Relevant bibliographies by topics / Guggenheim Museum

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Guggenheim Museum'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Guggenheim Museum"

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Mastandrea, Stefano, Gabriella Bartoli, and Giuseppe Bove. "Learning through Ancient Art and Experiencing Emotions with Contemporary Art: Comparing Visits in Two Different Museums." Empirical Studies of the Arts 25, no. 2 (2007): 173–91. http://dx.doi.org/10.2190/r784-4504-37m3-2370.

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The aim of the present research was to explore possible differences between visitor experiences in two different kinds of art museums according to the art styles of the collections hosted: the Museum Borghese of Rome (ancient art) and the Peggy Guggenheim Collection of Venice (contemporary art). Two questionnaires were administered to 500 Italian participants before and after their visit to one of the museums. Questions (Likert scales and multiple choice) assessed how much visitors liked and were satisfied with the museum and their visit, and the motivations, expectations and preference that d
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Weiss, Norman R., Glenn Boornazian, and Amanda T. Trienens. "Guggenheim Museum Exterior Colour." Journal of Architectural Conservation 16, no. 1 (2010): 95–96. http://dx.doi.org/10.1080/13556207.2010.10785064.

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Siry, Joseph M. "Seamless Continuity versus the Nature of Materials." Journal of the Society of Architectural Historians 71, no. 1 (2012): 78–108. http://dx.doi.org/10.1525/jsah.2012.71.1.78.

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Gunite, or concrete shot through a hose, helped to shape twentieth-century modernist architecture, yet its history is largely unwritten. In 1927–29 Richard Neutra pioneered the architectural use of Gunite in the Lovell House in Los Angeles. Frank Lloyd Wright praised Neutra's house, and he later used Gunite with a light steel frame in his Community Church in Kansas City, Missouri (1939–42). In Wright's next public commission, the Solomon R. Guggenheim Museum (1943–59) in New York City, he proposed that the great spiral gallery be wholly of Gunite set on a pre-stressed steel frame, in order to
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IBRAHIM, SHAFA ARMELIA, and ARI WIDYATI PURWANTIASNING. "KAJIAN KONSEP ARSITEKTUR METAFORA PADA GUGGENHEIM BILBAO MUSEUM, SPANYOL." PURWARUPA Jurnal Arsitektur 8, no. 1 (2024): 75. http://dx.doi.org/10.24853/purwarupa.8.1.75-82.

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ABSTRAK. Arsitektur metafora merupakan salah satu konsep yang menggunakan simbol-simbol atau cerita untuk menyampaikan pesan, makna, dan nilai yang lebih dalam tentang bangunan itu sendiri kepada penggunanya. Penerapan konsep ini banyak digunakan pada bangunan-bangunan, terutama pada bangunan yang mempunyai arti penting dan sejarah dalam pembentukannya. Arsitektur metafora dibagi menjadi tiga jenis: metafora abstrak, metafora konkrit, dan metafora gabungan. Penerapan konsep arsitektur metafora pada desain museum dapat memungkinkan museum menyampaikan cerita dan makna secara lebih mendalam, men
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Iyengar, Hal, Larry Novak, Robert Sinn, and John Zils. "The Guggenheim Museum, Bilbao, Spain." Structural Engineering International 6, no. 4 (1996): 227–29. http://dx.doi.org/10.2749/101686696780496337.

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Linko, Maaria E. "The Guggenheim Museum Helsinki Plan as a Media Debate." Museum and Society 18, no. 4 (2020): 425–40. http://dx.doi.org/10.29311/mas.v18i4.3171.

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In connection with today’s competition between cities to portray an alluring image of economic and cultural success, the City of Helsinki and the Solomon R. Guggenheim Foundation put forward a plan to establish a Guggenheim museum in Helsinki, Finland. Following the plan’s release, a heated public debate emerged in the media. The present article analyzes this debate as a mediatized conflict and aims to show in what ways the debate on the Guggenheim report affected the decision-making process concerning the Helsinki Guggenheim museum. This debate is analyzed within the framework of current disc
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Faires, Nancy. "This Is Not a Museum: The Guggenheim Musuem Bilbao." International Journal of the Inclusive Museum 1, no. 4 (2009): 113–22. http://dx.doi.org/10.18848/1835-2014/cgp/v01i04/44542.

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Dennison, Lisa. "From Museum to Museums: The Evolution of the Guggenheim." Museum International 55, no. 1 (2003): 48–55. http://dx.doi.org/10.1111/1468-0033.00412.

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Putra, David Guntur, and Suryono Herlambang. "TEATER MUSIKAL JAKARTA." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 1, no. 1 (2019): 344. http://dx.doi.org/10.24912/stupa.v1i1.3995.

