Relevant bibliographies by topics / Guitar in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Guitar in art'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Guitar in art"

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Deloria, Philip J. "T.C. Cannon’s Guitar." Arts 8, no. 4 (2019): 132. http://dx.doi.org/10.3390/arts8040132.

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How might we understand the art—and perhaps something of the life—of Kiowa/Caddo artist T.C. Cannon by centering his engagement with music and in particular with a meditation on Cannon’s 000-18 Martin guitar, which greeted visitors to the landmark exhibition, T.C. Cannon: At the Edge of America? In the form of a personal reflective essay, T.C. Cannon’s Guitar contemplates my own history with similar guitars, songs from the folk-songwriter tradition, and questions of multi-media crossings—art, music, text, object—that demonstrate revealing stylistic affinities. The essay explores intergeneratio
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Chechenya, Kostyantyn. "Guitar movement in Ukraine at the beginning of the XXI century." Culturology Ideas, no. 19 (1'2021) (2020): 165–73. http://dx.doi.org/10.37627/2311-9489-19-2021-1.165-173.

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The article studies the development of guitar art in Ukraine at the beginning of the XXIst century. This topic is virtually not researched in domestic musicology. All the research is primarily devoted to pan-European trends or regional school. For the first time, this study analyzes various aspects of the activity of the Guitarists Association of the NUMU (National All-Ukrainian Music Union) presenting historical material on the formation of guitar art in Ukraine, and information on outstanding musicians of the past. Factual material on the history of the National All-Ukrainian Music Union and
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Filatova, Tetiana. "Academic Performing Traditions of Chilean Guitar Art." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 131 (June 30, 2021): 26–37. http://dx.doi.org/10.31318/2522-4190.2021.131.243205.

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The relevance of the article lies in the systematization of the phenomena of the Chilean academic guitar art, the study of the national origins of the performing school, its principles, achievements, transcultural processes and their mutual influences, which led to the popularization of the instrument on the Latin American continent. The purpose of the article is to create an overview panorama of the development of the academic traditions of Chilean guitar performance, to identify trends in the formation and genealogy of successive ties between generations of soloists. The methodology includes
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Budrianto, Budrianto Budrianto, Wilma Sriwulan, and Marta Rosa. "APROPRIASI GITAR DALAM KESENIAN REJUNG PADA MASYARAKAT SUKU BASHEMAH KABUPATEN KAUR PROVINSI BENGKULU." Gorga : Jurnal Seni Rupa 7, no. 2 (2018): 94. http://dx.doi.org/10.24114/gr.v7i2.10915.

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AbstrakPenelitian bertujuan untuk membahas peran gitar sebagai bentuk apropriasi dalam kesenian rejung pada masyarakat suku bashemah ,sekaligus bertujuan untuk menambah wawasan,mendeskripsikan dan mencari kebenaran tentang kesenian tersebut mengapa kesenian ini memakai iringan permainan gitar konvensional barat. Rejung adalah perpaduan antara sastralisan beserta iringan musik menggunakan petikan gitar. Irama-irama rejung sangatlah beragam dan khas.Sastralisan yangterkandung dalam rejung terletak pada tembang-tembangnya, berupa pantun nasehat, pesanmoral, sindiran, kisah seseorang, sebuah ungka
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Gómez-Ullate García de León, Martín. "GUITAR TEACHING: STATE OF THE ART AND RESEARCH QUESTIONS." SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (May 21, 2019): 361. http://dx.doi.org/10.17770/sie2019vol4.3952.

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This work reviews guitar methodologies and didactic materials from the first 16th century methods of guitar and vihuela to the software/hardware devices patented now-a-days. One of the richest sources for guitar education research are master classes registered since the last 50-100 years and available today to the researcher. A set of 12 master classes are analysed in this study. Fundamental decisions for the education and practice of the guitar are highlighted as the fingernails vs. yolks playing, “learning by music” vs. “learning by ear”, the use of music vs. tablature notation or the autodi
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Ivanov, Oleksandr. "The Evolution of Composer's and Performer's Style in Guitar Art." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 168–77. https://doi.org/10.31866/2410-1176.38.2018.141817.

