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Journal articles on the topic 'Guillaume de Palerne (Romance)'

Author: Grafiati

Published: 27 July 2024

Last updated: 31 July 2025

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1

Behrmann, Bridget. "“Quel beste ceste piax acuevre” : Idyll and the Animal in Guillaume de Palerne’s Family Romance." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 331–46. http://dx.doi.org/10.4000/crm.12940.

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2

Colombo Timelli, Maria. "Guillaume de Palerne en prose." Cahiers de recherches médiévales et humanistes, no. 30 (December 15, 2015): 391–405. http://dx.doi.org/10.4000/crm.13901.

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3

Ferlampin-Acher, Christine. "Guillaume de Palerne : une parodie ?" Cahiers de recherches médiévales et humanistes, no. 15 (June 20, 2008): 59–72. http://dx.doi.org/10.4000/crm.5583.

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4

Kay, Sarah, and Peggy McCracken. "Introduction : Animal Studiesand Guillaume de Palerne." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 323–30. http://dx.doi.org/10.4000/crm.12938.

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5

McCracken, Peggy. "Skin and sovereignty in Guillaume de Palerne." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 361–75. http://dx.doi.org/10.4000/crm.12944.

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6

Runstedler, Curtis. "The Benevolent Medieval Werewolf in William of Palerne." Gothic Studies 21, no. 1 (2019): 54–67. http://dx.doi.org/10.3366/gothic.2019.0007.

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This article argues that the werewolf of the medieval romance displays behaviour comparable with modern studies of the wolf. In the dualistic medieval world of nature versus society, however, this seems inconsistent. How does the medieval werewolf exhibit realistic traits of the wolf? I examine the realistic lupine qualities of the werewolf Alphouns in the Middle English poem William of Palerne to justify my argument. Citing examples from his actions in the wilderness, I argue that Alphouns's lupine behaviour is comparable to traits such as cognitive mind-mapping and surrogate parental roles,

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7

Colombo Timelli, Maria. "Guillaume de Palerne, texte présenté et traduit par Christine Ferlampin-Acher." Studi Francesi, no. 172 (LVIII | I) (April 1, 2014): 117. http://dx.doi.org/10.4000/studifrancesi.2060.

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8

Hanna, Ralph. "William of Palerne, an Alliterative Romance. G. H. V. Bunt." Speculum 62, no. 1 (1987): 109–12. http://dx.doi.org/10.2307/2852572.

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9

Charbonneau, Joanne A. "G. H. V. Bunt, ed., William of Palerne: An Alliterative Romance." Yearbook of Langland Studies 01 (January 1987): 140–43. http://dx.doi.org/10.1484/j.yls.2.302977.

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10

Miller, Hartley R. "“Hey, you look like a prince!” Ideology and Recognition in Guillaume de Palerne." Cahiers de recherches médiévales et humanistes, no. 24 (December 30, 2012): 347–60. http://dx.doi.org/10.4000/crm.12942.

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11

OWEN, D. D. R. "Review. Roman du XIIIe siecle. Edition avec introduction, notes et glossaire par Alexandre Micha. Guillaume de Palerne." French Studies 45, no. 4 (1991): 451. http://dx.doi.org/10.1093/fs/45.4.451.

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12

Hicks, Eric, Deborah S. Reisinger, and Christine Reno. "Donner a voir: Guillaume de Lorris or the Impossible Romance." Yale French Studies, no. 95 (1999): 65. http://dx.doi.org/10.2307/3040746.

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13

Colombo Timelli, Maria. "Margherita Lecco, «Saut uns grans leus…» (v. 86). Costruzione letteraria e finalità socio-storiche in “Guillaume de Palerne”." Studi Francesi, no. 198 (LXVI | III) (December 1, 2022): 666. http://dx.doi.org/10.4000/studifrancesi.50836.

