Relevant bibliographies by topics / Günter Grass: Im Krebsgang

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Günter Grass: Im Krebsgang'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Günter Grass: Im Krebsgang"

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MIDGLEY, DAVID. "Günter Grass, Im Krebsgang: Memory, Medium, and Message." Seminar: A Journal of Germanic Studies 41, no. 1 (February 2005): 55–67. http://dx.doi.org/10.3138/sem.v41.1.55.

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KİŞMİR, Gonca. "Reconstruction of the Past in Günter Grass's “Crabwalk”." Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi 59, no. 1 (June 26, 2019): 217. http://dx.doi.org/10.33171/dtcfjournal.2019.59.1.11.

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Bu çalışmada II. Dünya Savaşı sonrası Alman edebiyatının önemli birinci kuşak yazarlarından Günter Grass'ın, "Yengeç Yürüyüşü" (Im Krebsgang, 2002) adlı eserinde yer alan farklı kuşak bellekleri anımsama edebiyatı çerçevesinde incelenmiştir. Eserin odak noktasını 1945 yılında Sovyet Denizaltısı tarafından torpillenerek batırılan Wilhelm Gustloff gemisinin öyküsü oluşturmaktadır. Günter Grass, Pokriefke ailesi örneğinde Almanya'nın yakın tarihine işaret eden bu tarihsel olgu bağlamında aktarmak istediği öyküyü kolektif ve kültürel belleğin referanslarına dayandırarak yeniden kurgular. Bu çalışmada, Jan ve Aleida Assmann ile Harald Welzer'in bellek kuramları doğrultusunda edebiyat düzleminde geçmişin ve tarihin üç değişik kuşak aracılığıyla nasıl estetize edildiği irdelenmiştir.
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Brunssen, Frank. "Tabubruch? Deutsche als Opfer des Zweiten Weltkriegs in Günter Grass' NovelleIm Krebsgang." Oxford German Studies 35, no. 2 (September 2006): 115–30. http://dx.doi.org/10.1179/007871906x157694.

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Ó Dochartaigh, Pól. "Günter Grass's Im Krebsgang as a German Memory Contest Without Jews1." German Life and Letters 63, no. 2 (March 5, 2010): 194–211. http://dx.doi.org/10.1111/j.1468-0483.2010.01492.x.

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Swales, Martin. "GÜNTER GRASS'S ‘IM KREBSGANG’ AND THE NOVELLE: REFRAMING THE NARRATIVE FRAME." German Life and Letters 70, no. 3 (June 22, 2017): 376–82. http://dx.doi.org/10.1111/glal.12161.

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Mews, Siegfried. "Günter Grass im Visier—Die Stasi-Akte. Eine Dokumentation mit Kommentaren von Günter Grass und Zeitzeugen." Monatshefte 102, no. 4 (2010): 653–54. http://dx.doi.org/10.1353/mon.2010.0036.

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Galle, Helmut. "Zur Erinnerung an deutsche Opfer: Geschichte, Zeugnis und Fiktion in Grass’ Novelle Im Krebsgang." Pandaemonium Germanicum, no. 9 (December 17, 2005): 115. http://dx.doi.org/10.11606/1982-8837.pg.2005.73570.

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O artigo analisa, por meio de uma novela de G. Grass, uma tendência atual da literatura alemã sobre a II Guerra. Nesta nova literatura já não é mais a culpa, mas o sofrimento da população que se focaliza. O texto de Grass apresenta um cuidado particular nos fatos históricos, facilitando aos leitores distinguir entre elementos factuais e ficcionais. No âmbito da ação ficcional, o autor imita o gênero do testemunho, fato que contribui para qualificar sua novela como meio da memória colectiva. A ação ficcional desenvolve, além disso, uma argumentação política que explica a necessidade de comemorar também as vítimas alemães: para fazer jus à verdade, ao equilíbrio emocional e para encontrar uma saída do circuito da violência, perpetuada através das gerações. A novela de Grass encontra-se, por conseguinte, na tradição da representação de eventos históricos, a serviço de uma memória colectiva humanista e iluminada que, na Alemanha, remete à obra dramática de Schiller.
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Kunicki, Wojciech. "Marian Szyrocki und Günter Grass." Germanica Wratislaviensia 141 (February 15, 2017): 61–74. http://dx.doi.org/10.19195/0435-5865.141.4.

