Journal articles: 'Guildhall Library (London, England)'

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Bialuschewski, Arne. "Thomas Bowrey's Madagascar Manuscript of 1708." History in Africa 34 (2007): 31–42. http://dx.doi.org/10.1353/hia.2007.0002.

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In 1913 an old chest was discovered in a manor house in Worcestershire in the west of England. Packed with bundles of manuscripts, it contained several hundred letters and business papers written in a crabbed italic hand. These documents belonged to Thomas Bowrey, an English overseas merchant, who was born in 1662 and died in 1713. The collection of papers was later purchased by Colonel Henry Howard, and in 1931 part of it was presented to the Guildhall Library in London. These documents include an incomplete manuscript titled “Discription of the Coast of Affrica from the Cape of Good Hope, to the Red Sea” dated 1708. The notes indicate that Bowrey intended to write a book that encompassed descriptions of all the major ports of the region.Only fragments of the draft survive. Most of the manuscript contains amendments, crossed-out sections, and blank spaces. The text consists of different versions of a preface, brief accounts of the Dutch Cape Colony and Delagoa Bay in Mosambique, as well as a draft portion which has the title “Islands of ye Coast of Africa on ye East Side of ye Cape of Good Hope: Places of Trade on Madagascar.” The densely written and in part hardly legible text is on sixteen folio pages. It gives information about Assada, Old Masselege, Manangara, New Masselege, Terra Delgada, Morondava, Crab Island, St. Vincent, St. Iago, Tulear, St. Augustin Bay, St. John's, Port Dauphin, Matatana, Bonavola, St. Mary's Island, and Antongil Bay. This document also includes descriptions of Mauritius and Bourbon, nowadays called Réunion. Most of these places were visited by English, Dutch, and French seafarers in the last decades of the seventeenth century.

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Vicars-Harris, Oliver. "COLLAGE “the Corporation of London Library & Art Gallery Electronic”." Art Libraries Journal 24, no. 1 (1999): 48–51. http://dx.doi.org/10.1017/s0307472200019349.

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The Corporation of London (the local authority for the City) recently launched COLLAGE, a powerful custom-designed visual information system, whose aim is to transform public accessibility to the extensive visual collections held in its libraries and galleries. Over a period of eighteen months a dedicated team of staff photographed, digitised and indexed over 30,000 works of art as the result of an intensive data imaging project. So far the works are drawn from the Guildhall Library and Guildhall Art Gallery - collections particularly renowned for their strength in material relating to London, which is now widely and easily accessible on dedicated workstations in the City, as well as via the Internet.

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Erler, Mary C. "The Guildhall Library, Robert Bale and the writing of London history." Historical Research 89, no. 243 (October 7, 2015): 176–86. http://dx.doi.org/10.1111/1468-2281.12114.

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Cronquist, Carol. "An Ohio librarian makes a ‘find’." Art Libraries Journal 18, no. 4 (1993): 24–27. http://dx.doi.org/10.1017/s030747220000852x.

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In the course of researching the life and work of a 19th century British artist, Henry Courtney Selous, several London museums and libraries were visited during 1993. The Royal Academy and the National Portrait Gallery yielded some information, but at the Guildhall Library the author’s attention was drawn to a diary held at the National Art Library which on perusal seemed undoubtedly to have been compiled by Selous. The Library has subsequently revised the diary’s catalogue entry to incorporate this attribution.

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Rowe, Jenny. "At the Heart of Justice: the Library at the new Supreme Court of the United Kingdom." Legal Information Management 9, no. 4 (December 2009): 257–61. http://dx.doi.org/10.1017/s147266960999051x.

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AbstractThe new Supreme Court of the United Kingdom, which heard its first case in October 2009, sits at the apex of the UK's justice systems. Located in the painstakingly restored Grade II Listed Middlesex Guildhall in Parliament Square, it will be the highest appeal court in England, Wales and Northern Ireland and for civil cases in Scotland. Jenny Rowe, Chief Executive of the Court, reveals how the new Justices' Library is at the heart of this landmark building.

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HARRIS, MARK. "‘Inky Blots and Rotten Parchment Bonds’: London, Charity briefs and the Guildhall Library." Historical Research 66, no. 159 (February 1, 1993): 98–110. http://dx.doi.org/10.1111/j.1468-2281.1993.tb01801.x.

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Jones, A. G. E. "A Guide for Maritime Historians - A Guide to the Lloyd's Marine Collection at Guildhall Library. C. A. Hall 1985. London, Guildhall Library. 55 p, soft cover. £3.00 plus postage." Polar Record 23, no. 143 (May 1986): 209–10. http://dx.doi.org/10.1017/s0032247400028461.

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Edwards, A. S. G. "Scribes and the City: London Guildhall Clerks and the Dissemination of Middle English Literature 1375-1425. By LINNE R. MOONEY and ESTELLE STUBBS." Library 15, no. 1 (March 1, 2014): 79–81. http://dx.doi.org/10.1093/library/15.1.79.

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Kipel, Zora. "Byelorussian art literature collections." Art Libraries Journal 17, no. 2 (1992): 16. http://dx.doi.org/10.1017/s0307472200007756.

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In spite of the absence of specialised art libraries, some significant collections of publications on Byelorussian art exist in the State Library, and in some other libraries in Minsk. Other collections of material on Byelorussian art can be found outside Byelorussia, in England (in the Francisk Skaryna Byelorussian Library in London), and in several libraries in the USA.

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Field, Clive. "The Allan Library: A Victorian Methodist Odyssey." Bulletin of the John Rylands Library 89, no. 2 (March 2013): 69–105. http://dx.doi.org/10.7227/bjrl.89.2.5.