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14

Aakhus, Patricia. "Astral Magic and Adelard of Bath’s Liber Prestigiorum; or Why Werewolves Change at the Full Moon." Culture and Cosmos 16, no. 1 and 2 (2012): 151–61. http://dx.doi.org/10.46472/cc.01216.0227.

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Astral magic, the capturing of celestial spirits or rays in engraved stones at astronomically propitious times, enters the West with Adelard of Bath’s 12th century translation of Thabit ibn Qurra’s treatise on talismanic magic, Liber Prestigiorum. Derived from Greek, Babylonian, Sabian, Egyptian and Neo-Platonic magical theory and practice, astral magic requires profound knowledge of astronomy. Talismans draw down planetary spirits along stellar rays, the vehicles of transmission, following sympathetic correspondences between astronomical and terrestrial phenomena. In the 12th century works Gu

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15

Colwell, Tania M. "Patronage of the poetic Mélusine romance: Guillaume l’Archevêque’s confrontation with dynastic crisis." Journal of Medieval History 37, no. 2 (2011): 215–29. http://dx.doi.org/10.1016/j.jmedhist.2011.02.004.

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16

Bourgeois, Christine. "The Old French Guillaume de Palerne and the Stag of Saint Eustace: A Study in the Symbolic Language of Medieval Fiction." Romanic Review 108, no. 1-4 (2017): 135–54. http://dx.doi.org/10.1215/26885220-108.1-4.135.

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17

BROOK, L. C. "Review. The Romance of the Rose. Guillaume de Lorris and Jean de Meun." French Studies 51, no. 1 (1997): 59. http://dx.doi.org/10.1093/fs/51.1.59.

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18

Brook, Leslie C., and Regina Psaki. "Jean Renart: The Romance of the Rose or of Guillaume de Dole (Roman de la Rose ou de Guillaume de Dole)." Modern Language Review 92, no. 1 (1997): 185. http://dx.doi.org/10.2307/3734725.

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19

Lacy, Norris J. "The Romance of the Rose or of Guillaume de Dole (Roman de la Rose ou de Guillaume de Dole) by Jean Renart." Arthuriana 6, no. 3 (1996): 81–82. http://dx.doi.org/10.1353/art.1996.0016.

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20

Krause, Kathy M. "Jean Renart and the Art of Romance: Essays on "Guillaume de Dole".Nancy Vine Durling." Speculum 75, no. 1 (2000): 174–76. http://dx.doi.org/10.2307/2887443.

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21

Nouvet, Claire. "An Allegorical Mirror: The Pool of Narcissus in Guillaume de Lorris’ Romance of the Rose." Romanic Review 91, no. 4 (2000): 353–74. http://dx.doi.org/10.1215/26885220-91.4.353.

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22

Batista, Viviane da Silva, Conceição Solange Bution Perin, Lilian Fávaro Alegrâncio Iwasse, and Aline Gonçalves de Castro Zanin. "A EDUCAÇÃO E A CRÍTICA SOCIAL NA LITERATURA MEDIEVAL: UMA ANÁLISE DE O ROMANCE DA ROSA." Revista Políticas Públicas & Cidades 13, no. 2 (2024): e998. http://dx.doi.org/10.23900/2359-1552v13n2-178-2024.

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O objetivo deste artigo é demonstrar como a literatura clássica pode ser utilizada para compreender e ensinar as transformações sociais, culturais e religiosas dos séculos XIII e XIV, por exemplo. Para isso, este estudo analisa questões educacionais presentes na obra medieval O Romance da Rosa, de Guillaume de Lorris (1220-1240?) e Jean de Meun (1240-1305), enfatizando a importância da valorização dos clássicos literários como instrumentos fundamentais à formação crítica. Assim, busca-se demonstrar como a Literatura pode transcender a função estética, tornando-se um recurso pedagógico que perm

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23

Євген, Бєлінський. "Витоки і досвід дослідження мистецтва скульптури Руси-України Х – ХIIІ століть". ВІСНИК Львівської національної академії мистецтв, № 31 (10 травня 2017): 140–52. https://doi.org/10.5281/zenodo.573818.

