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Books on the topic 'Guitar repertoire'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Jewanski, Jörg. Portrait Gitarre: Kultur, Praxis, Repertoire, Interpreten. Kassel: Bärenreiter, 2011.

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2

Spanish Guitar Centre of Nottingham., ed. The guitarist's repertoire guide: A resource book for the classical guitar. 3rd ed. Nottingham: SPG Publications, 1999.

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3

Liepins, Andrew. The guitarist's repertoire guide: The printed music catalogue of the Spanish Guitar Centre of Nottingham. 2nd ed. Nottingham: Spanish Guitar Centre of Nottingham, 1994.

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4

McGowan, Sean. Acoustic guitar fingerstyle jazz guitar essentials: Learn the art of fingerstyle jazz guitar with 12 lessons aimed at building chord vocabulary, separating bass and melody voices, and improvisation in the style of jazz guitar greats like Wes Montgomery and Joe Pass : along the way, you'll study jazz interpretations of traditional songs and chord progressions based on classic jazz-standard repertoire : each lesson includes video, standard notation, and tablature. San Anselmo, CA: StringLetter, 2013.

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5

La casa de los once muertos: Historia y repertorio de la guitarra. Coyoacán, México, D.F: Universidad Nacional Autónoma de México, Escuela Nacional de Música, 1993.

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6

Guitar Basics Repertoire Guitar Basics. Faber & Faber, 2011.

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7

Longworth, James. Guitar Basics Repertoire: Guitar Tab. Faber Music Ltd, 2012.

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8

Short Classical Guitar Pieces (Easy Guitar Repertoire). Amsco Publications, 2006.

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9

Nagy, Erzsebet. Repertoire for Music Schools: Guitar. Editio Musica Budapest, 2005.

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10

Mills, John. Guitar Music From Student Repertoire. Music Sales Group, 1998.

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11

Dan Crary - Guitar Flatpicking Repertoire. Homespun Listen and Learn Series, 2000.

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12

Hal Leonard Publishing Corporation (COR). A Treasury of Classical Guitar Repertoire. Hal Leonard, 2005.

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13

Guitar level 7 : repertoire and etudes. Frederick Harris Music, 2011.

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14

Reily, Paul. Mel Bay Guitar Technique Through Repertoire. Mel Bay Publications, 2001.

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15

Guitar level 6 : repertoire and etudes. Frederick Harris Music, 2011.

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16

Guitar level 1 : repertoire and etudes. Frederick Harris Music, 2011.

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17

Guitar level 5 : repertoire and etudes. Frederick Harris Music, 2011.

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18

Guitar level 6 : repertoire and etudes. Frederick Harris Music, 2011.

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19

Guitar level 4 : repertoire and etudes. Frederick Harris Music, 2011.

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20

Guitar level 2 : repertoire and etudes. Frederick Harris Music, 2011.

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21

Guitar level 3 : repertoire and etudes. Frederick Harris Music, 2011.

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22

Jaffe, Allan. Mysterioso: Mid Intermediate Essential Elements Guitar Repertoire. Hal Leonard Corporation, 2007.

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23

Play in a Day Guitar Repertoire Collection. Faber Music Ltd, 2014.

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24

Alexander, Joseph, and Ross Trottier. The Beginner Classical Guitar Method: Master classical guitar technique, repertoire and musicality. www.fundamental-changes.com, 2018.

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25

Ferrara, Lawrence. The Student Repertoire Series Vol. 1 (Classical Guitar). Guitar Solo Publications, 1994.

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26

Rubin, Dave. Blues Cruise: Early Intermediate Essential Elements Guitar Repertoire. Hal Leonard Corporation, 2007.

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27

Mel Bay Graded Repertoire for Guitar Book One. Mel Bay Publications, 2001.

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28

Huls, Mark. Turbo Rock: Eary Intermediate Essential Elements Guitar Repertoire. Hal Leonard Corporation, 2007.

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29

Michelson, Sonia. Mel Bay Young Beginners First Repertoire for Classic Guitar. Mel Bay Publications, Inc., 1996.

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30

Mel Bay presents Graded Repertoire for Guitar, Book Two. Mel Bay Publications, Inc., 2004.

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31

The guitarist's repertoire guide: A resource book for the classical guitar. 3rd ed. Nottingham: SPG Publications, 1999.

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32

Duncan, Charles. A Modern Approach to Classical Repertoire - Part 2: Guitar Technique. Hal Leonard Corporation, 1985.

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33

Juber, Laurence. The Evolution of Fingerstyle Guitar: Classical Guitar History and Repertoire from the 16th to the 20th Century. Hal Leonard, 2019.

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34

The Royal Conservatory of Music. G5R00 - Classical Guitar Repertoire and Etudes - The Royal Conservatory 2018 - Prep Level. The Royal Conservatory of Music (RCM), 2018.

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35

Pumping Nylon: Easy to Early Intermediate Repertoire (National Guitar Workshop Arts Series). Alfred Publishing Company, 1998.

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36

Hal Leonard Publishing Corporation (COR). Life Is A Cabaret: Nightclub and Cabaret Repertoire for Singers (Piano, Vocals, Guitar). Hal Leonard Corporation, 1993.

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37

Berg, Christopher. The Classical Guitar Companion. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190051105.001.0001.

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The Classical Guitar Companion is an anthology of exercises, études, and pieces organized according to technique or musical texture. Students are encouraged to work in multiple chapters, simultaneously depending on advice from a teacher or their own assessment of what they need. The author’s dual perspective, as an active performing artist and as a teacher who has trained hundreds of guitarists, results in a combination of pedagogical thoroughness and artistic insight. The book opens with a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and reduce the time needed to learn a repertoire piece. The chapters cover scales exercises and studies, repeated notes, slurs, harmony, arpeggios, melody with accompaniment, counterpoint, and florid/virtuoso studies. Each section contains text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. Exploring advice found in the standard pedagogical literature for guitar that effectively places constraints on a student’s long-term development, the book offers information designed to help students recognize and overcome these constraints. When the book presents the simple version of a technique, it does so through consideration of the technique’s advanced version. Many guitar composers are represented but there are also transcriptions of relevant lute music that expand the scope of the book. The book is designed to serve as a companion for years of guitar study.