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The history of the Allan Library is here told systematically for the first time. This antiquarian collection of substantially foreign-language books and some manuscripts was formed by barrister Thomas Robinson Allan (1799-1886) during the 1850s, 1860s and 1870s. His stated intention was to create a Methodist rival to Sion College Library (Church of England) and Dr Williamss Library (Old Dissent). Allan donated it to the Wesleyan Methodist Conference in 1884, which funded the erection of purpose-built Allan Library premises opening in London in 1891. However, the Wesleyans struggled to make a success of the enterprise as a subscription library, and the collection was in storage between 1899 and 1920, before being sold by Conference to the London Library (where most of it still remains). The Allan Library Trust was established with the proceeds of the sale. The reasons for the relative failure of Allans great library project are fully explored.

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Gucer, Kathryn A. "The Copy Room: Imagining a Huguenot Library in Early Modern London." Journal of Medieval and Early Modern Studies 52, no. 2 (May 1, 2022): 361–85. http://dx.doi.org/10.1215/10829636-9687928.

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This essay illuminates an unexplored intersection between recent work on early modern networks, book history, and the history of libraries. It focuses on a letter book, a continuous record of the French Protestant Church of London's correspondence from 1643 to 1650. The church officials who kept this unusual record found themselves imagining their library and its books as working parts in a vibrant information hub for the Huguenot churches in England. Using methods from microhistory (i.e., plausible inference) and literary criticism to uncover an alternative reading of the letters copied into the letter book, as distinct from the original letters, the article traces the beginnings of a lending library in the church officials’ thinking. In illuminating the letter book's impact, the essay places Huguenots, long treated as a marginalized minority, in the spotlight of a global history, which traces the movements of people, ideas, and goods across newly imagined spaces.

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Rudolf, Winfried. "The Homiliary of Angers in tenth-century England." Anglo-Saxon England 39 (December 2010): 163–92. http://dx.doi.org/10.1017/s0263675110000098.

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AbstractLatin manuscripts used for preaching the Anglo-Saxon laity in the tenth century survive in relatively rare numbers. This paper contributes a new text to the known preaching resources from that century in identifying the Homiliary of Angers as the text preserved on the flyleaves of London, British Library, MS Sloane 280. While these fragments, made in Kent and edited here for the first time, cast new light on the importance of this plain and unadorned Latin collection for the composition of Old English temporale homilies before Ælfric, they also represent the oldest surviving manuscript evidence of the text.

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Vozar, Thomas Matthew. "London’s First Public Library: Books and Readers at Sion College, ca. 1630–60." Milton Studies 66, no. 1 (February 2024): 77–97. http://dx.doi.org/10.5325/miltonstudies.66.1.0077.

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ABSTRACT In 1632, John Milton went to live with his parents outside of London and undertook a rigorous program of reading. Scholars have long wondered which, if any, institutional collections he might have consulted. This question offers the opportunity to bring attention to London’s first public library, where Milton may well have studied, in its earliest decades. Formed for the benefit of the London clergy, Sion College is shown to have welcomed readers of various backgrounds from as far away as Germany and New England. Already by this date its collection was global in scope, including writings ranging from a vocabulary of Algonquian to the Persian poetry of Saadi of Shiraz. That the college became embroiled in political controversy amidst the turmoil of the English Revolution testifies to its importance as an intellectual hub in the heart of London.

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Bawden, David, Andrew Calvert, Lyn Robinson, Christine Urquhart, Colin Bray, and John Amosford. "Understanding our value; assessing the nature of the impact of library services." Library and Information Research 33, no. 105 (February 2, 2010): 62–89. http://dx.doi.org/10.29173/lirg115.

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This paper reports an approach to assessing the nature of the impact and benefit of library services, based on the concepts introduced in Urquhart's Value Project for healthcare information services. Two studies are described and compared. A project in the City of London public library service examined the benefits obtained from specific information requests. A project in several public library services in South West England examined the value obtained from the borrowing and reading of books, linking this with categories of learning objectives. These studies showed the promise, and also the difficulties, of adapting existing impact frameworks to understand the nature of the impact and value of library services

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Sánchez-Martí, Jordi. "The University of Alicante Library copy of Palmerin d’Oliva (London, 1637): A Bibliographical Description." Sederi, no. 23 (2013): 123–37. http://dx.doi.org/10.34136/sederi.2013.6.

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The purpose of this article is to provide bibliographical information about a copy of the fourth edition of the two parts of Anthony Munday’s translation of Palmerin d’Oliva (London, 1637; STC 19160) recently purchased by the University of Alicante Library and not mentioned in the standard bibliographies. The article contains a detailed bibliographical description based on Bowers’s principles (1949) and is designed to be useful to scholars by making direct consultation of the copy in most cases unnecessary. The description is preceded by a short introduction to the literary text and its publication in England.

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Lendinara, Patrizia. "The Abbo glossary in London, British Library, Cotton Domitian i." Anglo-Saxon England 19 (December 1990): 133–49. http://dx.doi.org/10.1017/s0263675100001642.

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The process through which glossaries came into being can sometimes still be seen and studied in surviving manuscripts, and in such cases it provides a valuable index to the way in which Latin texts were studied in medieval schools. This is the case with an unprinted glossary in London, British Library, Cotton Domitian i. The glossary is mainly made up of words taken from bk III of the Bella Parisiacae urbis by Abbo of Saint-Germain-des-Prés, a work which was widely studied in English schools in the tenth and eleventh centuries, above all because of its unusual vocabulary. We know that Abbo drew the unusual vocabulary in his poem from pre-existing glossaries such as the Liber glossarum and the Scholica graecarum glossarum; but he also took from these works the interlinear glosses which he provided for the difficult words in bk III of his poem, and these in turn are found, with little variation, in all of the manuscripts which preserve the poem. Now under the rubric ‘Incipiunt glossae diversae’ in Cotton Domitian i are collected some two hundred lemmata from bk III of the poem, followed in each case by one or more glosses; on examination these glosses are found to be identical with those which accompany the text in other manuscripts. The glossary in Domitian i thus provides a working model of how a glossary was compiled, and is a further witness to the popularity of Abbo's poem in Anglo-Saxon England.

