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1

Bayliffe, Janie, Raymond Brie, and Beverly Oliver. "Tech Time: Using Technology to Enhance “My Travels with Gulliver”." Teaching Children Mathematics 1, no. 3 (November 1994): 188–91. http://dx.doi.org/10.5951/tcm.1.3.0188.

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“Journey in Mathematics: 'My Travels with Gulliver'” is a California state-approved fourth-through sixth-grade unit integrating mathematics, reading, listening, writing, and drawing. The unit is based on the classic story Gulliver's Travels, written by Jonathan Swift in 1726, which describes Gulliver's voyages to Lilliput, the land of tiny people, and Brobdignag, the land of giants. Titania is a land created by the authors of the unit, and Ourland is the students' own classroom. The unit encourages students to explore scaling, measurement, area, and perimeter in a hands-on fashion, such as when Gulliver encounters a carpet peddler.
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2

Jones, Horace Perry. "Swift's Gulliver's Travels." Explicator 47, no. 1 (September 1988): 11. http://dx.doi.org/10.1080/00144940.1988.9933864.

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3

Golanka, Mary. "Swift's Gulliver's Travels." Explicator 47, no. 1 (September 1988): 11–12. http://dx.doi.org/10.1080/00144940.1988.9933865.

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4

Hazenstab, Steven F. "Swift's Gulliver's Travels." Explicator 47, no. 2 (January 1989): 14–16. http://dx.doi.org/10.1080/00144940.1989.9933890.

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5

Morvan, Alain. "Swift's Gulliver's Travels." Explicator 51, no. 4 (July 1993): 219–21. http://dx.doi.org/10.1080/00144940.1993.9938034.

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6

Chauta, Gopal. "Gulliver's Travels is written by Seventeenth century Anglo-Irish prose writer Jonathan Swift. Jonathan swift employed literary device called invective, satire in his writing to cure social malaise of seventeenth century society. Gulliver's travels are a p." SMART MOVES JOURNAL IJELLH 9, no. 4 (April 28, 2021): 111–18. http://dx.doi.org/10.24113/ijellh.v9i4.10988.

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Gulliver's Travels is written by Seventeenth century Anglo-Irish prose writer Jonathan Swift. Jonathan swift employed literary device called invective, satire in his writing to cure social malaise of seventeenth century society. Gulliver's travels are a political allegory in which seventeenth century society is highlighted in many aspects. There is a character called Lemuel Gulliver which is enterprising and adventurous underwent a voyage to Lilliput. The author gives some account of himself and family. His first inducement to travel. He is shipwrecked and swims for his life gets safe on shore in the country of Lilliput is made prisoner and carried up the country. The emperor of Lilliput attended by several of the nobility, come to see the author in his confinement. The Emperor's person and habit described. Learned men appointed to teach the author the language. He gains favor by his mild disposition. His pockets are searched and his sword & pistols taken from him.
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7

Weiss, Robin A. "Gulliver's travels in HIVland." Nature 410, no. 6831 (April 2001): 963–67. http://dx.doi.org/10.1038/35073632.

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8

Gevirtz, Karen. "Gulliver's Travels." Eighteenth-Century Studies 44, no. 4 (2011): 559–64. http://dx.doi.org/10.1353/ecs.2011.0028.

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9

Lynall, Greg. "In retrospect: Gulliver's Travels." Nature 549, no. 7673 (September 2017): 454–55. http://dx.doi.org/10.1038/549454a.

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10

Barbour, Brian. "The Crucifix and the Post." Renascence 73, no. 3 (2021): 149–60. http://dx.doi.org/10.5840/renascence202173312.

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An unremarked major theme in Gulliver's Travels is, Why does Gulliver lose his Christian faith? In Part III he is a devout Anglican who unlike Dutch Calvinists will not disrespect the crucifix, even at the cost of not being allowed to return home. In Part IV he dismisses the crucifix as a "post," a thing "indifferent." What has happened is made clear in Chap. VII where Gulliver's reveals his parodic or inverted conversion to the ruling principle of the Houyhnhnms, that "Reason alone is sufficient to govern a rational creature." For Swift that disastrous alone is a grave error, linking the earlier errors of the Reformation - sola gratia, sola fide, sola scriptura - with the coming darkness of the Enlightenment. Gulliver's loss of faith is predictive of the next phase of European intellectual life.
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11

Guilhamet, Leon, and Frederik N. Smith. "The Genres of "Gulliver's Travels."." Eighteenth-Century Studies 24, no. 3 (1991): 378. http://dx.doi.org/10.2307/2738674.

