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Journal articles on the topic 'Gunfighter'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Metz, Leon C., and Joseph G. Rosa. "Wild Bill Hickok, Gunfighter: An Account of Hickok's Gunfights." Western Historical Quarterly 35, no. 3 (October 1, 2004): 388. http://dx.doi.org/10.2307/25443029.

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2

Myrsiades, Kostas. "Reading The Gunfighter as Homeric Epic." College Literature 34, no. 2 (2007): 279–300. http://dx.doi.org/10.1353/lit.2007.0019.

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3

Hollon, W. Eugene, and Jack Burrows. "John Ringo: The Gunfighter Who Never Was." Western Historical Quarterly 19, no. 2 (May 1988): 228. http://dx.doi.org/10.2307/968423.

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4

Blaser, Kent. "Gunfighter Nation: the Myth of the Frontier in Twentieth-Century America." Annals of Iowa 53, no. 2 (April 1994): 157–59. http://dx.doi.org/10.17077/0003-4827.9798.

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5

Wrobel, David M., and Richard Slotkin. "Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America." American Historical Review 99, no. 3 (June 1994): 989. http://dx.doi.org/10.2307/2167943.

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6

White, Richard, and Richard Slotkin. "Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America." Journal of American History 80, no. 3 (December 1993): 1039. http://dx.doi.org/10.2307/2080422.

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7

Friedman, George S., and Richard Slotkin. "Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America." Journal of Southern History 60, no. 4 (November 1994): 830. http://dx.doi.org/10.2307/2211116.

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8

Brown, Richard Maxwell, and Richard Slotkin. "Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America." Western Historical Quarterly 25, no. 1 (1994): 90. http://dx.doi.org/10.2307/971072.

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9

Wright, Will, and Richard Slotkin. "Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America." Contemporary Sociology 22, no. 6 (November 1993): 854. http://dx.doi.org/10.2307/2075994.

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10

Poister, Robert Christopher. "Bloody Bill Longley: The Mythology of a Gunfighter (review)." Southwestern Historical Quarterly 116, no. 1 (2012): 86–87. http://dx.doi.org/10.1353/swh.2012.0077.

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11

Walker, David A. "Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America." History: Reviews of New Books 22, no. 3 (April 1994): 103. http://dx.doi.org/10.1080/03612759.1994.9948939.

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12

Owsley, Douglas W., Brooks B. Ellwood, and Terry Melton. "Search for the Grave of William Preston Longley, Hanged Texas Gunfighter." Historical Archaeology 40, no. 3 (September 2006): 50–63. http://dx.doi.org/10.1007/bf03376732.

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13

Ciraulo, Darlena. "Spaghetti Shakespeare: „Johnny Hamlet” and the Italian Western." Multicultural Shakespeare: Translation, Appropriation and Performance 15, no. 30 (June 30, 2017): 105–19. http://dx.doi.org/10.1515/mstap-2017-0008.

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The Italian Western, Johnny Hamlet (1968), directed by Enzo G. Castellari, draws on the revenge story of Shakespeare’s tragedy Hamlet for plot and characterization. While international distributors of the film downplayed its connection to highbrow Shakespeare, they emphasized the movie’s violent content and actionpacked revenge narrative, which was typical of the western all’italiana. Johnny Hamlet shares similarities with the brutally violent Django (1966), directed by Sergio Corbucci, whose avenging angel protagonist epitomizes the Spaghetti Western antihero. Although the filmmakers of Johnny Hamlet characterized Johnny as a vindicator, they also sought to develop the “broody” aspect of this gunfighter, one based on Shakespeare’s famously ruminating hero. Using innovative film techniques, Johnny Hamlet shows Johnny as a contemplative pistolero.

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14

Cavendish, Bob. "Ben Thompson: Portrait of a Gunfighter by Thomas C. Bicknell, Chuck Parsons." Southwestern Historical Quarterly 122, no. 4 (2019): 473–74. http://dx.doi.org/10.1353/swh.2019.0038.

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15

Ellwood, Brooks B., Douglas W. Owsley, Suzanne H. Ellwood, and Patricia A. Mercado-Allinger. "Search for the grave of the hanged Texas gunfighter, William Preston Longley." Historical Archaeology 28, no. 3 (September 1994): 94–112. http://dx.doi.org/10.1007/bf03374192.

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16

Sharrett, Christopher. ": Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America . Richard Slotkin." Film Quarterly 47, no. 1 (October 1993): 50–52. http://dx.doi.org/10.1525/fq.1993.47.1.04a00150.

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17

Davis, Robert Murray. "Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America by Richard Slotkin." Western American Literature 28, no. 3 (1993): 264–65. http://dx.doi.org/10.1353/wal.1993.0112.

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18

Sharrett, Christopher. "Review: Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America by Richard Slotkin." Film Quarterly 47, no. 1 (1993): 50–52. http://dx.doi.org/10.2307/1213117.

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19

Bird. "Rescuing The Gunfighter: A Lost Film Reconstructed from an Ancient Home Movie Edition." Moving Image: The Journal of the Association of Moving Image Archivists 19, no. 2 (2019): 71. http://dx.doi.org/10.5749/movingimage.19.2.0071.