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Die Kontakte von Günter Grass zu Germanisten aus Polen, insbesondere zu Marian Szrocki, dem ehemaligen Direktor des Instituts für Germanistik der Universität Wrocław, bilden einen wichtigen, wissenschaftsgeschichtlichen Bestandteil der Polen-Germanistik nach 1945. Der Aufsatz beleuchtet, sich auf bislang unveröffentlichte Quellen Briefe, Akten des IPN – des Instituts für Nationales Gedenken stützend, die Wechselbeziehungen zwischen dem Blechtrommel-Autor und dem Barockforscher Szyrocki. Nicht ausgelassen werden komplizierte und prekäre Aspekte dieser Bekanntschaft. Durch diese Darstellung werden Mechanismen einer Fachrichtung in diesem Fall der Germanistik beleuchtet, die in einem Regimestatt funktionieren muss. Parallel dazu erfährt man auch von den zwischenmenschlichen Wechselbeziehungen der im Titel angeführten Protagonisten.Marian Szyrocki and Günter GrassGünter Grass’s relations with Polish German specialists, not least with Marian Szyrocki, former head of the Department of German Studies of the University of Wrocław, constitute a relevant, historic and scientific element of Polish German studies after the year 1945. The article, based on unpublished sources letters, files of the National Institute of Remembrance, depicts the relations between the author of The Tin Drum and Szyrocki. The author of this article does not omit the complicated and critical aspects of the relations between the German writer and the Polish German specialist. Furthermore, the objective of this paper is to present the mechanisms of a scientific field in our case German studies functioning in a totalitarian state. The author also takes into account the interpersonal relations between Grass and Szyrocki.
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Mazzari, Marcus. "“Continuação a seguir...”: Günter Grass e a Arte da Narrativa." Pandaemonium Germanicum, no. 10 (December 17, 2006): 153. http://dx.doi.org/10.11606/1982-8837.pg.2006.74378.

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Der Artikel verfolgt die Entwicklung des Werks von Günter Grass mit Blick auf die Rezeption in Deutschland und die Vergabe des Nobelpreises. Es wird gezeigt, dass Grass traditionelle Erzählstrategien – z. B. die des Märchens – gebraucht, um im Gestus des scheinbar Irrealen das Groteske der historischen Realität im 20. Jahrhundert herauszustellen.
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Krimmer, Elisabeth. "“Ein Volk von Opfern?” Germans as Victims in Günter Grass’s Die Blechtrommel and Im Krebsgang." Seminar: A Journal of Germanic Studies 44, no. 2 (2008): 272–90. http://dx.doi.org/10.1353/smr.0.0019.

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Dissertations / Theses on the topic "Günter Grass: Im Krebsgang"

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Paulson, Mats. "Im Krebsgang von Günter Grass : Eine Analyse nach Gattungskriterien." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-39991.

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Die vorliegende Spezialarbeit ist eine Untersuchung innerhalb des C-niveaus des Deutschstudiums an der Mälardalen Hochschule, die sich mit den Novellenkriterien und dem Buch Im Krebsgang von Günter Grass beschäftigt. Der Hauptinhalt der Arbeit ist die Untersuchung und Analyse der Novellenkriterien im Buch– welche zu finden sind, wie sie verwendet werden und was sie dadurch vermitteln oderbedeuten. Genauer gesagt soll dort untersucht werden, in welchem Ausmaß diese Gattungskriterien dort zu finden sind. Der Autor hat bewusst dem Titel die Worte "eine Novelle" hinzugefügt, und damit von Anfang an seine Schrift dieser Gattung zugeordnet. Was bedeutet das für den Text und wie kommen diese Novellengattungskriterien im Text zum Ausdruck?
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Kinding, Björn. "Wirklichkeit und Fiktion in Günter Grass Im Krebsgang : Eine erzähltheoretische Analyse." Thesis, Högskolan Dalarna, Tyska, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:du-4742.

