Relevant bibliographies by topics / Gum-bichromate

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Gum-bichromate'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Gum-bichromate"

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Harrison, Joan. "Colour in the gum-bichromate process." History of Photography 17, no. 4 (December 1993): 369–76. http://dx.doi.org/10.1080/03087298.1993.10442319.

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Bülent Ümit ERUTKU, Doç, and Hakan TEMUÇİN. "ZEYTİN YAPRAĞININ PİGMENT OLARAK GUM BİKROMAT FOTOĞRAF BASKI YÖNTEMİNDE KULLANIMI / The Use of Olive Leaf as A Pigment In Gum Bichromate Photo Printing Method." International Journal of Interdisciplinary and Intercultural Art 16, no. 16 (2023): 106–13. http://dx.doi.org/10.29228/ijiia.202.

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Irwandi, Irwandi. "REAKTUALISASI TEKNOLOGI FOTOGRAFI ABAD KE-19 DAN 20 Studi Kasus pada Kelompok Kegiatan Mahasiswa KOPPI ISI Yogyakarta." REKAM: Jurnal Fotografi, Televisi, dan Animasi 14, no. 1 (April 1, 2018): 55. http://dx.doi.org/10.24821/rekam.v14i1.2137.

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Kecanggihan teknologi fotografi digital saat tidak memuaskan beberapa fotografer, terutama yang condong ke fotografi seni. Sebagai gantinya, mereka melihat kembali teknik fotografi lama, seperti yang dilakukan pada abad ke-19, antara lain cyanotype, salt print, vandyke, dan cetak gum bichromate. Sebagian besar teknik cetak diaktualisasikan ulang oleh sejumlah fotografer dengan orientasi yang berbeda. Artikel ini membahas bagaimana Kelompok Kegiatan Mahasiswa, Keluarga Old Photographic Processes ISI Yogyakarta (KOPPI) melakukan lebih dari sekadar rekonstruksi teknis. Mereka menggunakan media unik ini untuk menyampaikan pesan tentang masalah pribadi dan budaya. Teknik pengamatan partisipatif digunakan selama empat proses penciptaan: pengenalan, eksplorasi, eksperimen, dan presentasi. Ditemukan bahwa dalam menggunakan teknik pencetakan foto lama para peserta harus menegosiasikan tiga aspek, yaitu pemahaman teknis, material, dan konsep budaya. Setelah mereka mencapai pemahaman teknis dan material yang memadai, para peserta mulai mengeksplorasi isu-isu budaya. Isu budaya tentang penyimpangan perilaku, kesedihan, dan respons masyarakat terhadap kehidupan sehari-hari telah diangkat menjadi tema pekerjaan melalui teknik pencetakan foto lama. Anggota KOPPI memanfaatkan kesan kuno dan fleksibilitas media cetak untuk mewujudkan hal tersebut. AbstractRe-actualization of the 19th and 20th Century Photographic Printing Technology: The Case of KOPPI Student Activity Group. The sophistication of digital photography technology does not satisfy some photographers, especially those who tend towards art photography. Instead, they looked back at old techniques, such as those of the 19th-century based on chemical principles, including cyanotype, salt print, vandyke print, and gum bichromate print. Most of the printing techniques are re-actualized by a number of photographers with different orientations. This paper examines how Old Photographic Processes Student Activity Group of ISI Yogyakarta(KOPPI) did more than just technical reconstruction, They used these unique media for conveying messages of personal and cultural issue. Participatory observation techniques were used during the four processes of creation: introduction, exploration, experimentation, and presentation. The finding showed that in using the old photo printing technique the participants had to negotiate three aspects, namely the technical understanding, materials, and cultural concepts. After they reached a sufficient technical and material understanding, the participants began to explore cultural issues. Cultural issues about deviations of society’s behavior, sadness, and society’s response to every day life have been raised to be the themes of the work through the old photo printing technique. Members of KOPPI take advantage of the old-fashioned impressions and flexibility of print media to realize these things.
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Scatigno, Claudia, Lorenzo Teodonio, Eugenia Di Rocco, and Giulia Festa. "Spectroscopic Benchmarks by Machine Learning as Discriminant Analysis for Unconventional Italian Pictorialism Photography." Polymers 16, no. 13 (June 28, 2024): 1850. http://dx.doi.org/10.3390/polym16131850.

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Up to the 1930s, the Italian pictorialism movement dominated photography, and many handcrafted procedures started appearing. Each operator had his own working method and his own secrets to create special effects that moved away from the standard processes. Here, a methodology that combines X-ray fluorescence and infrared analysis spectroscopy with unsupervised learning techniques was developed on an unconventional Italian photographic print collection (the Piero Vanni Collection, 1889–1939) to unveil the artistic technique by the extraction of spectroscopic benchmarks. The methodology allowed the distinction of hidden elements, such as iodine and manganese in silver halide printing, or highlighted slight differences in the same printing technique and unveiled the stylistic practice. Spectroscopic benchmarks were extracted to identify the elemental and molecular fingerprint layers, as the oil-based prints were obscured by the proteinaceous binder. It was identified that the pigments used were silicates or iron oxide introduced into the solution or that they retraced the practice of reusing materials to produce completely different printing techniques. In general, four main groups were extracted, in this way recreating the ‘artistic palette’ of the unconventional photography of the artist. The four groups were the following: (1) Cr, Fe, K, potassium dichromate, and gum arabic bands characterized the dichromate salts; (2) Ag, Ba, Sr, Mn, Fe, S, Ba, gelatin, and albumen characterized the silver halide emulsions on the baryta layer; (3) the carbon prints were benchmarked by K, Cr, dichromate salts, and pigmented gelatin; and (4) the heterogeneous class of bromoil prints was characterized by Ba, Fe, Cr, Ca, K, Ag, Si, dichromate salts, and iron-based pigments. Some exceptions were found, such as the baryta layer being divided into gum bichromate groups or the use of albumen in silver particles suspended in gelatin, to underline the unconventional photography at the end of the 10th century.
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Dissertations / Theses on the topic "Gum-bichromate"

