Log in

Relevant bibliographies by topics / Guitar technique / Journal articles

To see the other types of publications on this topic, follow the link: Guitar technique.

Journal articles on the topic 'Guitar technique'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Guitar technique.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Aprianno, Ryan Gredy. "PENGARUH ETUDE TERHADAP TEKNIK PERMAINAN GITAR KLASIK DAN GITAR ELEKTRIK." IKONIK : Jurnal Seni dan Desain 2, no. 2 (2020): 103. http://dx.doi.org/10.51804/ijsd.v2i2.740.

Full text

Abstract:

Banyak gitaris yang memainkan gitar klasik dan gitar elektrik secara beriringan. Namun banyak dari mereka yang merasakan bahwa kedua teknik permainan gitar tersebut agak bertolak belakang dan saling mempengaruhi. Tujuan penelitian ini adalah untuk menjembatani antara teknik permainan gitar klasik dan gitar elektrik. Metodologi yang digunakan dalam penelitian ini adalah pendekatan studi kasus, kajian pustaka dan karya dengan memanfaatkan jurnal online, buku serta partitur karya. Hasilnya adalah teknik permainan gitar klasik dan elektrik yang agak bertolak belakang tersebut dapat diatasi salah s

APA, Harvard, Vancouver, ISO, and other styles

2

Ibrahim, Muhammad, and Tulus Handra Kadir. "Analisis Teknik Permainan Gitar Klasik Karya Frederich Chopin: Nocturne In E-Flat Major Op.9 No.2." Jurnal Sendratasik 11, no. 1 (2022): 119. http://dx.doi.org/10.24036/js.v11i1.116243.

Full text

Abstract:

This study aims to determine how the song nocturne in e-flat major op 9 no 2 by Fredrich Chopin is technically expressed through the classical guitar playing by Francisco Tarrega. This research is descriptive analysis, which in this case describes, outlines and describes the technique of playing nocturne in e-flat major op 9 no 2 which is played for classical guitar instruments. The object of this research is the classical guitar playing technique in nocturne in e-flat major op 9 no 2 by Frederich Chopin. The research instrument is the researcher himself is assisted by several equipment to pro

APA, Harvard, Vancouver, ISO, and other styles

3

., Paryono, Sarana ., and Suharto . "GUITAR SIDE BODY MAKING TECHNIQUE USING SCREW PRESS AND HEATER." International Journal of Innovative Research in Advanced Engineering 8, no. 7 (2021): 161–66. http://dx.doi.org/10.26562/ijirae.2021.v0807.004.

Full text

Abstract:

The guitar musical instrument industry located in Baki District, Sukoharjo, Central Java, Indonesia, is still using the manual method of guitar manufacturing process currently. The problem is that the guitar production time is not only 2 hours and is considered a long time and non-uniformity of the quality. A better Technology is needed to help improve the quality and quantity of guitar production. The purpose of this research is to design and manufacture a guitar side body press with a heater using an electric element and a gas stove. The benefit of this tool is that it speeds up the process

APA, Harvard, Vancouver, ISO, and other styles

4

Trianov, M. "Microtonality in the Works for Guitar Ensemble of Agustín Castilla-Ávila." Culture of Ukraine, no. 80 (June 30, 2023): 110–17. http://dx.doi.org/10.31516/2410-5325.080.14.

Full text

Abstract:

The relevance is determined by the necessity of a comprehensive systematical study of contemporary microtonal music for the academic guitar ensemble and its significance in the works of Agustín Castilla-Ávila. The purpose of the article is to study the peculiarities of microtonality as a special technique of the musical composition in the A. Castilla-Ávila’s works for guitar ensembles. The methodology. In the process of research, the methods of abstraction, analysis and synthesis were applied as well as special musicological methods such as methods of musical analysis: theoretical

APA, Harvard, Vancouver, ISO, and other styles

5

Permadi, Ida Bagus Hery Yoga. "Adaptasi Pengembangan Pola Kotekan Gamelan Bali dalam Permainan Gitar Klasik." Journal of Music Science, Technology, and Industry 4, no. 2 (2021): 293–305. http://dx.doi.org/10.31091/jomsti.v4i2.1799.

Full text

Abstract:

Purpose: This study aims to understand and determine the effect of adjusting ideas in the process of adapting the development of the kotekan pattern on Balinese gamelan into classical guitar playing. Research methods: This article uses a literature review approach regarding the kotekan pattern on Balinese gamelan and playing techniques on classical guitar. Results and discussion: Development of the kotekan pattern based on its character as a tight link, connecting the initial melody or main melody in the game can be divided into two or more. While the playing technique on classical guitar can

APA, Harvard, Vancouver, ISO, and other styles

6

Prajayu, Al Iqsan Dwi, and Eti Arini. "The Effect of Promotion Through Utilization of Social Media Instagram Account @Bengkulu_Guitar on Guitar Purchase Decisions (At Bengkulu Guitar on Jalan Kalimantan, Kota Bengkulu)." Journal of Indonesian Management (JIM) 1, no. 4 (2021): 394–401. http://dx.doi.org/10.53697/jim.v1i4.277.