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The article analyzes the origins and experience of research art sculpture Rus-Ukraine is a complex, multi-tier historical process. The author gives a retrospective study of sculpture art Rus-Ukraine since the seventeenth century. to the present, determines approaches research, experience, materials, dynamics and evolution of research methods artistically shaped structures sculpturesque works of the day Rus-Ukraine. On the basis of this experience emerged the hypothesis of the genesis iconographic, stylistic features sculptures Rus-Ukraine «byzantine», «caucasian», «romance». The article noted

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24

BUTTERFIELD, A. "Review. The Romance of the Rose or of Guillaume de Dole (Roman de la Rose ou de Guillaume de Dole). Edited and translated by Regina Psaki. Renart, Jean." French Studies 52, no. 1 (1998): 72. http://dx.doi.org/10.1093/fs/52.1.72.

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25

Vélissariou, Alexandra. "Guillaume de Palerne , trad. Christine Ferlampin-Acher , Paris, Classiques Garnier, 2012 ; 1 vol., 289 p. ( Moyen Âge en traduction , 1). ISBN : 978-2-8124-0875-5. Prix : € 29,00." Le Moyen Age Tome CXX, no. 1 (2014): XXXV. http://dx.doi.org/10.3917/rma.201.0159zi.

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26

Sciancalepore, Antonella. "Hawks and knights." Reinardus / Yearbook of the International Reynard Society 29 (December 31, 2017): 120–41. http://dx.doi.org/10.1075/rein.00004.sci.

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This article explores the role of hunting birds in the definition of the knight in twelfth- and thirteenth-century French chivalric literature. After some introductory remarks on the identity-shaping role of hawks in the hunting practices of medieval aristocracy, the article focuses on the multi-faceted identity correlation between knights and hawks across romance and chansons de geste. The analysis of episodes drawn from various texts provides evidence of three levels of this human/animal relationship: the use of hawks as aristocratic and chivalric badges (Octavian, Enfances Vivien, Guillaume

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27

Zelikov, Mikhail. "G. Guillaume’s Glottogenesis in the Frameworks of General, Indo-European and Romance Linguistics. Part 1." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 6 (February 2024): 155–70. http://dx.doi.org/10.15688/jvolsu2.2023.6.12.

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In this article, the phenomenon of linguistic glottogenesis is studied, which in G. Guillaume's psychosystematic theory is interpreted not as the oldest process of formation of a natural sound language, but as a linguistic change that took place at a short cut of the evolution "Latin – French", and in the works of his followers is considered as a "phenomenon of the development of French analyticism". The article analyzes three concepts of the word-sentence in modern linguistics (none of them coincide with the interpretation of this term in the works of G. Guillaume's followers): 1) as an undif

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28

Sawczuk-Szadkowski, Michał. "Flamenca i Radość Gry w świecie trubadurów." Terminus 24, no. 3 (64) (2022): 259–86. http://dx.doi.org/10.4467/20843844te.22.014.16051.

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Flamenca and the Joy of Play in the World of the Troubadours This article attempts to interpret a thirteenth-century Occitan chivalric romance, Le roman de Flamenca, in the context of game and play. Play is an important element of the troubadours’ sociopoetic culture, both in its social (fin’amor) and literary (trobar) aspects. Since the author considers Flamenca to be a work that summarises the history of Occitan courtly poetry, on this basis he puts forward the hypothesis that the plot of the text in question was also constructed by games. This hypothesis is proven by analysing the romance t

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29

Prus, Robert. "Encountering Nature, Experiencing Courtly Love, and Romance of the Rose: Generic Standpoints, Interpretive Practices, and Human Interchange in 12th-13th Century French Poetics." Qualitative Sociology Review 10, no. 2 (2014): 6–29. http://dx.doi.org/10.18778/1733-8077.10.2.01.