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Renner, Melinda. "NELLCO International Fellowship – What a Thrill!" Legal Information Management 7, no. 4 (December 2007): 289–93. http://dx.doi.org/10.1017/s1472669607002162.

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AbstractMelinda Renner, from the University of New Brunswick, writes about her experiences as a New England Law Library Consortium International Fellow who was seconded to the Institute of Advanced Legal Studies in London. She describes the visits she made and her impressions of how academic librarianship in Britain and Canda appear to share many of the same issues and problems.

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Cerasano, S. P. "Manuscript and Print in London c. 1475—1530. By Julia Boffey. (London, England: The British Library, 2012. Pp. xx, 246. $75.00.)." Historian 76, no. 4 (December 1, 2014): 849–50. http://dx.doi.org/10.1111/hisn.12054_38.

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Attar, Karen. "Rare Book and Special Collections in Overview: Producing a National Directory." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 19, no. 1 (May 17, 2018): 14. http://dx.doi.org/10.5860/rbm.19.1.14.

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Describing library collections by location is nothing new. In the mid-nineteenth century, Luther Farnham published A Glance at Private Libraries, about libraries in the Boston area of the United States. Reginald Arthur Rye produced his highly praised Students’ Guide to the Libraries of London in England just over fifty years later. That we, no less than our forebears, value such discovery tools collocating collections is evident from their continued publication, whether in print or, more recently, electronic form. National, annual library directories still produced include The American Library Directory. In Britain, the Chartered Institute of Library and Information Professionals (CILIP)’s Libraries and Information Services in the United Kingdom and the Republic of Ireland, a list of libraries by sector with contact details, remains available.

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Varley, Gillian. "An English art librarian in Paris: a report and diary." Art Libraries Journal 14, no. 1 (1989): 9–15. http://dx.doi.org/10.1017/s0307472200006064.

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Following Nicole Picot’s visit to England, the subject of the report printed above, Gillian Varley from the National Art Library of the Victoria and Albert Museum in London spent two weeks at the Bibliothèque Publique d’Information at the Centre Georges Pompidou in Paris, during the summer of 1988. She also visited a number of other art libraries in Paris. The text of her report is followed by extracts from her diary of her trip.

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Holman, Peter. "The Sale Catalogue of Gottfried Finger's Music Library: New Light on London Concert Life in the 1690s." Royal Musical Association Research Chronicle 43 (2010): 23–38. http://dx.doi.org/10.1080/14723808.2010.10541030.

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In the winter of 1704–5 Henry Playford advertised ‘a Choice Collection of Vocal and Instrumental Musick in Italian, French, and English’ owned by Gottfried Finger and partly collected by him ‘in his Travels to Italy’. Finger had evidently sold the collection to Johann Gottfried Keller and John Banister junior prior to his abrupt departure from England in 1701 after coming last in the competition to set Congreve's masque The Judgement of Paris. The discovery of a copy of the printed catalogue throws light on Finger's collecting activities in Italy and on the reception of Italian music in England. It also includes a list of ‘Mr. Finger's Great Pieces for his Consort in York-Buildings’, providing us with valuable new information about his concert activities in London in the 1690s, and about the size and composition of groups performing at York Buildings, London's first purpose-built concert hall. The list includes many pieces richly scored with brass, woodwind and strings, evidently performed with sizeable forces: most of the sets of parts are said to have been ‘Prick’d 3 times over’. It adds a number of new pieces to the catalogue of Finger's known compositions, and enables us to attribute to him an anonymous sonata for four recorders and continuo that was published in the twentieth century as by James Paisible.

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Archer, Ian W. "The Album Amicorum & the London of Shakespeare's Time. By June Schlueter. (London, England: The British Library, 2011. Pp. xiii, 210. $65.00.)." Historian 75, no. 4 (December 1, 2013): 913–14. http://dx.doi.org/10.1111/hisn.12023_68.

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Creaser, Claire, and John Sumsion. "Affluence and public library use: the DoE Index of Local Conditions and library use in London and the metropolitan districts of England." Library Management 16, no. 6 (September 1995): 3–15. http://dx.doi.org/10.1108/01435129510091793.

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Carter, Stephanie, and Kirsten Gibson. "Printed Music in the Provinces: Musical Circulation in Seventeenth-Century England and the Case of Newcastle upon Tyne Bookseller William London." Library 18, no. 4 (December 1, 2017): 428–73. http://dx.doi.org/10.1093/library/18.4.428.

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Leech, Roger H. "Archives and the Metropolis. Edited by M V Roberts. 250mm. Pp xiv + 210, ills. London: Centre for Metropolitan History, Guildhall Library Publications, 1998. ISBN 0-900422-45-9. £13.99." Antiquaries Journal 80, no. 1 (September 2000): 366. http://dx.doi.org/10.1017/s0003581500050721.

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Hendrix, Melvin K. "Africana Resources in the National Maritime Museum, Greenwich, England." History in Africa 14 (1987): 389–97. http://dx.doi.org/10.2307/3171852.

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Beginning in the latter part of the sixteenth century British naval and shipping interests gradually emerged as one of the major maritime forces operating in African waters and, by the end of the eighteenth century, British shipping dominated the export slave trade. The establishment of colonial plantation economies in the Americas, the global expansion of British political and commercial interests resulting from the Napoleonic Wars, and the anti-slave trade suppression campaign in the first three-quarters of the nineteenth century all brought British seafarers into intimate association with African peoples. This relationship became more intense with the scramble for colonial territories throughout the continent in the late nineteenth century.As a direct consequence of this extensive political and economic relationship a voluminous amount of documentary material exists. One of the principal depositories of this material is the National Maritime Museum (NMM) of Great Britain located in Greenwich, southeast of Central London. This essay reviews some of the documentary holdings found in the Library of the NMM, resources that scholars might find useful in reconstructing British maritime activities in relation to peoples of African descent. Located within the Museum its holdings include printed books and other printed materials, maps and atlases, rare and original manuscripts, ship's plans and drawings, collections on shipwrecks, piracy, and boats, together with various photographic and art collections. While the Library is free and open to the public, it is helpful to contact the Secretary of the NMM with a letter of introduction prior to a first visit.

