 1960s, with the theoretical aid of Deleuze and Guattari’s conception of the becoming-animal, this thesis will investigate how Tanning’s post-1955 paintings create and promote new ways for viewers to think about the relations between humans and animals in the human-dominated modern world.

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36

Topka, Marzena. "Ruptured Spaces: cracking Deleuze and Guattari's lines of flight in contemporary art practice." Thesis, Curtin University, 2009. http://hdl.handle.net/20.500.11937/729.

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In what ways can a relationship be drawn between contemporary art practice dealing with ruptured/destabilised space and Gilles Deleuze and Félix Guattari’s concept of lines of flight? This is the starting point of my thesis. Central to the question is the control of space through mapping, measurement or invention of categories (classification systems) that fulfill a vital pragmatic role of organising, locating and identifying. Postmodern cultural theorists recognise that these categories can also condition and place boundaries on the way we relate to or understand our environment, and for that reason they seek to examine and shake the foundations of Western systems of organisation. For Postmodern theorists the key to alleviating the unwanted symptoms is to identify the locus of power and overturn it. Deleuze and Guattari stand in opposition to an externally imposed system of organisation, however their approach takes into account organisation at a micro level. They developed a toolbox of concepts that could potentially be deployed to bring forth a subjectivity based on creativity rather than control.The focus of my writing is on Deleuze and Guattari’s concept of lines of flight. They propose a way of being and thinking that allows for these creative connections to emerge. These molecular connections have the potential to reconfigure habitual or molar ways of being or imagining. Deleuze and Guattari define space in terms of striated or smooth (space that is interchangeable, and in constant flow). Their spatial approach is indispensable in providing a context for my discussion of lines of flight. Deleuze and Guattari also recognise a social dimension to space that allows for connections to be made between actual (architectural) spaces and socially constructed value systems.In my practice I am interested in how a sense of destabilisation and deterritorialisation can be activated in space via installation to challenge the placement of socially conditioned or self-constructed boundaries. This thesis consists of 25,000 word thesis and 3 DVDs evidencing the creative component of my practice-led research and associated exhibitions. Both the written thesis and creative practice respond to the same question and explore the analytical and pragmatic effectiveness of the concept of lines of flight in relation to contemporary art dealing with ruptured space.

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Silva, Leandro Mendanha e. "Nas transversais do tempo : uma intervenção de Foucalt na história e sua apropriação pela historiografia." reponame:Repositório Institucional da UnB, 2009. http://repositorio.unb.br/handle/10482/5508.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Humanas, Departamento de História, 2009.
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O presente trabalho é obra de motivações e inquietações acerca do que se pode extrair da intervenção de Foucault para a prática historiadora. Tomada enquanto prática de pegar o que lhe convêm, os historiadores se apropriam das ferramentas legadas alhures visando fabricar uma História rodeada pelos problemas atuais. Feito um buraco negro que procura não deixar a luz escapar, os condicionamentos históricos não funcionam – para a análise histórica proposta neste trabalho – neles mesmos, essa análise busca as linhas de fugas, os fios que resistem. Transbordam linhas mais rápidas do que a luz, linhas da intensidade do pensar que podem destecer, tal como a moça tecelã jogando a lançadeira veloz de um lado para o outro, partes do tecido das dominações que a História permite datar como tecidos um dia. O estudo segue pelas trilhas do que na prática historiográfica pode pensar o múltiplo. _______________________________________________________________________________ ABSTRACT
This report is the work of motivations and concerns about what can be drawn from Foucault's intervention into historian practice. Taken as the practice of catching what is convenient for each historian, he/she takes ownership of the legacy tools elsewhere to produce a history surrounded by current problems. Like a black hole that seeks not let the light escape, the historical constraints do not work - for historical analysis proposed in this paper - by themselves, this analysis seeks the lines of escape, the yarn that resists. Lines overflow faster than light, the intensity lines of thinking that can unweave as the weaver girl throwing the fast roller from one side to the other, parts of the fabric of domination that history can date as tissues someday. The study follows the trails of what in historiographic practice can think the multiple.

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XAVIER, Monalisa Pontes. "Tecendo saberes, articulando alianças: um estudo sobre a subjetividade contemporânea a partir das contribuições de Adorno e de Guattari." http://www.teses.ufc.br, 2009. http://www.repositorio.ufc.br/handle/riufc/2484.