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Whereas the fields of poetic expression and pragmatist philosophy may seem some distance apart, a closer examination of the poetics literature from the early Greeks onward provides testimony to the more general viability of the pragmatist analysis of community life, particularly as this has come to be associated with pragmatism’s sociological derivative, symbolic interaction. Following a brief overview of the Greek, Roman, and Christian roots of contemporary fictional representations, attention is given to the ways that pragmatist concerns with human activity were addressed within the context

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30

Staigre-Vacherot, Anne-Lise. "Le triomphe du féminin dans Guillaume de Palerne et Floriant et Florete." Perspectives médiévales 45-46 (2024). https://doi.org/10.4000/131ua.

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Le dynamisme des rôles féminins dans certains romans d’aventures du xiiie siècle attire l’attention de la recherche actuelle car cela met en évidence, dans une certaine mesure, la volonté des auteurs de valoriser un lectorat surtout constitué de dames de la cour. Si l’on s’intéresse plus précisément à deux romans de la deuxième moitié du xiiie siècle, Guillaume de Palerne et Floriant et Florete, on se rend compte que cette valorisation des lectrices peut être articulée avec le contexte politique et géopolitique dans lequel ces romans ont été composés. En effet, le cadre géographique est porteu

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31

Jonathan Packer (Kountouris). "Identity and Identification: William Langland Wrote The Romance of William of Palerne." Journal of Literature and Art Studies 14, no. 7 (2024). http://dx.doi.org/10.17265/2159-5836/2024.07.004.

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32

"The romance of the rose, or, Guillaume de Dole." Choice Reviews Online 31, no. 05 (1994): 31–2560. http://dx.doi.org/10.5860/choice.31-2560.

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33

Peters-Custot, Annick, and Michelle Szkilnik. "Voyage dans la Pouille réelle et imaginaire." Acta Antiqua Academiae Scientiarum Hungaricae, January 20, 2025. https://doi.org/10.1556/068.2024.00150.

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AbstractThe medieval romance Guillaume de Dole mentions a mysterious queen of Puglia as well as a fairy who are both remarkable embroiderers. Examining the geopolitical situation of Apulia in the 12th and 13th c., the article argues that this surprising promotion of Apulia and its supposed fairies and queens in literature is due to a genuine interest in a region hotly coveted by princes, kings and emperors, but also to the desire to move away from Arthurian romance and explore new imaginary territories.

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34

Fogagnoli, Conrado Augusto Barbosa. "A Pintura na Prosa de Apollinaire: La Femme Assise." Signótica 34 (February 14, 2022). http://dx.doi.org/10.5216/sig.v34.68024.

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Neste artigo, trato das relações entre pintura e literatura no romance La femme assise, de Guillaume Apollinaire. A hipótese é a de que o texto pode ser relacionado com as artes plásticas sob diversas perspectivas. Desde seu título, o livro evoca a pintura francesa da época; as personagens que figuram no romance são compostas, boa parte delas, com base em artistas da época – e um número considerável deles são os mesmos defendidos por Apollinaire em seus textos de crítica de arte. Para além destas referências, e outras comentadas ao longo do texto, analisa-se também a estrutura de composição do

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35

"Jean Renart and the art of romance: essays on Guillaume de Dole." Choice Reviews Online 35, no. 06 (1998): 35–3197. http://dx.doi.org/10.5860/choice.35-3197.

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36

Slautina, Maria. "The Disputed Authorship of a Medieval Text: A New Solution to the Attribution Problem in the Case of Guillaume D’Angleterre." Authorship 2, no. 1 (2012). http://dx.doi.org/10.21825/aj.v2i1.760.

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This paper presents a case of disputed authorship concerning a literary medieval text, the Old French romance Guillaume d’Angleterre, and describes a new attempt to use the mathematical method of authorship attribution called the "method of pattern recognition”. After presenting an overview of previous approaches to the problem of the authorship of this text, I argue for the advantages of a statistical syntactic based method for authorship attribution of medieval texts. The method of pattern recognition consists in the identification of a domain of syntactic parameters and a measurement of the

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