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Pichugina, Victoria. "Mikhail Kutorga in the System of European Scientific Coordinates: London Coordinate." ISTORIYA 13, no. 5 (115) (2022): 0. http://dx.doi.org/10.18254/s207987840021591-9.

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The article discusses a number of episodes from the biography of the outstanding Russian researcher of antiquity Mikhail Koutorga (1809—1886), which give an idea of his personal characteristics, scientific routes, contacts and sympathies. His development as a scientist is considered in the system of European scientific coordinates, among which there were many countries and cities, but so far there was no England and London. The European educational path of Mikhail Koutorga began at the Professorial Institute of the University of Dorpat and continued in Berlin, largely predetermining his formation as a scientist. Even in Dorpat, there was an acquaintance with the peculiarities of the educational space of Europe, because Koutorga got acquainted with the advanced works on the history of Greece and Rome at that time and the critical method of European historical science. The works of the French historian François Guizot had the greatest influence on Koutorga. Having adopted his ideas, Mikhail Koutorga further developed the concept of class struggle in relation to Athens. After graduating from the Professorial Institute, Koutorga was attached to the Berlin professor F. Kranichfeld, and a new stage in his development as a scientist began. Illness prevented Koutorga from visiting Italy, but probably allowed him to work in the libraries of Vienna, Berlin and Munich. The scarce information about this scientific trip suggests that Koutorga from his youth sought to expand the horizons of his educational travels, and over the years did not lose this desire. Despite the fact that Koutorga was critical of the teaching of German professors, he attended lectures by prominent researchers of that time (L. von Ranke, F. Raumer, and others). Taking into account his subsequent interest in archaeological and topographic research, the course of lectures on archeology of one of the founders of the archeology of Rome, E. Gerhard, should have seemed important to Koutorga. The knowledge gained at these lectures was probably useful to Mikhail Koutorga during his travels in Greece in 1860—1861. One of the main merits of M. Koutorga in the Western scientific community is still considered a detailed description of the ancient city of Halae in central Greece that meets high scientific standards, which he published in the French edition of the Revue Archéologique for 1860. Before traveling to Greece, he visited France and England in 1859. A visit to England is still one of the blank spots in his scientific and educational travels, where in addition to the obvious ones, there were also hidden routes. The materials stored in the Department of Manuscripts of the National Library of Russia allow us to state that Kutorga managed to enter into correspondence and establish contacts with English antiquities, especially with the outstanding topographer of Greece, Colonel William Martin Leake (1777—1860). The authors of the article transcribed, analyzed and for the first time offered for publication in the original language and translated into Russian five letters stored in the Manuscripts Department of the Russian National Library (F. 410. Items 45, 46, 211). A comparative analysis of the letters made it possible to broaden our understanding of not only the peculiarities of Koutorga's interaction with Western colleagues and to see how carefully he planned his scientific work in England. The letters make it possible to outline the circle of outstanding scientists of that time, to whom Leake addresses about Koutorga. That is, they make it possible to trace the scientific contacts of Colonel Leake in Cambridge, Oxford and the British Museum, as well as point out those of them that can be called personal connections rather than official appeals. The content of the correspondence, which lasts from August 8 to 12, 1859, as well as the information present on the two surviving envelopes, not only proves Koutorga's visit to England, but also allows us to establish the exact address of his residence and the purpose of his stay.

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Erne, Lukas. "The Two Gentlemen of Zurich: Marcus Stapfer and Johann Rudolph Hess, Swiss Travellers to England (1611–13), and Their Shakespeare Quartos." Library 24, no. 1 (March 1, 2023): 51–67. http://dx.doi.org/10.1093/library/fpad003.

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Abstract This article recovers parts of the biographically and bibliographically intertwined history of two early modern Zurich citizens, their joint travels and the Shakespeare quartos each of them owned. The first part focuses on a previously forgotten copy of the third quarto edition of Pericles (1611), now at the Zurich Central Library, and its original owner recorded on the title page, Marcus Stapfer (1591–1619). The second part of the article adds to the investigation Johann Rudolf Hess (1588–1655), the owner of the other early Shakespeare quartos at the Zurich Central Library. Stapfer and Hess jointly undertook extended educational travels from 1610 to 1614, including to London, where they are likely to have acquired their Shakespeare quartos in the summer of 1613. The article traces what is known about the quartos’ subsequent ownership history, before concluding that Shakespeare thus appears to have had a continuous bibliographic presence in Switzerland since the early seventeenth century.

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Vanderputten, Steven. "Canterbury and Flanders in the late tenth century." Anglo-Saxon England 35 (December 2006): 219–44. http://dx.doi.org/10.1017/s026367510600010x.

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AbstractThis paper provides an edition, translation and discussion of four letters written by Flemish abbots to the archbishops of Canterbury between the years 980 and 991 and preserved in two manuscripts drawn on the archiepiscopal archives in the early eleventh century (London, British Library, Cotton Tiberius A. xv and Cotton Vespasian A. xiv). The letters document the increasing importance of cross-Channel relations in the late tenth century and provide context for a number of hitherto unexplained indications of cultural, religious and financial exchanges between the county of Flanders and England.

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Kitzinger, Beatrice. "Review: Anglo-Saxon Kingdoms: Art, Word, War. The British Library, London, England, 19 October 2018–19 February 2019." Studies in Late Antiquity 3, no. 4 (2019): 644–48. http://dx.doi.org/10.1525/sla.2019.3.4.644.