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The purpose of the article. The process of evolution of composer’s and performer’s style as a phenomenon of music culture which has historically formed in guitar art is considered in the article. The theoretical aspects of the problem are revealed on the basis of the analysis of scientific works devoted to the search of communicative interaction between the composer and the performer. The research methodology was based on the methods of analysis and systematization of scientific information and the experience of the composer’s and performer’s activity in
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Stryzhyboroda, Petro. "Guitar Art of Stepan Rak: Genre and Style, Image and Theme Aspects." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 141–47. https://doi.org/10.31866/2410-1176.42.2020.207643.

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The purpose of the article is to comprehend the achievements of the Ukrainian origin Czech guitarist S. Rak in compositional guitar work through the genre specificity, stylistics, symbolic themes and performance forms; to reveal the folklore based principles of the artist’s compositional pieces; to consider the peculiarities of the embodiment of the principles of academic guitar performance in the solo and ensemble works of S. Rak. The research methodology consists of historical, source, art studies methods, which allowed to conduct genre and style analysis of S. Rak’s guitar work
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Hansen, Uwe J. "Materials in Musical Instruments: Romance of Art and Science." MRS Bulletin 20, no. 3 (1995): 25–27. http://dx.doi.org/10.1557/s0883769400044353.

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A few years ago, I surprised my wife by asking for a guitar for Christmas. Our budget was limited in those days, so I started at the low-cost end and remember being disappointed with the tone quality of the guitar we purchased. Even with my poorly trained ear, I could tell the difference between a $50 guitar and a $100 instrument. The jump from $100 to $200 was also easily detectable. I could even make out the difference in tone quality between a $200 and a $500 guitar. One hand-crafted instrument with a $1000 price tag had a lovely tone. However, the limitations of my ear made it difficult to
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Anindita Roy Chowdhury and Naresh Sharma. "Scientific Numerical Pattern in Stringed-Fretted Musical Instrument." Mathematical Journal of Interdisciplinary Sciences 8, no. 2 (2020): 69–74. http://dx.doi.org/10.15415/mjis.2020.82009.

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Music, a creative art has a strong foundation on science and mathematics. Source of music can vary from vocal chord to various types of musical instruments. One of the popular stringed and fretted musical instrument, the guitar has been discussed here. The structure of the guitar is based on mathematical and scientific concepts. Harmonics and frequency play pivotal role in generation of music from a guitar. In this paper, the authors have investigated various factors related to the structure of a guitar. Aspects related to the musical notes of a guitar have been analyzed to gain a better insig
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Жерздев, А. В. "«ОБРАЗ» ГИТАРЫ В СИСТЕМЕ СТРУННО-ЩИПКОВОГО ИНСТРУМЕНТАЛИЗМА: ИСТОРИЯ, ОРГАНОЛОГИЯ, АКТУАЛЬНАЯ ПРАКТИКА". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 99–109. https://doi.org/10.5281/zenodo.1803446.

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The article is devoted to discussing the concept of guitar “image” in the context of history, organology and the actual practice of plucked string music making. The basic ideas about the six-string (classical) guitar have been identified and systematized, which, however, has acquired such status on the basis of a number of historical-and-style modifications, distinguished according to the criteria of the visual-and-acoustic appearance (the body shape, the tuning, the number of strings). The article outlines the peculiarities of HIP – Historically Informed Performance practice
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Dissertations / Theses on the topic "Guitar in art"

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Duque, Cuartas Alejandro. "Colombia's Classical Guitar Repertoire: Traditional, Traditional-Popular, and Art Music Idioms." Thesis, Griffith University, 2020. http://hdl.handle.net/10072/394724.

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This research explores the diversity of Colombia’s classical guitar repertoire (CCGR). Using musicological and artistic approaches, it aims to expand understanding of the wide stylistic range and diversity of CCGR. In particular, building on previous categorisations of Colombian music, this project offers a three-part framework for better understanding the diversity of CCGR idioms in their contemporary manifestations: namely, traditional, traditional-popular, and art music. Drawing on methods characteristic of historical musicology and artistic research, this research contributes to new unders
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Ahles, Ian Charles. "The Music of Phillip Houghton: Interpreting the Influence of Visual Art Works in his Compositions." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/382721.

