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Relevant bibliographies by topics / Gun Club (Musical group)

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Academic literature on the topic 'Gun Club (Musical group)'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Journal articles on the topic "Gun Club (Musical group)"

1

Lee, Angela, and Jane Southcott. "The ukulele experiences: Leisure and positive ageing in Taiwan." International Journal of Community Music 13, no. 3 (December 1, 2020): 319–31. http://dx.doi.org/10.1386/ijcm_00028_1.

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In Shuilin Township, Yunlin County, Taiwan a group of older people have a small, well-established, active musical club called ‘Can’t Read the Words’ where they learn and play the ukulele together. This research explored the impact of their ukulele playing experiences and paid special attention to song preferences (songs they have chosen to play or sing). Data collection involved 11 semi-structured, in-depth interviews with individual healthy adults. All participants drew from their experiences in regional community music organizations to explore how music effects their daily lives. Thematic analysis of the data unveiled valuable insights. The study concluded that participants believed that their musical club provided opportunities for individuals to practice and perform before audiences, resulting in a sense of achievement and satisfaction. The aged community should view the ‘Can’t Read the Words’ musical club as an example of the positive effects playing the ukulele can have on their lives.

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2

Sugiana, Dadang, and Hanny Hafiar. "Construction Of Self-Identity And Social Identity Of "Koes Plus" Music Fans." MIMBAR : Jurnal Sosial dan Pembangunan 34, no. 1 (June 19, 2018): 176–84. http://dx.doi.org/10.29313/mimbar.v34i1.3321.

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This research discusses about the construction of self and social identity of music fans community, Study on Community of Koes Fans Club-Jiwa Nusantara, intended to understand self-identity, and social identity, that develops inside the music fans community. The objective of this research is to find how member of musical group fans construct self-identity and social identity in the community. The research method is a qualitative with phenomenology tradition. As for the subjects of this study are the member of Koes Music Fans Club- Jiwa Nusantara that are domiciled in several cities, including Medan, Jakarta, Bogor, Bekasi, Karawang, Tangerang, Cimahi, Padalarang, Tegal, Banyumas, and Surabaya. The research results found that members of music fans community are constructing self-identity and social identity inseparable from the existence and activity of the community as well as the figure of their favorite musical group. Communication behavior that develops between individuals who are members of music fans community takes places in the context of togetherness as members of the community by developing typical symbols which only understood by fellow members of the community and leads to the preservation of musical group creations that became their idol.

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Söğüt, Mustafa. "A Comparison of Serve Speed and Motor Coordination between Elite and Club Level Tennis Players." Journal of Human Kinetics 55, no. 1 (January 1, 2017): 171–76. http://dx.doi.org/10.1515/hukin-2017-0015.

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AbstractThe purpose of this study was to compare the serve speed and motor coordination of elite and club level junior tennis players aged 11-14 years. Participants (n=35) were assigned to one of the two groups according to their experience, weekly training volume and competition level. Serve speed was assessed with a sports radar gun. Motor coordination was evaluated by means of the Körperkoordinationstest für Kinder. The main results revealed that serve speed and motor coordination performance levels of the elite group were significantly higher than those of the club group. This study emphasized the importance of early participation and training intensity, which can play an important role in enhancement of serve speed and motor coordination.

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Ellamil, Melissa, Joshua Berson, Jen Wong, Louis Buckley, and Daniel S. Margulies. "One in the Dance: Musical Correlates of Group Synchrony in a Real-World Club Environment." PLOS ONE 11, no. 10 (October 20, 2016): e0164783. http://dx.doi.org/10.1371/journal.pone.0164783.

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5

Heredia, Luis, David Hinkamp, Marc Brodsky, and Carlos Llapur. "Playing-Related Problems among Musicians of the Orquesta Buena Vista Social Club and Supporting Bands." Medical Problems of Performing Artists 29, no. 2 (June 1, 2014): 80–85. http://dx.doi.org/10.21091/mppa.2014.2018.