Full text

Abstract:

This study aims to determine the effect of promotion through the use of the Instagram account @bengkulu_gutar on the purchase decision of a guitar at Bengkulu Guitar on Jalan Kalimantan, Bengkulu City. The sample in this study were 99 consumers who made purchases of guitars at Bengkulu Guitar. The data collection technique used a questionnaire. The analysis technique used is simple linear regression, coefficient of determination and hypothesis testing. The results showed the results of linear regression with the equation Y = 25.939 + 0.482X. This means that if X (promotion through the use of s

APA, Harvard, Vancouver, ISO, and other styles

7

Walidaini, Birul. "Formula Latihan Teknik Tangan Kanan dalam Gitar Klasik: Shearer, Parkening, dan Werner." Virtuoso: Jurnal Pengkajian dan Penciptaan Musik 3, no. 2 (2020): 89. http://dx.doi.org/10.26740/vt.v3n2.p89-96.

Full text

Abstract:

Classical guitar developed until now. Aspects and the surrounding area have also experienced developments such as the creation of new compositions, innovation in guitar construction, and the holding of performances that accommodate classical guitar. However, the author tries to raise another area that is quite important in learning classical guitar, namely the teaching method. Along with the development of the times and technology, the basic methods of learning classical guitar are becoming less attention. This article aims to dissect the most basic classical guitar methods and are limited to

APA, Harvard, Vancouver, ISO, and other styles

8

Żegleń-Włodarczyk, Małgorzata. "The English guitar and the forgotten guitar repertoire of the second half of the 18th century." Edukacja Muzyczna 17 (2022): 139–55. http://dx.doi.org/10.16926/em.2022.17.10.

Full text

Abstract:

The time leading up to one of the most important periods in the history of guitar music – “the golden age of the guitar” in the first half of the 19th century – was the heyday of European cities such as London, Paris, Vienna or Dresden. Music was the main source of entertainment for royalty and high society, and numerous music publications, sheet music editions and instrument hand-books were being created. Manufactures tried to outdo each other in structural innovations, refin-ing and patenting increasingly interesting instruments. One such instrument was the immensely pop-ular English guitar

APA, Harvard, Vancouver, ISO, and other styles

9

Anderson, M. B., and R. G. Beausoleil. "Classical guitar intonation and compensation: The well-tempered guitar." Journal of the Acoustical Society of America 156, no. 1 (2024): 683–705. http://dx.doi.org/10.1121/10.0026483.

Full text

Abstract:

An intuitive model of classical guitar intonation is presented that includes the effects of the resonant length of the fretted string, linear mass density, tension, and bending stiffness. An expression is derived for the vibration frequencies of a stiff string using asymmetric boundary conditions at the saddle and the fret. Based on logarithmic frequency differences (“cents”) that decouple these physical effects, Taylor series expansions are introduced that exhibit clearly the origins of frequency deviations of fretted notes from the corresponding 12-tone equal temperament (12-TET) values. A s

APA, Harvard, Vancouver, ISO, and other styles

10

Sekti, Wahyu Broto, and Rendra Armayana. "Analisis SWOT Terhadap Strategi Pemasaran Usaha Mikro Kecil dan Menengah (UMKM) Sentra Industri Gitar dalam Menghadapi Covid-19." Literasi : Jurnal Kajian Keislaman Multi-Perspektif 1, no. 1 (2021): 49–70. http://dx.doi.org/10.22515/literasi.v1i1.3257.

Full text

Abstract:

The purpose of this research is to find the factors about the strength, weakness, opportunity, and treath of guitar industry centre UMKM Mancasan Village as well as knowing marketing strategies by used marketing mix involve 4P (Product, Price, Promotion, and Place). These papers used research methods of descriptive kualitative with analytical data technique used SWOT analysis. SWOT Analysis is done by identifying and analyzing the internal and external factors that influence the basic component of the guitar industry centre UMKM Mancasan Village. Guitars industry center UMKM Mancasan Village h

APA, Harvard, Vancouver, ISO, and other styles

11

Miteva-Dinkova, Stela. "THE ARPEGGIO IN DIDACTIC LITERATURE FOR CLASSICAL GUITAR." Knowledge International Journal 28, no. 3 (2018): 1069–74. http://dx.doi.org/10.35120/kij28031069s.

Full text

Abstract:

The art of instrumental performance has a specific purpose - to present a musical work (author's product) to a wide public auditorium - an audience. In order to accomplish this practical activity, the performer is necessary to adopt and master certain instrumental skills. Some of them are universal, others are "tied to" the specifics of the instrument itself, and others refer to certain elements of the musical language. By their nature, the techniques are skills created by the both hands finger movements. Fully studied and perfected, they are part of the instrumental technique, which is a tool

APA, Harvard, Vancouver, ISO, and other styles

12

Russell, Brian E. "The Development of a Guitar Performance Rating Scale using a Facet-Factorial Approach." Bulletin of the Council for Research in Music Education, no. 184 (April 1, 2010): 21–34. http://dx.doi.org/10.2307/27861480.

