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Journal articles on the topic 'Gulliver's Travels'

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Published: 4 June 2021

Last updated: 25 July 2025

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1

Bayliffe, Janie, Raymond Brie, and Beverly Oliver. "Tech Time: Using Technology to Enhance “My Travels with Gulliver”." Teaching Children Mathematics 1, no. 3 (1994): 188–91. http://dx.doi.org/10.5951/tcm.1.3.0188.

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“Journey in Mathematics: 'My Travels with Gulliver'” is a California state-approved fourth-through sixth-grade unit integrating mathematics, reading, listening, writing, and drawing. The unit is based on the classic story Gulliver's Travels, written by Jonathan Swift in 1726, which describes Gulliver's voyages to Lilliput, the land of tiny people, and Brobdignag, the land of giants. Titania is a land created by the authors of the unit, and Ourland is the students' own classroom. The unit encourages students to explore scaling, measurement, area, and perimeter in a hands-on fashion, such as whe

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2

Jones, Horace Perry. "Swift's Gulliver's Travels." Explicator 47, no. 1 (1988): 11. http://dx.doi.org/10.1080/00144940.1988.9933864.

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3

Golanka, Mary. "Swift's Gulliver's Travels." Explicator 47, no. 1 (1988): 11–12. http://dx.doi.org/10.1080/00144940.1988.9933865.

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4

Hazenstab, Steven F. "Swift's Gulliver's Travels." Explicator 47, no. 2 (1989): 14–16. http://dx.doi.org/10.1080/00144940.1989.9933890.

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5

Morvan, Alain. "Swift's Gulliver's Travels." Explicator 51, no. 4 (1993): 219–21. http://dx.doi.org/10.1080/00144940.1993.9938034.

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6

Chauta, Gopal. "Gulliver's Travels is written by Seventeenth century Anglo-Irish prose writer Jonathan Swift. Jonathan swift employed literary device called invective, satire in his writing to cure social malaise of seventeenth century society. Gulliver's travels are a p." SMART MOVES JOURNAL IJELLH 9, no. 4 (2021): 111–18. http://dx.doi.org/10.24113/ijellh.v9i4.10988.

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Gulliver's Travels is written by Seventeenth century Anglo-Irish prose writer Jonathan Swift. Jonathan swift employed literary device called invective, satire in his writing to cure social malaise of seventeenth century society. Gulliver's travels are a political allegory in which seventeenth century society is highlighted in many aspects. There is a character called Lemuel Gulliver which is enterprising and adventurous underwent a voyage to Lilliput. The author gives some account of himself and family. His first inducement to travel. He is shipwrecked and swims for his life gets safe on shore

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7

Weiss, Robin A. "Gulliver's travels in HIVland." Nature 410, no. 6831 (2001): 963–67. http://dx.doi.org/10.1038/35073632.

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8

Gevirtz, Karen. "Gulliver's Travels." Eighteenth-Century Studies 44, no. 4 (2011): 559–64. http://dx.doi.org/10.1353/ecs.2011.0028.

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9

Lynall, Greg. "In retrospect: Gulliver's Travels." Nature 549, no. 7673 (2017): 454–55. http://dx.doi.org/10.1038/549454a.

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10

Barbour, Brian. "The Crucifix and the Post." Renascence 73, no. 3 (2021): 149–60. http://dx.doi.org/10.5840/renascence202173312.

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An unremarked major theme in Gulliver's Travels is, Why does Gulliver lose his Christian faith? In Part III he is a devout Anglican who unlike Dutch Calvinists will not disrespect the crucifix, even at the cost of not being allowed to return home. In Part IV he dismisses the crucifix as a "post," a thing "indifferent." What has happened is made clear in Chap. VII where Gulliver's reveals his parodic or inverted conversion to the ruling principle of the Houyhnhnms, that "Reason alone is sufficient to govern a rational creature." For Swift that disastrous alone is a grave error, linking the earl

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11

Guilhamet, Leon, and Frederik N. Smith. "The Genres of "Gulliver's Travels."." Eighteenth-Century Studies 24, no. 3 (1991): 378. http://dx.doi.org/10.2307/2738674.

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12

Lee, Hye-Soo. "Gulliver's Travels As Menippean Satire." Explicator 76, no. 4 (2018): 171–73. http://dx.doi.org/10.1080/00144940.2018.1479235.

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13

Oakleaf, D. "DAVID WOMERSLEY (ed.) Gulliver's Travels." Review of English Studies 64, no. 267 (2013): 893–95. http://dx.doi.org/10.1093/res/hgt046.

