Relevant bibliographies by topics / Guild confraternities

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Academic literature on the topic 'Guild confraternities'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Guild confraternities"

1

González, Sergi González. "Paying Homage: The Participation of Guild Confraternities in Archiepiscopal Entries into Tarragona." Confraternitas 31, no. 2 (2022): 36–62. http://dx.doi.org/10.33137/confrat.v31i2.38069.

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The original significance of the public entry of a new archbishop into Tarragona lies in the fact that the city, through its confraternities, honoured one of its social elite with a popular celebration. Urban government was based upon two authorities: the king and the archbishop. In Tarragona, a city of deeply rooted customs and traditions, the entry ritual remained almost unchanged from medieval times to the modern era. Guild confraternities were active participants in urban ritual, with their dances, figures, and fantastic animals, and thus created a nexus of identity among the urban communi
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CROMBIE, LAURA. "Craft guild ideology and urban literature: theFour Crowned Martyrsand theLives of Saints Nazarius and Celsusas told by the masons’ guild of fifteenth-century Ghent." Urban History 45, no. 3 (2017): 404–25. http://dx.doi.org/10.1017/s0963926817000578.

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ABSTRACT:The economic and political dimensions of guilds in medieval Flanders, especially medieval Ghent, have been well studied for generations. It is often noted that guilds were more than work organizations, and that their religious and social activities made them very like confraternities, but exploring the cultural and ideological side of guilds can be hampered by less surviving evidence. The present article attempts to address this lacuna by using poems written by/for the masons’ guild in fifteenth-century Ghent, taking an interdisciplinary perspective to examine ideals of community, hie
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3

Wegman, Rob C. "Music and musicians at the Guild of Our Lady in Bergen op Zoom, c. 1470–1510." Early Music History 9 (October 1990): 175–249. http://dx.doi.org/10.1017/s0261127900001029.

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Marian guilds and confraternities proliferated in fifteenth-century Brabant. They gave expression to the pride, devoutness and community spirit of the urban middle classes. Their chapels were invested with all the riches their members could afford: altarpieces, stained-glass windows, painted statues, silk and velvet cloth, gold and silverware, and other expensive ornaments. But the jewel in the crown for every confraternity was polyphony. Prestigious Marian confraternities such as those at 's-Hertogenbosch, Bergen op Zoom and Antwerp were among the major musical establishments of the Low Count
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Mazuela-Anguita, Ascensión. "Confraternities as an Interface Between Citizens and Convent Musical Ceremonial in Sixteenth-Century Barcelona." Confraternitas 31, no. 2 (2022): 14–35. http://dx.doi.org/10.33137/confrat.v31i2.38068.

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Confraternities offer an example of the porosity of the early modern urban cloister for musical reasons. Many sixteenth-century Barcelonan guild and devotional confraternities were housed in nunneries and used conventual spaces that were also filled by the sound of nuns singing in the celebration of specified feasts as part of their devotional practices. This article, based on case-studies of the Benedictine convents of Sant Pere de les Puel·les and Sant Antoni i Santa Clara and the Dominican nunneries of Montsió and Els Àngels, analyzes a variety of archival documents in order to assess the c
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Mazuela-Anguita, Ascensión. "Confraternities as an Interface Between Citizens and Convent Musical Ceremonial in Sixteenth-Century Barcelona." Confraternitas 31, no. 2 (2022): 14–35. https://doi.org/10.33137/confrat.v31i2.38068.

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Confraternities offer an example of the porosity of the early modern urban cloister for musical reasons. Many sixteenth-century Barcelonan guild and devotional confraternities were housed in nunneries and used conventual spaces that were also filled by the sound of nuns singing in the celebration of specified feasts as part of their devotional practices. This article, based on case-studies of the Benedictine convents of Sant Pere de les Puel·les and Sant Antoni i Santa Clara and the Dominican nunneries of Montsió and Els Àngels, analyzes a variety of archival documents in
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Knighton, Tess. "The Contribution of Confraternities to the Urban Soundscape of Barcelona in the Early Modern Period." Confraternitas 31, no. 2 (2022): 108–35. http://dx.doi.org/10.33137/confrat.v31i2.38072.