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BACKGROUND: The Orquesta Buena Vista Social Club is a world-renowned group of Cuban musicians accomplished in a variety of musical styles. The musicians of the Orquesta Buena Vista Social Club and supporting musicians of their orchestras represent a cohort of musicians throughout Cuba who continue to play traditional genres and perform into their older ages. PURPOSE: The purpose of the study was to (1) identify musculoskeletal conditions that occurred over the previous 12 months among the members of the Orquesta and supporting musicians and (2) to discover if these conditions, in part, were caused by or in some way affected musical performance. METHODS: The study was a convenience sample of musicians within the Orquesta Buena Vista Social Club and supporting musical groups. Thirty-six musicians completed a self-administered survey. RESULTS: Sixty-seven percent (24/36) of the total sample of musicians and 89% (16/18) of those over age 60 years had at least one musculoskeletal condition over the previous 12 months. Forty-four percent (16/36) of the total sample of musicians and 61% (11/18) of those older than 60 years of age reported that a musculoskeletal complaint was either, in part, caused by or affected their performance. CONCLUSION: Musculoskeletal conditions were prevalent among the Cuban musicians, especially in those over 60 years of age. Collaboration of medical professionals, managers, and musicians may help to generate ideas on how to prevent injuries as well as to evaluate what treatments for playing-related conditions, including both conventional and complementary and alternative therapies, are most effective.

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Lee, Mitchell. "Self and The City: Social Identity and Ritual at New York City Football Club." Journal of Contemporary Ethnography 47, no. 3 (November 24, 2016): 367–95. http://dx.doi.org/10.1177/0891241616677581.

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This article addresses the construction of a singing culture at New York City Football Club (NYCFC) over the course of its inaugural season in Major League Soccer (MLS). Although being a supporter can provide many of the feelings associated with the term “community,” in order to capture the fluid reality of twenty-first-century group formation, this article rejects that label, preferring to understand NYCFC fandom as an emerging “social identity.” Such an approach enables us to recognize the many layers of identification that form people’s self-concepts. I argue that NYCFC fandom, and perhaps social identities more broadly, are realized through ritual interaction in the form of normative group behavior. In this case, song is the meeting point of the converging worlds of soccer fandom and New York City, negotiating a shared musical culture that gives meaning to a new social identity.

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7

Goncharov, V. A., and A. B. Usov. "MODELING AN EFFECTIVE CONCERT MANAGEMENT SYSTEM FOR A MUSIC CLUB." Ecology. Economy. Informatics.System analysis and mathematical modeling of ecological and economic systems 1, no. 5 (2020): 35–39. http://dx.doi.org/10.23885/2500-395x-2020-1-5-35-39.

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In the modern world, cultural and leisure activities are more developed than ever. One of the sides of its manifestation is the growing popularity of concerts of various musical groups. The article sets and solves the problem of mathematical modeling of the relationship between the management of a music group and the management of a club that provides a rental venue for performances. We use a static two-level hierarchically organized model that describes the interaction of managers of a music club (supervisor) and a music group (agent). The top – level subject is the supervisor, and the bottom-level subject is the agent. The agent generates their winnings by changing the cost of concert tickets in response to the supervisor’s announced strategy. The supervisor’s winnings vary depending on the price they set for renting the venue for the group’s performance. Target functions of both participants are constructed. The incentive method is used as a method of hierarchical management. The algorithm for constructing the Stackelberg equilibrium for a two-level hierarchical game is specified. An analytical study was conducted for a particular type of input functions. Examples of analytical finding of equilibrium are given. An analysis of the results obtained is given, on the basis of which conclusions are made about the type of optimal management of the supervisor and agent.

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8

Manns, Patricio. "The problems of the text in nueva cancíon." Popular Music 6, no. 2 (May 1987): 191–95. http://dx.doi.org/10.1017/s0261143000005985.

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Patricio Manns (b. 1937) is a Chilean singer, songwriter, writer, poet, novelist and journalist. He was one of the group of singers who came together in the Peña de los Parra, the club founded by Angel and Isabel Parra in Santiago in 1965 which became the crucible where neo-folklore metamorphised into nueva cancíon (‘New Song’). Manns' relationship with nueva cancíon has been a fundamental, although at times an ambivalent one. Unlike many of the other musicians he has constantly involved himself in non-musical and political activity. Recently he has been the European spokesperson for the Chilean resistance movement, the Manuel Rodriguez Patriotic Front, which claimed responsibility for the assassination attempt in October 1986 on President Pinochet.