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XAVIER, Monalisa Pontes. Tecendo saberes, articulando alianças: um estudo sobre a subjetividade contemporânea a partir das Contribuições de Adorno e de Guattari. 2009. 165 f. Dissertação (Mestrado em Psicologia) – Universidade Federal do Ceará, Departamento de Psicologia, Programa de Pós-Graduação em Psicologia, Fortaleza-CE, 2009.
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The present work aims at developing a study of the contemporary subjectivation processes, departing from the influence of the capitalist system on them. For so, a theoretical articulation will be drawn among the writings of Theodor W. Adorno – frankfurtian theorist – and Félix Guattari- theorist and institutional analyst, who acts in several domains: psychiatry, anthropology and politics. Such thinkers based their studies on subjectivity, distinctive moments of the capitalist system of production and consumption. In such articulation, we take the concepts of “individualization” and “singularity” developed by Adorno and Guattari, respectively. Therewith, we aim, by opposing the ideas of the authors, to increase the understanding over the process of constitution of contemporary subjectivity, as well as to perceive the existence of “individual” and/or “singularized” existence. It was developed a theoretical research ruled in bibliographical review of the respective authors’ writings as well as of other speakers who made possible the enrichment of understanding concerning the object of study. To reach the proposed goal, we followed some steps: in the first chapter we exposed a possible intersection between Adorno and Guattari, departing from the philosophical tendency of the ontology of the present; in the following chapter, we discussed Adorno’s theory and the process of individuation; then we went through the Guatarri’s theory and the singularization movement; at last, we looked up articulations and tried to catch a glimpse into alliances between the two theorists. By the end of the research we emphasized the need to consider each of the theories in accordance with the Theoretical-Philosophical tradition to which it is affiliated. Therefore, it is made impossible a logical articulation among what the two of them have as important for the understanding of our object. Nevertheless, it is departing from the tension and contradiction existing among them that we can reach a better understanding concerning the processes of subjectivation in the present days, which is not that about which Adorno’s reflexions would be devoted to neither the same proclaimed by Guattari.
Essa dissertação tem como proposta desenvolver um estudo dos processos de subjetivação contemporâneos a partir da influência que o sistema capitalista exerce sobre eles. Para tal, será traçada uma articulação teórica entre alguns escritos de Theodor W. Adorno – teórico frankfurtiano – e de Félix Guattari – analista institucional e teórico atuante em diversos domínios: psiquiatria, antropologia, política –, pensadores que pautaram seus estudos sobre a subjetividade em momentos distintos do sistema capitalista de produção e consumo. Nessa articulação, tomamos os conceitos de “individuação” e de “singularização”, desenvolvidos por Adorno e por Guattari, respectivamente. Com isso, objetivamos, no contraponto das idéias dos autores, ampliar a compreensão sobre o processo de constituição das subjetividades contemporâneas, bem como perceber a possibilidade de existência de subjetividades “individuadas” e/ou “singularizadas”. Foi desenvolvida uma pesquisa teórica, pautada na revisão bibliografia dos escritos dos respectivos autores, bem como de outros interlocutores que possibilitaram o enriquecimento da compreensão acerca do objeto de estudo. Para alcançar o objetivo proposto, seguimos os seguintes passos: no primeiro capítulo expusemos uma possível interseção entre Adorno e Guattari a partir da corrente filosófica da ontologia do presente; no capítulo posterior, discutimos a teoria adorniana e o processo de individuação; em seguida, passamos para a teoria guattariniana e o movimento de singularização; e, por fim, buscamos estabelecer articulações e vislumbrar alianças entre os dois teóricos. Ao final do trabalho, enfatizamos a necessidade de considerar cada uma das teorias segundo a tradição teórico-filosófica a que se encontra filiada. Assim, torna-se impossível uma articulação harmônica entre o que as duas trazem de importante para a compreensão de nosso objeto. No entanto, é a partir da tensão e da contradição existente entre elas que podemos alcançar uma melhor compreensão a respeito dos processos de subjetivação nos dias atuais, que não é mais aquele sobre o qual se ocupavam as reflexões de Adorno e nem o mesmo proclamado por Guattari.

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Cowan, Gregory John. "Nomadology in architecture : ephemerality, movement and collaboration." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARCHM/09archmc8742.pdf.

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Bibliography: leaves 138-149. This thesis investigates the theoretical and practical importance of nomadic ways of life for architecture. Nomadology is a construction of Deleuze and Gattari's 'counter-philosophy' challenging authenticity and propriety, in this case, in the context of architecture. It describes how nomadology may challenge static, permanent, heroically solitary ways of working and dwelling, and suggests strategies - diagramming, ephemerality, movement, and collaboration - as ways of reconciling nomadism and architecture.

