Academic literature on the topic 'Guillermo Del Toro'

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Journal articles on the topic "Guillermo Del Toro"

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Bui, Thuy. "The Shape of Water. (2017). Directed by Guillermo del Toro. Screenplay by Guillermo del Toro and Vanessa Taylor." Psychological Perspectives 62, no. 2-3 (2019): 309–13. http://dx.doi.org/10.1080/00332925.2019.1627144.

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Sánchez Guerrero, José Israel. "Lo fantástico y lo siniestro en Guillermo del Toro." Revista de El Colegio de San Luis, no. 6 (August 13, 2014): 216. http://dx.doi.org/10.21696/rcsl062013576.

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Desbarats, Carole. "Le labyrinthe de Pan, de Guillermo del Toro." Esprit Décembre, no. 12 (2006): 181. http://dx.doi.org/10.3917/espri.0612.0181.

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Merigliano, Daniela. "Cine y psicología: lectura postracionalista de las películas: el laberinto del fauno y el espinazo del diablo de guillermo del toro." Revista de Psicoterapia 22, no. 86/87 (2011): 117–29. http://dx.doi.org/10.33898/rdp.v22i86/87.627.

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En este trabajo la autora lleva a cabo una lectura constructivista postracionalista de dos películas cinematográficas del director Guillermo del Toro “El laberinto del fauno” y “El espinazo del diablo”.
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Pettigrew, Ian. "Review of Guillermo del Toro: Film as Alchemic Art." CINEJ Cinema Journal 3, no. 2 (2014): 227–29. http://dx.doi.org/10.5195/cinej.2014.103.

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This is the first book length scholarly consideration of del Toro’s work and it will certainly not be the last as del Toro continues to prove himself as one of the most interesting and rewarding filmmakers working today. McDonald and Clark’s book lays a solid foundation for whatever work may follow in this impressive and comprehensive reading of del Toro’s cinema.
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Lázaro-Reboll, Antonio. "The Transnational Reception ofEl espinazo del diablo(Guillermo del Toro 2001)." Hispanic Research Journal 8, no. 1 (2007): 39–51. http://dx.doi.org/10.1179/174582007x164320.

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Oppenheimer, Jean, and Santiago Torres. "El amor en fuga." Estudios Cinematográficos, no. 2 (March 4, 2021): 100–112. http://dx.doi.org/10.22201/enac.25942670e.2020.2.90.

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Reseña técnica sobre la fotografía de la película de Guillermo del Toro, La forma del agua, en la que Dan Laustsen ASC, DFF, ilumina las profundidades de la romántica y peculiar criatura acuática. La película es un cuento de hadas para adultos, una historia de amor que mezcla fantasía, drama, intrigas de la era de la Guerra Fría, películas de monstruos serie B y musicales hollywoodenses blanco y negro. Se trata de la tercera colaboración entre el cinefotógrafo Dan Laustsen, ASC, DFF, y el director Guillermo del Toro.
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Olivas Arana, Diego. "Monstruosas reliquias: La forma del agua." Ventana Indiscreta, no. 026 (December 16, 2021): 22–31. http://dx.doi.org/10.26439/vent.indiscreta2021.n026.5677.

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En esta fábula sobre el amor entre seres aparentemente opuestos, convergen los gustos que formaron a Guillermo del Toro como cineasta, a la vez que reinventa las convenciones del cine de monstruos, brindándoles un matiz de humanidad.
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Agustí Aparisi, Carme. "El vampiro de Guillermo del Toro: entre la tradición y la posmodernidad del mito." Anales de Literatura Hispanoamericana 48 (December 4, 2019): 405–24. http://dx.doi.org/10.5209/alhi.66791.

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Partiendo de la más pura tradición centroeuropea, Del Toro nos presenta un vampiro, el Strigoi, que ha evolucionado desde una visión vampírica humanizadora (Rice) hasta convertirse en un monstruo terrorífico que asolará la sociedad actual. El vampirismo es una epidemia que anunciará una sociedad pre apocalíptica, un virus que infectará a la humanidad y la transformará en monstruo. Tópicos clásicos e innovaciones forman parte de este relato de La Trilogía de la Oscuridad, convirtiéndola en una novela a medio camino entre el relato de vampiros, de terror y de ciencia ficción. El mito ha evolucio
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Abele, Elizabeth. "Guillermo del Toro’s Political Fairy Tales." REDEN. Revista Española de Estudios Norteamericanos 3, no. 1 (2021): 4–19. http://dx.doi.org/10.37536/reden.2021.3.1408.

