Relevant bibliographies by topics / Guinizzelli, Guido

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Guinizzelli, Guido'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Guinizzelli, Guido"

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Pace, Matteo. "“Come vertute in petra prezïosa”." Romanic Review 113, no. 1 (2022): 65–86. http://dx.doi.org/10.1215/00358118-9560700.

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Abstract Although in the last few decades scholars have dedicated much attention to the juridical world and the academic environment of Bologna and its flourishing university in the second half of the thirteenth century, totally uncharted territory are the connections between Guido Guinizzelli di Magnano (1230s–1276), judge, prosecutor, and one of the main literary references of the upcoming Dolce Stilnovo, and the professional activity of Taddeo Alderotti (1206/1215–1295), the catalyst of the new scientific trends of the Bolognese medical school. Guido Guinizzelli’s canzone “Al cor gentil” of
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Kelly, Deana Basile. "The Hermeneutics of Conversion: Apostrophe, Reader Engagement, and the Medusa-Beatrice Binary." Quaderni d'italianistica 43, no. 2 (2023): 57–82. http://dx.doi.org/10.33137/q.i..v43i2.41151.

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This essay traces the parallels between Vita nuova 19 and the impasse at the gate of the City of Dis in Inferno in order to propose Medusa and Beatrice as diametrically opposed figures. Whereas Beatrice activates the intellect and catalyzes internal reflection and conversion, Medusa deactivates the intellect and obstructs reflection and conversion. Moreover, contextualizing the Medusa figure within the wider approach to the gate in Inferno 8 and 9 reveals the figure to be linked to the forging of the poet’s novel apostrophic mode of reader engagement inaugurated in those cantos. Dante weaves i
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Editorial, Coordinación. "Presentación." FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN 3, no. 2 (2022): 5. http://dx.doi.org/10.22201/fesa.26832917e.2022.3.2.215.

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FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN marca y construye –mediante un acto de escritura– la acción de transformar, delinear o representar los hallazgos que los participantes plasman en las tres secciones de cada edición.
 La revista ha transitado por distintos caminos que trazan, cada vez más claridad, su perfil multidisciplinario desde las tres secciones que se presentan en cada edición: Perspectivas, Escenas y Resonancias.
 En este número, la sección Perspectivas publica tres artículos que muestran el desarrollo multidisciplinario de FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN.
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Ardizzone, Maria Luisa. "Guido Guinizzelli's "Al cor gentil": A Notary in Search of Written Laws." Modern Philology 94, no. 4 (1997): 455–74. http://dx.doi.org/10.1086/392429.

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Hartley, Julia. "Les deux Guidi Guinizzelli et Cavalcanti. Mourir d’aimer et autres ruptures , éd. Marina Gagliano , Philippe Guérin , Raffaella Zanni , Paris, Presses Sorbonne Nouvelle, 2016 ; 1 vol., 266 p. ISBN : 978-2-87854-693-4. Prix : € 21,50." Le Moyen Age Tome CXXIII, no. 1 (2017): XXVIII. http://dx.doi.org/10.3917/rma.231.0131zb.

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García-Salas, Víctor. "Guido Guinizzelli a Dante Alighieri. Una mirada filosófica al capítulo XX de la Vita nova o del origen del “Amor, ch’a nullo amato amar perdona”." FIGURAS REVISTA ACADÉMICA DE INVESTIGACIÓN 3, no. 2 (2022). http://dx.doi.org/10.22201/fesa.26832917e.2022.3.2.205.

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Es nuestra intención revisar el capítulo XX de la Vita nova y ver cómo éste desemboca en el canto V de la Commedia. Sin embargo, dado que este capítulo, y en general todo el Dolce stil novo, tiene un precedente fundamental en la canzone de Guido Guinizzelli, “Al cor gentil rempaira sempre amore” [Al corazón gentil retorna siempre amor], nuestra primera tarea será analizar esta canzone, la carga de argumentaciones “filosóficas” y el contenido doctrinal de ésta.. De tal manera, se evidenciará la línea que va de Guinizzelli a Dante, así como la evolución en la calidad de los argumentos y cómo dic
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Ellerbrock, Karl Philipp. "Lectura Dantis: Purgatorio XXVI." Deutsches Dante-Jahrbuch 90, no. 1 (2015). http://dx.doi.org/10.1515/dante-2015-0006.