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Bufalo, Erik del. "La non-philosophie de Gilles Deleuze et Felix Guattari : dualyse unilatérale de la schizo-analyse suivant la théorie et la discipline de Françoise Laruelle." Paris 10, 2000. http://www.theses.fr/2000PA100195.

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Notre étude est un programme et une pragmatique ainsi qu'une investigation qui s'accomplit à l'occasion de la "non-philosophie". Celle-ci n'est qu'une théorie et une discipline sans philosophie, pour la philosophie. La non-philosophie est l'innovation la plus radicale pour la pensée, innovation qui se fait dans la pensée autant que hors la philosophie. Elle est une innovation transcendantale, au-delà de la pensée, pour la pensée, et son innovation commence par la renonciation à toute visée du Réel. Elle renonce à devenir une visée de plus sur le Réel, sans pourtant nier "de droit" la visée de la philosophie sur Celui-ci. Elle renonce à devenir une pensée qui demande le Réel, cause en dernière instance de toute pensée, à sa portée. Cela est sa puissance, non plus vouloir, ne fût-ce que dans la propre privation, penser le Réel, mais penser depuis le Réel. Elle renonce à la surdétermination, de la philosophie autant qu'à celles des sciences dites de l'homme. Elle renonce à la connaissance impossible de l'homme, pour parvenir à penser et à connaître la pensée et la connaissance elles-mêmes, ainsi que leurs surdéterminations incontournables et irrémissibles. Elle peut le faire car elle s'effectue depuis l'identité radicale de l'homme vers la pensée, et non plus l'inverse. Elle est une "science des hommes" pour la philosophie et les sciences humaines. Cette recherche n'est qu'un cas de la valeur de cette discipline, en l'occurence d'une pensée, la "schizoanalyse", qui n'est que le pur devenir-infini de la philosophie. La "schizoanalyse", produite et reproduite infiniment dans le carrefour de la philosophie et de la psychanalyse, dans le "entre-deux" ou le "devenir-deux" du philosophe, Deleuze, et du psychanalyste, Guattari, n'est que le symptôme ou la manifestation d'une décision plus profonde, à savoir "la Décision philosophique", toujours autrement que réelle.

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Jambon, Jean-Charles. "Visage, visagéité, visagéification : du concept à l'image." Paris 8, 1999. http://www.theses.fr/1999PA071561.

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Par ce travail, j'ai tente de rendre compte des apports de gilles deleuze et de felix guattari a la problematique du visage. Dans la premiere partie, j'ai essaye de decouvrir non tant quand le concept de visage est apparu que de decouvrir comment il est apparu dans les textes des deux philosophes. Cette problematique etait alors liee aux analyses fondamentales et complexes en rapport avec la linguistique. Mais avant de deployer les concepts de visage, de visageite, de visageification, pour explorer ce que les deux philosophes ont passe sous silence ou ce qu'ils n'ont fait que mentionner, je me suis engage, dans la deuxieme partie, dans des detours au nombre de quatre: par la prehistoire, par l'antiquite grecque, par la physiognomonie enfin par le portrait. Dans la troisieme partie, j'ai fait retour au concept de visage proprement dit et je l'ai deploye en croisant trois ouvrages pour moi fondamentaux: celui de guattari, l'inconscient machinique, dans lequel j'ai decele non tant la genese - il faudrait alors se referer a l'ouvrage. La revolution moleculaire - que la mise en place du concept, l'ecriture duelle de mille plateaux avec le deploiement du concept, enfin l'ouvrage de deleuze, l'image-mouvement, avec un approfondissement du concept. Si pour les deux philosophes il s'agit bien de defaire le visage, il s'agit de defaire un certain type de visage. Il n'y a donc pas seulement une visageite "binaire", le systeme mur blanc-trou noir. Le visage depend en effet d'une machine abstraite qui peut permettre de produire une autre visageite dite diagrammatique qui laisse entrevoir les termes fondamentaux de devenir et de ligne de fuite. Cette recherche, malgre des manques certains, indique cependant la richesse de l'univers conceptuel forme par les deux philosophes. D'autres points de vue sont possibles qui, par exemple, pourraient prendre en compte les apports d'emmanuel levinas. Je n'ai pas voulu m'engager dans cette direction, ne souhaitant pas ajouter la complexite ala complexite, il n'en demeure pas moins que le dernier ouvrage de felix guattari, cartographies shizoanalytiques, indique des rapprochements possibles. Un nouveau et tout autre travail pourrait donc apparaitre et indiquer ainsi l'infini de cet univers conceptuel.