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DeMarco, Patricia. "Evolving English: One Language, Many Voices. By David Crystal. (London, England: The British Library, 2010. Pp. 159. $35.00.)." Historian 74, no. 2 (June 1, 2012): 429–31. http://dx.doi.org/10.1111/j.1540-6563.2012.00322_74.x.

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O'Connor, Patricia. "Marginalised Texts: The Old English Marginalia and the Old English Bede in Cambridge, Corpus Christi College 41." Boolean: Snapshots of Doctoral Research at University College Cork, no. 2015 (January 1, 2015): 152–57. http://dx.doi.org/10.33178/boolean.2015.31.

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Bede was a prolific writer in Anglo-Saxon England who, over the course of his prodigious literary career, produced a diverse range of Latin texts encompassing educational and scientific treatises as well as Biblical commentaries. Out of all his Latin works, Bede’s Historia Ecclesiastica Gentis Anglorum (The Ecclesiastical History of the English People) is regarded as his greatest achievement, as it provides significant insights into a largely undocumented period in English history. The Historia Ecclesiastica was translated into the vernacular sometime in the late ninth or early tenth century and this translation is commonly referred to as the Old English Bede. The Old English Bede survives in five extant manuscripts, dating from the mid tenth and late eleventh century: Oxford, Bodleian Library, Tanner 10; London, British Library, Cotton Otho B. xi; Oxford, Corpus Christi College, 279; Cambridge, University Library Kk. 3.18 and Cambridge, Corpus Christi College, 41, the last of which ...

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Lindgren, Lowell. "Musicians and Librettists in the Correspondence of Gio. Giacomo Zamboni (Oxford, Bodleian Library, Mss Rawlinson Letters 116–138)." Royal Musical Association Research Chronicle 24 (1991): 1–194. http://dx.doi.org/10.1080/14723808.1991.10540945.

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Gio. Giacomo Zamboni, merchant, diplomat and amateur harpsichordist, was born in Florence on 26 July 1683, arrived in London late in 1711 and lived there until his death on 8 April 1753. His career closely parallels that of George Frideric Handel, composer, manager and harpsichordist, who was born in Hanover in 1685, arrived in London late in 1710 and lived there from late 1712 until his death in 1759. When these two men arrived in London, opera in Italian was a novelty at the Queen's Theatre in the Haymarket, which had just begun to employ Italian singers, instrumentalists, composers, librettists and stage designers. During the ensuing decades, there was an unprecedented influx of Italian performers and creators who, like Handel and other ‘outlandish’ personnel at this theatre, found that salaries were higher, working conditions were better and freedom was greater in England than in their own lands. Many therefore stayed as long as possible, and their artistic accomplishments as well as their intricate interactions with British and foreign patrons, diplomats, merchants and musicians are fascinating endeavours that deserve detailed study. At present, the best survey is that in George Dorris, Paolo Rolli and the Italian Circle in London, 1715–44 (The Hague and Paris, 1967), which focuses upon literary accomplishments. The essential base for any such study must, of course, be primary source materials, which include letters and other documents as well as librettos and scores. My hope is that the passages cited below from 458 items, most of which have never before been printed, will significantly broaden our base for study of ‘the Italian circle’ in London between 1716 and 1750.

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Fehrenbach, R. J. "Another Pre-1592 Copy of the English Faust Book." Library 20, no. 3 (September 1, 2019): 395–96. http://dx.doi.org/10.1093/library/20.3.395.

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Abstract A second copy of a pre-1592 edition of the English Faust Book, Marlowe’s source for Doctor Faustus, has been uncovered in a catalogue of books owned by a London apothecary. This catalogue, of which at least a quarter are books associated with an apothecary’s profession, was compiled by the owner himself, one Edward Barlow, and, most importantly, is firmly dated 17 November 1589/90. This discovery, made by Peter Murray Jones of King’s College, Cambridge, is the second appearance of that book prior to the publication of its only extant edition in 1592, providing confirmation that Marlowe could have written Faustus prior to 1592. But whenever Marlowe wrote his play, the medico-magical material he employed had its source in a work that a practising apothecary judged valuable enough to add to his other professional books. The complete record of Jones’s discovery is found in Volume IX of Private Libraries in Renaissance England, PLRE 263.157.

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Orr, Leah. "Prices of English Books at Auction c. 1680." Library 20, no. 4 (December 1, 2019): 501–26. http://dx.doi.org/10.1093/library/20.4.501.

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Abstract Scholars have noted the significance and spread of the second-hand book trade in seventeenth-century England, but so far little information about the books and their prices has been available. This essay examines the evidence from annotations to an early book auction catalogue relating to ten auctions that took place in London between 1676 and 1682, providing the prices for thousands of books. A comparison between the prices for which books sold at auction, and the prices of the same books new in the Term Catalogues in the decade prior to these auctions reveals that most of the relatively new books sold at auction for a considerable discount off their retail price. For older books, the prices primarily depended on condition and demand rather than the expense of producing the book or its age. This shows a turn towards a customer-driven pricing structure which has significant implications for how we understand the connection between book prices and readers in the late seventeenth century.

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Martin, Cheryl. "The Music Collection of Thomas Baker of Farnham, Surrey." Royal Musical Association Research Chronicle 44 (2013): 19–54. http://dx.doi.org/10.1080/14723808.2012.730316.

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Thomas Baker's music collection is part of the special collections of the Music Library at Western University, Ontario. Thomas Baker (1719/20–94) lived mainly in Farnham, southwest of London, England, in the County of Surrey. His music collection remained largely intact, which is unusual for the library of an eighteenth-century man who lived in a small town in rural England. The collection at Western consists of 90 separate pieces of music, collections of music, and books of music theory, plus six manuscripts; an inventory of the collection illustrates the variety of musical forms that he collected. His purchase of an organ leads us to conclude that he played the organ and possibly other keyboard instruments; about 25% of his collection is for keyboard. However, he was also interested in a variety of other musical forms, either as a performer or as a collector. From the surviving information, we can create a basic portrait of Baker and his music collection, even if we can draw no definite conclusions about how it was used or if he was merely a collector, or also a performer or an organizer of concerts.

