Relevant bibliographies by topics / Guitar music, discography

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Academic literature on the topic 'Guitar music, discography'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Guitar music, discography"

1

Жерздев, А. В. "«ОБРАЗ» ГИТАРЫ В СИСТЕМЕ СТРУННО-ЩИПКОВОГО ИНСТРУМЕНТАЛИЗМА: ИСТОРИЯ, ОРГАНОЛОГИЯ, АКТУАЛЬНАЯ ПРАКТИКА". Традиції та новації у вищій архітектурно-художній освіті, № 4 (1 грудня 2018): 99–109. https://doi.org/10.5281/zenodo.1803446.

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The article is devoted to discussing the concept of guitar “image” in the context of history, organology and the actual practice of plucked string music making. The basic ideas about the six-string (classical) guitar have been identified and systematized, which, however, has acquired such status on the basis of a number of historical-and-style modifications, distinguished according to the criteria of the visual-and-acoustic appearance (the body shape, the tuning, the number of strings). The article outlines the peculiarities of HIP – Historically Informed Performance practice
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2

Lamba, Linesti, Ni Wayan Ardini, I. Komang Darmayuda, and Ketut Sumerjana. "Analisis Lagu Toraja Marendeng Marampa Aransemen Tindoki Band." Journal of Music Science, Technology, and Industry 2, no. 2 (2019): 169–84. http://dx.doi.org/10.31091/jomsti.v2i2.865.

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This study aims to describe the musical form of Marendeng Marampa'", a local song in Toraja, Tana Toraja Regency, South Sulawesi Province, Indonesia, arranged by the Tindoki Band. The qualitative data in this research are obtained by doing observation, interviews, documentation, and discography. The results of this research show that " Marendeng Marampa'" arranged by Tindoki Band have two parts, i.e. the form A-B, with the sequence A-A' A-A-A'-B-B-B" consisting of several figures, motives, phrases (antecedent phrase and consequent phrase). Its musical instruments used in this arrangement are c
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3

KRYGIN, ALEXANDER. "The Guitar Sound Image in the Creativity of Sabikas." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 2(59) (June 30, 2023): 66–80. http://dx.doi.org/10.31318/2414-052x.2(59).2023.295417.

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The author proves that the concept of sound image appeared in musicological literature at the beginning of the 20th century. The defined phenomenon is characterized as a set of sound (speech, music, noise) elements that create, with the help of associations, a generalized image about material object, phenomenon, historical event, human character. In modern musicology, scientists consider the concepts of "sound image of an instrument" and "performance style" to be related, where these concepts are interpreted as an individual stylistic perspective in the perception of expressive possibilities o
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4

Ariesta, I. Made Jacky, Ni Wayan Ardini, I. Komang Darmayuda, and Ketut Sumerjana. "Analisis Bentuk dan Struktur Komposisi “Morning Happiness” Gus Teja." Journal of Music Science, Technology, and Industry 1, no. 1 (2018): 35. http://dx.doi.org/10.31091/jomsti.v1i1.504.

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ABSTRAKKomposisi musik “Morning Happiness” (2008) Gus Teja World Music terinspirasi saat komposernya Agus Teja Sentosa (Gus Teja) tertegun bahagia melihat anaknya di pagi hari tiba-tiba sembuh dari sakit dan bisa tersenyum. Muncullah nada-nada kebahagiaan yang dituangkan dalam karya musik instrumental “Morning Happiness” atau kebahagiaan di pagi hari yang dimasukkan dalam album “Rhytm of Paradise”. Permasalahan penelitian ini adalah bagaimana bentuk dan struktur komposisi “Morning Happiness” Gus Teja. Metode penelitian yang digunakan adalah kualitatif. Teori yang digunakan untuk mengupas perma
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5

Rycroft, David. "SHABA DIARY: A TRIP TO REDISCOVER THE 'KATANGA' GUITAR STYLES AND SONGS OF THE 1950s AND '60s, by John Low, Acta Ethnologica et Linguistica Nr.54, Ed. Engelbert Stiglmayr, Series Musicologica 4 Series Africana 16, Wien-Fohrenau, 1982. Co-eds: Franz Fodermayr, Anna Hohenwart-Gerlachstein, Gerhard Kubik, 125 pp., photo, music examples, bibliography, discography." African Music: Journal of the International Library of African Music 7, no. 3 (1996): 145–47. http://dx.doi.org/10.21504/amj.v7i3.1987.