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Pastori, Douglas Onzi. "Habitar a terra: cartografia de um encontro entre conceitos do design estratégico para a sustentabilidade de Ezio Manzini, da ecosofia de Gilles Deleuze e Félix Guattari, e da ecologia cognitiva de Pierre Lévy." Universidade do Vale do Rio dos Sinos, 2010. http://www.repositorio.jesuita.org.br/handle/UNISINOS/3006.

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Problematizando os efeitos ecológicos não só de ordem ambiental, mas também social e mental, do habitar humano em um planeta que passa por intensas transformações, a presente pesquisa explora o campo do Design Estratégico para a Sustentabilidade, a fim de mapear seus conceitos mais relevantes e extrair do seu discurso manifesto o conteúdo subjacente que os engendra, destacando especial atenção às questões estruturantes e às forças políticas que os formalizam. Para tanto, selecionamos parte da obra de um autor em especial, o professor italiano Ezio Manzini, como o principal sintetizador de conceitos desta nova área de pesquisa, assim como a de alguns interlocutores privilegiados por suas conexões com o método utilizado - a cartografia esquizoanalítica - e pela proximidade com o eixo temático ecológico: a Ecosofia de Gilles Deleuze e Félix Guattari e a Ecologia Cognitiva de Pierre Lévy. Ao fim, propomos algumas mudanças na rede de conceitos mapeada, com o objetivo de singularizar o percurso teóricoprojetual do nascente campo do Design Estratégico para a Sustentabilidade
Questioning the ecological effects, not only from environmental view but also from social and mental of human habitation in a planet that passes through deep transformation, this research explores the area of Strategic Design for Sustainability, in order to map its most relevant concepts and get from its manifest discourse the underlying content that engenders them, emphasizing a special attention to the structured questions and to the political motives that formalize them. For this, we selected part of a special author?s research, the Italian teacher Ezio Manzini, as the main concept synthesizer of this new research area, as well as an area of some speakers who were privileged by their connection with the used method - schizoanalitic cartography - and also by the nearness with the ecological thematic line: the Ecosophy of Gilles Deleuze and Félix Guattari and the Cognitive Ecology of Pierre Lévy. Summing up, we proposed some changes in the concept web that was mapped with the objective of singularizing the theoretical-project course of the Strategic Design's new area for Sustainability.

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Belov, Andrey. "Unsubstantial Territories : Nomadic Subjectivity as Criticism of Psychoanalysis in Virginia Woolf's The Waves." Thesis, Stockholms universitet, Engelska institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165313.

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This essay looks at subjectivity in Virginia Woolf’s The Waves employing a psychoanalytic approach and using the theories of Gilles Deleuze and Félix Guattari. Woolf’s relation to the theories of her contemporary Sigmund Freud was unclear. Psychoanalytic scholarship on Woolf’s writings, nevertheless, established itself in 1980’s as a dominant scholarly topic and has been growing since. However, the rigidity and medicalizing discourse of psychoanalysis make it poorly compatible with Woolf’s feminist, anti-individualist writing. This essay is a reading of The Waves, in which psychoanalytic theory is infused with a Deleuzo-Guattarian approach. The theories of psychoanalyst Jacques Lacan, and especially his concept of the Other, together with Rosi Braidotti’s concept of nomadic subjectivity, are used as relevant tools for thinking about subjectivity in the context of The Waves. The resultant reading is a criticism of psychoanalysis. In this reading, two characters are looked at in detail: Percival and Bernard. Percival emerges as the Lacanian Other, who, situated at the central nexus of power, symbolises the tyrannies of individuality and masculinity. Simultaneously, Percival is detached from the metaphysical world of the novel. His death marks a shift from oppressive individuality towards nomadic subjectivity. For Bernard, nomadic subjectivity is a flight from the dead and stagnating centre towards periphery, where new ethics can be negotiated. The essay concludes with the implications of such reading: the affirmation of nomadic subjectivity makes the Deleuzo-Guattarian approach more relevant in the context of Woolf, whereas psychoanalytic striving towards structure, dualism, and focus on pathology are rejected as incompatible with her texts.

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Labarre, Michael. "La littérature écrite en anglais au Québec après 1976 une étude de cas de six oeuvres écrites en anglais au Québec basée sur la théorie de la littérature mineure par Gilles Deleuze et Félix Guattari." Mémoire, Université de Sherbrooke, 2012. http://hdl.handle.net/11143/5725.