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RiassuntoNel canto XXVI del Purgatorio, noto per l’omaggio alla memoria di due grandi poeti in volgare, Dante problematizza il rapporto tra fama letteraria e salvezza dell’anima. Sorprendentemente il canto dello stilnovista Guido Guinizzelli e del trovatore Arnaut Daniel è penetrato da una retorica dell’anonimità: le anime qui presenti, invece di figurare nominatamente, sembrano scomparire nel processo collettivo della purificazione. Il contrappasso riservato ai poeti riguarda il loro uso metaforico - »lussurioso« - d’immagini religiose, come il biblico ardere, da loro impiegato per parlare po
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Dissertations / Theses on the topic "Guinizzelli, Guido"

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Borsa, P. "La nobiltà di Guinizzelli : dalla polemica antiguittoniana al "cor gentil"." Doctoral thesis, Università degli Studi di Milano, 2004. http://hdl.handle.net/2434/23674.

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The first part of this work focuses on the relations between Guido Guinizzelli and Guittone d'Arezzo, Italian poets lived in the XIII century. The aim is to display that Guittone's sonnet 'S'eo tale fosse' is a clear criticism of Guinizzelli, guilty of comparing his lady to natural forms instead of declaring her superior to them, as the lyrical tradition had estabilished, and that Guido's sonnet 'Omo ch'è saggio' contains a polemical allusion to the 'frati gaudenti', the religious order - composed exclusively by noblemen - which Guittone had entered as a married friar. Moving from this conside
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Bowe, David James Alexander. "'E io a lui' : dialogic models of conversion and self-representation in medieval Italian poetry." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:ae039556-3805-42b8-90ed-bcc4b065d4da.

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This thesis examines the role of dialogic processes in representations of conversion narratives and expressions of poetic subjectivity across the works of four poets: Guittone d’Arezzo (c.1235-1294), Guido Guinizzelli (c.1230-1276), Guido Cavalcanti (c.1255-1300) and Dante Alighieri (1265-1321). The introduction proposes a definition of ‘dialogic processes’ drawing on theoretical models of performativity and dialogism. It presents the usefulness of these approaches to the analysis of narratives of conversion and accounts of subjectivity in poetry. Chapter 1 analyses Guittone’s conversion poeti
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Books on the topic "Guinizzelli, Guido"

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Pelosi, Pietro. Guido Guinizzelli: Stilnuovo inquieto. Liguori, 2000.

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Menotti, Stanghellini, ed. Le rime di Guido Guinizzelli. Accademia dei Rozzi, 2007.

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3

1945-, Rossi Luciano, and Alloatti Boller Sara, eds. Intorno a Guido Guinizzelli: Atti della giornata di studi : Università di Zurigo, 16 giugno 2000. Edizioni dell'Orso, 2002.

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1945-, Rossi Luciano, and Alloatti Boller Sara, eds. Intorno a Guido Guinizzelli: Atti della Giornata di studi : Universitá di Zurigo, 16 giugno 2000. Edizioni dell'Orso, 2002.

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Furio, Brugnolo, Peron Gianfelice, Monselice (Italy). Assessorato alla cultura., and Biblioteca comunale (Monselice Italy), eds. Da Guido Guinizzelli a Dante: Nuove prospettive sulla lirica del Duecento : atti del convegno di studi, Padova-Monselice, 10-12 maggio 2002. Il poligrafo, 2004.

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Furio, Brugnolo, and Peron Gianfelice, eds. Da Guido Guinizzelli a Dante: Nuove prospettive sulla lirica del Duecento : atti del Convegno di studi, Padova-Monselice, 10-12 maggio 2002. Il poligrafo, 2004.

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7

Gagliano, Marina, and Raffaella Zanni. Les deux Guidi: Guinizzelli et Cavalcanti : mourir d'aimer et autres ruptures. Presses Sorbonne nouvelle, 2016.

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8

The poetry of Guido Guinizelli. Garland Pub., 1987.

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9

Edwards. POETRY OF GUIDO GUINIZELLI (Garland Library of Medieval Literature). Garland Science, 1987.

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10

Bowe, David. Poetry in Dialogue in the Duecento and Dante. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849575.001.0001.