Full text

Abstract:

Abstract The purpose of this study was to identify the underlying aural factors of guitar performance by developing a guitar performance rating scale using facet-factorial techniques. The initial phase of the study included gathering items concerning the characteristics of a good or poor guitar performance from guitar performance literature, previously constructed rating scales, and statements from professional guitar players, guitar teachers, and college guitar majors. The item pool of statements was examined for suitability and placed into a priori categories established in previous research

APA, Harvard, Vancouver, ISO, and other styles

13

Zebua, Candra Gunawan. "PENERAPAN TEKNIK PERMAINAN GITAR ELEKTRIK GLASSGOW KISS KARYA JOHN PETRUCCI PADA LAGU LEBIH DARI PEMENANG." Areopagus : Jurnal Pendidikan Dan Teologi Kristen 17, no. 2 (2019): 34–54. http://dx.doi.org/10.46965/ja.v17i2.250.

Full text

Abstract:

Abstract - The purpose of this study was to describe the playing technique of electric guitar in one of John Petrucci works. The subject of this study is John Petrucci Glassgow Kiss score which has been transcribed into an electric guitar. While the object of his research is John Petrucci Glassgow Kiss guitar playing technique. So that the researcher will apply some of these techniques to a praise song more than the winner. Data analysis techniques are carried out with the stages of analysis before in the field and at the time in the field consisting of data reduction (data reduction), display

APA, Harvard, Vancouver, ISO, and other styles

14

Vitiuc, Alexandr. "Formation of the mediator technique on the bass guitar: some aspects." Studiul artelor şi culturologie: istorie, teorie, practică, no. 1(44) (February 2024): 26–30. http://dx.doi.org/10.55383/amtap.2023.1.05.

Full text

Abstract:

In the present article, the processes of forming the mediator technique when playing the bass guitar are considered. The questions of the right hand position, the direction of the plectrum movement and the choice of the playing zone are investigated. Of particular interest are the production materials of plectrums and their forms. At the same time, the author emphasizes the role of the first bass guitar player Carol Kaye, who had a significant influence on the development of the pick technique.

APA, Harvard, Vancouver, ISO, and other styles

15

Torres, Rita. "The Presence of a Mysterious Black Silhouette: From a Print to a New Form of Usage of Guitar Multiphonics." Leonardo Music Journal 30 (December 2020): 73–78. http://dx.doi.org/10.1162/lmj_a_01083.

Full text

Abstract:

The author recounts how she came to carry out artistic research on guitar multiphonics when composing a piece for solo guitar. She explains how the investigation gave rise to a new form of usage of that unconventional technique.

APA, Harvard, Vancouver, ISO, and other styles

16

Hughes, James R. "Applications of Fourier Series in Classical Guitar Technique." College Mathematics Journal 31, no. 4 (2000): 300. http://dx.doi.org/10.2307/2687421.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Hughes, James R. "Applications of Fourier Series in Classical Guitar Technique." College Mathematics Journal 31, no. 4 (2000): 300–303. http://dx.doi.org/10.1080/07468342.2000.11974163.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Adimurti, Juanita Theresia, and Fery Virgiawan Tampatonda. "Analysis of Structure and Techniques of Pancula Ndeme By Justinus Hokey on Classic Guitar Composition." Jurnal Seni Musik 12, no. 1 (2023): 52–59. http://dx.doi.org/10.15294/jsm.v12i1.66289.

Full text

Abstract:

This study aims to describe the structure and techniques of playing Pancula Ndeme by Justinus Hokey on classical guitar composition. This study uses a qualitative approach. The data analyzed is the sheet music of Pancula Ndeme. The results of this study indicate that the structure of this composition consists of several parts, namely Introduction – A – B – C – A – B – Coda. There are four motifs in section A (m1, m2, m3, m4), two sentences (sentences a and a'), and two themes in each sentence. Section B consists of three motifs (n1, n2, n3), two phrases (phrase b and b'), and two themes in eac

APA, Harvard, Vancouver, ISO, and other styles

19

Rauter, Branislav. "Kitarske šole slovenskih avtorjev od Adolfa Gröbminga do Stanka Preka / Guitar Schools by Slovenian Authors from Adolf Gröbming to Stanko Prek." Glasbenopedagoški zbornik Akademije za glasbo ◆ The Journal of Music Education of the Academy of Music in Ljubljana 16, no. 33 (2021): 109–30. http://dx.doi.org/10.26493/2712-3987.16(33)109-130.