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Referring to the theory of minor literature developed by Gilles Deleuze and Félix Guattari in their work Kafka : pour une littérature mineure, this thesis investigates contemporary English writing in and about Quebec as a possible minor phenomenon. Motivated by the debate around the affirmation of a possible Anglo-Québécois community, I investigate if such a literature has the elements to reterritorialize itself within Quebec as an Anglo-Québécois literature. This thesis analyzes in total six works, three plays and three novels: David Fennario's Balconville, Vittorio Rossi's Paradise by the River, Ann Lambert's Very Heaven, Marianne Ackerman's Jump, Linda Leith's Birds of Passage, and Jeffrey Moore's Prisoner in a Red-Rose Chain. Therefore, the main objective of the thesis is to parallel Deleuze and Guattari's theory of minor literature with its three features, where minor works are written in a deterritorialized major language, demonstrate a political potential and are built upon a collective enunciation, to six"AngloQuébécois" works in order to see to what extent this corpus can be read as a minor literature.

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Gabarron-Garcia, Florent. "Psychose, inconscient, politique : inconscient réel et technique analytique." Paris 7, 2014. http://www.theses.fr/2014PA070018.

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Si c'est à partir d'une précipitation du sens de l'oeuvre de Lacan que Deleuze/Guattari opèrent en partie dans l'Anti-oedipe avec Artaud (1972), c'est aussi à la suite de ce livre que Lacan, s'avançant vers une psychanalyse du réel, reprendra à nouveaux frais la question de la psychose avec Joyce (1975). Loin d'une prétendue coupure épistémologique, la folie permet de rendre compte de l'inconscient. La clinique de la folie (qu'elle soit celle de la psychothérapie institutionnelle ou celle de l'antipsychiatrie nourrie par la psychanalyse) permet d'approfondir l'investigation des mécanismes de l'inconscient dans son rapport à l'Autre. Subséquemment, à la lumière de cette clinique, la technique analytique, comme son rapport à la nosographie, ainsi que certains concepts métapsychologiques classiques, sont justiciables d'être réévalués et révisés. Mais se donner les moyens de cette réflexivité praxique et épistémologique c'est aussi bien dégager l'hypothèse matérialiste de l'inconscient comme espace de production et de reproduction, et non plus seulement comme scène de représentations intrapsychiques toujours déjà là que le clinicien « découvrirait ». L'inconscient appréhendé dans toute l'étendue du paradigme qu'il requiert et que la clinique convoque et met à jour, et ce sont également les conditions de possibilité de la technique analytique qui s'éclairent. Cette dernière peut ainsi retrouver la portée véritable de son action, au delà de la tentation du psychanalysme qui s'en servait pour mieux reconduire les formes de la domination sociale en les masquant dans l'ombre de ses constructions nosographiques solidaires de ses dispositifs psychiatro-psychanalytiques mis à jour par Foucault. Délesté de sa tutelle idéologique et de sa gangue idéaliste, l'acte analytique, loin de pouvoir s'abstraire, peut ainsi se penser et s'assumer pour opérer dans toute sa consistance toujours déjà clinique et politique »
If Deleuze and Guattari partly proceeded with producing their Anti-Oedipus with Artaud (1972) from a recipitation of the essence of Lacan's work, it's aise in the wake of this book that Lacan, moving towards a psychoanalysis of the Real, reassessed the matter of psychosis with Joyce. Far from being an alleged epistemological caesura, insanity accounts for the unconscious. Clinical work with madness enables to further investigate the mechanisms of the unconscious in relationship to the other. Subsequently, in light of this clinical work, the psychoanalytic technique, its links with nosography, along with some classical metapsychological concepts, are bound to be re-evaluated and revised. But giving rise to this fresh praxis- based and epistemological thinking entails a materialist approach to the unconscious as a space of productior and reproduction and net merely a scene of intrapsychic representations always-already-there that the clinician would "discover". Considering the unconscious to its full extent as a paradigm that the clinical work demands and updates sheds a new light on the conditions of possibility of psychoanalytic technique. Psychoanalysis may thus recover the true reach of its impact, beyond the temptation of "psychoanalysis-as- an-ideology" that used it to extend the social forms of domination, hiding them in the shadow of its nosographic constructions supporting the psychoanalytic psychiatric operation Foucault revealed. Relieved of its ideological guidance and idealistic coating, the analytic act, far from remaining abstract, can be conceived and accepted as an operation of an ever and full clinical and political consistency

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46

Nicolas-Le, Strat Pascal. "Critique de l'implication (l'implication de l'usager, l'exemple des politiques d'insertion)." Paris 8, 1996. http://www.theses.fr/1995PA081088.

