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Relevant bibliographies by topics / Gueule (the word)

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Journal articles

Academic literature on the topic 'Gueule (the word)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2024

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Journal articles on the topic "Gueule (the word)"

1

Lee, JaeWon. "The pain and scars of war : World War I and french ‘Gueules cassées(Broken Face)’." HISTORY JOURNAL 49 (August 31, 2023): 41–74. http://dx.doi.org/10.51786/rchf.2023.08.49.41.

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2

Bause, George S. "Wood’s and Guedel’s Legacies Return to the Heartland." Anesthesiology 134, no. 1 (2020): 11–14. http://dx.doi.org/10.1097/aln.0000000000003609.

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Pioneering anesthesiologists Paul Wood, M.D., and Arthur Guedel, M.D., were Hoosiers who migrated from America’s Heartland to opposite coasts. Dr. Wood moved east to New York in 1913; Dr. Guedel, west to California in 1928. By 1962, each pioneer had been honored with a namesake anesthesia museum. Fast-forwarding 55 yr, two young anesthesia historians, California’s Jane Moon, M.D., and Pennsylvania’s Melissa Coleman, M.D., met at the 2017 International Symposium of the History of Anesthesia in Boston. Today, these women are chairs of the Wood Library-Museum’s Archives and Museum Committees, res

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3

Veniard, Marie. "Lexique et point de vue : l’angle syntagmatique." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 46, no. 2 (2011): 177–201. http://dx.doi.org/10.1075/rro.46.2.01ven.

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This article tackles the question of point of view carried by lexicon. Whereas this subject is often considered from a paradigmatic perspective, this article proposes to describe it from a syntagmatic perspective. The word guerre (war) and the three syntagms la guerre (de X) avec Y, la guerre (de X) contre Y or la guerre entre X et Y are described in a press corpus. It appears that these syntagms configure a way of seeing the conflict relation (as reciprocal or not). Whereas at a paradigmatic level, the locutor is often considered as an explanatory factor for point of view, this study of point

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4

Mvogo, Ernest Messina, and Zakaria Beine. "Cameroon in the First World War From the dominant geostrategic challenges to environnemental impact ignored." Global Journal of Arts, Humanities and Social Sciences 10, no. 7 (2022): 1–14. http://dx.doi.org/10.37745/gjahss.2013/vo10.n7pp114.

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La présente étude se propose, à travers une double approche empirico-descriptive et déductive, de montrer que le Cameroun à la fois une « colonie » productrice et consommatrice de la Première Guerre mondiale. À la faveur des enjeux géostratégiques qu’il représentait, ce territoire du Golfe de Guinée fut la matérialisation ostensible de l’exportation de la Grande Guerre européenne en Afrique, depuis les origines jusqu’aux conséquences. Bien plus, cet article aborde un aspect non moins important de cette guerre, mais oublié : son impact environnementale sur le Cameroun. Sur la base de témoignage

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5

Jones-Davies, Margaret. "‘The word of war’ : vers une rhétorique de la guerre." Actes des congrès de la Société française Shakespeare, no. 8 (November 1, 1990): 11–24. http://dx.doi.org/10.4000/shakespeare.1208.

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6

Bernard, Amaury. "When «the strange war» triggers the World War I: cultural images of years 1914-1918 by French veterans - September 1939 to May 1940." Lublin Studies in Modern Languages and Literature 39, no. 1 (2015): 76. http://dx.doi.org/10.17951/lsmll.2015.39.1.76.

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7

Kind-Kovács, Friederike. "The “Other” Child Transports: World War I and the Temporary Displacement of Needy Children from Central Europe." Revue d’histoire de l’enfance « irrégulière » N° 15, no. 1 (2013): 75–109. http://dx.doi.org/10.3917/rhei.015.0075.

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On a beaucoup écrit sur les transports d’enfants, les fameux « Kindertransport » associés à la période nazie et à la seconde guerre mondiale. Pourtant, on sait peu de choses des déplacements d’enfants durant la première guerre mondiale. Cet article entend combler ce vide historiographique, en faisant l’histoire de ces migrations juvéniles pendant et après la guerre, en Europe centrale. Ce type de migration était originellement prévu pour offrir une aide temporaire, mais il a parfois résulté dans le placement de longue durée à l’étranger. L’objectif premier des associations et des familles étai

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8

Sandy, James. "“Stop The War, I Want to Get Out”: DC Comics’ Sgt Rock and Complicating Images of America’s Second World War." Revue française d’études américaines N° 177, no. 4 (2023): 48–66. http://dx.doi.org/10.3917/rfea.177.0048.

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Cet essai retrace l’évolution de la bande dessinée intitulée Our Army at War publiée par la maison d’édition DC Comics et en particulier la trajectoire de son personnage vedette, Sergeant Rock, depuis son apparition en 1952 jusqu’à sa disparition canonique en 2010. Anthologie phare, Our Army at War a contribué au développement d’un récit et d’une mythologie de la « guerre juste », appliquée à la Seconde Guerre mondiale aux États-Unis, tout en proposant une interprétation plus complexe des dynamiques de la guerre. En effet, un portrait simpliste à la gloire d’une nation toujours victorieuse y e

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9

Drsková, Kateřina. "Czech translations of Jean-Arthur Rimbaud's poem the Drunken Boat after the Second World War." Romanica Olomucensia 29, no. 2 (2017): 203–22. http://dx.doi.org/10.5507/ro.2017.015.

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10

Rizoiu, Camelia. "Guerre et Parole dans La Chanson d’Antioche." Revista Cercurilor studenţeşti ale Departamentului de Limba şi Literatura Franceză, no. 9 (November 2020): 5–14. http://dx.doi.org/10.31178/rcsdllf.9.1.

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La Chanson d’Antioche is an epic poem from the twelfth century which sings the deeds of the European army during the First Crusade, called by Pope Urban II in 1095. In this text, we can see the interaction between the Franks and the Saracens, at a greater scale than anything before, in a new territory, with a new purpose, with an enemy presented in a different, yet more detailed manner. As such, the aim of this article is to present a glimpse of this special character from two points of view, that of the war and that of the word, a character seen by the poet through a mirror, a rather deformed

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