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Phillip Houghton (April 26, 1954 – September 30, 2017) was “one of Australia’s greatest guitar figures and composers” (Slava Grigoryan as cited by Cerabona, 2018). Houghton had been trained in visual arts before studying music, and influences from the visual art and references to visual stimuli played a major role in his compositions. This study discusses the process of developing a meaningful interpretation, performance and presentation of Houghton’s compositions with a focus on the visual art influences referenced in his music. This research project unfolds through three case studies, spanni
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Roberts, Samuel Christian. "A portfolio of compositions expanding the role of the electric bass guitar in contemporary Western art music." Thesis, Oxford Brookes University, 2013. https://radar.brookes.ac.uk/radar/items/2170e787-93d7-4739-a7cd-ef6105beab6d/1.

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My original contribution to knowledge is a portfolio of work that, through composition, improvisation and performance, expands the role of the electric bass guitar in contemporary Western art music. More specifically, these works address three areas that were hitherto underexplored in existing repertoire: • Works for solo bass guitar and electronics. • Works for bass guitar and ensemble that incorporate the instrument as an equal and important part of an overall sound. • The use of the bass guitar in sonic arts idioms. This research, as well as challenging the role of the bass guitar, also aim
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Parkhurst, Padraig Leo. ""Spoken Lieder": Expanding upon the growing field of music for spoken voice and instrument." Thesis, Griffith University, 2018. http://hdl.handle.net/10072/377585.

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In 2014 while working as guitarist in the Iranian folk ensemble ‘Sweet Sound’ I was asked by Shirin Majd to write a setting of poetry for guitar and spoken voice for the combined arts project ‘Rebirth’. The question arose of how to combine speech with music in such a manner as to aid both performance and comprehension of the work. To achieve this, existing works in this field were examined through their scores, recordings, relevant literature and historical context, then used as inspiration for new compositions. The process of writing, rehearsing, performing and sometimes recording these compo
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Chapalain, Guy. "La guitare et son répertoire au XIXe siècle : 1850-1920 : novations et permanence /." Villeneuve d'Ascq : Presses universitaires du Septentrion, 2001. http://catalogue.bnf.fr/ark:/12148/cb37224993c.

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Thèse--Musicologie--Paris-4-Sorbonne, 1999.<br>Catalogue des oeuvres pour guitare p. 479-548. Liste alphabétique avec notices biogr. des guitaristes et compositeurs p. 363-448. Bibliogr. p. 581-642. Index.
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Pierce, Justin Wade. "A Performance Guide to David Kechley's "In the Dragon's Garden" with an Investigation of the Saxophone-Guitar Duo Genre." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc1609135/.

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American composer David Kechley was profoundly impacted by a 1990 trip to the Ryoan-ji Temple in Kyoto, Japan. The composer describes the finely raked, small white stones in the midst of fifteen large rocks in the Japanese Zen garden as "planned randomness." Kechley's inaugural composition for saxophone-guitar duo, In the Dragon's Garden, reflects his experience at the Ryoan-ji Temple. The use of minimalistic compositional techniques without literal repetition in the work represents a departure from the first generation of Minimalist composers, such as LaMonte Young, Steve Reich, Phillip Glass
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Fugazza, Lorenzo. "Methods to support guitarists to recover from injuries and/or maintain health." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3338.

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Musicians tend to suffer from a broad range of problematics related to their playing, from muscle/tendon injuries, to joint injuries, nerve compression disorders and central nervous system disorders. The purpose of this essay was therefore to explore methods used for health and wellbeing of guitarists. The research question was: Which actions are described to support guitarists to recover from injuries and/or maintain health? A qualitative approach was used to collect and analyse the data that were acquired through in-depth interviews and analysis of annotations of musicians who have been pati
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Svanström, Oscar. "Känsla för improvisation eller improvisation för känsla : En självstudie av improvisationsövning i historisk västerländsk konstmusikalisk kontext." Thesis, Karlstads universitet, Institutionen för konstnärliga studier (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84952.

