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1

Kumar, Gundam Sandeep, Umamahesh Thupakula, Piyush Kanti Sarkar, and Somobrata Acharya. "Correction: Easy extraction of water-soluble graphene quantum dots for light emitting diodes." RSC Advances 5, no. 63 (2015): 51019. http://dx.doi.org/10.1039/c5ra90055g.

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2

Hermawan, Daniel. "Meaning Transformation of Gundam Symbol in Japanese Society." Advanced Science Letters 22, no. 5 (May 1, 2016): 1323–26. http://dx.doi.org/10.1166/asl.2016.6753.

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3

Tatsumi, Takayuki, and Christopher Bolton. "Gundam and the Future of Japanoid Art." Mechademia 3, no. 1 (2008): 191–98. http://dx.doi.org/10.1353/mec.0.0065.

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4

Donoso, E. "GUNDAM: a toolkit for fast spatial correlation functions in galaxy surveys." Monthly Notices of the Royal Astronomical Society 487, no. 2 (June 3, 2019): 2824–35. http://dx.doi.org/10.1093/mnras/stz1469.

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ABSTRACT We describe the capabilities of a new software package to calculate two-point correlation functions (2PCFs) of large galaxy samples. The code can efficiently estimate 3D/projected/angular 2PCFs with a variety of statistical estimators and bootstrap errors, and is intended to provide a complete framework (including calculation, storage, manipulation, and plotting) to perform this type of spatial analysis with large redshift surveys. Gundam implements a very fast skip list/linked list algorithm that efficiently counts galaxy pairs and avoids the computation of unnecessary distances. It is several orders of magnitude faster than a naive pair counter, and matches or even surpass other advanced algorithms. The implementation is also embarrassingly parallel, making full use of multicore processors or large computational clusters when available. The software is designed to be flexible, user friendly and easily extensible, integrating optimized, well-tested packages already available in the astronomy community. Out of the box, it already provides advanced features such as custom weighting schemes, fibre collision corrections and 2D correlations. Gundam will ultimately provide an efficient toolkit to analyse the large-scale structure ‘buried’ in upcoming extremely large data sets generated by future surveys.
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HAYASHI, Naoto, and Masashi YAMADA. "Impressions of Robot Design in Japanese Anime Series “Mobile Suit Gundam”." International Journal of Affective Engineering 16, no. 3 (2017): 165–71. http://dx.doi.org/10.5057/ijae.ijae-d-16-00041.

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Drazen, Patrick. "The Shock of the Newtype: The Mobile Suit Gundam Novels of Tomino Yoshiyuki." Mechademia 1, no. 1 (2006): 174–77. http://dx.doi.org/10.1353/mec.0.0063.

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Reddy, P. Vishnu Mohan, K. Venkata Ratnam, and R. R. Venkata Raju. "Medicinal plant diversity of Sri Nemali Gundam Ranganayaka Swamy sacred grove, Prakasam District, Andhra Pradesh, India." Medicinal Plants - International Journal of Phytomedicines and Related Industries 11, no. 4 (2019): 415. http://dx.doi.org/10.5958/0975-6892.2019.00054.6.

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8

Kim, Shin-Youp, and Hee-Kyung Kim. "Transmedia Storytelling Internal Expansion Case Study : Focused on Universal Century from 0068 to 0096 of Mobile Suit Gundam." Korean Journal of animation 14, no. 3 (September 30, 2018): 168–85. http://dx.doi.org/10.51467/asko.2018.09.14.3.168.

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9

Stockwell, Steve. "Dealing with World Domination: Lessons from The Powerpuff Girls and Friends." Media International Australia 113, no. 1 (November 2004): 23–29. http://dx.doi.org/10.1177/1329878x0411300105.