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12

Lee, Hye-Soo. "Gulliver's Travels As Menippean Satire." Explicator 76, no. 4 (October 2, 2018): 171–73. http://dx.doi.org/10.1080/00144940.2018.1479235.

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13

Oakleaf, D. "DAVID WOMERSLEY (ed.) Gulliver's Travels." Review of English Studies 64, no. 267 (April 25, 2013): 893–95. http://dx.doi.org/10.1093/res/hgt046.

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14

Coykendall, Abby. "Cruising Dystopia in Gulliver's Travels." Journal for Eighteenth-Century Studies 43, no. 3 (July 2020): 327–39. http://dx.doi.org/10.1111/1754-0208.12708.

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15

Tadié, Alexis. "Le hennissement de Gulliver : oralité et écriture dans Gulliver's Travels." Études anglaises 54, no. 4 (2001): 414. http://dx.doi.org/10.3917/etan.544.0414.

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16

Emprin, Ginette. "Appearance and Reality in Gulliver's Travels." Études irlandaises 15, no. 1 (1990): 37–44. http://dx.doi.org/10.3406/irlan.1990.913.

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17

Smith, P. "Gulliver's Travels, assessment, reliability, and validity." Journal of WOCN 28, no. 6 (November 2001): 261–62. http://dx.doi.org/10.1067/mjw.2001.119353.

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18

Gong, Xuan. "Dual Focalization in Jonathan Swift's Gulliver's Travels." Journal of Narrative Theory 51, no. 1 (2021): 1–25. http://dx.doi.org/10.1353/jnt.2021.0000.

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19

Didicher, Nicole E. "Mapping the Distorted Worlds of Gulliver's Travels." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 16 (1997): 179. http://dx.doi.org/10.7202/1012448ar.

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20

Barry, Kevin. "Exclusion and Inclusion in Swift's "Gulliver's Travels"." Irish Review (1986-), no. 30 (2003): 36. http://dx.doi.org/10.2307/29736102.

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21

Taylor, D. F. "JONATHAN SWIFT, Gulliver's Travels, ed. DAVID WOMERSLEY." Notes and Queries 60, no. 4 (October 30, 2013): 611–12. http://dx.doi.org/10.1093/notesj/gjt204.

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22

Washington, Gene. "Swift's Gulliver's Travels Bk. 1, Ch. 5." Explicator 48, no. 4 (July 1990): 251–52. http://dx.doi.org/10.1080/00144940.1990.9934015.

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23

Washington, Gene. "Swift's Gulliver's Travels, Bk. 2, Ch. 1." Explicator 52, no. 4 (July 1994): 214–16. http://dx.doi.org/10.1080/00144940.1994.9938780.

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24

Borovaia, Olga V. "Translation and Westernization: Gulliver's Travels in Ladino." Jewish Social Studies 7, no. 2 (2001): 149–68. http://dx.doi.org/10.1353/jss.2001.0002.

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25

Downie, J. A. "GULLIVER'S TRAVELS: THE POLITICS OF THE TEXT." Journal for Eighteenth-Century Studies 7, no. 1 (October 1, 2008): 87–90. http://dx.doi.org/10.1111/j.1754-0208.1984.tb00081.x.

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26

Deyab, Mohammad Shaaban Ahmad. "An Ecocritical Reading of Jonathan Swift's Gulliver's Travels." Nature and Culture 6, no. 3 (December 1, 2011): 285–304. http://dx.doi.org/10.3167/nc.2011.060305.

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Numerous critics have studied Jonathan Swift's use of animals as satirical tools in Gulliver's Travels. However, none has devoted sufficient attention to Swift's forerunning “ecocritical“ concern with animal issues in relation to humans. Although the animal theme in Gulliver's Travels does involve satirical intentions, this paper aims at showing that it has more profound implications that manifest Swift's forward-looking ideas regarding the relation between humans and their natural environment, as represented in the human-animal relationship. The ethical stand and moral commitment to the natural world represented by animals, and the care for making the themes of a literary work a means to create connections between man and the natural environment around him, are basic ecocritical values that Swift stresses both explicitly and implicitly throughout the novel.
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27

Smith, George P. "Reviving the Swan, Extending the Curse of Methuselah, or Adhering to the Kevorkian Ethic?" Cambridge Quarterly of Healthcare Ethics 2, no. 1 (1993): 49–56. http://dx.doi.org/10.1017/s0963180100000621.