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Denna självstudie undersöker en lärprocess i improvisation med avstamp i historisk västerländsk konstmusikalisk repertoar och två sonater av Domenico Scarlatti. Syftet med projektet var att se hur min förmåga att improvisera påverkades av övning och att studera historisk improvisation. Under studiens övningsperiod utforskades improvisation med utgångspunkt i historiska improvisationstekniker och nutida forskning. Utforskningen ägde rum under tio veckor och dokumenterades med videoobservation och loggbok som sedan transkriberades och analyserades utifrån tematisk analys. I resultatet beskriver
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Baumann, Judith Marie. "Fabricated Histories (or My American Daydreams)." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd_retro/144.

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The three print series I completed within the past two years appear hardly related at first. However, these individual bodies of work, when examined chronologically, are continually informed by similar ideas. The most obvious of these is the act of piecing elements together to form something that had previously not existed, yet still influences the original source. In all three series, images are taken from an original source and re-contextualized. The idea of cultural or anthropological landscapes is also a theme throughout my work. Each individual series toyed with the idea of an imaginary o
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Douglas, Charles William. "An Overview and Performance Guide to Johannes Möller's "Shenandoah Fantasy for Two Guitars"." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505150/.

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Johannes Möller's 2014 composition Shenandoah Fantasy for Two Guitars, is a theme and variations on the American folksong Oh Shenandoah and is the composer's only work dedicated to American music. An informed performance of this work requires biographical information. Since no scholarly work on this composer is currently available, this paper includes Möller's biographical information, compositional background and performance suggestions. This information was acquired through a recorded video interview with the composer that covered his early education as a guitarist and composer, his formal c
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Books on the topic "Guitar in art"

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Grunfeld, Frederic V. The art and times of the guitar. Da Capo, 1988.

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Tomić, Violeta. Guitar Visual Art: Izložba likovnih radova. Narodni muzej Požarevac, 2009.

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Hickey, Dave. Air guitar: Essays on art & democracy. Art issues. Press, 1997.

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Rodríguez, Manuel. The art and craft of making classical guitars. H. Leonard, 2003.

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Rodríguez, Manuel. The art and craft of making classical guitars. Hal Leonard Books, 2009.

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Rodríguez, Manuel. The art and craft of making classical guitars. Hal Leonard Books, 2009.

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Rodríguez, Manuel. The art and craft of making classical guitars. Hal Leonard Books, 2009.

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Rodríguez, Manuel. The art and craft of making classical guitars. Hal Leonard Books, 2009.

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Gustafson, Grant. The art of guitar: Beginning class method. Neil A. Kjos Music Co., 1997.

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Robert, Shaw. Electrified: The art of the contemporary electric guitar. Sterling Pub., 2011.

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Book chapters on the topic "Guitar in art"

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Benford, Steve, and Gabriella Giannachi. "How a guitar started to self-document its ‘identity’." In Documentation as Art. Routledge, 2022. http://dx.doi.org/10.4324/9781003130963-19.

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Sarmento, Pedro, Adarsh Kumar, Yu-Hua Chen, CJ Carr, Zack Zukowski, and Mathieu Barthet. "GTR-CTRL: Instrument and Genre Conditioning for Guitar-Focused Music Generation with Transformers." In Artificial Intelligence in Music, Sound, Art and Design. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-29956-8_17.

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Hinrichs, Reemt, Kevin Gerkens, and Jörn Ostermann. "Classification of Guitar Effects and Extraction of Their Parameter Settings from Instrument Mixes Using Convolutional Neural Networks." In Artificial Intelligence in Music, Sound, Art and Design. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03789-4_7.

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Kraushaar, Wolfgang. "Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and Its Influence on Rock Music." In The Global Sixties in Sound and Vision. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137375230_8.

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Young, Jon. "“Roll Over Guitar Heroes; Synthesizers Are Here”." In The Rock History Reader. Routledge, 2019. http://dx.doi.org/10.4324/9781315394824-45.