Full text

Abstract:

The main purpose of the article is to present textbooks for guitar written by Slovenian authors and published between 1925 and 1950. With basic instructions for playing in Slovenian and mostly domestic musical examples they satisfied the needs of selftaught people for the basics of guitar technique and chordal accompaniment to singing. The first textbooks were entitled Kitarska šola (Guitar School), the basic problems of the guitar playing were treated comprehensively and as such did not envisage continuation. In addition to the basics of the guitar playing, they also included music theory, wh

APA, Harvard, Vancouver, ISO, and other styles

20

Seption, Moch Faisal, Supriando Supriando, Della Rosa Panggabean, and Andranofa Andranofa. "Pertunjukan Solis Gitar dengan Repertoar Concerto in D Major Rv 93, Laila Canggung, dan Ephiphany (Guitar Solis Performance with Repertoire Concerto in D Major Rv 93, Laila Awkward, and Ephiphany)." Musica: Journal of Music 3, no. 1 (2023): 49. http://dx.doi.org/10.26887/musica.v3i1.3484.

Full text

Abstract:

Artikel ini memuat tentang pertunjukan repertoar gitar dan analisis permainan karya seni musik instrumen gitar klasik dan elektrik dengan repertoar yang dipilih yaitu Concerto In D Major, Laila Canggung dan Ephiphany. Analisis yang dihadirkan berupa permainan teknik gitar klasik serta gitar elektrik seperti Tirando dan appoyando, Apergio Right Hand, Legato, Barrer, Palm Mute, Vibrato, Slide dan Bending, Form Musik, gaya dan genre, serta metode pertunjukan. Ketiga repertoar yang dipilih ditinjau dari tingkat kesulitan sebagai bentuk pencapaian dari hasil pembelajaran musik di kampus ISI Padangp

APA, Harvard, Vancouver, ISO, and other styles

21

Torres, Rita, and Paulo Ferreira-Lopes. "Towards Overcoming the Guitar's Color Research Gap." Revista Vórtex 2, no. 1 (2014): 16–36. http://dx.doi.org/10.33871/23179937.2014.2.1.445.

Full text

Abstract:

Most (classical) guitar music comes from guitarist-composers. Yet according to guitarists who collaborate with composers, color research on this instrument is better achieved by those who do not play the instrument. Thus the guitar lags behind many instruments in regard to color research. Various reasons can be faulted for the tendency of non-guitarist composers to avoid the instrument. Examples of such reasons may be: the difficulty to write for the instrument, and its weak projection and lack of sustain, all of which are intrinsic to the guitar. This is, however, not the case of the paradigm

APA, Harvard, Vancouver, ISO, and other styles

22

Hidayatullah, Riyan, Prisma Tejapermana, Agung Hero Hernanda, Chamil Arkhasa Nikko Mazlan, and Hasyimkan. "“Guitar Pro” as Learning Tools in Major Class." Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik 6, no. 1 (2024): 56–67. http://dx.doi.org/10.24036/musikolastika.v6i1.144.

Full text

Abstract:

Purpose: This article aims to explore the extent of the use of digital technology-based learning media in guitar lessons. Selecting the proper learning technique and considering how each component works might end in an effective learning process. The learning media component, for example, assists teachers in meeting the needs of their pupils and encourages active participation from all of them. The characteristics and aims of the student learning environment can be addressed in learning materials. Since the major in guitar lessons is a practical subject, effective learning results need the uti

APA, Harvard, Vancouver, ISO, and other styles

23

Odoyevsky, Victor A., and Nataliya V. Korchagina. "Performing on Acoustic Guitar in the Fingerstyle Technique: Historical and Methodical Aspects." Musical Art and Education 8, no. 2 (2020): 124–39. http://dx.doi.org/10.31862//2309-1428-2020-8-2-124-139.

Full text

Abstract:

The article analyzes the theory and practice of acoustic guitar performing in the fingerstyle – a special technique of playing simultaneously conducting several parts (solo, rhythm and bass). This style, turning the guitar into a kind of “orchestra in miniature”, significantly expands the range of expressive possibilities of the musician-guitarist, allowing him to fully reveal the content of the performed works. Along with a discussion of the prerequisites to the emergence of an acoustic guitar as a musical instrument and show its evolution in the development process, authors provide a brief h

APA, Harvard, Vancouver, ISO, and other styles

24

Sundari, Ravi Arjuna, Perry Rumengan, and Franklin Dumais. "BILLY SHEEHAN’S BASS PLAYING TECHNIQUE IN THE SONG OBLIVION." SoCul: International Journal of Research in Social Cultural Issues 2, no. 6 (2023): 713–17. http://dx.doi.org/10.53682/soculijrccsscli.v2i6.7313.