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Methuselah, it is said, lived 969 years. His state of health at death is not revealed. It can only be surmised that he was surely not robust and, no doubt, was subject to all of the infirmities of old age and the tragic indignities associated with senility.Jonathan Swift captured well the “curse” of immortality when, in Gulliver's Travels, he created a group of individuals, the Struldbrugs, who, when encountered, dulled what had heretofore been an appetite for perpetual life. The Struldbrugs were allowed to be born totally exempt from the “calamity of human Nature,” in that their minds were free “and disingaged (sic), without the Weight and De pression of Spirits caused by the continued Apprehension of Death.” They were thus condemned “to a perpetual continuance in the World.” In his travels, Gulliver found some Struldbrugs well over 1,000 years old.
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28

Dixsaut, Jean. "Du modèle à la norme dans Gulliver's Travels." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 28, no. 1 (1989): 87–89. http://dx.doi.org/10.3406/xvii.1989.1158.

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29

Rodino, Richard H. ""Splendide Mendax": Authors, Characters, and Readers in Gulliver's Travels." PMLA 106, no. 5 (October 1991): 1054. http://dx.doi.org/10.2307/462679.

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30

LÓPEZ PÉREZ, Magdalena. "Gulliver's Travels (Libro III) La sátira y su traducción." Hikma 4, no. 4 (October 1, 2005): 103. http://dx.doi.org/10.21071/hikma.v4i4.6736.

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Jonathan Swift se caracteriza por sus abundantes escritos satíricos, entre los que se encuentra su obra más importante y reconocida, Gulliver’s Travels. Su estilo y lenguaje propios confieren a dicha obra una sólida unidad, mediante la cual consigue inducir al lector a la contradicción y convencerle de la historia, aún siendo evidente la imposibilidad natural del hecho que narra. Sin embargo, tales contradicciones satíricas no siempre son recogidas en las diversas traducciones que se han realizado de esta obra.
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31

Jo, Jin-ho. "A Review of Gulliver's Travels in Terms of Multiculturalism." Studies in Humanities and Social Sciences ll, no. 38 (February 2013): 69–100. http://dx.doi.org/10.17939/hushss.2013..38.003.

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32

Chase, Jefferson S. "Lying in Swift's Gulliver's Travels and Heine's Atta Troll." Comparative Literature 45, no. 4 (1993): 330. http://dx.doi.org/10.2307/1771597.

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33

Lamoine, Georges. "Culverwell's «Spiritual Opticks» : A Possible Source for Gulliver's Travels." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 27, no. 1 (1988): 105–13. http://dx.doi.org/10.3406/xvii.1988.1147.

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34

KELLY, JAMES WILLIAM. "A CONTEMPORARY SOURCE FOR THE YAHOOS IN GULLIVER'S TRAVELS." Notes and Queries 45, no. 1 (March 1, 1998): 68–70. http://dx.doi.org/10.1093/nq/45-1-68.

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35

KELLY, JAMES WILLIAM. "A CONTEMPORARY SOURCE FOR THE YAHOOS IN GULLIVER'S TRAVELS." Notes and Queries 45, no. 1 (1998): 68–70. http://dx.doi.org/10.1093/nq/45.1.68.

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36

de Quehen, A. H. "Approaches to Teaching Swift's "Gulliver's Travels." (review)." Eighteenth-Century Fiction 1, no. 4 (1989): 338–40. http://dx.doi.org/10.1353/ecf.1989.0060.

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37

LOVEMAN, KATE. "‘Full of Improbable Lies’: Gulliver's Travels and Jest Books." Journal for Eighteenth-Century Studies 26, no. 1 (October 1, 2008): 15–26. http://dx.doi.org/10.1111/j.1754-0208.2003.tb00258.x.