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38

Barenberg, Russ. Russ Barenberg Teaches 20 Bluegrass Guitar Solos: Repertoire Tunes for Intermediate Players (Listen & Learn). Homespun Listen and Learn Series, 1998.

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39

Fitzhugh, William Tiger. Classical Guitar for the Steel-String Guitarist: A Guide to the Essential Techniques and Repertoire. Hal Leonard Corporation, 2008.

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40

Silverman, Jerry. The Ultimate Folk Guitar Song Collection: A Complete Guide to the Techniques and Songs of Folk Repertoire. Alfred Publishing Company, 2001.

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41

Silverman, Jerry. The Ultimate Folk Guitar Song Collection: A Complete Guide to the Techniques and Songs of Folk Repertoire. Warner Bros Pubns, 2001.

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42

A Modern Approach To Classical Guitar Repertoire A Graded Anthology Of Solo Pieces Supplement To Books Two And Three Of A Modern Approach To Classical Guitar. Hal Leonard Publishing Corporation, 1985.

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43

Clark, Walter Aaron. Los Romeros. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041907.001.0001.

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Spanish émigré guitarist Celedonio Romero gave his American debut performance on a June evening in 1958. In the sixty years since, the Romero family—Celedonio, his wife Angelita, sons Celín, Pepe, and Angel, as well as grandsons Celino and Lito—has become preeminent in the world of Spanish flamenco and classical guitar in the United States. Walter Aaron Clark’s in-depth research and unprecedented access to his subjects have produced the consummate biography of the Romero family. Clark examines the full story of their genius for making music, from their outsider's struggle to gain respect for the Spanish guitar to the ins and outs of making a living as musicians. As he shows, their concerts and recordings, behind-the-scenes musical careers, and teaching have reshaped their instrument’s very history. At the same time, the Romeros have organized festivals and encouraged leading composers to write works for guitar as part of a tireless, lifelong effort to promote the guitar and expand its repertoire. Entertaining and intimate, Los Romeros opens up the personal world and unfettered artistry of one family and its tremendous influence on American musical culture. It features a gallery of forty photographs as well as appendices providing a chronology, genealogy, list of albums, and a summary of Romero publications, editions, and educational materials.

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44

Montaña, Gentil, Martha Enna Rodríguez Melo, Luis Fernando León Rengifo, and Pilar Azula Cajal. Suites para guitarra 1, 2 y 4 de Gentil Montaña. Versiones para cuarteto de cuerdas. Ediciones Uniandes, 2018. http://dx.doi.org/10.51566/musica2105.

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El cuarteto de cuerdas como formato universal permite una circulación más amplia de las músicas tradicionales. La obra para guitarra del maestro Montaña ha sido editada por Caroni Music e interpretada y grabada por importantes guitarristas como Eduardo Fernández o José Antonio Escobar. Suites para guitarra 1, 2 y 4 de Gentil Montaña permitirá que se estudie y conozca una producción musical de altísima calidad, que es patrimonio y legado de uno de los mejores compositores colombianos de este género musical en el siglo XX. Las versiones forman un repertorio de cámara, disponible para cuartetos de profesionales y de estudiantes que se interesen en su interpretación, y proporcionan, a su vez, un material importante para investigadores y estudiosos de la música de nuestro país.

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45

Caballero Parra, Carlos Andrés, Juan Diego Parra Valencia, and Mariano Sepúlveda “Paparí.” AFROSOUND ACÚSTICO PARA DÚO DE GUITARRAS TRAMAS Y URDIMBRES DE LA INTERPRETACIÓN CLÁSICA EN EL ROCK TROPICAL COLOMBIANO. Editora Artemis, 2020. http://dx.doi.org/10.37572/edart_22405122020.

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Afrosound es uno de los proyectos de fusión musical más interesantes de la discografía colombiana. Su gestación como grupo, en el seno de la emblemática orquesta de salsa "Fruko y sus tesos", apostó por la experimentación sonora a partir de la mezcla de diversos géneros: cumbia, latin-soul, salsa y funk, para integrarse en la atmósfera psicodélica rigente en los comienzos de los años 70 y convertirse en el pionero de lo que podríamos denominar el Rock tropical colombiano. En el presente estudio se busca recuperar una parte del repertorio producido por la agrupación a lo largo de 15 años, desde una revisión tanto estilística como estética, contando con la participación del guitarrista original y fundador, llamado Mariano Sepúlveda. Este ejercicio de carácter investigativo lo hemos intitulado inicialmente "Afrosound acústico para dúo de guitarras ", apelando al contraste de las producciones originales, las cuales giraban en torno a la ejecución de guitarra eléctrica del músico Sepúlveda. Y nos referimos, al mismo tiempo a las nociones de "trama y urdimbre" para explicar los procesos de reinterpretación que exigen un contexto concreto en una trama simbólica (o tradición sonoro-cultural) y las "urdimbres" técnicas que permiten la concreción de las búsquedas estéticas y artísticas. Así, pues, presentamos una exhaustiva revisión del proyecto Afrosound, apelando tanto a su impacto cultural como a sus estrategias de producción y expresión sonora, respaldados en la figura cardinal del legendario guitarrista Mariano Sepúlveda, quien garantiza el encuentro intergeneracional con la tradición musical y las búsquedas expresivas contemporáneas.

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