Full text

Abstract:

The bass player played a significant role in something of a band's team, though in a rock band more than a guitar player or vocalist. Billy Sheehan is a different figure in regard to methods, presentation, and progressive acumen in his bass game. Together with The Winery Dongs, they drafted a drill song called Oblivion that combined progressive techniques in their game. The research takes a qualitative approach that reflects the condition of the research object the Oblivion of the bass play method and Billy Sheehan’s key analyzed source information, which the research described in a descriptiv

APA, Harvard, Vancouver, ISO, and other styles

25

KIMURA, Atsuya, and Ryoji YOSHITAKE. "Improvement of guitar playing technique based on physical characteristics." Japanese Journal of Ergonomics 56, Supplement (2020): 2D4–01–2D4–01. http://dx.doi.org/10.5100/jje.56.2d4-01.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Troutman, John W. "The Steel Heard ‘Round the World: Exposing the Global Reach of Indigenous Musical Journeys with the Hawaiian Steel Guitar." Itinerario 41, no. 2 (2017): 253–74. http://dx.doi.org/10.1017/s0165115317000365.

Full text

Abstract:

In the late nineteenth century, Kānaka Maoli (Native Hawaiians) physically modified guitars and created a new technique for playing them. In the years that followed, hundreds of Hawaiian troupes, engaging new entertainment circuits that crisscrossed the globe, introduced the world to their “Hawaiian steel guitar,” from Shanghai to London, Kolkata to New Orleans. While performing Hawaiianmele, or songs, with their instrument, they demonstrated new virtues for the guitar’s potential in vernacular and commercial music making in these international markets. Based upon archival research, this essay

APA, Harvard, Vancouver, ISO, and other styles

27

Charan Agrawal, Vrushank. "The Effect of Thickness of A Plectrum Used on The Sound Produced by A Guitar String." Oriental Journal of Physical Sciences 3, no. 2 (2018): 87–91. http://dx.doi.org/10.13005/ojps03.02.03.

Full text

Abstract:

It is believed that the human ear is very sensitive to subtle changes in sounds. In the context of a guitar, the myriad of sounds produced by the strings depends majorly on the plucking technique of the player, but it is hypothesized that the sound produced by a string is also influenced, to some degree, by the thickness of the plectrum used for playing. This has led many to speculate whether bands and artists like the Beatles, Led Zeppelin and the Rolling Stones would have sounded very different if they hadn't used the right guitar plectrum. In this research paper, three plectrums of differen

APA, Harvard, Vancouver, ISO, and other styles

28

Ceviz, Berk. "Activity-Based Positioning and Playing Technique Instruction and Implementation in Amature Guitar Education." Shanlax International Journal of Education 11, no. 3 (2023): 45–56. http://dx.doi.org/10.34293/education.v11i3.6208.

Full text

Abstract:

The aim of this study is to prepare activity-based lesson plans for amateur guitar education to teach basic positioning and playing techniques, and to test the effectiveness of this teaching method. The research model is a single-group pretest-posttest design, and it was carried out with 5 students at the beginner level for 4 lessons of instructional process. The data obtained from performance tests were evaluated based on a 5-point Likert scale determined by three field experts, and the average success scores of the students for the relevant unit were determined. As a result of the evaluation

APA, Harvard, Vancouver, ISO, and other styles

29

Mazlan, Chamil Arkhasa Nikko. "Utilizing Pragmatism Approach in Learning Jazz Guitar Reharmonization Technique using Malay Asli Song." JURNAL SENI MUSIK 9, no. 1 (2020): 50–57. http://dx.doi.org/10.15294/jsm.v9i1.37376.

Full text

Abstract:

Details of developing jazz guitar reharmonization learning book using Malay Asli song will not discuss here, however, this article divulges pragmatism approach that can be transcending in explaining logic between learning jazz guitar reharmonization techniques using Malay Asli Song. Although music is a universal language, traditional music and western music educators do not come to an agreement diffusing learning western music elements such in traditional music or vice versa. As a result, reharmonization technique only become known on western music repertoires. While traditional music practiti

APA, Harvard, Vancouver, ISO, and other styles

30

Estrada Yarce, Emanuel. "ARTICULANDO CON TRASTES. ACERCA DE LA ARTICULACIÓN COMO ELEMENTO ESTRUCTURADOR DE LA EJECUCIÓN MUSICAL EN LA GUITARRA." Ricercare 2018, no. 10 (2019): 6–36. http://dx.doi.org/10.17230/ricercare.2018.10.1.

Full text

Abstract:

This article approaches the articulation in music as a structuring element to perform the universal repertoire for solo guitar. For that purpose, we start from the conception of music as a language and musical pieces as discourses for which technique has to be at service. The goal is then structuring the fingering process for the performance of the pieces, both those that were conceived for the guitar as well as those that are adaptations of pieces written for other instruments.

APA, Harvard, Vancouver, ISO, and other styles

31

Stanescu, Dan Florin. "Modeling Musical Capabilities – Guitar Playing." European Scientific Journal, ESJ 12, no. 11 (2016): 54. http://dx.doi.org/10.19044/esj.2016.v12n11p54.