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Pada era modern ini kegiatan wisata merupakan salah satu kebutuhan bagi masyarakat untuk melepas stress dan mencari suasana baru. Kegiatan wisata sendiri adalah kegiatan mencari hal baru yang berbeda dari kegiatan sehari hari yang sifatnya menyenangkan. Dalam konteks wisata kota, kegiatan wisata tidak dapat dilepaskan dari arsitektur. Kota pada umumnya sedikit memiliki sumber daya alam untuk mendukung kegiatan wisata, sehingga diperlukan campur tangan manusia untuk mewujudkanya. salah satu contoh sukses campurtangan arisitektur dalam wisata adalah pada museum Guggenheim di Bilbao. Museum Gugge
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Ferrovial S.A., Grupo. "El Museo Guggenheim Bilbao. Bilbao/España." Informes de la Construcción 49, no. 451 (1997): 13–17. http://dx.doi.org/10.3989/ic.1997.v49.i451.932.

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Dissertations / Theses on the topic "Guggenheim Museum"

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Faires, Nancy Dean. "This is not a museum : the Guggenheim Museum Bilbao /." abstract and full text PDF (UNR users only), 2007. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3294912.

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Thesis (Ph. D.)--University of Nevada, Reno, 2007.<br>"December, 2007." Includes bibliographical references. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2008]. 1 microfilm reel ; 35 mm. Online version available on the World Wide Web.
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Nash, Ashley D. "The Solomon R. Guggenheim Foundation and Museum." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/aa_rpts/108.

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In January 2010, I began an internship at the Solomon R. Guggenheim Foundation and Museum in New York City. The Solomon R. Guggenheim Foundation is the nonprofit organization that owns and operates the New York museum and its affiliate museums around the world. I work within the Foundation's Development Department, focusing on Membership and Individual Development. The following report includes an overview of the organization, a description of my role as an intern within the Development Department, my analysis of the administration of the organization, and my recommendations for the organizati
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Grand, Anna Maria. "University of New Orleans [Solomon R. Guggenheim Museum]." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/aa_rpts/106.

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From mid-May 2009 to mid-August 2009, I served as an intern in the Marketing department of the Solomon R. Guggenheim Museum. As an intern at this museum, I examined its daily operations, organizational structure, and program planning through the lens of a graduate student in the program of Arts Administration at the University New Orleans. Based on my internship at the Guggenheim, I have written a comprehensive report outlining my experiences and observations at the internationally renowned arts organization. The following report includes a brief history of the organization and description of
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Saad, Silverio Syllas. "Guggenheim Bilbao: o museu franquia dez anos depois." Pontifícia Universidade Católica de São Paulo, 2007. https://tede2.pucsp.br/handle/handle/11743.

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Made available in DSpace on 2016-04-27T17:27:18Z (GMT). No. of bitstreams: 1 Silverio Syllas Saad.pdf: 283627 bytes, checksum: 47814d3415166c71ed6571bab725a3b8 (MD5) Previous issue date: 2007-06-13<br>This paper refers to the new function of the museum at the present time according to the change of its logic of functioning from the 80's to the present day. The projects of unlimited expansion of the museums with the building of seats in other countries approach their way of management of the one of the big, corporative and multinational companies. The inexhaustive search for private financing
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Durandegui, Angel B. "The Guggenheim Bilbao Museum in the Basque nationalist press : discursive and rhetorical analysis." Thesis, Loughborough University, 2007. https://dspace.lboro.ac.uk/2134/10697.

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This study analysed the reporting of the debate over the Guggenheim Bilbao in the Basque nationalist newspapers Egin and Diario Vasco. I was looking at differences/similarities between the newspapers, and at how argumentation changed over time (1997/1998), drawing upon content analysis, discourse analysis of the ideological themes in the reporting and an indepth analysis of two editorials, one in Spanish and one in Basque. The content analysis confirmed that economy and Basque culture/identity were highly controversial themes; and that in 1998 the museum became more accepted. An analysis of rh
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MONTELEONE, COSIMO. "Forms follow intuition : geometrie e astrazione nel Guggenheim museum di Frank Lloyd Wright." Doctoral thesis, Università IUAV di Venezia, 2013. http://hdl.handle.net/11578/278303.

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Alberro, Alexander. "The turning of the screw : the Sixth Guggenheim International Exhibition, Daniel Buren, and the new cultural conservatism." Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/28913.

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In this study I have sought to explore the theoretical foundations of the French artist Daniel Buren's work and its subsequent resonance in a context of emergent cultural conservatism. The study also traces, the increasingly tenuous position of the avant-garde, the survival of which is contingent on the presence of certain liberal democratic institutions. For me these concerns led to a systematic investigation of the censorship of Buren's installation at the 1971 Guggenheim International Exhibition. This was the last in a series of exhibitions that was to promote international goodwill by brin
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Pitman, Krista Chandler. "Understanding space the conceptualization and evaluation of display in Dia:Beacon /." Birmingham, Ala. : University of Alabama at Birmingham, 2007. https://www.mhsl.uab.edu/dt/2007m/pitman.pdf.