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How did the world change on September 11, 2001? While the events of that day may be more the product of shifting geopolitical formations than the cause, September 11 brings into focus the political functions of global media networks and their potential as conduits of world domination. In this context, Cartoon Network provides some insights and challenges for both media theory and the politics of the twenty-first century. World domination is a recurring theme on Cartoon Network in anime products such as Dragon Ball Z and Gundam Wing, in post-feminist products such as The Powerpuff Girls and Dexter's Laboratory, and in cross-over work such as Samurai Jack and, most intriguingly, Pinky and the Brain, where a super-smart lab rat and his stupid friend are constantly plotting to take over the world. The failure — on Cartoon Network at least — of all plans for world domination invites us to consider means of resistance to aspirational politics on a global scale.
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10

안숭범. "Political Moral Issues Presented in Japanese Real Robot Animation -Based on Arendt’s Perspective on Conflictive World Awareness in Mobile Suit Gundam-." Film Studies ll, no. 57 (September 2013): 203–30. http://dx.doi.org/10.17947/kfa..57.201309.008.

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11

Kato, M., S. Sakai, Y. Koshikawa, H. Bandou, K. Nishida, Y. Takekita, N. Sunada, and T. Kinoshita. "P.2.f.010 Randomised clinical trial of mirtazapine versus SSRIs. Interim report of genetic utility needed for depression antidepressant medication (GUNDAM) study." European Neuropsychopharmacology 24 (October 2014): S457. http://dx.doi.org/10.1016/s0924-977x(14)70731-x.

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12

김용균 and 서경원. "A Study on the Effect of the Use of Story Marketing in Japanese Popular Culture ‒Focusing on the Secret of Success of Animation ‘Gundam’ ‒." Japanese Modern Association of Korea ll, no. 41 (August 2013): 89–109. http://dx.doi.org/10.16979/jmak..41.201308.89.

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13

Tesfaye, Gigar. "La généalogie des trois tribus Irob chrétiennes d'après des documents de Gunda Gundié." Annales d'Ethiopie 13, no. 1 (1985): 57–66. http://dx.doi.org/10.3406/ethio.1985.919.

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14

Stern, Sara. "Porträt Gunda Leschber." kma - Klinik Management aktuell 12, no. 03 (March 2007): 70–73. http://dx.doi.org/10.1055/s-0036-1574137.

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Man könne keine Quotenfrauen fordern, wenn sie nicht da sind, sagt Gunda Leschber. Also gründet die deutschlandweit einzige Chefärztin der Thoraxchirurgie dafür ein Frauennetzwerk. Denn hier an den Gefäßen, wo besonders fein gearbeitet werden muss, fehlt oft das weibliche Fingerspitzengefühl.
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Nora Pitri Nainggolan and Intan Utna Sari. "PEMBINAAN DAN PENERAPAN STRATEGI PEMASARAN MELALUI MEDIA SOSIAL PADA HOME INDUSTRI MASYARAKAT TANJUNG GUNDAP." Jurnal Abdimas Bina Bangsa 1, no. 2 (December 15, 2020): 267–75. http://dx.doi.org/10.46306/jabb.v1i2.31.

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Ditengah-tengah kemajuan teknologi pada jaman sekarang ini masih terdapat masyarakat yang berada jauh dari kemajuan teknologi. Masyarakat ini merupakan suku asli yang berada di pesisir laut dengan menggantungkan hidupnya dari laut yaitu dengan menjadi nelayan. Salah satu suku laut yang masih tersisa di pesisir kota Batam adalah suku laut Tanjung Gundap. Oleh karena itu pengabdian pada kali ini dilakukan di Tanjung Gundap. Tanjung Gundap terletak di Kepulauan Riau, Kabupaten Kota Batam, Kecamatan Sagulung, Kelurahan Tembesi. Pengabdian ini diberikan kepada masyarakat Tanjung Gundap yang berada di RW 01/ RT 02. Berdasarkan survey yang dilakukan oleh Tim Pengabdi pada hari Minggu tanggal 29 Juli 2018 dan hari Selasa tanggal 31 Juli 2018
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Tobing, Vargo Christian L., and Hendri Herman. "PEMBINAAN AKUNTANSI PADA KOPERASI MASYARAKAT TANJUNG GUNDAP RT 02/ RW 01 KELURAHAN TEMBESI." PUAN INDONESIA 2, no. 2 (January 19, 2021): 147–56. http://dx.doi.org/10.37296/jpi.v2i2.42.