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Newton, Francis L., Francis L. Newton, and Christopher R. J. Scheirer. "Domiciling the evangelists in Anglo-Saxon England: a fresh reading of Aldred's colophon in the ‘Lindisfarne Gospels’." Anglo-Saxon England 41 (December 2012): 101–44. http://dx.doi.org/10.1017/s0263675112000026.

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AbstractThe Codex ‘Lindisfarnensis’ (London, British Library, Cotton Nero D. iv, early eighth century) was glossed in Old English by the tenth-century priest Aldred. Aldred's colophon purports to give information about the eighth-century makers of the manuscript, at Lindisfarne. What is actually reliable about this highly literary colophon is Aldred's purpose in writing the gloss: to give the Evangelists a voice to address ‘all the brothers’ – particularly the Latinless. We propose new interpretations of three OE words (gihamadi, inlad, ora) misunderstood before. Aldred was learned; his sources extend from Ovid through the Fathers to contemporary texts.

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Satterley, R. "William Caxton and Early Printing in England. By LOTTE HELLINGA. London: The British Library. 2010. 212 pp. 50. ISBN 978 0 7123 5088 4." Library 12, no. 4 (December 1, 2011): 425–26. http://dx.doi.org/10.1093/library/12.4.425.

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Hunt, Tamara L. "The Punch Brotherhood: Table Talk and Print Culture in Mid‐Victorian London. By Patrick Leary. (London, England: The British Library, 2010. Pp. x, 197. $40.00.)." Historian 74, no. 2 (June 1, 2012): 409–10. http://dx.doi.org/10.1111/j.1540-6563.2012.00322_59.x.

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Charlton, David, and Sarah Hibberd. "‘My father was a poor Parisian musician’: A Memoir (1756) concerning Rameau, Handel's Library and Sallé." Journal of the Royal Musical Association 128, no. 2 (2003): 161–99. http://dx.doi.org/10.1093/jrma/128.2.161.

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The emergence in 1756 of the Journal encyclopédique, published in Liège (later in Bouillon), encouraged an international readership to view cultural developments across national boundaries. An anonymous review of Rameau's new version of Zoroastre was prefaced by ‘Mémoires d'un musicien’, whose author recalls significant events in his musical education and life history to date. These include extended travels to England and Italy. The narrator describes meeting Handel and also Marie Sallé in London, and details various contents of Handel's library supposedly seen and discussed on more than one visit, deduced as occurring late in 1746. These accounts are analysed and contextualized, and a report on archival searches for the author's identity provided, together with an English translation of the 1756 text.

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Bryan, John. "Extended Play: Reflections of Heinrich Isaac's Music in Early Tudor England." Journal of Musicology 28, no. 1 (January 1, 2011): 118–41. http://dx.doi.org/10.1525/jm.2011.28.1.118.

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The so-called Henry VIII's Book (London, British Library Add. MS 31922) contains two textless pieces by Isaac—his three-part Benedictus and the four-part La my—together with a number of other Franco-Flemish “songs without words” typical of the contents of manuscripts copied for the North Italian courts where the earliest viol consorts were being developed in the 1490s and early 1500s. Alongside these pieces are works by native English composers, including William Cornyshe, whose extended three-part Fa la sol has a number of stylistic traits in common with some works by Isaac (for example, his three-part Der Hundt) and Alexander Agricola (his three-part Cecus non judicat de coloribus) that were also transmitted in textless format. The fact that these latter two pieces were published in Hieronymus Formschneider's Trium vocum carmina (Nuremberg, 1538) while Cornyshe's Fa la sol was published in XX Songes (London, 1530) shows that this type of repertoire was still prized several years after the composers' deaths. Analysis of musical connections between the work of Isaac and Cornyshe, as evident in pieces such as those from Henry VIII's Book—in particular, techniques employed by the composers to extend the structures of their “songs without words”—sheds fresh light on the reception in England of Isaac's music and that of his continental contemporary Agricola. Relevant considerations include the context in which these pieces were anthologized together and the introduction into England of viols similar to those Isaac may have known in Ferrara in 1502, when La my was composed. Such pieces are representative of a typical courtly repertoire that developed into the riches of the later Tudor instrumental consort music.

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Ruud, Marylou. "The World of the Luttrell Psalter. By Michelle P. Brown. (London, England: The British Library, 2006. Pp.96. $19.95.)." Historian 70, no. 4 (December 1, 2008): 823–25. http://dx.doi.org/10.1111/j.1540-6563.2008.00227_49.x.

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Luxford, Julian. "Luxury and locality in a late medieval book of hours from south-west England." Antiquaries Journal 93 (June 6, 2013): 225–47. http://dx.doi.org/10.1017/s0003581512001345.

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This paper describes and analyses a previously unrecorded Sarum book of hours of considerable artistic and textual interest. Seven of its pages have bar-frame borders illuminated in a distinctive and remarkable style. Four of these pages also have initials with figure-subjects, some of which are contextually unusual or unique. There is also an initial with a coat of arms displaying a black engrailed cross on a gold field (the arms of Mohun of Dunster in west Somerset). While the manuscript cannot be linked to a member of the Mohun family, the occurrence of a Somerset toponym in an obit dated 1429 in the calendar and the early addition to the litany of St Urith of Chittlehampton show that it was owned by someone who lived in Somerset or Devon in the early fifteenth century. Indeed, the book may also have been made in this region. Several features of its border illumination are paralleled in the Sherborne Missal (London, British Library, Additional ms 74236), produced in north Dorset or Somerset in the decade c 1398–c 1408. The parallels suggest a relationship (not necessarily direct) between the two manuscripts. Certainly, the book of hours discussed here is closer in style to the missal than it is to manuscripts made in or around London in the same period.