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20

Minden, Michael. "Ethics, Gesture and the Western." Performance Philosophy 3, no. 1 (June 25, 2017): 40. http://dx.doi.org/10.21476/pp.2017.31160.

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This paper relates the Western Movie to Agamben�s implied gestural zone between intention and act. Film is important in the realisation of this zone because it was the first means of representation to capture the body in movement. The Western movie explores the space of ethical indistinction between the acts of individual fighters and the establishment of a rule of law, or putting this another way, between violence and justice. Two classic examples of an archetypal Western plot (Shane, 1953 and Unforgiven, 1991) that particularly embodies this are cited. In both a gunfighter who has forsworn violence at the start is led by the circumstances of the plot to take it up once more at the conclusion. In these terms all the gestures contained between these beginning- and end-points are analysable as an ethics of gesture because, captured as gestures, they occupy the human space between abstraction and action, suspended between them, and reducible to neither. �David Foster Wallace's definition of this narrative arc in Infinite Jest (and embodied in it) is adduced in order to suggest a parallel between Agamben's notion of an ethics of gesture, and an ethics of genre.

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21

Goldstein, Laurence. "Mama How Come Black Men Don't Get to Be Heroes?: Black Poets and the Movies: Invitation to a Gunfighter." Iowa Review 23, no. 3 (October 1993): 110–31. http://dx.doi.org/10.17077/0021-065x.4327.

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22

Boillat, Alain. "Les codes du western à l’ère du codage informatique : le jeu vidéo sur la piste du gunfighter cinématographique (Red Dead Redemption)." Décadrages, no. 39 (December 1, 2018): 62–92. http://dx.doi.org/10.4000/decadrages.1340.

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23

Nichols, Roger L. "Gunfighter in Gotham: Bat Masterson's New York City Years. By Robert K. DeArment. (Norman, OK: University of Oklahoma Press, 2013. Pp. ix, 293. $29.95.)." Historian 76, no. 3 (September 1, 2014): 581–82. http://dx.doi.org/10.1111/hisn.12048_12.

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24

Nesbitt, John D. "Big Horn Gunfighter by Robert Kammen, and Long Henry by Robert Kammen, and Wind River Kill by Robert Kammen, and Wyoming Gunsmoke by Robert Kammen." Western American Literature 23, no. 4 (1989): 373–74. http://dx.doi.org/10.1353/wal.1989.0003.

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25

Berner, Robert L. "Old Gunfighters, New Cops." Western American Literature 21, no. 2 (1986): 131–34. http://dx.doi.org/10.1353/wal.1986.0052.

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26

Duncan, Rebecca E. "The legacy of ‘The Gunfighters’ Surgeon’." Trauma 17, no. 2 (January 22, 2015): 155–57. http://dx.doi.org/10.1177/1460408614567705.

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27

Obert, Jonathan. "The Six-Shooter Marketplace: 19th-Century Gunfighting as Violence Expertise." Studies in American Political Development 28, no. 1 (April 2014): 49–79. http://dx.doi.org/10.1017/s0898588x13000187.

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How are new forms of violence expertise organized and exploited? Most scholars view this as primarily a question of state-building; that is, violence experts use their skills in an attempt to regulate economic transactions or to extract and redistribute resources via protection rents either for themselves or at the behest of political elites. In an alternative view, this article demonstrates that historical gunfighters active in the late 19th-century American Southwest were actually market actors—the possessors of valuable skills cultivated through participation in the Civil War and diffused through gunfighting and reputation building in key marketentrepôts. Neither solely state-builders nor state-resisters, as they have traditionally been interpreted, gunfighters composed a professional class that emerged in the 1870s and 1880s and who moved frequently between wage-paying jobs, seizing economic opportunities on both sides of the law and often serving at the behest of powerful economic, rather than political, actors. I establish this claim by examining a dataset of over 250 individuals active in the “gunfighting system” of the post-bellum West, demonstrating that the social connections forged through fighting, and diffused through social networks, helped generate a form of organized violence that helped bring “law and order” to the frontier but as a byproduct of market formation rather than as state-building.

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28

Limbaugh, Ron, and Roger D. McGrath. "Gunfighters, Highwaymen, and Vigilantes: Violence on the Frontier." Journal of American History 72, no. 1 (June 1985): 160. http://dx.doi.org/10.2307/1903787.

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29

Barton, John D., and Robert K. DeArment. "Deadly Dozen: Twelve Forgotten Gunfighters of the West." Western Historical Quarterly 36, no. 2 (July 1, 2005): 241. http://dx.doi.org/10.2307/25443183.

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30

Noel, Thomas J., and Roger D. McGrath. "Gunfighters, Highwaymen, and Vigilantes: Violence on the Frontier." American Historical Review 90, no. 1 (February 1985): 229. http://dx.doi.org/10.2307/1860920.

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31

Ball, Larry D., and Roger D. McGrath. "Gunfighters, Highwaymen, and Vigilantes: Violence on the Frontier." Western Historical Quarterly 16, no. 2 (April 1985): 201. http://dx.doi.org/10.2307/969674.