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14

Coykendall, Abby. "Cruising Dystopia in Gulliver's Travels." Journal for Eighteenth-Century Studies 43, no. 3 (2020): 327–39. http://dx.doi.org/10.1111/1754-0208.12708.

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15

Tadié, Alexis. "Le hennissement de Gulliver : oralité et écriture dans Gulliver's Travels." Études anglaises 54, no. 4 (2001): 414. http://dx.doi.org/10.3917/etan.544.0414.

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16

Asst. Prof. Dr. Haseeb Alias Hadeed, Asst Prof Dr Haseeb Alias Hadeed. "The Social Satire in Swift’s Gulliver’s Travels." Al-Noor Journal for Humanities 1, no. 1 (2024): 15–34. http://dx.doi.org/10.69513/jnfh.v1.i1.a3.

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ABSTRACT In Gulliver's Travels (1726) Swift presented different kinds of satire. These different kinds of satire divided the critics into groups with different points of view concerning the satirical tendencies in Gulliver's Travels. Swift concentrates on the inside of things rather than the outside; on actuality rather than illusion . It is important to note that Swift seized all the opportunities so as to direct his severe attack on different aspects of life. In Gulliver's Travels, there is emphasis laid on man's bad nature and his social role. His recognition of the defects in human nature

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17

Lec., Manaar Kamil Saeed. "Swift's Subversive Satire: Unveiling Society's Foibles in Gulliver's Travels." International Journal of Social Science and Human Research 07, no. 03 (2024): 2151–56. https://doi.org/10.5281/zenodo.10893236.

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This study aimed to investigate the effects of a specific intervention on a particular outcome. Its primary objective is to examine a given intervention's impacts on a well-defined group. The analysis explores the employment of Satire by Jonathan Swift in his renowned literary masterpiece, Gulliver's Travels. Satire is an academic technique, authors employ to expose and criticize the illogical and immoral aspects of an individual or a society, employing comic elements, irony, exaggeration, or scorn. Gulliver's Travels effectively utilizes a range of literary tropes, such as Satire, skillfully

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18

Emprin, Ginette. "Appearance and Reality in Gulliver's Travels." Études irlandaises 15, no. 1 (1990): 37–44. http://dx.doi.org/10.3406/irlan.1990.913.

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19

Smith, P. "Gulliver's Travels, assessment, reliability, and validity." Journal of WOCN 28, no. 6 (2001): 261–62. http://dx.doi.org/10.1067/mjw.2001.119353.

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20

Gong, Xuan. "Dual Focalization in Jonathan Swift's Gulliver's Travels." Journal of Narrative Theory 51, no. 1 (2021): 1–25. http://dx.doi.org/10.1353/jnt.2021.0000.

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21

Didicher, Nicole E. "Mapping the Distorted Worlds of Gulliver's Travels." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 16 (1997): 179. http://dx.doi.org/10.7202/1012448ar.

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22

Barry, Kevin. "Exclusion and Inclusion in Swift's "Gulliver's Travels"." Irish Review (1986-), no. 30 (2003): 36. http://dx.doi.org/10.2307/29736102.

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23

Taylor, D. F. "JONATHAN SWIFT, Gulliver's Travels, ed. DAVID WOMERSLEY." Notes and Queries 60, no. 4 (2013): 611–12. http://dx.doi.org/10.1093/notesj/gjt204.

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24

Washington, Gene. "Swift's Gulliver's Travels Bk. 1, Ch. 5." Explicator 48, no. 4 (1990): 251–52. http://dx.doi.org/10.1080/00144940.1990.9934015.

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25

Washington, Gene. "Swift's Gulliver's Travels, Bk. 2, Ch. 1." Explicator 52, no. 4 (1994): 214–16. http://dx.doi.org/10.1080/00144940.1994.9938780.

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26

Borovaia, Olga V. "Translation and Westernization: Gulliver's Travels in Ladino." Jewish Social Studies 7, no. 2 (2001): 149–68. http://dx.doi.org/10.1353/jss.2001.0002.

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27

Downie, J. A. "GULLIVER'S TRAVELS: THE POLITICS OF THE TEXT." Journal for Eighteenth-Century Studies 7, no. 1 (2008): 87–90. http://dx.doi.org/10.1111/j.1754-0208.1984.tb00081.x.

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28

Deyab, Mohammad Shaaban Ahmad. "An Ecocritical Reading of Jonathan Swift's Gulliver's Travels." Nature and Culture 6, no. 3 (2011): 285–304. http://dx.doi.org/10.3167/nc.2011.060305.