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Cette these interroge l'implication des usagers dans l'organisation des services publics (en particulier dans le cadre d es politiques sociales et de l'action publique en matiere d'insertion). La premiere partie est consacree a une theorie de l'implication (les formes d'engagements et de participation). Les deuxieme et troisieme parties developpent une analyse des politiques d'insertion (le revenu minimum d'insertion) et cherche a montrer l'importance que l'implication de l'usager revet dans la mise en oeuvre de ces politiques. Cette reflexion sur l'implication est etroitement associee a une interrogation sur les nouvelles realites du pouvoir comment les politiques publiques reussissent-elles a mobiliser l'implication des usagers? cette theorie de l'implication essaye de faire converger la theorie du pouvoir de michel foucault et la problematique de la subjectivite telle que la developpent gilles deleuze et felix guattari
This thesis discusses the users' involvement into the organization of public services (especially within the framework of social and rehabilitation policies). The first part deals with a theory of involvement - forms of commitment and participation. The second and third parts offer an analysis of rehabilitation policies (revenu minimum d'insertion, "the minimum rehabilitation income") and intend to show the importance of users' involvement in the enforcement of these policies. These reflexions on involvement are closely associated to the questionning of the new realities of power. How do the public policies manage to obtain users' involvement? this involvement theory intends to realize a convergence of michel foucault's theory of power and gilles deleuze and felix guattari's own theory of subjectivity

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47

Damkjaer, Camilla. "The Aesthetics of Movement : Variations on Gilles Deleuze and Merce Cunningham." Doctoral thesis, Stockholms universitet, Institutionen för musik- och teatervetenskap, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-645.

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This thesis is an interdisciplinary study of the aesthetics of movement in Gilles Deleuze’s writings and in Merce Cunningham’s choreographies. But it is also a study of the movement that arises when the two meet in a series of variations, where also their respective working partners Félix Guattari and John Cage enter. It is a textual happening where the random juxtaposition between seemingly unrelated areas, philosophy and dance, gives rise to arbitrary connections. It is a textual machine, composed of seven parts. First, the methodological architecture of the juxtaposition is introduced and it is shown how this relates to the materials (the philosophy of Deleuze and the aesthetics of Cunningham), the relation between the materials, and the respective contexts of the materials. The presence of movement in Deleuze’s thinking is then presented and the figure of immobile movement is defined. This figure is a leitmotif of the analyses. It is argued that this figure of immobile movement is not only a stylistic element but has implications on a philosophical level, implications that materialise in Deleuze’s texts. Then follow four parts that build a heterogeneous whole. The analysis of movement is continued through four juxtapositions of particular texts and particular choreographies. Through these juxtapositions, different aspects of movement appear and are discussed: the relation between movement and sensation, movement in interaction with other arts, movement as a means of taking the body to its limit, movement as transformation. Through these analyses, the aesthetics of Cunningham is put into new contexts. The analyses also put into relief Deleuze’s use of figures of movement, and these suddenly acquire another kind of importance. In the seventh and concluding part, all this is brought into play.

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Jons, Lotta. "Till-tal och an-svar : En konstruktion av pedagogisk hållning." Doctoral thesis, Stockholm University, Department of Education, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7534.

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The aim of this study is to construct as philosophical conceptualization of pedagogical attitude. Founded on Martin Buber’s philosophy of dialogue, the construction suggested in the study takes on a normative character, thus understanding pedagogical attitude as a matter of pedagogical creed. The author proposes a construction where existence is understood as a matter of Calling and Respons(e)ibility. Pedagogical attitude is thus understood in accordance with the notion of paying heed, responsibly responding and calling. As a consequence this conceptualization calls on the teacher to speak authentically, serve, embrace a loving leadership, provoke and dare to take risks.

Within the concept of Calling and Respons(e)ibility, “calling” means addressing a particular other, whilst respons(e)ibility is a term chosen to make the concept connote to the response as well as the responsibility taken in relation to a particular calling. The concept of Calling and Respons(e)ibility is understood as closely connected to the religious concept of vocation, although recycled in a secularized meaning, thereby put forth as a matter of realizing the fate of the teacher, the student as well as the field/subject. The concept of Calling and Respons(e)ibility is in the study connected to the notions of “mothering”, obedience and adjustment as well as to the notions of responsibility, fidelity and being enterprising.

Using a methodological approach of philosophical conceptualization suggested by Gilles Deleuze and Félix Guattari, the study sets out to reuse such old theological concepts as vocation, calling, paying heed and responding responsibly in new forms in a pedagogical context, thereby intending to discover, articulate and discern new aspects of that context.

