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Books on the topic 'Gun Club (Musical group)'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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Consult the top 24 books for your research on the topic 'Gun Club (Musical group).'

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1

Go tell it on the mountain: The stories and lyrics. Los Angeles: 2.13.61 [sic] Publications, 1998.

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2

S Club 7. New York: St. Martin's Paperbacks, 2000.

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3

Spencer, Bright, ed. Take it like a man: The autobiography of Boy George. New York: It Books, 2012.

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4

Like punk never happened: Culture Club and the new pop. London: Faber and Faber, 1985.

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5

Omara: Los ángeles también cantan. Santiago de Cuba: Ediciones Caserón, Comité Provincial de la UNEAC, 2009.

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6

Buena Vista in the club: Rap, reggaetón, and revolution in Havana. Durham: Duke University Press, 2011.

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7

Walker, Lucy. Buena Vista Social Club: Adios. 2017.

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8

Body, Sean. Wish the World Away: Mark Eitzel & the American Music Club. SAF Publishing, 1999.

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9

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2002.

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10

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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11

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2001.

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12

Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2001.

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13

Contemporary musicians: Profiles of the people in music. Detroit, MI: Gale Group :Thomson Gale, 2004.

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14

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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15

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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16

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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17

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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18

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2002.

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19

Hook, Peter. The Haçienda: How not to run a club. 2014.

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20

Contemporary musicians: Profiles of the people in music. Vol. 46. Farmington Hills, MI: Gale Research, Inc., 2004.

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21

Johnny Marr: The Smiths and the Art of Gun-Slinging. Blake Publishing, Limited, John, 2016.

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22

Rimmer, Dave. Like Punk Never Happened: Culture Club and the New Pop. Faber & Faber, 1986.

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23

Contemporary musicians: Profiles of the people in music. Farmington Hills, MI: Thomson/Gale, 2005.

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24

Greenland, Thomas H. Making the Scene. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040115.003.0005.

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Abstract:

This chapter examines how intimate social correspondence between active participants in New York City's avant-jazz scene engenders individual and group identities—a sense of who we are, where we go, what we love, and how we live. It first considers how fellowship, and particularly camaraderie, develops among fans during and after jazz performances. It then looks at how jazz fans interface with “club/houses” and the people that run them and goes on to discuss social determinants of musical taste. It also explores one of the occupational hazards associated with jazz fandom in New York City, what Steve Dalachinsky called “divided nights.” The chapter shows that active concertgoers, particularly avant-jazz fans, collectively identify and express themselves through improvised music, and describes gregarious yet self-contained, intimate jazz communities as an example of both an extended family and “a group of separates.”

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