Dissertations / Theses on the topic 'Guo min zheng'

Confronter la pensée occidentale à la pensée chinoise est une démarche enrichissante à un moment où les cultures se croisent et peuvent même se sentir menacées. J'ai tenté, en partant de l'étude des écritures et de leurs origines de mieux cerner l'avènement de la pensée et son développement dans les deux cas. Il s'agissait de fixer un champ d'étude, j'ai donc songé à présenter le 'réel', le' monde', selon les deux approches et applications, d'un côté le 'logos\ la Raison et de l'autre les conceptions taoïstes, parfois mêlées de bouddhisme. Le 'procès' du monde dont la Chine était très tôt consciente ne lui permettait pas d'interpréter le réel tel que la Grèce et par voie de conséquence l'Occident le concevait, la seule chose qui ne change pas dans le monde étant précisément pour la Chine l'état 'd'impermanence'. Partant notamment du "yi jing" ou "Livre des Mutations", de la construction idéographique, la Chine a voulu représenter le monde tout entier, elle avait une vision différente de celle de I'Occident...Mais une question demeure posée: quelle est au fond l'origine de cette vision ? Est-ce celle de certains penseurs ? Est-ce la nature elle-même ? Est-ce l'écriture comme manifestation humaine? Ma recherche propose quelques jalons pour chaque civilisation, mais la question reste très ouverte
Comparing Western thought and Chinese thought can be quite enriching, at a time when cultures in general can gain contact, as weil as fee!thrcatencd somctimes. l have tried, starting from modes of writings, at their origins, to figure out the advcnt and development ofthought on both sides. The point was also to choose a field ofexpcriment... 1 have thought that 1 could present 'reality', the 'world', from Western and Chinese approaches, with the efiècts of 'logos' and 'Reason' on one side and Taoist and sometimes Buddhist influences on the other. The 'process' of the world that China was conscious of cou id not allow her to apprchend reality such as Greece, very carly, and later Western thought could conceive it. Indeed, the only thing that would not change in this world is the state of 'impermanence' for China. From the yi jing, the Book of Changes, and ideographie patterns and methods, China wanted to show the world, the whole world. That was a vision definitely different from that of the West... Still, one question remains : where does this vision come from ? From thinkers. from Nature itself ? From modes of writings as human responses ? The exposition that I developed offers a few landmarks on both sidcs, but the question is still an open one

何致遠.
"2002年8月"
論文 (哲學碩士)--香港中文大學, 2002.
附參考文獻.
附中英文提要.
"2002 nian 8 yue"
He Zhiyuan.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2002.
Fu can kao wen xian.
Fu Zhong Ying wen ti yao.
前言 --- p.01-05
Chapter 第一章： --- 西南執行部的政治宣傳措施 --- p.06-36
Chapter 第二章： --- 西南的抗曰言論一一環繞中國對日整體方針的討論 --- p.37-51
Chapter 第三章： --- 西南的抗日言論´ؤ´ؤ從九一八事變至長城抗戰 --- p.52-80
Chapter 第四章： --- 西南的抗日言論一一從塘沽善後談判至胡漢民逝世 --- p.81-100
總結 --- p.101-102
參考書目

碩士
國立暨南國際大學
中國語文學系
98
This paper mainly Liang Zhang-Ju's Min Chuan Gui Xiu Shi Hua as the core text, study conception to selection of the construction by author discusses the anthology's literary heritage is generated, dialysis Min-Chuan Women Poets in the composition of the style, and deepen the meaning of literature anthology. Study of "region" and "family" concept as the core subject of thought, first of all a "region" as entry points, sort out, "Min- Chuan" is a geographical concept, exploring the academic sequence of the Ming and Qing literati Min-Chuan region awareness generation. Examine the selection of the second part of generated compiled by implication, why be compiled? How to be compiled? Those who selected? From the family to the region, by how the two were at the same time when the construction of the family of regional women's groups are also building character. With hopes of a selection of Liang Zhang-Ju Min-Chuan first anthology of women, trying to understand women's groups in Fujian Province to generate and creation implication, for the region to improve women's creative literary visibility. Paper is divided into five chapters, each chapter focused on the following: the first chapter in literature version, research topic, and has always been an overview of research into the whole. The second chapter deals with the focus is divided into two parts, the first part of the Min-Chuan to explore the Liang Zhang-Ju geographical literature and academic, poetic sense of the concept and geographical manifestation of regional literature and then discuss the Min-Chuan in a selection process for women concerned about the creation and incorporation. The second part discusses Min Chuan Gui Xiu Shi Hua sketch book, compile historical data areas, times and compiled for Ding Yun, Min Chuan Gui Xiu Shi Hua Xxu Bian and Min Chuan Gui Xiu Shi Hua compared to explore the different authors for the Min-Chuan female differences in recording and editing. Third and the four chapters explore how the author through "scholarship", "women's virtue" constructed image of women, first of all a family discussion groups, mainly Liang Zhang-Ju, Huang-Ren, Zheng Fang-Kun three family of poets as the main observation of the object and the remaining area of women, giving the family, women and groups to explore the relevance and scholarly talent, a remarkable sign women's Germany.By authors construct a standard for the extended family of women's incorporation of women in the region, the women's Germany with the talent and learning how to appear. First of all, explore the authors compile the eyes of women, selected femininity. Third, by selected women's poetry, poetry in writing for women on the author's criticism. Eventually, by the Min-Chuan women's social, traveling women's literature was remarkable style, and situated on the southeastern coast of women's unique experience and encounter.The final chapter, through the analysis of the main paper to reflect on, Min Chuan Gui Xiu Shi Hua anthology of the literary significance of the formation, but also the anthology of women placed in the Qing Dynasty in the context of literary development, sum up the special selection of the final limit for the thesis research to do a review, reflection and summing up the findings and significance.

碩士
國立中正大學
台灣文學研究所
101
In the end of 1990s, a trend of “Novel Group” led by the new female writers stirred up the argument of commercialization and consumerization of Taiwanese literature works. These writers become the victors in the consuming society as their stories centered on campus relationship and urban love stories. This also changed the publication direction in Taiwan’s publication industry, making the literature writing approaching commercialized. 　　 　　The present thesis investigates that the rise of “Novel Group” had absolute relationship with the social background of Taiwan at that time. The new promotion method broke the distance between the readers and the author. Light material and content met the reading taste of the readers. Plus, the best seller billboard created the trend of “Novel Group.” As many future stars rose and the awakening of self-awareness of the authors, this trend was gradually quiet down. 　　This thesis analyzed the works written by Lin Dai Man, Zheng Mei Gun, and Chen Chia Li. Through reading and the theme of the novel, the features of “Novel Group” were sorted out: the material was close to reality, the frame was simple and understandable, and the plots were all them same. Among the discussion about the text of these three authors, their creation characters were being generalized. Immature writings and shallow social experiences resulted in the simple of the works of “Novel Group.” However, some presented the social situation and female self-awareness. After years of social challenge and life precipitation, higher level literature works can be created.