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Keeken, Alan van. "Boutique and Beyond. An Explorative Netnography of German (Guitar) Effect Pedal Forums." In »All the Things You Are« - Die materielle Kultur populärer Musik. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839470107-010.

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Alvelos, Heitor, and Anselmo Canha. "Diário da República: Heavy Metal as a Territory of Ideological Emancipation." In Music, the Avant-Garde, and Counterculture. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-69514-8_17.

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AbstractThis chapter presents the conceptual and ideological premises supporting “Diário da República” [DR], a Heavy Metal band that has been deliberately operating under the radar since early 2016. The band’s geometry corresponds to the traditional quartet: guitar, bass, drums, and voice. The rather conventional structure is meant to act as a constant that enables the project to develop in otherwise exploratory veins, based on a threefold purpose: Controlled Public and Online Visibility; Risk Maximization; Poetics in Legislation.
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Lingga, Arin Patria, and Yudi Sukmayadi. "Best Practice for Making VINOV with the Theme of C Major Guitar Using PowerPoint." In Proceedings of the Fifth International Conference on Arts and Design Education (ICADE 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-100-5_26.

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"23 The Blue Guitar." In Art and Place. Hong Kong University Press, 1996. https://doi.org/10.1515/9789882200081-025.

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KLICKI, M. "Jimi Hendrix: The Guitar Legend." In Digital Art Masters. Elsevier, 2007. http://dx.doi.org/10.1016/b978-0-240-52085-8.50024-1.

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Conference papers on the topic "Guitar in art"

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Petrova, Elizaveta Vladimirovna. "Teacher's educational work at the children's art school and children's music school in classical guitar class." In II International Scientific and Practical Conference, chair Svetlana Alekseevna Podkorytova. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-462779.

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Szymanska-Stulka, Katarzyna. "TRAJECTORY OF GREEN BY ANDRZEJ KARALOW AND JERZY PRZEZDZIECKI: TOWARDS THE LANDSCAPE MUSIC." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.11.

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Andrzej Karalow (b. 1991) is a pianist, composer and improviser. In his approach to music, an avid interest of the young generation, he breaks free from the traditional form and instrumentation, striving for creative freedom and artistic exploration. The composer combines a variety of trends that are fundamental for several genres of music and determine a contemporary world of sounds. Performing as a pianist and guitar player, Karalow creates artistic projects with Jerzy Przezdziecki, a recognised Polish experimental electronic artist. Trajectory of Green, the subject of this analysis, origina
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Cournut, Jules, Louis Bigo, Mathieu Giraud, Nicolas Martin, and David Régnier. "What are the most used guitar positions?" In DLfM '21: 8th International Conference on Digital Libraries for Musicology. ACM, 2021. http://dx.doi.org/10.1145/3469013.3469024.

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Faizin, Syahrul, A. M. Susilo Pradoko, and Citra Rahma El Kautsar. "Local Wisdom of Lampung Guitar Petting Performed by Saibatin Ethnic." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.023.

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Tomé-Marques, Horácio. "While my brain sounds my guitar imagines." In ARTECH 2021: 10th International Conference on Digital and Interactive Arts. ACM, 2021. http://dx.doi.org/10.1145/3483529.3483763.

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Pramadita, Tabita Octamia, and Ayu Niza Machfauzia. "Guitar Accompaniment for Folk Songs Learning Material for Junior High School Students." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.053.

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Permana, Catur Surya, Ferry Matias, and Ahmad Hidayat. "Why Heavy Metal?: A Sound of Guitar Study in Dangdut." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0008763202640271.

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Utama, Danar Gayuh, Ayu Niza Machfauzia, and Hana Permata Heldisari. "The Innovation Through Mind Mapping to Learn Classical Guitar Interpretation in Facing Industry 4.0." In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.015.

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Agafița, Mihail. "Spanish baroque guitar: theoretical landmarks." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.22.