Full text

Abstract:

While it is possible for one to detect a person’s dexterity upon an instrument visually, auditorily and sometimes even kinaesthetically, it is the hypothesis here that there are other sets of skills which are just as important to musical capability as the manual technique applied when playing the instrument. Modeling is a process whereby an observer gathers information about the activity of a system with the aim of constructing a generalised description (a model) of how that system works. The purpose of this study is to identify strategies and patterns in how musicians organized their experien

APA, Harvard, Vancouver, ISO, and other styles

32

Dairianathan, Eugene, and Larry Hilarian Francis. "Teaching and Learning the Electric Guitar: A Case Study in a Singaporean Higher Education Teacher-Preparation Institution." IASPM Journal 5, no. 1 (2015): 81–99. http://dx.doi.org/10.5429/ij.v5i1.715.

Full text

Abstract:

Many electric guitarists have earned their reputation as expert performers and connoisseurs, despite the absence, at least until very recently, of school-based curricula or internationally recognised examination bodies, and usually without any institution to validate their credentials. Despite recent initiatives to support new pedagogical paradigms in teaching and learning, teachers of the electric guitar continue to be confronted with problems of preparing learners for soundscapes beyond a gig setting or one of the recent electric guitar examinations. Instrumental fluency cannot be understood

APA, Harvard, Vancouver, ISO, and other styles

33

Mazlan, Chamil Arkhasa Nikko, and Mohd Hassan Abdullah. "UTILIZING PRAGMATISM PRINCIPLES IN LEARNING JAZZ GUITAR REHARMONIZATION TECHNIQUE USING MALAY ASLI SONG." International Journal of Applied and Creative Arts 3, no. 1 (2020): 54–66. http://dx.doi.org/10.33736/ijaca.2188.2020.

Full text

Abstract:

This article proposes a pragmatism approach useful in explaining the logic of learning jazz guitar reharmonization techniques. Music and practices are both unseparated and unified in the field of music education. This poses challenges for traditional and western music consolidation because reharmonization technique is only known in western music repertoires while traditional music normally utilizes old-style repertoires. Some practitioners rooted in dogmatic thinking still maintain authenticity and traditions. In this study, our data is gathered using qualitative content analysis. We then iden

APA, Harvard, Vancouver, ISO, and other styles

34

Kustap, Kustap, and Ikhsan Lubis. "Pelatihan Pola Ritme Sebagai Strategi Peningkatan Kualitas Pembalajaran Mata Kuliah Instrumen Gitar di Jurusan Musik FSP ISI Yogyakarta." PROMUSIKA 7, no. 1 (2019): 20–28. http://dx.doi.org/10.24821/promusika.v7i1.2473.

Full text

Abstract:

Pola ritme merupakan elemen musik utama yang berkaitan langsung dengan gerakan waktu dalam musik, di mana waktu selalu bergerak dan mengatur kestabilan rasa musikal. Pola ritme sangat mentukan ketepatan hitungan dalam permainan gitar tunggal, dan bermain anasambel gitar. Pola ritme merukan objek material penelitian sedangkan proses pelatihan pola rime dalam pembelajaran mata kuliah instrumen gitar merupakan objek formal. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dan tindakan kelas dengan teknik pengupulan data triangulasi, sedangkan proses analisis data menggunakan mo

APA, Harvard, Vancouver, ISO, and other styles

35

Priscilla, Birgita. "Imitasi Instrumen Kacapi Sunda Pada Aransemen Gitar Klasik Tunggal: Studi Kasus Terhadap Aransemen â€œBubuy Bulanâ€ Karya Iwan Tanzil." Urban: Jurnal Seni Urban 7, no. 1 (2023): 3–14. http://dx.doi.org/10.52969/jsu.v7i1.116.

Full text

Abstract:

Iwan Tanzil merupakan komposer gitar klasik Indonesia yang cukup banyak menggunakan idiom musik tradisional Indonesia dalam karya-karyanya. Salah satu karya aransemennya â€œBubuy Bulanâ€, menggunakan idiom musik tradisional yaitu kacapi dan bas betot, dan diolah menggunakan teknik komposisi musik barat serta dieksekusi dengan berbagai teknik gitar klasik yang unik. Penelitian ini bertujuan untuk mengetahui bagaimana penerapan imitasi kacapi sunda pada aransemen gitar klasik â€œBubuy Bulanâ€ karya Iwan Tanzil. Metode yang digunakan dalam penelitian ini adalah art based research, dengan pendek

APA, Harvard, Vancouver, ISO, and other styles

36

Su, Ting-Wei, Yuan-Ping Chen, Li Su, and Yi-Hsuan Yang. "TENT: Technique-Embedded Note Tracking for Real-World Guitar Solo Recordings." Transactions of the International Society for Music Information Retrieval 2, no. 1 (2019): 15–28. http://dx.doi.org/10.5334/tismir.23.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Bosi, Bráulio. "Building an Effective Right-Hand Guitar Technique Around Injury Prevention Methods." Revista Música Hodie 17, no. 2 (2018): 121. http://dx.doi.org/10.5216/mh.v17i2.47145.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Vitiuc, Alexandr. "Features of the Performing Style of Bass Guitarist Paul McCartney (based Examples of hi performance)." Intertext, no. 1(61) (December 2023): 170–78. http://dx.doi.org/10.54481/intertext.2023.1.18.