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Cooperative is a business entity (economic organization) owned and operated by its members to fulfill the common interests in the economic field. Given the many benefits of cooperatives, recently, the old village community of Tanjung Gundap has just formed a cooperative. This cooperative is intended so that the old kampong community of Tanjung Gundap can improve its welfare economically. The community can become a member of the cooperative and benefit from the cooperative, the community can borrow funds from the cooperative with a low interest rate so that it does not charge too much in loan payments. Because the cooperative formed by the old village community of Tanjung Gundap is still relatively new. Therefore, it is necessary to provide guidance to the community in recording finance related to cooperative operational activities. So the pengabdi team chose the theme of accounting coaching at the tanjung gundap community cooperative RT 02 / RW 01 Tembesi Village, Sagulung District. This development is intended so that cooperatives managed by the people of Tanjung Gundap have a good and correct financial record.
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17

O'Gaff, Larry. "Gundog." Books Ireland, no. 227 (1999): 379. http://dx.doi.org/10.2307/20631980.

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18

Haight, Mary. "Gunddh." Cogito 7, no. 1 (1993): 63–67. http://dx.doi.org/10.5840/cogito19937151.

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19

Nainggolan, Nora Pitri, and Intan Utnasari. "PEMBINAAN MEMBUAT APLIKASI TOKO ONLINE SEBAGAI MEDIA PROMOSI PADA HOME INDUSTRY MASYARAKAT TANJUNG GUNDAP RT.02/ RW.01." PUAN INDONESIA 2, no. 2 (January 19, 2021): 135–46. http://dx.doi.org/10.37296/jpi.v2i2.40.

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In the midst of technological advances today there are still people who are far from technological advances. This community is a native tribe that is on the sea coast by depending on its life from the sea by becoming fishermen. One of the remaining marine tribes on the coast of Batam City is the Tanjung Gundap sea tribe. Therefore, this service is carried out in Tanjung Gundap. Tanjung Gundap is located in Riau Islands, Batam City, Kecamatan Sagulung, Kelurahan Tembesi. This service was given to the community of Tanjung Gundap in RW 01/ RT 02. The service is done by providing guidance to the community about how they can market their home industry which is snacks (kerupuk) that they have processed and can be sold more maximally by utilizing social media in order to reach consumers more broadly. Coaching is done by creating social media and online stores. The coaching was done twice. The first meeting was about the introduction of social media and online stores that can be optimally utilized for the promotion and sale of products. The second coaching is done by creating emails, social media such as facebook, instagram as well as taking online such as shopee. The coaching that has been done can increase the spirit of the community in making home industry products and market optimally.
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20

Haight, Mary. "Gunddh 2." Cogito 7, no. 2 (1993): 153–57. http://dx.doi.org/10.5840/cogito19937233.

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Haight, Mary. "Gunddh 3." Cogito 7, no. 3 (1993): 244–47. http://dx.doi.org/10.5840/cogito19937312.

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22

Haight, Mary. "Gunddh 4." Cogito 8, no. 1 (1994): 88–93. http://dx.doi.org/10.5840/cogito19948158.

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23

Haight, Mary. "Gunddh 5." Cogito 8, no. 2 (1994): 174–80. http://dx.doi.org/10.5840/cogito19948233.

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24

Haight, Mary. "Gunddh 6." Cogito 9, no. 1 (1995): 72–77. http://dx.doi.org/10.5840/cogito19959149.

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25

DAMANE, E. M., and N. P. Khathi. "AWUTHUNYELWA GUNDANE." South African Journal of African Languages 5, sup1 (January 1985): 1–6. http://dx.doi.org/10.1080/02572117.1985.10586608.