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9

Borуsova, Yu, and A. Fedoriaka. "Musical and rhythmic training of gymnasts 6-7 years old." Scientific Journal of National Pedagogical Dragomanov University Series 15 Scientific and pedagogical problems of physical culture (physical culture and sports), no. 8(128) (December 28, 2020): 27–32. http://dx.doi.org/10.31392/npu-nc.series15.2020.8(128).06.

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Competitive composition in rhythmic gymnastics is a small performance that has its own plot. However, the modern system of training in rhythmic gymnastics involves the implementation of a large amount of complex and super-complex elements, which must be mastered by very young athletes, and almost no methods of forming artistry, expressiveness, musicality. Problems related to the study of sports aesthetics are the subject of research by scientists: Viner-Usmanova I.O., M.E. Plekhanova, L.P. Morozova, V.V. Sydorova, L.A. Karpenko, Kabaieva A.M., Biletska I.H. etc.. Aim: to scientifically substantiate and develop a program of musical and rhythmic training for 6-7 years old gymnasts. Research methods: analysis and generalization of literature sources; pedagogical observation and experiment; testing; expert evaluation of performances of 6-7 years old gymnasts; methods of mathematical statistics. Organization of the research. The research was conducted on the basis of the sports club "Rhythmics Star" in Dnipro within the period from October, 2018 till December, 2019. The study involved two groups of 6-7 years old gymnasts: control and experimental ones of 15 girls in each. Classes in groups were held 5 times a week for 90 minutes. Research results. After conducting the study of the initial level of musical-rhythmic training of gymnasts 6-7 years old, it was determined that the majority (70.6%) of the athletes have an average level of musical-rhythmic training. The largest difference in the results was observed in the test for coordination of movements with the meter, and the smallest one in improvisation to music. As a result of the study, the program of musical and rhythmic training for gymnasts aged 6-7 was developed and experimentally tested. Conclusions. Comparison of indicators of musical-rhythmic preparedness of the studied control and experimental groups at the beginning and end of the pedagogical experiment showed that in the control group the indicators have not changed. Whereas in the experimental group there was a significant statistical increase in the main indicators of musical and motor preparedness. Prospects for further research: development of the program for different age groups using other methods and means of musical-rhythmic training.

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10

Solberg, Ragnhild Torvanger, and Alexander Refsum Jensenius. "Group behaviour and interpersonal synchronization to electronic dance music." Musicae Scientiae 23, no. 1 (July 11, 2017): 111–34. http://dx.doi.org/10.1177/1029864917712345.

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The present study investigates how people move and relate to each other – and to the dance music – in a club-like setting created within a motion capture laboratory. Three groups of participants (29 in total) each danced to a 10-minute-long DJ mix consisting of four tracks of electronic dance music (EDM). Two of the EDM tracks had little structural development, while the two others included a typical “break routine” in the middle of the track, consisting of three distinct passages: (a) “breakdown”, (b) “build-up” and (c) “drop”. The motion capture data show similar bodily responses for all three groups in the break routines: a sudden decrease and increase in the general quantity of motion. More specifically, the participants demonstrated an improved level of interpersonal synchronization after the drop, particularly in their vertical movements. Furthermore, the participants’ activity increased and became more pronounced after the drop. This may suggest that the temporal removal and reintroduction of a clear rhythmic framework, as well as the use of intensifying sound features, have a profound effect on a group’s beat synchronization. Our results further suggest that the musical passages of EDM efficiently lead to the entrainment of a whole group, and that a break routine effectively “re-energizes” the dancing.

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Books on the topic "Gun Club (Musical group)"

1

Go tell it on the mountain: The stories and lyrics. Los Angeles: 2.13.61 [sic] Publications, 1998.

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2

S Club 7. New York: St. Martin's Paperbacks, 2000.

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3

Spencer, Bright, ed. Take it like a man: The autobiography of Boy George. New York: It Books, 2012.

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4

Like punk never happened: Culture Club and the new pop. London: Faber and Faber, 1985.

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5

Omara: Los ángeles también cantan. Santiago de Cuba: Ediciones Caserón, Comité Provincial de la UNEAC, 2009.

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6

Buena Vista in the club: Rap, reggaetón, and revolution in Havana. Durham: Duke University Press, 2011.

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7

Walker, Lucy. Buena Vista Social Club: Adios. 2017.

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8

Body, Sean. Wish the World Away: Mark Eitzel & the American Music Club. SAF Publishing, 1999.

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9

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2002.

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Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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