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Die Novelle, Im Krebsgang, von Günter Grass ist eine Mischung aus Zeitgeschichte, persönlicher Biografie des Autors und lebhafter Fantasie. Diese Komponenten auseinanderzuhalten könnte die Verständigung der Novelle verbessern. Nach den Annahmen, dass der engste Personenkreis um die Familie Pokriefke Fiktion ist, und die Geschichten um den U-Boot-Kommandanten Marinesko, den Medizinstudenten Frankfurter, den Nationalsozialisten Gustloff und das KdF-Schiff Wilhelm Gustloff faktual sind, wurden sechs Textabschnitte ausgewählt. Durch eine literaturwissenschaftliche Analyse dieser Textabschnitte wurden sechs Punkte gefunden, die die Trennlinie zwischen den fiktionalen und faktualen Textabschnitten identifizieren. Gefunden wurde, dass in den faktualen Texten der Erzähler immer auktorial, aus großer Distanz berichtet, und immer von der Fokalisierung getrennt ist. In den fiktionalen Texten aber liegt immer die Fokalisierung beim Erzähler, der stets szenisch erzählt.
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Solback, Karin. "Günter Grass - Im Krebsgang : Das deutsche Volk als Opfer und Täter." Thesis, Högskolan Dalarna, Tyska, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:du-11758.

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Jarn, Maria. "Die Wirkung der Vergangenheit auf die Gegenwart und deren Verarbeitung in der Novelle Im Krebsgang von Günter Grass." Thesis, Stockholm University, Department of Baltic Languages, Finnish and German, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7100.

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Nylander, Göran. "Günter Grass: Die Einstellung zum vermiedenen Thema in der Novelle "Im Krebsgang"." Thesis, Stockholm University, Department of Baltic Languages, Finnish and German, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-6909.

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Furch, Hannelore [Verfasser], Volker [Akademischer Betreuer] Neuhaus, and Walter [Akademischer Betreuer] Pape. "Der Erzählerdiskurs in "Unkenrufe" und "Im Krebsgang" von Günter Grass / Hannelore Furch. Gutachter: Volker Neuhaus ; Walter Pape." Köln : Universitäts- und Stadtbibliothek Köln, 2013. http://d-nb.info/1038379563/34.

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Schirrmacher, Beate. "Musik in der Prosa von Günter Grass : Intermediale Bezüge —Transmediale Perspektiven." Doctoral thesis, Stockholms universitet, Institutionen för baltiska språk, finska och tyska, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-38895.

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The thesis explores the role of music in Günter Grass’s novels. In pointing out the vital role of intermediality for Grass’s narrative strategies, the thesis opens up for a new, intermedial perspective on his work. It shows how references to music are used to realise Grass’s poetological concept “paspresenture” – the simultaneous presence of past, present and future – as well as his constant strive towards concreteness. The study draws on theories of intermediality, with a special focus on the role of transmedial media characteristics. It develops a transmedial methodology for analysing intermedial references, stressing how the notion of “musicality” within the text is created by media characteristics shared by both music and literature. Intermedial references are conceived as highlighting structures that are inherent in literature. The textual analyses of The Tin Drum (1959), Too Far Afield (1995) and Crabwalk (2002) are divided into three steps. First, explicit musical references in the narratives are interpreted as indexes pointing towards transmedial structures relevant to this specific context. Second, the examination demonstrates the prominent role of transmedial characteristics such as repetitivity, contrast, simultaneity and performativity within the texts. Third and last, the function of musical reference is discussed: in all three narratives, the focus on transmedial structures supplies a more consistent interpretation of passages which otherwise prove difficult to decipher. In Grass’s fiction, issues appear not to be discussed but performatively reenacted and thus remind more of musical than literary development. What is more, music – as handled by Grass – does not appear absolute or transcendent; rather, its manipulative potential is always prominent. However, the way musical references are used to realise Grass’s poetological aims stresses the bodily presence of musical performance, thus making music appear as the performative realisation of time.
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Coromines, i. Calders Diana. "La traducció de la ironia en l'obra de Günter Grass. Les versions angleses, daneses, catalanes i espanyoles d'Unkenrufe i Im Krebsgang." Doctoral thesis, Universitat Pompeu Fabra, 2011. http://hdl.handle.net/10803/51246.