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26

Gimenez, Marian Gabani. "Uma noite, Markovitch, de Ayelet Gundar-Goshen." Cadernos de Língua e Literatura Hebraica, no. 17 (December 31, 2019): 93–96. http://dx.doi.org/10.11606/issn.2179-0892.cllh.2019.178764.

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27

Khalim, Samidi. "ETIKA ISLAM JAWA DALAM TEMBANG “GUNDUL-GUNDUL PACUL”." IBDA` : Jurnal Kajian Islam dan Budaya 9, no. 1 (January 6, 2011): 126–36. http://dx.doi.org/10.24090/ibda.v9i1.34.

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This article describes the symbolic meaning of Gundul-gundul Paculsong. This is a song in Javanese language which is popular among Javanesechildren. This song, has a deep moral message, such as humility and zuhd.Since they are famous as humble people, they use satire to convey messageswhile they are playing with their friends.
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28

조유미. "Reconsidering on the Development of 'Gunbam Taryeong'." Music and Culture ll, no. 23 (September 2010): 109–30. http://dx.doi.org/10.17091/kswm.2010..23.109.

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29

Santos, Theotônio Dos. "André Gunder Frank." Latin American Perspectives 32, no. 6 (November 2005): 90–92. http://dx.doi.org/10.1177/0094582x05281115.

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30

Goenaga-Infante, Heidi, and Gunda Koellensperger. "It is time for a special issue dedicated to elemental speciation analysis." Journal of Analytical Atomic Spectrometry 31, no. 9 (2016): 1704–5. http://dx.doi.org/10.1039/c6ja90039a.

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31

Martozet and Nurwani. "The Transformation of Karo Traditional Dance Movement in Modern Choreography Form Gegeh Gundala-Gundala." Britain International of Linguistics Arts and Education (BIoLAE) Journal 2, no. 3 (October 28, 2020): 765–75. http://dx.doi.org/10.33258/biolae.v2i3.330.

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This study aims to form a choreography rooted in the motive movement of the Karo traditional dance in the form of the modern choreography Gegeh Gundala-Gundala. The three basic motives of the Karo traditional dance, namely Ertimbang, Bunga tan kawes kemuhen kudas kuteruh, and Rakut Meteguh are used as the basis for the development of motion with the method of developing the elements of motion, using the constructive dance creation method popularized by Jacqueline Smith such as the process of exploration, improvisation, composition, and evaluation. This creation process has formed a modern choreography rooted in new traditional values such as the theory conveyed by Soedarsono that modern dance is freedom in expressing movement techniques on stage, such as the Gegeh Gundala-Gundala choreography. The method in this research is. While the method of this research uses qualitative methods, describing a narrative study of dance creation including literature study, observation, studio work, and documentation. From the process of creating the Gegeh Gundala-Gundala choreography, a new and unique form was obtained, the result of the creative process of exploration, improvisation, composition, and evaluation and supported by the process of developing motion by utilizing elements of motion such as energy, space and time. From these processes a modern choreography was formed, rooted in the traditional Karo dance entitled Gegeh Gundala-Gundala. Obtained a new and unique form, the result of the creative process of exploration, improvisation, composition, and evaluation and supported by the process of developing motion by utilizing elements of motion such as energy, space and time. From these processes a modern choreography was formed, rooted in the traditional Karo dance entitled Gegeh Gundala-Gundala. Obtained a new and unique form, the result of the creative process of exploration, improvisation, composition, and evaluation and supported by the process of developing motion by utilizing elements of motion such as energy, space and time. From these processes a modern choreography was formed, rooted in the traditional Karo dance entitled Gegeh Gundala-Gundala.
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Martozet and Nurwani. "The Transformation of Karo Traditional Dance Movements in the Form of Modern Choreography of Gegeh Gundala-Gundala." Britain International of Humanities and Social Sciences (BIoHS) Journal 2, no. 3 (October 16, 2020): 679–89. http://dx.doi.org/10.33258/biohs.v2i3.318.