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While critical attention has largely focused on Del Toro’s overt fairy tale Pan’s Labyrinth (2006), Del Toro’s Hollywood films similarly incorporate the mythic, moral and gothic qualities of classic fairy tales. His new fairy tales present vital contemporary lessons embedded in these archetypal journeys – and their audience’s memories. His free borrowings from fairy tales and popular culture deliberately connect the familiar to his uncanny worlds. This construction is most evident in his films Hellboy II: The Golden Army (2008) and The Shape of Water (2017). The contemporary politics of race,
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Dissertations / Theses on the topic "Guillermo Del Toro"

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Vanaria, Francis Joseph III. "Postmodern mysticism: a study of the feature films of Guillermo del Toro." Thesis, Boston University, 2014. https://hdl.handle.net/2144/21268.

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Thesis (M.F.A.) PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis or dissertation. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>This thesis explores the work of the director Guillermo del Toro. In a career that spans 20 years working in feature films, del Toro has directed the Spanish-language art Cronos (1993) in Mexico, and The Devil’s Backbone (2001) a
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Rusnak, Stacy S. "Mexican Cinema in a Global Age: The Films of Guillermo Del Toro, Alfonso Cuarón, and Alejandro González Iñárritu." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/communication_diss/23.

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This study investigates the participation of cinema in the continuing debates over Mexican national identity. Part one lays out the problem of defining “Mexicanness” in contemporary society, and demonstrates that during the 1990s a new attitude emerged amongst a younger generation that sought to redefine the image of the cosmopolitan Mexican urbanite. This section is devoted to the problematics of traditional discourses on Mexican identity, as well as to a theoretical shift away from a nationalist paradigm of identity formation towards a more flexible model that takes into consideration the
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Valenzuela, García Inés. "El poder narrativo del sonido : el sonido como herramienta narrativa en la película El laberinto del fauno." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2012. http://tesis.pucp.edu.pe/repositorio/handle/123456789/4422.

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La presente investigación analiza el diseño de sonido –la identificación de sus elementos, formas e interrelaciones- en la película El laberinto del fauno, para explicar en qué forma es que estos elementos trabajan entre sí y en conjunto con la imagen, para apoyar la narración de la historia. La pregunta central es: ¿Cómo aporta el sonido en la película ‘El laberinto del fauno’ a la narración de la historia? De ella se desprende una serie de preguntas secundarias en torno a las relaciones de los distintos elementos de la banda sonora entre sí y con la imagen, al sonido como herramienta n
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Ericsson, Calina. "Från teckning till färdig produktion : en studie av storyboards inom spelfilm och animerad film." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-31172.

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In this thesis I focus on the artistry and essential work, behind the scenes that storyboard artists have contributed to, since the early days of film history. The works I will focus on are the important phases of pre-planning of feature films and animated films. I theorize on the aspect of what makes a good story and how it is brought to life on the screen, as well as how the story is actually conveyed with this drawings. The hypothesis maintains the importance of storyboards, as well as defining their main purpose. Using a formalistic point of view and historical argumentation, I examine and
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Delbar, David Carter. "Myths on the Move: A Critical Pluralist Approach to the Study of Classical Mythology in Post-Classical Works." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/7492.

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The Classical Tradition, now more commonly known as Classical Reception, is a growing sub-discipline in Classics which seeks to trace the influence of Greco-Roman culture in post-classical works. While scholars have already done much to analyze specific texts, and many of these analyses are theoretically complex, there has yet to be a review of the theories these scholars employ. The purpose of this study is to provide researchers with a theoretical tool kit which allows them greater scope and nuance when analyzing usages of classical mythology. It examines five different approaches scholars h
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Markodimitrakis, Michail-Chrysovalantis. "Gothic Agents Of Revolt: The Female Rebel In Pan's Labyrinth, Alice's Adventures In Wonderland And Through The Looking Glass." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460074928.

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Tovar, Velarde Jorge. "MANUEL MOREYRA y PAZ SOLDAN Y GUILLERMO CESPEDES DEL CASTILLO Virreinato Peruano. Documentos para su Historia. Colección de Cartas de Virreyes. Conde de la Monclova. Tomo 1 (16S9-1694). Lima 1954. Tomo II (1695-1698). Lima 1955. Editorial Lumen." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/114269.

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Nickelson-Requejo, Sadie. "The child’s perspective of war and its aftermath in works of adult prose and film in Mexico and Spain." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2833.