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Sound was important to urban devotional and guild confraternities: sounds of various kinds, including organized and semi-improvised musics, served as acoustic signals that heralded their presence and communicated their identity; and different combinations of sounds characterized their devotional activities and ceremonies. Whether based at the cathedral or a collegiate, parish or conventual church, confraternities developed a sonic identity that drew on shared elements—bells, town criers, the hiring of wind-bands and other musicians such as trumpets and drums, as well as players of stringed ins
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Forney, Kristine K. "Music, ritual and patronage at the Church of Our Lady, Antwerp." Early Music History 7 (October 1987): 1–57. http://dx.doi.org/10.1017/s026112790000053x.

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The development of fourteenth- and fifteenth-century sacred polyphony is linked closely not only to the Mass and divine services of the Roman Catholic Church, but equally to the rise of lay devotional congregations who sponsored their own services, often musically elaborate, at private chapels and altars. Within this popular phenomenon of lay devotion in the Low Countries, several northern confraternities can be cited for their very early regular use of polyphony. A polyphonic Salve service was established in 1362 by the Marian confraternity at St Goedele in Brussels, and Reinhard Strohm has s
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Slocum, Kay Brainerd. "Confrérie, Bruderschaft and guild: the formation of musicians' fraternal organisations in thirteenth- and fourteenth-century Europe." Early Music History 14 (October 1995): 257–74. http://dx.doi.org/10.1017/s0261127900001480.

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Professional musicians first appeared in medieval Europe during the tenth century. These jongleurs, or minstrels, earned a precarious living by travelling alone or in small groups from village to village and castle to castle, singing, playing, dancing, performing magic tricks and exhibiting trained animals. These itinerant performers were often viewed as social outcasts, and were frequently denied legal protection as well as the sacraments of the church. With the revival of the European economy and the growth of towns during the twelfth century the opportunity for more stable living conditions
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De Munck, Bert. "Rewinding Civil Society: Conceptual Lessons from the Early Modern Guilds." Social Science History 41, no. 1 (2017): 83–102. http://dx.doi.org/10.1017/ssh.2016.39.

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Traditionally it is assumed that “modern” civil society originated in the associations, clubs, and public sphere of the eighteenth century as a result of the “liberation” of the individual from the “shackles” of absolutism, religious intolerance, and the patriarchal family. However, recent research goes further back in time. Scholars such as Robert Putnam (sociologist), Antony Black (political scientist), and Katherine Lynch (historian) associate the origins of civil society with the heyday of confraternities and guilds in the late Middle Ages. This has serious consequences for our understandi
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Horden, Peregrine. "The Confraternities of Byzantium." Studies in Church History 23 (1986): 25–45. http://dx.doi.org/10.1017/s0424208400010524.

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‘The medieval drive to association’. That phrase comes from a monograph by Susan Reynolds. It is to be found in a chapter on guilds and confraternities. And it is representative of the quasi-biological vocabulary to which historians of those institutions seem especially prone. ‘How appropriate is this talk of drives? What, in this context, is the force of ‘medieval’? My ultimate purpose is to address those questions from a Byzantine perspective; to ask in effect whether evidence of confraternities from the eastern Roman empire between approximately 400 and the Ottoman conquest will sustain tal
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Books on the topic "Guild confraternities"

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Stussi, Alfredo, and Paola Sgrilli. Testi viterbesi dei secoli XIV, XV e XVI. Sette città, 2003.

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Juanpere, Ezequiel Gort i. L' antic gremi dels mestres de cases de Reus. Gremi de la Construcció del Baix Camp, 1985.

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Gianfranco, Levorato, and Barbaro Orlando, eds. Scuole a Venezia, storia e attualità. s. n., 2008.

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Semana de Estudios Medievales (19th 1992 Estella, Spain). Cofradías, gremios y solidaridades en la Europa medieval: XIX Semana de Estudios Medievales, Estella, 20 a 24 de julio de 1992. Gobierno de Navarra, Departamento de Educación y Cultura, 1993.

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Gramigna, Silvia. Scuole grandi e piccole a Venezia tra arte e storia: Confraternite di mestieri e devozione in sei itinerari. s.n., 2008.

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Gianfranco, Levorato, and Barbaro Orlando, eds. Scuole a Venezia, storia e attualità. s. n., 2008.