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This study aims to form a choreography rooted in the motive movement of the Karo traditional dance in the form of the modern choreography Gegeh Gundala-Gundala. The three basic motives of the Karo traditional dance, namely Ertimbang, Bunga tan kawes kemuhen kudas kuteruh, and Rakut Meteguh are used as the basis for the development of motion with the method of developing the elements of motion, using the constructive dance creation method popularized by Jacqueline Smith, such as the process of exploration, improvisation, composition, and evaluation. This creation process has formed a modern choreography rooted in new traditional values, such as the theory conveyed by Soedarsono that modern dance is freedom in expressing movement techniques on stage, such as the Gegeh Gundala-Gundala choreography. The method in this research is. While the method of this research uses qualitative methods, describing a narrative study of dance creation including literature study, observation, studio work, and documentation. From the process of creating the Gegeh Gundala-Gundala choreography, a new and unique form was obtained, the result of the creative process of exploration, improvisation, composition, and evaluation. And supported by the process of developing motion by utilizing elements of motion such as energy, space and time. From these processes a modern choreography was formed, rooted in the traditional Karo dance entitled Gegeh Gundala-Gundala.
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33

Zamora, Ramon, and Nurhayati Nurhayati. "PENDAMPINGAN DAN PELATIHAN KEWIRAUSAHAAN MASYARAKAT NELAYAN DI TANJUNG GUNDAP." MINDA BAHARU 3, no. 2 (December 18, 2019): 75. http://dx.doi.org/10.33373/jmb.v3i2.2005.

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Kegiatan pengabdian ini bertujuan untuk memberikan pendampingan dan pelatihan dalam menumbuhkembangkan semangat kewirausahaan bagi masyarakat dalam memanfaatkan potensi ekonomi serta meningkatkan pengetahuan dan ketrampilan masyarakat nelayan di Kampung Tua Tanjung Gundap Kelurahan Tembesi Kecamatan Sagulung Kota Batam Propinsi Kepulauan Riau. Metode pelatihan yang diberikan yaitu dalam bentuk pendampingan dan pelatihan (praktek dan teori). Kegiatan tersebut berlangsung selama dua hari berturut turut yaitu dari tanggal 10 Agustus sampai 11 Agustus 2019 dengan jumlah peserta sebanyak 25 orang. Hasil kegiatan Pendampingan dan pelatihan ini diawali dengan perencanaan kegiatan dengan menggunakan analisis SWOT guna menentukan target usaha dan calon-calon usaha, kemudian pengorganisasian tim, yang bertujuan agar ada kejelasan dan tanggung jawab anggota tim antara tugas, wewenang, dan tanggung jawab sesuai dengan bidangnya, Setelah perncanaan kegiatan pelatihan dan penentuan pihak yang terlibat kemudian dilanjutkan dengan mengaplikasikan perencanaan pendampingan yang telah dirancang yang diawali dengan tahap identifikasi dengan cara melakukan observasi langsung ke lapangan untuk menemukenali calon-calon usaha dan kemudian dilanjutkan dengan pendaftaran peserta kegiatan yaitu melalui ketua RT dimintai daftar nama peserta yang sekiranya mau dan mampu mengikuti kegiatan tersebut secara penuh dan terlebih dapat mengembangkan pengetahuan dan keterampilannya pasca pelatihan.
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34

Kim, Wook-Dong. "The Eternal Thread: Gunsam Lee’s First Play in English." Asian Theatre Journal 33, no. 1 (2016): 36–56. http://dx.doi.org/10.1353/atj.2016.0019.

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35

T., Kostaman. "AYAM LEHER GUNDUL: SEJARAH, KARAKTERISTIK, DAN KONSERVASI." Majalah Ilmiah Peternakan 23, no. 1 (May 14, 2020): 22. http://dx.doi.org/10.24843/mip.2020.v23.i01.p04.