By conceptualizing pedagogical attitude on the basis of an existential, normative and relational perspective, using the notion of calling and respons(e)ability, the study aspires to contribute to the ongoing conversation concerning teacher-student-relationship.

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Munohur, Avinaash. "Le multiculturalisme à Maurice : racisme colonial, best-loser system et axiomatique postcoloniale." Thesis, Université de Paris (2019-....), 2020. http://www.theses.fr/2020UNIP7012.

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L’île Maurice est souvent citée comme l’exemple d’un vivre-ensemble exemplaire et d’une société plurale réconciliée avec ses contradictions. Mais par-delà les clichés pour touristes et en-deçà des pratiques religieuses et des rituels culturels propre à chaque communauté de l’arc-en-ciel mauricien, opère une structure du pouvoir fondée dans la notion même de la différence de couleur et qui va se trouver à la source de la multiplication des catégories censitaires ; qui vont à leurs tours produire une multiplication des catégories de la représentation politique, et des opérations d’inscription des individus dans des enclos socio-économiques et des enfermements culturels, communautaires, religieux, ethniques et linguistiques. Cette présente thèse ne se veut ainsi pas être une histoire des colonialismes. Elle n’est pas non plus une histoire de la révolution industrielle sucrière, et encore moins une anthropologie de l’interculturalité à Maurice. Elle ambitionne uniquement d’appréhender la rationalité proprement structurelle du multiculturalisme mauricien par le biais de la philosophie poststructuraliste, et notamment par les philosophies politiques de Gilles Deleuze, de Félix Guattari et de Michel Foucault. Nous pensons ainsi que le Best-Loser System – dispositif se trouvant au coeur du système électoral – est une machine à produire des divisions identitaires dans le système de la représentation politique qui nous permet une porte d’entrée privilégiée pour penser cette dimension proprement structurelle du multiculturalisme mauricien. Ainsi, nous avons particulièrement voulu investir la notion d’axiomatique chez Gilles Deleuze et Félix Guattari – avec les ensembles conceptuels qui en dérivent, comme les notions de minorité et de majorité. Notre hypothèse est la suivante : le multiculturalisme mauricien est une machine à produire des identités ; identités qui sont ensuite maintenues dans une logique de la lutte pour la reconnaissance – luttes antagonistes par rapport à la structure de la représentation, et qui demandent une reconnaissance et une inscription dans cette même structure - ; et c’est à partir de cette logique de la lutte qu’opère une axiomatique qui inscrit les nouveaux axiomes dans la structure de la représentation. Ces luttes ne sont pas nouvelles dans l’histoire de Maurice, loin de là même. Elles trouvent leurs sources dès 1642 avec les premiers esclaves marrons. L’émergence du séga tipik et plus tard du séga engagé s’inscrivent également dans cette ligne de fuite et constituent ce que Deleuze et Guattari ont nommé un art mineur qui nous semble extrêmement important d’explorer. Nous voyons également apparaître depuis quelques années un cinéma mauricien dont la réflexion s’articule le plus souvent autour du monde de la plantation et du vivre-ensemble à Maurice. Le film Lonbraz Kann du cinéaste David Constantin nous semble, par exemple, profondément important car il aborde, avec les moyens qui sont propres au cinéma, certaines des problématiques que nous balayerons dans ce présent travail. Nous explorerons, en dernier lieu, le concept de fabulation, concept qui apparaît tardivement dans l’oeuvre deleuzienne, mais qu’il nous semble essentiel de considérer car il nous permet une autre lumière sur les objectifs politiques des arts mauriciens. Ainsi, nous voyons, au travers la notion de fabulation se construire une autre île Maurice à travers ses artistes. Le cinéma et la musique surtout, mais aussi les nouveaux collectifs qui luttent pour la protection des lagons et des océans, nous mettent en face d’autres régimes signifiants, d’autres codes aussi. Ils préparent le terrain pour des luttes qui peuvent constituer autant de nouvelles problématiques qui contournent la logique des catégories fondées dans les subjectivités racialisées, et qui se confrontent à la logique immanente de l’axiomatique
Mauritius is often cited as the successful example of the cohabitation of different cultures; as well as a plural society reconciled with its contradictions. But beyond the clichés for tourists and underneath the diversity of religious practices and cultural rituals specific to each community of the Mauritian rainbow, operates a power structure based on the very concept of the “difference of colour” and which constitutes the foundation for the multiplication of census categories. This in turn produces a multiplication of categories of political representation based on cultural, community, religious, ethnic and linguistic categories. This thesis is not intended to be a history of colonialism. Nor is it a history of the sugar industrial revolution, and much less an anthropology of inter-culturality in Mauritius. Its only ambition is to grasp the structural rationality of Mauritian multiculturalism through its confrontation with poststructuralist philosophy, and in particular through the political philosophies of Gilles Deleuze, Félix Guattari and Michel Foucault. We thus believe that the Best-Loser System - a device at the heart of the Mauritian electoral system - is a machine for producing identity divisions in the system of political representation, which allows us a privileged gateway to think about the structural dimension of Mauritian multiculturalism. Thus, we particularly wanted to investigate the notion of axiomatic in Gilles Deleuze and Félix Guattari’s philosophy - together with the conceptual sets that derive from it, like the notions of minority and majority. Our hypothesis is the following: Mauritian multiculturalism is a form of governmentality which is founded in the production and the multiplication of identities; identities which are then maintained in a logic of the struggle for recognition - antagonistic struggles in relation to the structure of representation, and which require recognition and registration in this same structure -; and it is from this logic of struggle that an axiomatic operates which inscribes the new axioms in the structure of political representation. These struggles are nothing new in the history of Mauritius, far from it. They find their sources in 1642 with the first maroon slaves. The emergence of the “séga tipik” is also part of this line of flight and constitutes what Deleuze and Guattari have called a minor art, which we think is extremely important to explore. We have also been witnessing the appearance of a Mauritian cinema whose reflection revolves most often around the world of sugar plantations and living together in Mauritius. The film Lonbraz Kann by filmmaker David Constantin seems to us, for example, to be deeply important because it tackles, with the means that are specific to cinema, some of the issues that we will sweep away in this present work. Finally, we will explore the concept of fabulation, a concept which appeared late in Deleuze’s work, but which we think is essential to consider because it allows us another light on the political objectives of the Mauritian arts. Thus, we see, through the notion of fabulation, the surge of another Mauritius through its artists. Cinema and music especially, but also the new collectives who fight for the protection of lagoons and oceans, confront us with other significant regimes, other codes too. They prepare the ground for struggles that can constitute as many new problems that circumvent the logic of the categories founded in racialized subjectivities, and which confront themselves directly to the immanent logic of the axiomatic