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6

Merlini, Mattia. "A second of structured chaos: Kosmos/chaos dialectic in Meshuggah’s Catch 33." Metal Music Studies 9, no. 3 (2023): 311–29. http://dx.doi.org/10.1386/mms_00117_1.

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Among the most frequent features of the Swedish extreme metal band Meshuggah’s music, there is an omni-presence of minor-second intervals and distorted eight-string guitars, a remarkable amount of odd time signatures, aggressive vocals and an endless attempt to thwart the listener’s expectations. In this case study I analyse the many contradictions present in Meshuggah’s album Catch 33 (2005), which I interpret as a concept album about paradox or a long single song (constituted by thirteen individual tracks not separated by breaks) that seeks to balance the variety, complexity, ‘imperfection’
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7

Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li
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8

Beckwith, Karl. ""Black Metal is for white people"." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1962.

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The power of culturally-bound controlling images around notions of 'colour' in regard to ethnicity have historically been marked and far-reaching. Most obvious examples of such political power relations can be seen in regard to racism and social domination. Biologically-based assertions that one specific category of people are somehow inherently inferior or superior to another were central and indeed continue to be paramount in (neo) Nazi-style rhetoric. Such political beliefs, most notable of course within the first half of the Twentieth Century, often went hand-in-hand with a right-wing ecol
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9

Collins, Steve. "Good Copy, Bad Copy." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2354.

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 Nine Inch Nails have just released a new single; In addition to the usual formats, “The Hand That Feeds” was available for free download in Garageband format. Trent Reznor explained, “For quite some time I’ve been interested in the idea of allowing you the ability to tinker around with my tracks – to create remixes, experiment, embellish or destroy what’s there” (MacMinute 15 April 2005). Reznor invites creativity facilitated by copying and transformation. “Copy” carries connotations of unsavoury notions such as piracy, stealing, fake, and plagiarism. Conversely, in some c
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Books on the topic "Guitar music, discography"

1

Strong, M. C. The great metal discography. Canongate, 1998.

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2

Goldmark, Joe. Steel and dobro instrumentals!: International steel guitar and dobro discography. 7th ed. J. Goldmark, 1994.

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3

Strong, M. C. The great metal discography: From hard rock to hardcore. 2nd ed. Mojo, 2001.

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4

Samusʹ, Nikolaĭ Markovich. Russkai︠a︡ semistrunnai︠a︡ gitara: Spravochnik. Kompozitor, 2003.

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Pruñonosa, José. Ximo Tébar: La guitarra del jazz mediterráneo : son mediterráneo 25 aniversario, 1990-2015. Piles, Editorial de Música, S. A., 2016.

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6

Cherne, Steven. Blue book of electric guitars. Blue Book Publications, 1998.

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7

Juan Antonio de Vargas y Guzmán. Explicación para tocar la guitarra de punteado por música o cifra, y reglas útiles para acompañar con ella la parte del bajo: Veracruz, 1776. Archivo General de la Nación, 1986.

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Juan Antonio de Vargas y Guzmán. Explicación de la guitarra: (Cádiz, 1773). Junta de Andalucia, Consejería de Cultura, 1994.

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The Beatles. Beatles: For Easy Classical Guitar. Leonard Corporation, Hal, 2014.

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10

22 Acoustic Guitar Hits (Play-It-Like-It-Is). Cherry Lane Music Company, 2001.

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