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32

Funk, Ann, and James C. Work. "Gunfight! Thirteen Western Stories." Antioch Review 56, no. 1 (1998): 111. http://dx.doi.org/10.2307/4613630.

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33

Luft, Friedrich C., Erdal Safak, and Ralf Dechend. "Gunfight at O.K. CORAL." Journal of the American Society of Hypertension 8, no. 4 (April 2014): 276–80. http://dx.doi.org/10.1016/j.jash.2014.01.003.

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34

Pubols, Louise. "The Singing Cowboy and the Professor: The New West at the Autry National Center." Public Historian 31, no. 4 (2009): 71–76. http://dx.doi.org/10.1525/tph.2009.31.4.71.

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Abstract The Autry National Center has engaged with the New Western History since its conception, yet faces many challenges in so doing. The name itself implies a romantic interpretation of the region, and the art and artifacts it holds are strongest in traditional subjects such as saloons, gunfighters, and cowboys. Yet the museum's founders were also committed to showing the history of women and the many cultures of the West in an honest way. Since its opening, exhibitions have expanded the scope to look at the environment, cities, and the twentieth-century West.

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35

Browne, Ray B. "Deadly Dozen: Twelve Forgotten Gunfighters of the Old West." Journal of American Culture 27, no. 2 (June 2004): 234. http://dx.doi.org/10.1111/j.1537-4726.2004.133_9.x.

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36

Barton, John D., and Robert K. DeArment. "Deadly Dozen: Forgotten Gunfighters of the Old West, Volume 2." Western Historical Quarterly 39, no. 3 (October 1, 2008): 381. http://dx.doi.org/10.2307/25443769.

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37

Sandefur, James T. "The Gunfight at the OK Corral." Mathematics Magazine 62, no. 2 (April 1, 1989): 119. http://dx.doi.org/10.2307/2690394.

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38

Sandefur, James T. "The Gunfight at the OK Corral." Mathematics Magazine 62, no. 2 (April 1989): 119–24. http://dx.doi.org/10.1080/0025570x.1989.11977422.

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39

Cybenko, G. "Don't bring a knife to a gunfight." IEEE Security & Privacy Magazine 2, no. 2 (March 2004): 5. http://dx.doi.org/10.1109/msecp.2004.1281233.

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40

Weiss, Harold J. "Deadly Dozen: Twelve Forgotten Gunfighters of the Old West (review)." Southwestern Historical Quarterly 112, no. 2 (2008): 227–28. http://dx.doi.org/10.1353/swh.2008.0025.

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41

Hollon, W. Eugene. "Gunfighters, Highwaymen, and Vigilantes: Violence on the Frontier by Roger D. McGrath." Western American Literature 20, no. 1 (1985): 62. http://dx.doi.org/10.1353/wal.1985.0091.

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42

Wells, Jeff. "Deadly Dozen: Forgotten Gunfighters of the Old West, Volume 3 (review)." Southwestern Historical Quarterly 114, no. 4 (2011): 454–55. http://dx.doi.org/10.1353/swh.2011.0044.

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43

Slotkin, R. "Gunfighters and Green Berets: The Magnificent Seven and the Myth of Counter-Insurgency." Radical History Review 1989, no. 44 (April 1, 1989): 65–90. http://dx.doi.org/10.1215/01636545-1989-44-65.

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44

Anderson, Dan. "Deadly Dozen: Forgotten Gunfighters of the Old West, Volume 2 by Robert K. DeArment." Southwestern Historical Quarterly 112, no. 3 (2009): 329–30. http://dx.doi.org/10.1353/swh.2009.0122.

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45

Fees, Paul, and Thom Ross. "Gunfight at the O.K. Corral in Words and Pictures." Western Historical Quarterly 33, no. 4 (2002): 499. http://dx.doi.org/10.2307/4144784.

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46

Roth, Andrew. "Milburn wounded in the gunfight at the OK Corral." British Journal of Healthcare Management 7, no. 12 (December 2001): 474. http://dx.doi.org/10.12968/bjhc.2001.7.12.19193.

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47

Lee, John K. "Bulletproof Silk: Observations of Dr George E. Goodfellow, the Gunfighter’s Surgeon." Journal of the American Osteopathic Association 116, no. 11 (November 1, 2016): e97. http://dx.doi.org/10.7556/jaoa.2016.147.

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48

Witschi, N. S. "Gunfight at the Eco-Corral: Western Cinema and the Environment." Interdisciplinary Studies in Literature and Environment 19, no. 4 (November 27, 2012): 791–92. http://dx.doi.org/10.1093/isle/iss099.

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49

HERBERT, CHRISTOPHER. "Gunfight at the Eco-Corral: Western Cinema and the Environment." Utah Historical Quarterly 82, no. 2 (April 1, 2014): 171–73. http://dx.doi.org/10.2307/45062783.

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50

Yaple, Henery M. "Gunfight at the O.K. Corral: Holding your own with collection development." Library Acquisitions: Practice & Theory 15, no. 1 (January 1991): 33–37. http://dx.doi.org/10.1016/0364-6408(91)90077-r.

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