Full text

Abstract:

This article explores the features of the performance style of the English composer and bass player Paul McCartney. Of particular interest is the musician's choice of the first Höfner 500/1 Violin Bass. It is noted that this decision was due to practical considerations, in particular, the shape of the instrument had a symmetrical body. The scale and the distance between the strings were close to those of an electric guitar, which made it possible to play with a mediator (plector) technique. In addition, the use of the Höfner 500/1 Violin Bass bass guitar allowed P. McCartney to get a special s

APA, Harvard, Vancouver, ISO, and other styles

39

Stevens, Andreas. "Andrés Segovia’s Unfinished Guitar Method: Placing His “Scales” in Historical Context." Soundboard Scholar 3, no. 1 (2017): 13–23. http://dx.doi.org/10.56902/sbs.2017.3.5.

Full text

Abstract:

For over sixty years, guitarists of my generation have been familiar with the so-called Segovia Scales--the systematic scale fingerings advocated by the Andalusian maestro. They have been an influential--some might say a definitive--bestseller since their first USA publication in 1953. Countless guitar students have incorporated them into their daily practice routines. For the publisher, Columbia Music Co., they seem to be the goose that laid the golden egg. Are they everything that Segovia wanted them to be? Two books of recent date on guitar technique attest to their enduring value and relev

APA, Harvard, Vancouver, ISO, and other styles

40

Odoyevsky, V. A., and N. V. Korchagina. "Performing on Acoustic Guitar in the Fingerstyle Technique: Historical and Methodical Aspects." Musical Art and Education 8, no. 2 (2020): 124–39. http://dx.doi.org/10.31862/2309-1428-2020-8-2-124-139.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

KRYGIN, ALEXANDER. "The Guitar Sound Image in the Creativity of Sabikas." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 2(59) (June 30, 2023): 66–80. http://dx.doi.org/10.31318/2414-052x.2(59).2023.295417.

Full text

Abstract:

The author proves that the concept of sound image appeared in musicological literature at the beginning of the 20th century. The defined phenomenon is characterized as a set of sound (speech, music, noise) elements that create, with the help of associations, a generalized image about material object, phenomenon, historical event, human character. In modern musicology, scientists consider the concepts of "sound image of an instrument" and "performance style" to be related, where these concepts are interpreted as an individual stylistic perspective in the perception of expressive possibilities o

APA, Harvard, Vancouver, ISO, and other styles

42

Jenson, Jen, Suzanne De Castell, Rachel Muehrer, and Milena Droumeva. "So you think you can play: An exploratory study of music video games." Journal of Music, Technology and Education 9, no. 3 (2016): 273–88. http://dx.doi.org/10.1386/jmte.9.3.273_1.

Full text

Abstract:

Digital music technologies have evolved by leaps and bounds over the last 10 years. The most popular digital music games allow gamers to experience the performativity of music, long before they have the requisite knowledge and skills, by playing with instrument-shaped controllers (e.g. Guitar Hero, Rock Band, Sing Star, Wii Music), while others involve plugging conventional electric guitars into a game console to learn musical technique through gameplay (e.g. Rocksmith). Many of these digital music environments claim to have educative potential, and some are actually used in music classrooms.

APA, Harvard, Vancouver, ISO, and other styles

43

Verinza, Afif Baihaqi, Sylvia Mildiana Ningrum, Lilis Karunia Atmaja, Fajri Irfani Riswan, Misya Silvia, and Siti Hadiyati Nur Hafida. "Modernisasi Industri Gitar di Kecamatan Baki Kabupaten Sukoharjo Provinsi Jawa Tengah." LaGeografia 20, no. 2 (2022): 169. http://dx.doi.org/10.35580/lageografia.v20i2.22462.

Full text

Abstract:

The guitar industry in Baki District is the center of guitar manufacture in Sukoharjo Regency. To maintain its existence in the community, this industry requires a modern digital-based production, sales and marketing system. This study aims to analyze the extent of modernization carried out by the guitar industry in relation to the production, sales, and marketing of products. This research uses descriptive quantitative research. The selection of respondents was carried out by purposive sampling and obtained as many results 32 sample,while the analysis technique used was descriptive statistics

APA, Harvard, Vancouver, ISO, and other styles

44

Barnawi, Erizal, and Afrizal Yudha Setiawan. "Metode Pembelajaran Jarak Jauh Pada Mata Kuliah Gitar Klasik Lampung Pepadun di Prodi Pendidikan Musik, Fakultas Keguruan Ilmu Pendidikan, Universitas Lampung." Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik 3, no. 2 (2021): 117–30. http://dx.doi.org/10.24036/musikolastika.v3i2.70.