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Kohlmann, Andrya Campos. "Wright e Siza : a qualidade espacial em dois museus." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/151172.

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Este trabalho tem como principal objetivo a análise da qualidade espacial em dois museus, a Fundação Iberê Camargo em Porto Alegre e o museu Guggenheim em Nova York. A Fundação Iberê Camargo foi escolhida em função da aclamação de crítica que recebeu e seu destaque no panorama arquitetônico da cidade gaúcha, onde o trabalho foi desenvolvido. Da mesma forma, o museu Guggenheim foi selecionado por ser uma edificação icônica, consagrada no imaginário arquitetônico mundial. Os dois exemplares foram escolhidos também, e principalmente, em função de suas semelhanças em termos de partido arquitetônic
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Karcheski, Gabrielle Rae. "Balancing Finances, the Mission, and Public Trust in the American Art Museum: Controversy at the Solomon R. Guggenheim Museum and the Barnes Foundation." Thesis, The University of Arizona, 2013. http://hdl.handle.net/10150/311773.

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Books on the topic "Guggenheim Museum"

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Aurora, Cuito, Soto Pablo, Pons Eugèni, and Solomon R. Guggenheim Foundation, eds. Guggenheim. Kliczkowski Publishers, 2001.

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1928-, Licht Fred, Tucker Paul Hayes 1950-, and Solomon R. Guggenheim Museum, eds. Guggenheim Museum Thannhauser Collection. Solomon R. Guggenheim Museum, 1992.

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Nancy, Spector, ed. Guggenheim Museum, A to Z. The Museum, 1992.

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Hollein, Hans. The Guggenheim Museum Salzburg: A project = Das Guggenheim Museum Salzburg : ein Projekt. Residenz, 1990.

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Stoller, Ezra. Guggenheim New York. Princeton Architectural P., 1999.

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Krens, Thomas. Meisterwerke aus dem Guggenheim Museum. Prestel-Verlag, 1990.

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Brooks, Pfeiffer Bruce, and Gugenheim Museum, eds. The Solomon R. Guggenheim Museum. Gugenheim Museum Publications, 1996.

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Brooks, Pfeiffer Bruce, ed. The Solomon R. Guggenheim museum. The Solomon R. Guggenheim Museum, 1995.

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José, Afonso. Drawing without words: Guggenheim Helsinki Museum. Caleidoscópio, 2017.

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Bruggen, Coosje van. Frank O. Gehry: Guggenheim Museum Bilbao. Guggenheim Museum Publications, 1998.

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Book chapters on the topic "Guggenheim Museum"

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Pitkänen, Maritta. "Guggenheim Museum." In Revisiting Museums of Influence. Routledge, 2020. http://dx.doi.org/10.4324/9781003003977-17.

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Perez, Alona Martinez, and Joan Moreno Sanz. "The Bilbao Effect beyond the Guggenheim Museum." In Handbook of Waterfront Cities and Urbanism. Routledge, 2022. http://dx.doi.org/10.1201/9781003204565-27.

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Rodeš, Sanja. "The Guggenheim Museum in Bilbao as a Historical Precedent, and the Museum after the “Bilbao Effect”." In Architecture and the Image at the Turn of the 21st Century. Routledge, 2024. http://dx.doi.org/10.4324/9780429356568-4.

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Kirk, Stephen J. "Enhancing Value for the Guggenheim Abu Dhabi Museum via Function-Inspired Change." In Ideas to Impact: How Building Economic Standards Keep You on Track. ASTM International, 2014. http://dx.doi.org/10.1520/stp158620140032.

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MacLeod, Suzanne. "Guggenheim Helsinki, Finland, 2013–16." In Museums and Design for Creative Lives. Routledge, 2020. http://dx.doi.org/10.4324/9780429398698-17.

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Ritvala, Tiina, Rebecca Piekkari, Henrika Franck, and Nina Granqvist. "The International Expansion of an Art Museum: Guggenheim’s Global–Local Contexts." In Growth Frontiers in International Business. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48851-6_8.

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"Solomon R. Guggenheim Museum." In Reglazing Modernism. Birkhäuser, 2019. http://dx.doi.org/10.1515/9783035619348-024.

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"The Guggenheim Museum, Bilbao, Spain." In International Cases in Tourism Management. Elsevier, 2004. http://dx.doi.org/10.1016/b978-0-7506-5514-9.50028-3.

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Vatsky, Sharon. "From Concept to Conference." In Videoconferencing Technology in K-12 Instruction. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-331-9.ch005.