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Aquesta tesi se centra en l'anàlisi comparativa i descriptiva de vint passatges irònics de les obres Unkenrufe (1992) i Im Krebsgang (2002) de Günter Grass i les seves respectives traduccions a l'anglès, el danès, el català i l'espanyol. Partint de la hipòtesi que totes les versions tendeixen a atenuar la ironia excepte les daneses –per raons de proximitat lingüisticocultural amb l'alemany– ens proposem assolir dos objectius: 1) explorar l'abast macroestructural d'aquesta suposada atenuació; i 2) fer dues propostes de classificació: d'estratègies d'ironia original i d'estratègies de traducció de la ironia. Amb aquests objectius a l'horitzó, en primer lloc emprem instruments de tipus narratològic per determinar el paper de la ironia en les obres originals, i seguidament duem a terme l'anàlisi comparativa i descriptiva dels passatges irònics mitjançant eines conceptuals semàntico-pragmàtiques. Els resultats de la investigació confirmen parcialment la hipòtesi inicial i aporten noves dades sobre la naturalesa de la ironia literària; el funcionament de la seva traducció; i el paper que hi juguen les restriccions lingüisticoculturals.
This dissertation presents the comparative and descriptive analysis of twenty ironic passages from Unkenrufe (1992) and Im Krebsgang (2002) by Günter Grass and their corresponding translations into English, Danish, Catalan and Spanish. Taking as a starting-point the hypothesis that irony will tend to be toned down in all the versions – except for the Danish ones, due to the linguistic and cultural proximity between Danish and German – the study has two objectives: 1) to explore the macrostructural impact of irony downtoning, and 2) to propose two classifications: one of original irony strategies, and one of translated irony strategies. With these objectives in mind, first we use narratological tools to determine the role played by irony in the original works, and then we use semantic-pragmatic tools to carry out a comparative and descriptive analysis of the ironic passages. The results of this study partially confirm the initial hypothesis and shed new light on the nature of literary irony, how its translation works, and the role played in it by linguistic and cultural constraints.
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Lee, Youngju [Verfasser]. "Erinnerungspraktiken in der neuen Erinnerungsliteratur : "Erfundene Erinnerung" in den Werken Im Krebsgang von Günter Grass und Austerlitz von W. G. Sebald / Youngju Lee." Konstanz : Bibliothek der Universität Konstanz, 2017. http://d-nb.info/1144179033/34.

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Baumgarten, Joseph Ephraim. "Combating the Banality of Evil: Portrayals of the Literary Female Villain in Günter Grass's Danziger Trilogie and Novella, Im Krebsgang." BYU ScholarsArchive, 2005. https://scholarsarchive.byu.edu/etd/653.

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In Günter Grass's Danzig Trilogy and novella, Im Krebsgang, an antagonistic female type makes a repeated appearance. She appears in the guise of Susi Kater and Luzie Rennwand in Die Blechtrommel, and as Tulla Pokriefke in the other works, Katz und Maus, Hundejahre, and Im Krebsgang. This antagonistic female type is not like other women in these works. A review of Le Deuxième Sexe by feminist Simone de Beauvoir reveals several crucial components contributing to woman's position in society. Most essentially, a woman's natural attributes and (dis)abilities and the conventions of society have enforced her historical submission to man. This thesis analyzes how the antagonistic female type, or villain, compares and contrasts with other female figures in these works by Grass, according to a paradigm derived from Beauvoir's description of woman. From this analysis, a better understanding of the female villain's nature emerges. Indeed, such a comparison demonstrates that certain female figures in the works of Grass transcend their historically oppressed or subdued status by refusing to submit to those natural handicaps and societal restrictions identified by Beauvoir, and thus become a threat to man's status or security as an antagonistic female type, or villain. However, the villain figure is not always inherently evil, but possesses the capacity to change. The villain and victim can reconcile their differences and may even form a friendly relationship. This evolving villain-victim duality becomes most clear in Grass's work, Im Krebsgang, and suggests the possibility of assuaging contemporary conflicts as educators sympathize with the experiences of both extremist groups and victimized parties and help them come to terms with their differences.
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Books on the topic "Günter Grass: Im Krebsgang"

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Pelster, Theodor. Günter Grass: Im Krebsgang. Stuttgart, Germany: Philipp Reclam, 2004.