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Kneepkens, C. H. "The Collection of Grammatical Sophismata in ms London, bl, Burney 330. An Exploratory Study." Vivarium 53, no. 2-4 (September 16, 2015): 294–321. http://dx.doi.org/10.1163/15685349-12341301.

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Manuscript London, British Library, Burney 330 contains an anonymous collection of grammatical sophisms, dating in all probability from early 13th-century France or England, and all based on problematic biblical, liturgical or religious propositions. After a presentation of the manuscript and collection, this article examines two analysis tools that are applied in the majority of the sophisms, viz. a distinction between three layers of grammatico-semantic perfection or completeness, and the grammatical and semantic supposition doctrines. It appears that these sophisms pay prominent attention to improper or figurative supposition, but are not intended for highly advanced readers. These preliminary results suggest that the Burney Sophismata Collection constituted an exercise tool to support textbook-based instruction in theological grammar, which was developed by such masters as Peter the Chanter and William de Montibus in the late 12th and early 13th centuries.

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Reynolds, Thomas. "W.A.P.F. Steiner: 1918–2003." Legal Information Management 3, no. 3-4 (2003): 151. http://dx.doi.org/10.1017/s1472669600002036.

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William A.F.P. Steiner, one of the founding editors of the Index to Foreign Legal Periodicals has died after a long illness. Willi (always Willi, never William or Dr. Steiner) had received his diplomate from Vienna shortly before he emigrated to England in 1938; he received a Masters degree from Cambridge and a Master of Laws degree from the University of London. He was a barrister of Gray's Inn, but his primary interests were bibliography and the organization of knowledge and information, and he almost immediately embarked on endeavours as a librarian and editor. His first positions were as assistant librarian at the London School of Economics, 1946–1958, and then the Squire Law Library at Cambridge, 1959–1968. In 1968 he returned to London as the Librarian of the Institute of Advanced Legal Studies, also serving as the Secretary of the Institute from 1968 to 1971. In 1984 he returned to Cambridge, where he had continued to live since 1959, but only to a semi-retirement of consulting, teaching and writing.

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ALDEN, JANE, and LYNSEY CALLAGHAN. "On dubious claims regarding the enigmatic Chilston." Plainsong and Medieval Music 31, no. 1 (April 2022): 65–90. http://dx.doi.org/10.1017/s0961137122000018.

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ABSTRACTThe earliest known treatise on Boethian proportions in Middle English is attributed to ‘Chilston’ in London, British Library, Lansdowne 763. Nothing is known of Chilston's biography, although his treatise also survives anonymously in two related sources (New York, Morgan Library, B.12 and Dublin, Trinity College, 516). In 1927, Irish musicologist William Henry Grattan Flood suggested an identification between the author of the proportion treatise and the scribe of British Library, Royal 5 A VI, a priest's handbook dated to 1446. English lexicographer Jeffrey Pulver was quick to dismiss Flood's identification, which apparently discouraged any further assessment of it. This article reconsiders Flood's suggestion, taking into account 1920s political and cultural biases that might explain Pulver's swift rejection. A contextual exploration of the evidence supports the connection of the proportion treatise to Royal 5 A VI and sheds light on the milieu in which Chilston may have worked. Long recognised for his significance in the vernacular history of music theory and music pedagogy, the proposed contextual framework has significant implications for understanding the multiple functions of music theory in fifteenth-century England. Most notably, it documents the use of speculative music theory among readers and audiences with limited knowledge of Latin. A variety of uses for music theory reveal themselves within the emerging vernacular pedagogical practices of late medieval England. These reflect the broader production of technical texts in Middle English and the increased vernacularisation of English society at a pivotal moment of ecclesiastic and musical history.

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Ensley, Mimi. "Meeting Lydgate’s Ghost: Building Medieval History in Seventeenth-Century England." Review of English Studies 71, no. 299 (August 14, 2019): 251–71. http://dx.doi.org/10.1093/res/hgz084.

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Abstract This article examines a manuscript poem composed by the seventeenth-century author John Lane. Writing in what is now London, British Library, Harley MS 5243, Lane revives the medieval poet John Lydgate in order to re-tell the story of Guy of Warwick, famous from medieval romance. In Lane’s poem, Lydgate returns from beyond the grave to proclaim the historicity of Guy’s legend and simultaneously preserve his own reputation as a chronicler of English history. While some scholars suggest that Lydgate’s popularity declined in the post-Reformation period due to his reputation as the ‘Monk of Bury’, and while it is true that significantly fewer editions of Lydgate’s poems were published in the decades after the Reformation, Lane’s poem offers another window into Lydgate’s early modern reputation. I argue that Lane’s historiographic technique in his Guy of Warwick narrative mirrors Lydgate’s own poetic histories. Both Lane and Lydgate grapple with existing historical resources and compose their narratives by compiling the accreted traditions of the past, supplementing these traditions with documentary sources and artefacts. This article, thus, complicates existing scholarly narratives that align Lydgate with medieval or monastic traditions, traditions perceived to be irrecoverably transformed by the events of the Reformation in England.

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Kraebel, A. B. "Middle English Gospel Glosses and the Translation of Exegetical Authority." Traditio 69 (2014): 87–123. http://dx.doi.org/10.1017/s0362152900001926.

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The non-Wycliffite Middle English commentaries on the Synoptic Gospels in MSS London, British Library Egerton 842 (Matt.), Cambridge, University Library Ii.2.12 (Matt.), and Cambridge, Corpus Christi College Parker 32 (Mark and Luke) are important witnesses to the widespread appeal of scholastic exegesis in later fourteenth-century England. They appear to have been produced by two different commentators (or teams of commentators) who worked without knowledge of one another's undertakings but responded similarly to the demand for vernacular biblical material. The commentary on Matthew represents a more extensive effort at compilation than the Mark and Luke texts, and, in his elaborate prologue, the Matthew commentator translates the priorities of scholastic Latin criticism even as he tailors his writing to meet the perceived needs of his English readers. Especially when considered alongside the WycliffiteGlossed Gospels, these texts illustrate further the variety and richness of vernacular biblical commentary composed in the decades following the important precedent of Richard Rolle'sEnglish Psalter.