Full text

Abstract:

The difficulties in learning the Lampung Pepadun Classical Guitar practice are caused by several factors, including; 1) the learning process is not guided directly by trainers who are experts in their fields; 2) many students of the Music Education study program are not yet able to read block notation in the form of songs; 3) some students do not have the skills to play guitar with the correct technique. The long-term goal in learning Lampung Pepadun Classical Guitar is that students are able to become agents of change in preserving the art of Lampung Pepadun Classical Guitar and become pionee

APA, Harvard, Vancouver, ISO, and other styles

45

Sepdwiko, Deria, and Nofroza Yelli. "POLA GARAPAN LAGU “TIM TAM TUM” MENGGUNAKAN ANSAMBEL CAMPURAN PADA SISWA EKSTRAKURIKULER SMP NEGERI 15 PALEMBANG." Grenek Music Journal 9, no. 2 (2020): 121. http://dx.doi.org/10.24114/grenek.v9i2.21202.

Full text

Abstract:

In writing this research the writer discusses the pattern of cultivating songs “TIM TAM TUM” Using Mixed ensembles for exstracurriculer students of SMP 15 Palembang.This study aims to determine how the pattern form the Tim Tam Tum song composed by using a mixed ensemble. The data collection techniques used were, observation, interview, and documentation techniques. The method used in this research is a qualitative descriptive method. The results of this study are analyzed to become a research report that has an output, target, namely being published in a scientific journal and used as teaching

APA, Harvard, Vancouver, ISO, and other styles

46

Suroso, Panji, Adina Sastra Sembiring, Uyuni Widiastuti, Muklis Hasbulah, and Bakhrul Khair Amal. "Performance Model of Kulcapi (Karo Musical Instrument) as a Teaching Material in Guitar Learning." Budapest International Research and Critics Institute (BIRCI-Journal) : Humanities and Social Sciences 1, no. 4 (2018): 136–43. http://dx.doi.org/10.33258/birci.v1i4.102.

Full text

Abstract:

This study examines performance model of Kulcapi Karo as a teaching material in guitar learning classes at Music Art Study Program in Unimed. To obtain maximum learning outcomes in the learning process, creative strategies and methods are created in utilizing local music culture as a capital in improving music playing skills. Efforts are made in various ways to maximize learning by reviewing and analyzing matters related to the learning process such as; analyze learning objectives, teaching material, strategies or learning methods, including local cultural material as a learning resource that

APA, Harvard, Vancouver, ISO, and other styles

47

Lee, Jung-Ho, and Jae-Ung Cho. "Study on Convergence Technique through Structural Analysis due to the Configuration of Guitar." Journal of the Korea Convergence Society 6, no. 4 (2015): 9–14. http://dx.doi.org/10.15207/jkcs.2015.6.4.009.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Filatova, Tetiana. "Bolivian “Music of the Wind” in guitar works: aspects of artistic implementation." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 136 (March 28, 2023): 179–97. http://dx.doi.org/10.31318/2522-4190.2023.136.276574.

Full text

Abstract:

The relevance of the article is to consider Bolivian guitar music as an important component of the modern South American repertoire. On the example of the works of famous composers and performers Alfredo Domínguez, Fernando Arduz, and Jilberto Rojas, connections with the folklore traditions of the country, the poetics of Bolivian "wind music", and its timbre specificity have been revealed. Main objective of the study is to reveal aspects of the artistic embodiment of Bolivian «music of the wind» in academic guitar work. The scientific novelty of the article lies in the introduction of ma

APA, Harvard, Vancouver, ISO, and other styles

49

Blanco, Angel. "From the Dedillo to the Plectrodedo: How an Unusual Technique Became the Stepping Stone of a Modern Revolutionary Guitar School." IKONI / ICONI, no. 1 (2022): 67–78. http://dx.doi.org/10.33779/2658-4824.2022.1.067-078.

Full text

Abstract:

In this short essay the history of a very little understood classical guitar performance technique is analyzed in an accessible but rigorous way. This essay explores various sources from the first books on the vihuela of the European Renaissance, where the technique was known as the dedillo, passing through the well-known classics of Romanticism such as Dionisio Aguado’s until reaching the revolutionary 20th century with the relevant case of William Foden, to the present day with the innovation of Carlos Reyes and his plectrodedo school.

APA, Harvard, Vancouver, ISO, and other styles

50

Kodama, Keita, and Gou Koutaki. "Development of a Guitar Playing Robot Using Strumming Technique and Evaluation of its Performance." Transactions of the Institute of Systems, Control and Information Engineers 35, no. 7 (2022): 175–81. http://dx.doi.org/10.5687/iscie.35.175.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!