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This chapter discusses various points of view of the process of developing of a videoconferencing lesson that focuses on an architectural landmark, the Solomon R. Guggenheim Museum. The lesson was the result of collaboration among provider educators from the Solomon R. Guggenheim Museum, and three teachers. The project involved a working partnership that lasted a year and a half, culminating with the launch of the videoconference lesson. Information on establishing the goals, developing the program, and assessing outcomes are provided. This chapter includes input from the museum and from teachers at participating schools about the collaboration process and its value to participants.
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Damodaran, A. "Animating the Inanimate." In Managing Arts in Times of Pandemics and Beyond. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192856449.003.0005.

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The onset of COVID-19 has altered the functioning of museums and biennials across the world. Consistent with the ‘deep dive approach’ employed in this book, the chapter takes a close look at three museums and a biennial. The museums chosen for detailed examination are ‘The Guggenheim’ (USA), the Victoria Memorial Hall (India), and the Montreal Museum of Fine Arts (Canada). The biennial chosen for detailed exploration is the ‘Kochi-Muziries Biennale’ (India). The objectives of the exercise are to understand the nature of operations carried out by these organizations and identifying the economic and managerial challenges faced by them prior to and during the difficult days of COVID-19. The chapter explores how the four organizations have coped with the pandemic. While Guggenheim opened up their premises on a minimal note and employed intense virtual media exposes, the Kochi-Muziries Biennale was constrained to postpone its biennial event. The Montreal Museum and the Victoria Memorial Hall also underwent protracted bouts of inactivity. The dive deep studies throw up a menu of management-related situations that holds vital lessons for budding museum managers. Similarly, the functioning of the four organizations also afford valuable lessons to the policy establishment regarding the effectiveness of cultural and arts policies.
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Conference papers on the topic "Guggenheim Museum"

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Bruna, Rodrigo. "El museo y el régimen in situ de la instalación (arte)." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.8952.

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El surgimiento de la instalación (arte) a mediados de los sesenta puso en crisis la institución museal a partir de una apropiación consiente del espacio. Esta apropiación se escapaba de las lógicas museográficas imperantes al incorporar a la obra las dimensiones arquitectónicas, históricas y simbólicas del lugar. Dos instalaciones emblemáticas del periodo evidencian esta crisis, nos referimos a Cuerpos Blandos(1969) del artista chileno Juan Pablo Langlois realizada en el Museo Nacional de Bellas Artes de Santiago y Peinture-Sculpture (1971) del artista francés Daniel Buren exhibida en el Salom
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Johnson, Jason S., and Matthew Parker. "Ubiquitous Simultaneity: A Design Workflow for an Information Rich Environment." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.37.

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In June of 2014 over 1700 entries were submitted to a competition for a proposed Guggenheim Museum in the Finnish capital of Helsinki. Winners had no guarantee that the project would be built, yet architects from around the world spent huge amounts of capital and time to produce what was described by the director of the Solomon R. Guggenheim Foundation as “an unprecedented volume of design information that is now freely available for study and use”. Just like that the intellectual capital of nearly two thousand architects was distributed essentially free of charge to the public. This represent
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Meira, Marcel Ronaldo Morelli de. "Os novos museus e a estética na contemporaneidade." In Encontro da História da Arte. Universidade Estadual de Campinas, 2010. http://dx.doi.org/10.20396/eha.6.2010.3833.

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De acordo com a convenção da crítica, a “cultura dos museus” teve início em 1977, com a inauguração do Museu Nacional de Arte Moderna do Centro Georges Pompidou (o Beaubourg), em Paris, consolidando-se com a filial do Museu Guggenheim, na cidade de Bilbao, em 1997, do arquiteto Frank Gehry, e atigindo sua nova fase de expansão ao Oriente, nos anos 2000, com os projetos de franquia do Beaubourg, em Xangai, na China, e do Novo Louvre, em Abu Dhabi, nos Emirádos Árabes, com inaugurações previstas para 2010 e 2012. Para alguns autores, a eclosão dos museus pode ser considerada como sintomática da
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Rivera Borrayo, Elisabeth, and Javier Orozco Alvarado. "Grandes proyectos de intervención en la ciudad-metrópoli: Guadalajara, México y los retos en la planeación urbana." In International Conference Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7606.

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El rápido crecimiento presentado en nuestras ciudades desde mediados del siglo XX, ha venido acompañado de diversos y significativos procesos de transformación en su estructura urbana, situación que genera problemas de múltiples complejidades.&#x0D; Una de las estrategias que empiezan a ser incorporadas en las últimas décadas en las formas de intervención urbana, y en particular, en México, es la construcción de grandes proyectos de intervención&#x0D; urbano-arquitectónicos, considerados estos como instrumentos clave en el desarrollo y planeación urbana, mismos que producen a su vez, significa
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