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38

LÓPEZ FOLGADO, Vicente. "La sátira en Gulliver's Travels: versiones de la Parte IV." Hikma 4, no. 4 (October 1, 2005): 83. http://dx.doi.org/10.21071/hikma.v4i4.6735.

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En este trabajo se aborda el contexto social y político que nutrió la vena satírica de J. Swift en su narración Los Viajes de Gulliver. De forma más concreta, se hace una aproximación a la Parte 4 que consiste en una mordaz denuncia del ser humano, como culpable de toda suerte de corruptelas morales. Esta sin par pieza subvierte los valores que detentan los despreciables yahoos humanos y los sabios e inocentes caballos. Finalmente, reviso algunas de las traducciones españolas más destacadas de la obra, señalando algunas diferencias entre los textos.
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39

Barbé-Petit, Françoise. "La violence et ses représentations dans Gulliver's Travels de Swift." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 44, no. 1 (1997): 17–35. http://dx.doi.org/10.3406/xvii.1997.1364.

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40

Stewart, Anthony. "The Yahoo and the Discourse of Racialism in Gulliver's Travels." Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies 12 (1993): 35. http://dx.doi.org/10.7202/1012577ar.

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41

Patey, Douglas Lane. "Swift's Satire on "Science" and the Structure of Gulliver's Travels." ELH 58, no. 4 (1991): 809. http://dx.doi.org/10.2307/2873283.

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42

Rogers, S. "An Extra Echo to Swift's Epigraph for Gulliver's Travels (1735)." Notes and Queries 55, no. 3 (July 1, 2008): 326. http://dx.doi.org/10.1093/notesj/gjn104.

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43

Barchas, Janine. "Prefiguring Genre: Frontispiece Portraits from Gulliver's Travels to Millenium Hall." Studies in the Novel 51, no. 1 (2019): 118–44. http://dx.doi.org/10.1353/sdn.2019.0016.

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44

Jamil Bani-Khair, Baker Mohammad. "Diminution and Magnification: Gothic Images in Jonathan Swift's Gulliver's Travels (1726)." Advances in Language and Literary Studies 8, no. 5 (November 2, 2017): 25. http://dx.doi.org/10.7575/aiac.alls.v.8n.5p.25.

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This paper studies two significant techniques in Jonathon Swift's Gulliver's Travels (1726) which are diminution and magnification as influential devices which show gothic and supernatural images throughout the whole novel. The paper investigated and analyzed the supernatural images in terms of the gothic fantasy and its elements such as the ones that relate to the sublime, horror, and exotic images. The study concluded that the use of those two techniques of diminution and magnification tend to create several and various effects on the plot, characters, and the narrative development which increase the level of suspense in a critical framework.
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45

Bywaters, David. "Gulliver's Travels and the Mode of Political Parallel During Walpole's Administration." ELH 54, no. 3 (1987): 717. http://dx.doi.org/10.2307/2873228.

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46

Washington, Gene. "Swift's Gulliver's Travels, Bk. 2, Ch. 1; Bk. 4, Ch. 1." Explicator 46, no. 1 (October 1987): 8–11. http://dx.doi.org/10.1080/00144940.1987.9935263.

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47

Beck, Bernard. "Gulliver's Travels: Michael Moore the Explorer in Who to Invade Next." Multicultural Perspectives 18, no. 4 (October 2016): 202–5. http://dx.doi.org/10.1080/15210960.2016.1228306.

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48

Brüning, Rainer. "Gulliver's Travels oder der englische Überfall auf Kopenhagen (1807) in der Karikatur." Archiv für Kulturgeschichte 77, no. 2 (December 1995): 371–82. http://dx.doi.org/10.7788/akg.1995.77.2.371.

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49

Kane, Baydallaye. "Le procès de la justice anglaise du XVIIIe siècle dans Gulliver's Travels." XVII-XVIII. Revue de la société d'études anglo-américaines des XVIIe et XVIIIe siècles 30, no. 1 (1990): 65–84. http://dx.doi.org/10.3406/xvii.1990.1185.

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50

PASSMANN, DIRK. "AN ALLUSION TO MANDEVILLE IN GULLIVER'S TRAVELS: THE ‘AIR OF TRUTH’ POLLUTED." Notes and Queries 32, no. 2 (June 1, 1985): 205–7. http://dx.doi.org/10.1093/nq/32-2-205.

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