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Th e purpose of the article is to elucidate the evolution of the fi ve-string guitar in Spain during the Baroque period. It acquires a multidimensional character: interpretation techniques are developed, the repertoire is enriched, there is a plethora of talented performers and composers who promote new trends in the Spanish guitar practice. Th e author studies three major innovations of the time that led to the essential change of the guitar practice: the replacement of the polyphonic style with the homophone-harmonic one; introduction of a new notation system – Alfabeto; the formation of the
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Voicescu, George. "CONCEPTUAL PREVISIONARY STYLES OF THE MUSICAL INTERPRETATIVE PHENOMENON OF THE CLASSICAL GUITAR." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/6.2/s25.020.

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Reports on the topic "Guitar in art"

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Calijuri, Mónica, Gustavo A. GArcía, Juan José Bravo, and José Elías Feres de Almeida. Documentos tributarios electrónicos y big data económica para el control tributario y aduanero: utilización y codificación de los estados financieros electrónicos para control fiscal y datos económico en América Latina y el Caribe: Tomo 3. Banco Interamericano de Desarrollo, 2023. http://dx.doi.org/10.18235/0005000.

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El tercer tomo de la serie Documentos tributarios electrónicos y big data económica para el control tributario y aduanero analiza la implementación de los estados financieros electrónicos (EF-e) en el contexto de las Normas Internacionales de Información Financiera (NIIF) y su impacto en el control tributario por parte de las administraciones tributarias (AT). También se presentan marcos para guiar iniciativas y planes para implementar la información contable electrónica por parte de AT y gobiernos. La implementación de las NIIF ha llevado a una estandarización en los registros contables, lo q
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2

Suarez Enciso, Sonia, Hyeri Mel Yang, and Gabriela Chacon Ugarte. Skills for Life Series: Digital Skills. Inter-American Development Bank, 2024. http://dx.doi.org/10.18235/0013099.

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Digital skills encompass the ability to safely and effectively access, manage, evaluate, and create information using digital technologies. These skills are critical for modern life, enabling individuals to engage with technology in a critical, collaborative, and creative manner. Essential for economic growth, employability, and social inclusion, digital skills can reduce inequalities, providing marginalized groups with access to education and resources. However, data indicates that people in Latin America and the Caribbean (LAC) often lack these skills, with disparities evident by gender and
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3

Kristoffersson, Anders. Hållbara Smarta Parker : digitalt stöd för utemiljöskötsel. Fakulteten för landskapsarkitektur, trädgårds- och växtproduktionsvetenskap, Sveriges lantbruksuniversitet, 2023. http://dx.doi.org/10.54612/a.7d6liv65g9.

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Projektet Planeringssystem för behovsstyrd utemiljöskötsel genom användning av mätdata från sensorer har drivits under 2021 och 2022. Medverkande parter har varit Göteborgs stad, Husqvarna AB och Institutionen för Landskapsarkitektur, planering och förvaltning på SLU. Finansieringen kommer från Movium Partnerskap och parterna i lika delar. Resultatet har blivit ett spännande sökande efter användning av smart teknik för att se vilka möjligheter det finns att i högre grad arbeta med behovsstyrda skötselaktiviteter, i motsats till frekvensstyrda sådana. Tillförda projektmedel har möjliggjort test
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Toivonen, Tuuli, Aina Brias Guinart, Johanna Eklund, Hästbacka Matti, Leppämäki Tatu, and Torkko Jussi. Potential of mobile big data for visitor monitoring : Report of the MOBICON workshop held in Helsinki 28.9.2023. Digital Geography Lab, University of Helsinki, 2023. http://dx.doi.org/10.31885/2024.030501.

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The Changes in Nature Visitation and the Potential of Mobile Big Data for Visitor Monitoring workshop was held in Helsinki on 28.9.2023. We organized the workshop as part of the five-year MOBICON research project (Mobile Big Data for Understanding People in Nature - Detecting short- and long-term changes and their implications for biodiversity conservation) funded by Kone Foundation. The aim of the workshop was to collect expert opinions related to the changes in the recreational use of nature, the monitoring needs related to the changing visitations, and to discuss the possibilities of variou
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