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Hayward, Paul Antony. "The Cronica de Anglia in London, British Library, Cotton MS Vitellius C.VIII, fols. 6v–21v: Another Product of John of Worcester's History Workshop." Traditio 70 (2015): 159–236. http://dx.doi.org/10.1017/s036215290001237x.

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This article comprises a study and edition of the Cronica de Anglia, a significant but neglected history of England from AD 162 to 1125 whose importance lies chiefly in its connections to other accounts of the period. Though it is uniquely preserved in a late twelfth-century manuscript from Rievaulx Abbey, close reading confirms that it was composed between 1125 and 1137, not in the north of England but in the West Midlands, almost certainly at Worcester Cathedral Priory. If it is not the work of the priory's foremost historian, John of Worcester (d. after 1143), then it was almost certainly produced under his direction. Not only are its contents closely related to his Chronica chronicarum and Chronicula, they also shed new light on John's interests and the ways in which he and his helpers compiled and edited their histories. Turning to another purpose materials used in John's other works, Cronica de Anglia arranges them in order to speak to questions about the relative antiquity and status of the kingdom's bishoprics, churches, and monasteries — a concern not otherwise prominent in this corpus. This chronicle also sheds precious light on the immediate reception of William of Malmesbury's histories of the English, especially the first edition of Gesta pontificum Anglorum. Carefully suppressing dangerous nuances in William's reportage, Cronica de Anglia betrays John's anxiety to avoid becoming entangled in Malmesbury's campaign against the king's chief minister, Bishop Roger of Salisbury (1102–39). The article concludes with the first complete edition of the text.

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Fulop, Naomi J., Angus IG Ramsay, Cecilia Vindrola-Padros, Caroline S. Clarke, Rachael Hunter, Georgia Black, Victoria J. Wood, et al. "Centralisation of specialist cancer surgery services in two areas of England: the RESPECT-21 mixed-methods evaluation." Health and Social Care Delivery Research 11, no. 2 (February 2023): 1–196. http://dx.doi.org/10.3310/qfgt2379.

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Background Centralising specialist cancer surgical services is an example of major system change. High-volume centres are recommended to improve specialist cancer surgery care and outcomes. Objective Our aim was to use a mixed-methods approach to evaluate the centralisation of specialist surgery for prostate, bladder, renal and oesophago-gastric cancers in two areas of England [i.e. London Cancer (London, UK), which covers north-central London, north-east London and west Essex, and Greater Manchester Cancer (Manchester, UK), which covers Greater Manchester]. Design Stakeholder preferences for centralising specialist cancer surgery were analysed using a discrete choice experiment, surveying cancer patients (n = 206), health-care professionals (n = 111) and the general public (n = 127). Quantitative analysis of impact on care, outcomes and cost-effectiveness used a controlled before-and-after design. Qualitative analysis of implementation and outcomes of change used a multisite case study design, analysing documents (n = 873), interviews (n = 212) and non-participant observations (n = 182). To understand how lessons apply in other contexts, we conducted an online workshop with stakeholders from a range of settings. A theory-based framework was used to synthesise these approaches. Results Stakeholder preferences – patients, health-care professionals and the public had similar preferences, prioritising reduced risk of complications and death, and better access to specialist teams. Travel time was considered least important. Quantitative analysis (impact of change) – only London Cancer’s centralisations happened soon enough for analysis. These changes were associated with fewer surgeons doing more operations and reduced length of stay [prostate –0.44 (95% confidence interval –0.55 to –0.34) days; bladder –0.563 (95% confidence interval –4.30 to –0.83) days; renal –1.20 (95% confidence interval –1.57 to –0.82) days]. The centralisation meant that renal patients had an increased probability of receiving non-invasive surgery (0.05, 95% confidence interval 0.02 to 0.08). We found no evidence of impact on mortality or re-admissions, possibly because risk was already low pre-centralisation. London Cancer’s prostate, oesophago-gastric and bladder centralisations had medium probabilities (79%, 62% and 49%, respectively) of being cost-effective, and centralising renal services was not cost-effective (12% probability), at the £30,000/quality-adjusted life-year threshold. Qualitative analysis, implementation and outcomes – London Cancer’s provider-led network overcame local resistance by distributing leadership throughout the system. Important facilitators included consistent clinical leadership and transparent governance processes. Greater Manchester Cancer’s change leaders learned from history to deliver the oesophago-gastric centralisation. Greater Manchester Cancer’s urology centralisations were not implemented because of local concerns about the service model and local clinician disengagement. London Cancer’s network continued to develop post implementation. Consistent clinical leadership helped to build shared priorities and collaboration. Information technology difficulties had implications for interorganisational communication and how reliably data follow the patient. London Cancer’s bidding processes and hierarchical service model meant that staff reported feelings of loss and a perceived ‘us and them’ culture. Workshop – our findings resonated with workshop attendees, highlighting issues about change leadership, stakeholder collaboration and implications for future change and evaluation. Limitations The discrete choice experiment used a convenience sample, limiting generalisability. Greater Manchester Cancer implementation delays meant that we could study the impact of only London Cancer changes. We could not analyse patient experience, quality of life or functional outcomes that were important to patients (e.g. continence). Future research Future research may focus on impact of change on care options offered, patient experience, functional outcomes and long-term sustainability. Studying other approaches to achieving high-volume services would be valuable. Study registration National Institute for Health and Care Research (NIHR) Clinical Research Network Portfolio reference 19761. Funding This project was funded by the NIHR Health and Social Care Delivery Research programme and will be published in full in Health and Social Care Delivery Research; Vol. 11, No. 2. See the NIHR Journals Library website for further project information.

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Journal articles on the topic 'Guildhall Library (London, England)'

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