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1953-, Perissa Torrini Annalisa, Lazzari Roberto, and Gramigna Silvia 1952-, eds. Scuole grandi e piccole a Venezia tra arte e storia: Confraternite di mestieri e devozione in sei itinerari. s.n., 2008.

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8

Encuentros de Historia y Arqueología (7th 1991 San Fernando, Spain). Gremios, hermandades y cofradías: Una aproximación científica al asociacionismo profesional y religioso en la historia de Andalucía, San Fernando, diciembre, 1991 : actas de los VII Encuentros de Historia y Arqueología. Fundación Municipal de Cultura, Ayuntamiento de San Fernando, 1992.

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Basaldella, Francesco. L'arte de la zueca: Scorseri-curameri : altre scuole di arti, di mestieri e di devozione. [s.n.], 2005.

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10

Angeliki, Panopūlos, ed. Syntechnies kai thrēskeutikes adelphotētes stē venetokratoumenē Krētē: Corporazioni e confraternite a Creta durante la Venetocrazia. Hellēniko Instituto Vyzantinōn kai metavyzantinōn Spoudōn Venetias, 2012.

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Book chapters on the topic "Guild confraternities"

1

Rudy, Kathryn M. "Chapter 2." In Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0379.02.

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Chapter 2 considers the rituals and social functions of confraternities in the Middle Ages, focusing on the manuscripts used in their ceremonies and the physical interactions these books invited. It highlights how civic groups adopted ecclesiastical modes of oath-taking, blending verbal confirmations with the theatrical handling of significant objects, notably books. Images in some manuscripts, such as the Liber Regulae of the Order of the Holy Spirit from Rome, depict such ceremonies. Drawing on visual evidence as well as use-wear evidence, the chapter argues for the role of book-touching in
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2

Rosser, Gervase. "Guilds and confraternities: architects of unnatural community." In De Bono Communi. The Discourse and Practice of the Common Good in the European City (13th-16th c.). Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.seuh-eb.3.3874.

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Spatz, Nancy. "Evidence of Inception Ceremonies in the Twelfth-Century Schools of Paris*." In History of Universities. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198205319.003.0002.

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Abstract The inception ceremony, the act by which a new master joined the guild or universitas of masters, is an integral part of the history of the origins of the University of Paris. Rashdall based his account of the rise of the university on the guild of masters’ gradual development from an informal fellowship of men with common professional interests into a full-fledged legal corporation, a corporation modelled after other professional guilds and religious confraternities. An examination of two incidences of early incep-tion ceremonies, the inceptions of Gerald of Wales in law in 1179, and
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"9 Associations, guilds and confraternities." In Lay Religious Life in Late Medieval Durham. Boydell and Brewer, 2006. http://dx.doi.org/10.1515/9781846154829-012.

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Wilson, Blake. "Introduction." In Music and Merchants. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198161769.003.0001.

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Abstract In a recent review of Reinhard Strohm’s book on Music in Late Medieval Bruges, one musicologist spoke for many of us when she expressed surprise in learning that ‘city waits routinely played mensural polyphony by the 1480s’, and that ‘the main incentive for polyphonic composition came from private endowments by lay members of confraternities and guilds’. These revelations surprise because they cut so strongly across the grain of traditional musicological historiography on late medieval and early Renaissance Europe. In this tradition, Europe at that time was divided into two musical cl
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Romano, Dennis. "Society and Politics in the Thirteenth Century." In Venice. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780190859985.003.0007.

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Abstract This chapter explores the evolution of Venetian society and politics over the course of the thirteenth century. At the beginning of the century, the nobility remained ill-defined; and for the first time, the popolo and their organization into guilds and confraternities comes into focus. But many remained outside these structures. As the city continued to grow, the communal government and bureaucracy expanded. The increasing density of the urban environment fostered greater surveillance and police powers as the commune asserted its control over streets and canals. A particular type of
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"Confraternities as Such, and as a Template for Guilds in the Low Countries during the Medieval and the Early Modern Period." In A Companion to Medieval and Early Modern Confraternities. BRILL, 2019. http://dx.doi.org/10.1163/9789004392915_003.

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"1 Table Guilds and Urban Space: Charitable, Devotional, and Ritual Practices in Late Medieval Tallinn." In Space, Place, and Motion: Locating Confraternities in the Late Medieval and Early Modern City. BRILL, 2017. http://dx.doi.org/10.1163/9789004339521_003.

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