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Numerous critics have studied Jonathan Swift's use of animals as satirical tools in Gulliver's Travels. However, none has devoted sufficient attention to Swift's forerunning “ecocritical“ concern with animal issues in relation to humans. Although the animal theme in Gulliver's Travels does involve satirical intentions, this paper aims at showing that it has more profound implications that manifest Swift's forward-looking ideas regarding the relation between humans and their natural environment, as represented in the human-animal relationship. The ethical stand and moral commitment to the natur

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29

Smith, George P. "Reviving the Swan, Extending the Curse of Methuselah, or Adhering to the Kevorkian Ethic?" Cambridge Quarterly of Healthcare Ethics 2, no. 1 (1993): 49–56. http://dx.doi.org/10.1017/s0963180100000621.

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Methuselah, it is said, lived 969 years. His state of health at death is not revealed. It can only be surmised that he was surely not robust and, no doubt, was subject to all of the infirmities of old age and the tragic indignities associated with senility.Jonathan Swift captured well the “curse” of immortality when, in Gulliver's Travels, he created a group of individuals, the Struldbrugs, who, when encountered, dulled what had heretofore been an appetite for perpetual life. The Struldbrugs were allowed to be born totally exempt from the “calamity of human Nature,” in that their minds were fr

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30

Dixsaut, Jean. "Du modèle à la norme dans Gulliver's Travels." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 28, no. 1 (1989): 87–89. http://dx.doi.org/10.3406/xvii.1989.1158.

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31

Hunting, Robert. "Liz Bellamy. Jonathan Swift's Gulliver's Travels." Scriblerian and the Kit-Cats 26, no. 1 (1993): 56–58. http://dx.doi.org/10.5325/scriblerian.26.1.0056.

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32

Laitinen, Dana. ""I Trot Like a Horse": The Early Modern Animal Debate in Gulliver's Travels." Philosophy and Literature 48, no. 1 (2024): 204–14. http://dx.doi.org/10.1353/phl.2024.a930338.

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Abstract: Does Gulliver's apparent equiphilia (love for equines) at the conclusion of Jonathan Swift's satire signify madness or misanthropy? I say neither, and propose that the neighing narrator is a satirical figure encompassing the animal debate between Michel de Montaigne and René Descartes. Swift's satire, I argue, addresses the early-modern controversy over human-animal distinctions by dramatizing a profound skepticism toward human reason. Swift's stance is registered in a vacillation between literalization of human-animal conversations, lampooning Montaigne, and satirizing Cartesian mec

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33

Rodino, Richard H. ""Splendide Mendax": Authors, Characters, and Readers in Gulliver's Travels." PMLA 106, no. 5 (1991): 1054. http://dx.doi.org/10.2307/462679.

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34

LÓPEZ PÉREZ, Magdalena. "Gulliver's Travels (Libro III) La sátira y su traducción." Hikma 4, no. 4 (2005): 103. http://dx.doi.org/10.21071/hikma.v4i4.6736.

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Jonathan Swift se caracteriza por sus abundantes escritos satíricos, entre los que se encuentra su obra más importante y reconocida, Gulliver’s Travels. Su estilo y lenguaje propios confieren a dicha obra una sólida unidad, mediante la cual consigue inducir al lector a la contradicción y convencerle de la historia, aún siendo evidente la imposibilidad natural del hecho que narra. Sin embargo, tales contradicciones satíricas no siempre son recogidas en las diversas traducciones que se han realizado de esta obra.

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35

Jo, Jin-ho. "A Review of Gulliver's Travels in Terms of Multiculturalism." Studies in Humanities and Social Sciences ll, no. 38 (2013): 69–100. http://dx.doi.org/10.17939/hushss.2013..38.003.

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36

Chase, Jefferson S. "Lying in Swift's Gulliver's Travels and Heine's Atta Troll." Comparative Literature 45, no. 4 (1993): 330. http://dx.doi.org/10.2307/1771597.

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37

Lamoine, Georges. "Culverwell's «Spiritual Opticks» : A Possible Source for Gulliver's Travels." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 27, no. 1 (1988): 105–13. http://dx.doi.org/10.3406/xvii.1988.1147.

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38

KELLY, JAMES WILLIAM. "A CONTEMPORARY SOURCE FOR THE YAHOOS IN GULLIVER'S TRAVELS." Notes and Queries 45, no. 1 (1998): 68–70. http://dx.doi.org/10.1093/nq/45-1-68.

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39

KELLY, JAMES WILLIAM. "A CONTEMPORARY SOURCE FOR THE YAHOOS IN GULLIVER'S TRAVELS." Notes and Queries 45, no. 1 (1998): 68–70. http://dx.doi.org/10.1093/nq/45.1.68.

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40

de Quehen, A. H. "Approaches to Teaching Swift's "Gulliver's Travels." (review)." Eighteenth-Century Fiction 1, no. 4 (1989): 338–40. http://dx.doi.org/10.1353/ecf.1989.0060.

