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Relevant bibliographies by topics / GUITAKOR (Logiciel)

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Academic literature on the topic 'GUITAKOR (Logiciel)'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "GUITAKOR (Logiciel)"

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Stanescu, Dan Florin. "Modeling Musical Capabilities – Guitar Playing." European Scientific Journal, ESJ 12, no. 11 (2016): 54. http://dx.doi.org/10.19044/esj.2016.v12n11p54.

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While it is possible for one to detect a person’s dexterity upon an instrument visually, auditorily and sometimes even kinaesthetically, it is the hypothesis here that there are other sets of skills which are just as important to musical capability as the manual technique applied when playing the instrument. Modeling is a process whereby an observer gathers information about the activity of a system with the aim of constructing a generalised description (a model) of how that system works. The purpose of this study is to identify strategies and patterns in how musicians organized their experien

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Kryhin, Oleksandr. "Segovia’s concert heritage as the basis of forming the guitar performing traditions of the XX century." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 50, no. 50 (2018): 17–28. http://dx.doi.org/10.34064/khnum1-50.02.

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Background. The academic guitar art, which announced itself at the beginning of the XXI century as one of the dominant and sought-after forms of the concert music making, in recent decades has become the subject of scientific reflection. However, due to a later start time of its evolvement, it turned out to be less explored than other concert genres. The birth of the academic guitar art in the early twentieth century associated with the name of A. Segovia, together with whose creativity it stepped beyond the limits of the Spanish national culture and came to the world level. Creativity of the

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Burns, Alex. "'This Machine Is Obsolete'." M/C Journal 2, no. 8 (1999). http://dx.doi.org/10.5204/mcj.1805.

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'He did what the cipher could not, he rescued himself.' -- Alfred Bester, The Stars My Destination (23) On many levels, the new Nine Inch Nails album The Fragile is a gritty meditation about different types of End: the eternal relationship cycle of 'fragility, tension, ordeal, fragmentation' (adapted, with apologies to Wilhelm Reich); fin-de-siècle anxiety; post-millennium foreboding; a spectre of the alien discontinuity that heralds an on-rushing future vastly different from the one envisaged by Enlightenment Project architects. In retrospect, it's easy for this perspective to be dismissed as

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Jones, Steve. "Seeing Sound, Hearing Image." M/C Journal 2, no. 4 (1999). http://dx.doi.org/10.5204/mcj.1763.

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“As the old technologies become automatic and invisible, we find ourselves more concerned with fighting or embracing what’s new”—Dennis Baron, From Pencils to Pixels: The Stage of Literacy Technologies Popular music is firmly rooted within realist practice, or what has been called the "culture of authenticity" associated with modernism. As Lawrence Grossberg notes, the accelleration of the rate of change in modern life caused, in post-war youth culture, an identity crisis or "lived contradiction" that gave rock (particularly) and popular music (generally) a peculiar position in regard to notio

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Dissertations / Theses on the topic "GUITAKOR (Logiciel)"

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Duguay, Jean-Claude. "Développement et évaluation du logiciel "Guitakor" qui nomme et joue les accords de la guitare." Master's thesis, Université Laval, 1989. http://hdl.handle.net/20.500.11794/29386.

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