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This dissertation investigates the literary and cinematic use of the child’s perspective to present the Mexican Revolution and the Spanish Civil War and their aftermath in several Mexican, Spanish, and international (Mexican-Spanish collaborative) narratives of the 20th and early 21st Centuries written by adult authors and filmmakers, and targeted for adult audiences. The Mexican narratives are Cartucho and Las manos de mamá by Nellie Campobello, Balún Canán by Rosario Castellanos, and Bandidos, a film by Luis Estrada; selected Spanish works are El espíritu de la colmena by Víctor Erice, Cría
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Moore, Susana Mónica. "Bendita entre las mujeres : Mónica Susana Moore, Dr. Guillermo Rosolino (director de tesis)Semiótica de lo femenino en el culto a la Virgen María. En torno al discurso religioso hegemónico ( Córdoba)." Doctoral thesis, 2013. http://hdl.handle.net/11086/1912.

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Dar cuenta del modo particular como una sociedad se relaciona con el mundo, y en esa relación, lo construye y significa, es el propósito que se impone a sí misma la semiótica como disciplina, como metodología y como abordaje interdisciplinario. Tal objeto de estudio (la producción social del sentido), sostiene y es sostenido a la vez por la discursividad social, entendida como una producción significante plural, jamás clausurada y siempre dinámica, en la que, a modo de tejido de múltiples texturas y complejas conexiones, se plasman los procesos histórico-sociales mediante los cuales los hombr
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Books on the topic "Guillermo Del Toro"

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Davies, Ann, Deborah Shaw, and Dolores Tierney, eds. The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849.

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The three amigos: The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. Manchester University Press, 2013.

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McDonald, Keith, and Roger Clark. Guillermo del Toro. Bloomsbury Publishing Inc, 2014. http://dx.doi.org/10.5040/9781628929942.

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Guillermo Del Toro Inspirations And Techniques. Continuum Publishing Corporation, 2014.

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The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan, 2014.

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Toro, Guilllermo de. Guillermo Del Toro: Studies in the Horror Film. Insight Editions, 2021.

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Golden Labyrinth: The Unique Films of Guillermo del Toro. Noir Publishing, 2009.

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Morehead, John W. The supernatural cinema of Guillermo del Toro: Critical essays. 2015.

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Feldman, Kaywin, writer of introduction, Govan, Michael, writer of introduction, Jost, Stephan, writer of introduction, Los Angeles County Museum of Art, Minneapolis Institute of Art, and Art Gallery of Ontario, eds. Guillermo del Toro: At home with monsters : inside his films, notebooks, and collections. Insight Editions, 2016.

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Shaw, Deborah. The three amigos: The transnational filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón. Manchester University Press, 2015.

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Book chapters on the topic "Guillermo Del Toro"

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Tierney, Dolores. "Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006)." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_10.

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Davies, Ann. "Guillermo del Toro’s Monsters: Matter Out of Place." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_3.

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Haddu, Miriam. "Reflected Horrors: Violence, War, and the Image in Guillermo del Toro’s El espinazo del diablo/The Devil’s Backbone (2001)." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_9.

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Ward, Glenn. "“There Is No Such Thing”: Del Toro’s Metafictional Monster Rally." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_2.

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Podalsky, Laura. "Of Monstrous Masses and Hybrid Heroes: Del Toro’s English-Language Films." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_7.

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Hutchings, Peter. "Adapt or Die: Mimicry and Evolution in Guillermo del Toro’s English-Language Films." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_6.

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Janicker, Rebecca. "Myth and Monstrosity: The Dark Realms of H. P. Lovecraft and Guillermo del Toro." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_4.

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Vargas, Juan Carlos. "Between Fantasy and Reality: the Child’s Vision and Fairy Tales in Guillermo del Toro’s Hispanic Trilogy." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_11.

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Tierney, Dolores, Deborah Shaw, and Ann Davies. "Introduction." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_1.

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Bacon, Simon. "“This Is Something New … or—Something Very, Very Old”: The Strain Trilogy in Context." In The Transnational Fantasies of Guillermo del Toro. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_5.

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Conference papers on the topic "Guillermo Del Toro"

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Navarro Pérez, Miguel, Federico Carro Gil, and Marta Mompó García. "F VAL. Feria Valencia y Guillermo Jullian de la Fuente. L´héritage de Le Corbusier." In LC2015 - Le Corbusier, 50 years later. Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.630.

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Resumen: La Mezquita de Córdoba, el paradigma del Mat-Building y la invitación al juego, están detrás de una obra cuya pertenencia a la órbita lecorbuseriana debe ser plenamente reconocida: la Feria de Valencia (1967) de Guillermo Jullian de la Fuente. Cincuenta años después de la muerte de Le Corbusier y desaparecido, también, quién en los últimos años de vida del maestro fue su principal colaborador, apenas queda nada de la única obra de los herederos del Atelier de la rue de Sèvres construida en España. Tomando como idea el paradigma de “juego” pretendemos, con nuestro estudio, avanzar en e
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