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41

LOVEMAN, KATE. "‘Full of Improbable Lies’: Gulliver's Travels and Jest Books." Journal for Eighteenth-Century Studies 26, no. 1 (2008): 15–26. http://dx.doi.org/10.1111/j.1754-0208.2003.tb00258.x.

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42

Han, Zhen. "The Nature of Humanity and Utopia in Gulliver's Travels." P.O.I. - Points of Interest 11, no. 2/2022 (2022): 82–95. https://doi.org/10.5281/zenodo.10961356.

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Thomas More’s <em>Utopia </em>is the pioneer of modern utopian writings. Unlike the clas-sical utopia found in Plato’s <em>Politeia </em>or Atlantis, which only existed in myth and dialogue, More argued that Utopia exists in parts of our own world. However, More failed to demonstrate the diversity of Utopia. Meanwhile, Jonathan Swift’s <em>Gulliver’s Travels</em> demonstrated how the tension between the moderns and ancients also arises in modern utopia, especially when it comes to human nature. The initial motivation for Gulliver’s wanderings is his disgust with t

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43

LÓPEZ FOLGADO, Vicente. "La sátira en Gulliver's Travels: versiones de la Parte IV." Hikma 4, no. 4 (2005): 83. http://dx.doi.org/10.21071/hikma.v4i4.6735.

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En este trabajo se aborda el contexto social y político que nutrió la vena satírica de J. Swift en su narración Los Viajes de Gulliver. De forma más concreta, se hace una aproximación a la Parte 4 que consiste en una mordaz denuncia del ser humano, como culpable de toda suerte de corruptelas morales. Esta sin par pieza subvierte los valores que detentan los despreciables yahoos humanos y los sabios e inocentes caballos. Finalmente, reviso algunas de las traducciones españolas más destacadas de la obra, señalando algunas diferencias entre los textos.

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44

Barbé-Petit, Françoise. "La violence et ses représentations dans Gulliver's Travels de Swift." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 44, no. 1 (1997): 17–35. http://dx.doi.org/10.3406/xvii.1997.1364.

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45

Stewart, Anthony. "The Yahoo and the Discourse of Racialism in Gulliver's Travels." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 12 (1993): 35. http://dx.doi.org/10.7202/1012577ar.

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46

Patey, Douglas Lane. "Swift's Satire on "Science" and the Structure of Gulliver's Travels." ELH 58, no. 4 (1991): 809. http://dx.doi.org/10.2307/2873283.

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47

Rogers, S. "An Extra Echo to Swift's Epigraph for Gulliver's Travels (1735)." Notes and Queries 55, no. 3 (2008): 326. http://dx.doi.org/10.1093/notesj/gjn104.

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48

Barchas, Janine. "Prefiguring Genre: Frontispiece Portraits from Gulliver's Travels to Millenium Hall." Studies in the Novel 51, no. 1 (2019): 118–44. http://dx.doi.org/10.1353/sdn.2019.0016.

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49

Alpatieva, N. V. "Гулливер в XXI веке: Максим Ладин и его «Путешествие в Страну мудраков»". Вестник гуманитарного образования, № 1(33) (19 квітня 2024): 134–40. http://dx.doi.org/10.25730/vsu.2070.24.014.

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This article examines the novel by the modern Russian writer Maxim Ladin "Journey to the Land of Mudraks. In the Footsteps of Gulliver" (2017), which is a kind of sequel to Jonathan Swift's famous novel Gulliver's Travels (1726). The philological analysis of this work is preceded by a brief story about other literary sequels of Swift's book, written in different genres by different authors of the twentieth century (L. N. Andreev, M. Ya. Kozyrev, A. V. Anikin, V. I. Savchenko, G. Gorin). The article analyzes the plot of Ladin's novel, the author's style and intertextual connections with the Eng

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50

Jamil Bani-Khair, Baker Mohammad. "Diminution and Magnification: Gothic Images in Jonathan Swift's Gulliver's Travels (1726)." Advances in Language and Literary Studies 8, no. 5 (2017): 25. http://dx.doi.org/10.7575/aiac.alls.v.8n.5p.25.

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This paper studies two significant techniques in Jonathon Swift's Gulliver's Travels (1726) which are diminution and magnification as influential devices which show gothic and supernatural images throughout the whole novel. The paper investigated and analyzed the supernatural images in terms of the gothic fantasy and its elements such as the ones that relate to the sublime, horror, and exotic images. The study concluded that the use of those two techniques of diminution and magnification tend to create several and various effects on the plot, characters, and the narrative development which inc

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