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Albuquerque, Paulo Germano Barrozo de. "O Devir-minoritário e a crítica da democracia: literatura e política em Deleuze." www.teses.ufc.br, 2008. http://www.repositorio.ufc.br/handle/riufc/6246.

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ALBUQUERQUE, Paulo Germano Barrozo de. O Devir-minoritário e a crítica da democracia: literatura e política em Deleuze. 2008. 230f. – Tese (Doutorado) – Universidade Federal do Ceará, Programa de Pós-graduação em Sociologia, Fortaleza (CE), 2008.
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Esta tese analisa as relações entre literatura e política tal como Deleuze as formulou ao longo da composição de sua obra. A obra de Deleuze sempre teve nas artes um intercessor, em especial na literatura. Mas é nos anos 1970 que seu pensamento desenvolve o conceito de literatura menor, fazendo, ao relacionar o campo da literatura com o campo da política, a invocação, em ambas, de devires, singularidades, forças impessoais e pré-individuais, bem como de minorias ativas que constituem um desafio e uma crítica às democracias contemporâneas. Assim, o percurso de nossa tese passou pela relação entre a literatura e a idéia de minoria, pelo cruzamento da literatura e da política que se faz no entrecruzamento da problemática minorias/capitalismo. Na obra de Deleuze com Guattari Kafka por uma literatura menor, vemos os principais conceitos dessa análise da literatura: procedimento, agenciamento coletivo de enunciação, máquina literária etc. Mas é apenas em Mil Platôs que essa análise da literatura se desdobra em dois aspectos fundamentais: primeiro, na criação de uma concepção política da linguagem, que a retira da condição de código abstrato e lhe faz passar pelos dispositivos de poder distribuídos sobre o corpo de uma sociedade, que implica a análise da função de palavra de ordem; segundo, em como as minorias arrastadas por seus devires-minoritários colocam um desafio para as democracias contemporâneas e sua idéia de maioria. Por fim, essas relações entre política e literatura, bem como entre minorias e democracia passam pela questão da formação dos Estados Unidos da América, sobretudo de seu conceito de democracia (o poder da maioria), e de como este foi elemento central para a literatura que também ali se gestava. Assim, percebemos que a relação entre a política e literatura da qual Deleuze nos fala está relacionada ao problema das minorias e à crítica da democracia que daí deriva, problema urgente de nossa contemporaneidade.

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