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Ayam leher gundul adalah ayam asli/lokal Indonesia yang belum banyak diketahui informasinya dalam halsejarah, potensi, dan karakteristik; sehingga belum dimanfaatkan secara optimal. Ciri yang paling menonjoldari ayam leher gundul adalah tidak mempunyai bulu dibagian lehernya. Untuk mempertahankannya, metode konservasi yang telah dilakukan oleh Balai Penelitian Ternak (Balitnak) adalah dengan memelihara ternak hidup, akan tetapi dengan keterbatasan sarana dan prasarana tidak dapat dilanjutkan. Data performan ayam leher gundul yang dipelihara di Balitnak sudah terkumpul dan ditabulasi. Alternatif konservasi yang dilakukan oleh Balitnak untuk mempertahankan plasma nutfah ayam leher gundul adalah berupa primordial germ cell (PGC) yang dibekukan pada suhu -196 oC yang sewaktu-waktu dibutuhkan dapat ditransfer ke embrio resipien. Sumber PGC yang di koleksi adalah dari darah dan gonad embrio. Berdasarkan potensi yang dimilikinya, ayam leher gundul memiliki performan yang baik, sehingga dapat dimanfaatkan sebagai ayam lokal penghasil daging dan telur. Tulisan ini diharapkan dapat bermanfaat sebagai data pendukung bagi upaya pelestarian dan pengembangan ayam-ayam lokal yang ada di Indonesia, khususnya ayam leher gundul dan umumnya ayam-ayam lokal Indonesia lainnya.
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Acharya, Pushipa Prasad, Ganga Prasad Kharel, and Megharaj Bhandari. "Survey on Production, Marketing and Consumption of Gundpak: A Traditional Khoa Based Milk Product of Nepal." Journal of Food Science and Technology Nepal 6 (June 29, 2013): 43–52. http://dx.doi.org/10.3126/jfstn.v6i0.8259.

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This study aims to explore a traditional technology of Gundpak production, marketing and consumption in Nepal. The major ingredients used for Gundpak production are Khoa, sugar, ghee and gum, while minor ingredients are dried fruits, nuts, watermelon seeds, battisa powder, Jesthalangwadi etc. The annual production of Gundpak in Kathmandu valley has been estimated approximately 579.1MT and sales about 550.4MT with a worth of NRs. 192.5 million. Mainly, there are two varieties of Gundpak named as normal and medicinal. Majority of Gundpak producers sale their product in an open tray called Kisti. However, some manufacturers started to pack the product into plastic containers with varying sizes. The shelf-life may vary i.e. one week in summer and two weeks in winter at ambient condition. The market products were found inconsistent in chemical compositions and other quality characteristics. Therefore, there is an urgent need of process optimization as well as quality standardization of Gundpak production in commercial scale. J. Food Sci. Technol. Nepal, Vol. 6 (43-52), 2010 DOI: http://dx.doi.org/10.3126/jfstn.v6i0.8259
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37

Wallerstein, Immanuel. "Remembering Andre Gunder Frank." International Journal of Comparative Sociology 46, no. 1-2 (April 2005): 171–72. http://dx.doi.org/10.1177/0020715205056489.

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38

Schull, William J. "James Van Gundia Neel." Genetic Epidemiology 18, no. 4 (April 2000): 289–91. http://dx.doi.org/10.1002/(sici)1098-2272(200004)18:4<289::aid-gepi1>3.0.co;2-o.

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Houlton, John. "Management of gundog injuries." In Practice 37, no. 8 (September 2015): 379–90. http://dx.doi.org/10.1136/inp.h4516.

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40

Wallerstein, I. "Remembering Andre Gunder Frank." History Workshop Journal 61, no. 1 (January 1, 2006): 305–6. http://dx.doi.org/10.1093/hwj/dbi075.