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HSU, YU-SHAN, and 許瑜珊. "Classical Music and Gum Bichromate Print—The Creation of Interpreting Brahms Cello Sonatas with Abstract Form." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/8wzm2h.

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Abstract:
碩士
國立臺灣藝術大學
視覺傳達設計學系
104
In the age of globalization, the modern society manifests on versatility and discourages self-limitation; one should bring curiosity to the fullest to inspire interdisciplinary learning motivation, in order to broaden the horizons and cultivate general capabilities. Classical Music and Gum Bichromate Print is an interdisciplinary series of work combining visual and auditory senses, within which art is given new meanings and values with interchanging senses transmitting emotion. Classical Music and Gum Bichromate Print uses the 2010 live version of two of Brahms’ Cello Sonata, performed by Cellist Ling-Yi Ou Yang at the Arts Center of National Tsing Hua University, as research subject. This thesis aims to transform classical music into visual artwork with the concept of synesthesia, through processes of literature analysis, research in the composing background and the interpretation of the performer, on which the creative process is based. In depth, this thesis references similar case studies on their printing techniques, creating a collection of abstract artwork by using plastic developing technique. This research aims to alternate the underlying stereotype that the spectators have had towards classical music, combining the researcher’s personal upbringing background and aesthetic experiences. Not only is the musical piece reinterpreted with a whole new perspective in this research project, but the classical printing craftsmanship is represented as well, in order to bring it to public awareness and pass it down in the generations to come.
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Books on the topic "Gum-bichromate"

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Scopick, David. The gum bichromate book. 2nd ed. Boston, Mass: Focal, 1991.

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2

Payne, Sam. The gum bichromate printing process: From past to present. [Derby]: Derbyshire College of Higher Education, 1987.

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3

Keuren, Sarah Van. A non-silver manual: Cyanotype, brownprint, palladium & gum bichromate, with instructions for making light-resistsincluding pinhole photography. 2nd ed. [Lansdowne, PA]: Sarah Van Keuren, 1994.

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4

The gum bichromate book: Non-silver methods for photographic printmaking. 2nd ed. Boston: Focal Press, 1991.

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5

Le Procédé à la gomme bichromatée. Paris: J.M. Place, 1987.

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6

Demachy, Robert, and Alfred Maskell. Photo-Aquatint, Or, the Gum-Bichromate Process: A Practical Treatise on a New Process of Printing in Pigment Especially Suitable for Pictorial Workers. Franklin Classics Trade Press, 2018.

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Photo-Aquatint, or, the Gum-bichromate Process: A Practical Treatise on a New Process of Printing in Pigment Especially Suitable for Pictorial Workers. Creative Media Partners, LLC, 2022.

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Demachy, Robert, and Alfred Maskell. Photo-aquatint, or, The Gum-bichromate Process: A Practical Treatise on A new Process of Printing in Pigment Especially Suitable for Pictorial Workers. Franklin Classics, 2018.

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9

Anderson, Christina Z. Gum Printing: A Step-By-Step Manual, Highlighting Artists and Their Creative Practice. Taylor & Francis Group, 2016.

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Gum Printing: A Step-By-Step Manual, Highlighting Artists and Their Creative Practice. Taylor & Francis Group, 2016.

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Book chapters on the topic "Gum-bichromate"

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Reeder, Ron, and Christina Z. Anderson. "Gum Bichromate." In DIGITAL NEGATIVES with QuadToneRIP, 125–31. London; New York: Routledge, 2021. | Series: Contemporary practices in alternative process photography: Routledge, 2020. http://dx.doi.org/10.4324/9781003017806-13.

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BLACKLOW, L. "Gum Bichromate Prints." In New Dimensions in Photo Processes, 184–201. Elsevier, 2007. http://dx.doi.org/10.1016/b978-0-240-80789-8.50012-3.

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"Gum Bichromate Prints." In New Dimensions in Photo Processes, 131–42. Routledge, 2012. http://dx.doi.org/10.4324/9780080951508-16.

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Blacklow, Laura. "Gum Bichromate Prints." In New Dimensions in Photo Processes, 200–218. Routledge, 2018. http://dx.doi.org/10.4324/9781315208015-10.

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"Gum Bichromate Prints." In New Dimensions in Photo Processes, 199–216. Routledge, 2012. http://dx.doi.org/10.4324/9780080469263-17.

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