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Die Novelle als Gegenwartsliteratur: Intertextualität, Intermedialität und Selbstreferentialität bei Martin Walser, Friedrich Dürrenmatt, Patrick Süskind und Günter Grass. St. Ingbert: Röhrig, 2009.

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Gobyn, Saartje. Metalepse im Werk von Günter Grass. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2.

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Günter Grass im Visier: Die Stasi-Akte : eine Dokumentation mit Kommentaren von Günter Grass und Zeitzeugen. Berlin: Links, 2010.

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Hille-Sandvoss, Angelika. Überlegungen zur Bildlichkeit im Werk von Günter Grass. Stuttgart: H.-D. Heinz, 1987.

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Krell, Gert. Noch ein Krieg im Nahen Osten?: Zum misslungenen Anstoss von Günter Grass zu einer überfälligen öffentlichen Debatte. Frankfurt am Main: Hessische Stiftung Friedens- und Konfliktforschung (HSFK), 2012.

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Historische Dichtergestalten im zeitgenössischen deutschen Drama: Untersuchungen zu Theaterstücken von Tankred Dorst, Günter Grass, Martin Walser und Peter Weiss. Heidelberg: Winter, 2008.

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Hall, Katharina. Günter Grass's "Danzig-Quintet": Explorations in the memory and history of the Nazi era from "Die Blechtrommel" to "Im Krebsgang". Oxford: P. Lang, 2007.

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Hall, Katharina. Günter Grass's "Danzig-Quintet": Explorations in the memory and history of the Nazi era from "Die Blechtrommel" to "Im Krebsgang". Oxford: P. Lang, 2007.

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Hall, Katharina. Günter Grass's "Danzig-Quintet": Explorations in the memory and history of the Nazi era from "Die Blechtrommel" to "Im Krebsgang". Oxford: P. Lang, 2007.

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Book chapters on the topic "Günter Grass: Im Krebsgang"

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Neuhaus, Volker. "Im Krebsgang." In Günter Grass, 227–39. Stuttgart: J.B. Metzler, 2010. http://dx.doi.org/10.1007/978-3-476-05086-1_21.

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Zimmermann, Harro. "Grass, Günter: Im Krebsgang." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6536-1.

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Gobyn, Saartje. "Grass‘ Erzähltechnik: Forschungsüberblick." In Metalepse im Werk von Günter Grass, 49–72. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_4.

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Gobyn, Saartje. "Einführung." In Metalepse im Werk von Günter Grass, 1–12. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_1.

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Gobyn, Saartje. "Die narrative Metalepse." In Metalepse im Werk von Günter Grass, 13–23. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_2.

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Gobyn, Saartje. "Die textuellen Effekte der Metalepse." In Metalepse im Werk von Günter Grass, 25–47. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_3.

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Gobyn, Saartje. "Ich, Pilenz – was tut mein Vorname zur Sache: Katz und Maus." In Metalepse im Werk von Günter Grass, 73–104. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_5.

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Gobyn, Saartje. "Ich, das bin ich jederzeit." In Metalepse im Werk von Günter Grass, 105–204. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_6.

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Gobyn, Saartje. "Es war einmal ein Vater." In Metalepse im Werk von Günter Grass, 205–50. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_7.

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Gobyn, Saartje. "Schlussbemerkungen." In Metalepse im Werk von Günter Grass, 251–61. Stuttgart: J.B. Metzler, 2019. http://dx.doi.org/10.1007/978-3-476-04833-2_8.

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