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41

Utomo Hadibroto, Joko. "Anomalus dan Brand Aura Karakter Superhero Pada Film Gundala: Analisis Struktur Naratif." CoverAge: Journal of Strategic Communication 10, no. 1 (September 23, 2019): 37–45. http://dx.doi.org/10.35814/coverage.v10i1.1231.

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This research or analysis uses Vladimir Propp's narrative structure analysis of the genre of superhero film titled Gundala, which is based on Indonesian comics. Gundala is a superhero character or hero who has supernatural powers that come from the energy of lightning. Through the power of his lightning energy, Gundala as a hero is able to defeat villain as a criminal. This is the narration presented from the film Gundala. Thus, the use of the concept of narrative structure aims to reveal the role and position of each character in the frame of binary opposition. Next, an understanding of his supernatural powers was analyzed using the concept of anomalous categories from Claude Levi-Strauss. Furthermore, the film Gundala has its appeal in presenting the narratives of the characters. Both superhero and villain characters. Related to that, the use of the concept of brand aura aims to find an element of attraction for the characters of the shop for the cinema audience.
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V, Rekha, and Essakky Pandian G. "Review on Siddha Drug: Panchalavana Parpam." International Journal of Health Sciences and Research 11, no. 5 (May 7, 2021): 128–32. http://dx.doi.org/10.52403/ijhsr.20210518.

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In Siddha system, medicine includes the herbal products, inorganic substances and animal products that lead to different formulations ranging from low shelf life drug to high shelf life drug. Parpam is the powdered substance generally obtained by calcification of purified metals, minerals and animal products by specific process. The current review aims to explore about Siddha formulation “Panchalavana Parpam” for the management of Kiraani and associated symptom. The details about the Siddha formulation “Panchalavana Parpam” was acquired from Siddha text Boghar 700: Pg. No: 49 and the details of each ingredients of above drug were collected from various Siddha texts. According to the results, all five ingredient of this preparation having the potency of relieving Soolai, Kiraani, gunmam, like gastero intestinal tract diseases. This preliminary literature review related research provides useful documentary evidences for medicinal ingredients those are commonly using to prepare the medicine for health management. Key words: Panchalavana Parpam, gunmam, Kiraani Siddha system.
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43

Drenkhahn, Kirstin. "Typisierung von Sexualstraftätern – eine empirische Studie von Gunda Wößner." Neue Kriminalpolitik 19, no. 4 (2007): 158–60. http://dx.doi.org/10.5771/0934-9200-2007-4-158.

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Sclar, Charles B. "Gunnar Kullerud (1922-1989)." Global Tectonics and Metallogeny 3, no. 4 (January 1, 1991): 223–24. http://dx.doi.org/10.1127/gtm/3/1991/223.

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Dos Santos, Theotonio. "André Gunder Frank (1929-2005)." PROKLA. Zeitschrift für kritische Sozialwissenschaft 35, no. 139 (June 1, 2005): 171–73. http://dx.doi.org/10.32387/prokla.v35i139.597.

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46

Seddon, David. "Andre gunder frank 1929-2005." Critical Asian Studies 37, no. 3 (January 2005): 517–19. http://dx.doi.org/10.1080/14672710500243581.

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47

Neel, James V. "James Van Gundia Neel 1915-." MEDICINE 71, no. 2 (March 1992): 96–101. http://dx.doi.org/10.1097/00005792-199203000-00004.

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48

Schell, William. "Andre Gunder Frank (1929-2005)." Hispanic American Historical Review 86, no. 1 (February 1, 2006): 123–26. http://dx.doi.org/10.1215/00182168-86-1-123.

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49

MINTZ, SIDNEY. "Andre ?Gunder? Frank (1929?2005)." American Anthropologist 109, no. 1 (March 2007): 232–34. http://dx.doi.org/10.1525/aa.2007.109.1.232.

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50

Houlton, John. "Gathering information on gundog retirement." Veterinary Record 186, no. 10 (March 12, 2020): 325.3–325. http://dx.doi.org/10.1136/vr.m939.

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