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Poetry in Dialogue in the Duecento and Dante provides a new perspective on the highly networked literary landscape of thirteenth and fourteenth-century Italy. It demonstrates the fundamental role of dialogue between and within texts in the works of four poets who represent some of the major developments in early Italian literature: Guittone d’Arezzo, Guido Guinizzelli, Guido Cavalcanti, and Dante. Rather than reading the cultural landscape through the lens of Dante’s works, significant though they may be, the first part of this study reconstructs the rich network of literary, especially poetic
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Book chapters on the topic "Guinizzelli, Guido"

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Bowe, David. "Guido Guinizzelli." In Poetry in Dialogue in the Duecento and Dante. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849575.003.0003.

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Chapter 2 introduces the poetry of Guido Guinizzelli in the context of thirteenth-century literary networks and exchange, especially the tenzone tradition. The chapter focusses on Guinizzelli’s outward-looking version of dialogic subjectivity, through which he refines his poetic voice in relation to, and response to, external forces and others’ voices, including Guittone and Bonagiunta. The analysis of Guinizzelli’s poems, including ‘Al cor gentil’ shows how his subjectivity and poetics develop through the statement and restatement of poetic positions in the dialogic interactions of tenzoni wi
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Milani, Giuliano. "Le contexte de Guido Guinizzelli." In Les deux Guidi Guinizzelli et Cavalcanti. Presses Sorbonne Nouvelle, 2016. http://dx.doi.org/10.4000/books.psn.7121.

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Sánchez, Antonia Víñez, and Juan Sáez Durán. "La donna iluminada de Guido Guinizzelli." In Pioneras. Las voces femeninas en la construcción cultural italiana y europea. Dykinson, 2021. http://dx.doi.org/10.2307/j.ctv1s7cj2w.4.

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Bowe, David. "Guido Cavalcanti." In Poetry in Dialogue in the Duecento and Dante. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849575.003.0004.

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Chapter 3 introduces Guido Cavalcanti’s radically internalized model of poetic subjectivity as a point of contrast with the other poets in this study. The chapter demonstrates Cavalcanti’s resistance towards any sort of unitary poetics or accounts of self and his ambivalence towards religious authority as a source of literary validation. Cavalcanti’s divergence from his predecessors is demonstrated through analysis of his own poetry in dialogue with the works of Guittone, Guinizzelli, and Dante. The chapter explores Cavalcanti’s alternative model of subjectivity and love poetry, in which his t
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Zunino, Estelle. "Le corps absent dans la poésie de Guido Guinizzelli et Guido Cavalcanti." In Les deux Guidi Guinizzelli et Cavalcanti. Presses Sorbonne Nouvelle, 2016. http://dx.doi.org/10.4000/books.psn.7135.

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Fenzi, Enrico. "Guido Cavalcanti, o della perdita." In Les deux Guidi Guinizzelli et Cavalcanti. Presses Sorbonne Nouvelle, 2016. http://dx.doi.org/10.4000/books.psn.7150.

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Ciccuto, Marcello. "Guido Cavalcanti laico ed eretico ?" In Les deux Guidi Guinizzelli et Cavalcanti. Presses Sorbonne Nouvelle, 2016. http://dx.doi.org/10.4000/books.psn.7142.

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Battesti, Isabelle. "Temporalités de la mort amoureuse dans la poésie de Guido Guinizzelli et Guido Cavalcanti." In Les deux Guidi Guinizzelli et Cavalcanti. Presses Sorbonne Nouvelle, 2016. http://dx.doi.org/10.4000/books.psn.7133.

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Bowe, David. "Dante in dialogue." In Poetry in Dialogue in the Duecento and Dante. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198849575.003.0005.

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Chapter 4 concentrates on Dante’s dialogues with and treatment of Guittone, Guinizzelli, and Cavalcanti through the Commedia as well as the Vita nova and Convivio. The chapter highlights the undercutting of Guinizzelli even as he is named as ‘padre’ in Purgatorio. It also makes a case for the proscription of Cavalcanti from the same realm with reference to the early tenzone beginning ‘Guido, i’ vorrei che tu e Lapo ed io’. The chapter sheds new light on the motives for and means of the effacement of Guittone in Dante’s works. These three case studies all support a discussion of the dialogic te
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Diacciati, Silvia. "Guido e i Cavalcanti : un poeta cavaliere e il suo contesto." In Les deux Guidi Guinizzelli et Cavalcanti. Presses Sorbonne Nouvelle, 2016. http://dx.doi.org/10.4000/books.psn.7123.

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