Relevant bibliographies by topics / Gustave Caillebotte

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Gustave Caillebotte'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Gustave Caillebotte"

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McKiernan, M. "Gustave Caillebotte The House Painters 1877." Occupational Medicine 62, no. 1 (2011): 2–3. http://dx.doi.org/10.1093/occmed/kqr194.

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Cutting, James E. "Gustave Caillebotte, French Impressionism, and mere exposure." Psychonomic Bulletin & Review 10, no. 2 (2003): 319–43. http://dx.doi.org/10.3758/bf03196493.

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Dodworth, Cameron. "Impressions on the Evolution of Naturalism: Interiority, Exteriority, and the International/Interdisciplinary Nature of Naturalism." Humanities 8, no. 3 (2019): 128. http://dx.doi.org/10.3390/h8030128.

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Naturalism, as a movement and genre, was heavily influenced by the work of Émile Zola, particularly by his essay, Le roman expérimental (1880). However, despite Zola’s strong influence, Naturalism was also significantly influenced by the ideas of others that go beyond and even predate those of Zola. As a result, Naturalism is generally accepted as having originated in France in the late 19th century, and having extended into the early 20th century, however it soon became an international as well as an interdisciplinary movement and genre. More specific examples of this international and interd
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"Gustave Caillebotte: the painter's eye." Choice Reviews Online 53, no. 04 (2015): 53–1623. http://dx.doi.org/10.5860/choice.193477.

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"Gustave Caillebotte: an Impressionist and photography." Choice Reviews Online 50, no. 11 (2013): 50–5975. http://dx.doi.org/10.5860/choice.50-5975.

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Benjamin, Elizabeth. "Elizabeth Benjamin. Review of "Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887" by Michael Marrinan." caa.reviews, May 29, 2019. http://dx.doi.org/10.3202/caa.reviews.2019.54.

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Dissertations / Theses on the topic "Gustave Caillebotte"

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Gingras, Roxanne. "Gustave Caillebotte : vues sur le Paris moderne : 1876 et 1880." Master's thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/26880.

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Ce mémoire prend pour objet l'étude des vues du Paris moderne par Gustave Caillebotte. Son engagement profond dans la réalité vécue le conduit vers une fascination particulière pour la reproduction de l'image urbaine. Entre 1876 et 1880, l'artiste déambule dans les rues et les boulevards en vue d'exécuter des traitements picturaux originaux et peindre des visions singulières, par rapport à sa propre production artistique de même qu'à celle de ses confrères impressionnistes. En raison des différents points de vue traités dans l'espace urbain, sa perception de la ville semble, à notre avis, évol
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Lund, Anna-Therese. "Gustave Caillebotte och hans nakna män : En normkritisk analys av den manliga blicken." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-447706.

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During the 19th century, France was a cultural stronghold filled with political aspects and dreams. Art flourished and the ancient heroic ideals had shaped the male nude art for many years. But new times would come and change the artistic basis forever. The start of Impressionism also became the beginning of a new era, where gender roles began to be questioned and the image of masculinity began to falter. An artistic revolution saw the light of day, artists no longer wanted to follow the traditional rules and normative footprints that had been put in the ground long before their days. Gustave
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3

Lehman, Erin Lizabeth. "ART AND THE SPORTSMAN, SPORTING ART AND THE MAN: GUSTAVE CAILLEBOTTE AND THE LATE NINETEENTH-CENTURY MALE BODY." Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/288857.

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Art History<br>Ph.D.<br>This dissertation focuses primarily on the Impressionist artist Gustave Caillebotte's paintings of rowers on the Yerres River outside Paris, created in the late 1870s. The works engage with many of the radical shifts in social and cultural norms that took place during the latter half of the nineteenth-century as industrialization and urbanization increasingly affected daily life in Europe and America. The paintings are in dialogue with developments in the fine arts, including the growing influence of Impressionism and avant-garde artists, and deal extensively with the m
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Jan, Nai-Yu, and 詹乃毓. "Gustave Caillebotte’s Paintings in 1875–77 and the Works’ Artistic Reception." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/91288794574221435410.

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碩士<br>國立臺灣師範大學<br>藝術史研究所<br>103<br>This study proposes an analysis of Gustave Caillebotte’s (1848–94) major works in the second half of the 1870s and the works’ artistic receptions by other European artists. For this master thesis, I have chosen Caillebotte’s three major works – The Floor Scrapers of 1875 (Paris, Musée d’Orsay), The Pont de l’Europe of 1876 (Geneva, Musée du Petit Palais), and Paris Street; Rainy Day of 1877 (Art Institute of Chicago) – to discuss the reception of Caillebotte’s art, because these are his most representative and influential works which show unique perspectives
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Books on the topic "Gustave Caillebotte"

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Darragon, Éric. Gustave Caillebotte. Bonfini, 1994.

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Varnedoe, Kirk. Gustave Caillebotte. Yale University Press, 1987.

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1848-1894, Caillebotte Gustave, ed. Gustave Caillebotte. Yale University Press, 1987.

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Caillebotte, Gustave. Gustave Caillebotte. Hatje Cantz, 2008.

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Caillebotte, Gustave. Gustave Caillebotte, the unknown impressionist. Royal Academy of Arts, in association with Ludion Press, Ghent, 1996.

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(Exhibition), Gustave Caillebotte :. The Unknown Impressionist. Gustave Caillebotte : The unknown impressionist. Royal Academy of Arts in association with Ludion Press, Ghent, 1996.

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1848-1894, Caillebotte Gustave, ed. Gustave Caillebotte: Neue Perspektiven des Impressionismus. Hirmer, 2009.

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Caillebotte, Gustave. Gustave Caillebotte 1848-1894: Dessins, etudes, peintures. Galerie Brame etLorenceau, 1989.

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Lévêque, Jean Jacques. Gustave Caillebotte: L'oublié de l'impressionnisme, 1848-1894. ACR Edition, 1994.

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Balanda, Marie-Josèphe de. Gustave Caillebotte: La vie, la technique, l'œuvre peint. Edita, 1988.

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Book chapters on the topic "Gustave Caillebotte"

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König, Hans-Dieter. "Der Bürger, der Hund und die Brücke aus Stahl. Tiefenhermeneutische Rekonstruktion des Gemäldes Le Pont de l’Europe von Gustave Caillebotte." In Kritische Sozialpsychologie. Springer Fachmedien Wiesbaden, 2018. http://dx.doi.org/10.1007/978-3-658-22352-6_6.

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"Between Caillebotte and Zola." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0015.

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"Working as Caillebotte in Petit Gennevilliers." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0017.

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"Gustave Caillebotte, Portrait of Richard Gallo, 1881." In French Paintings and Pastels, 1600-1945: The Collections of the Nelson-Atkins Museum of Art. The Nelson-Atkins Museum of Art, 2021. http://dx.doi.org/10.37764/78973.5.610.

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"Introduction." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0006.

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"Work." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0008.

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"Collecting." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0009.

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"Philately and photography." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0011.

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"Philatelic impressionism." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0012.

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"Classed corporeality and naturalist signification." In Gustave Caillebotte as Worker, Collector, Painter. Bloomsbury Visual Arts, 2020. http://dx.doi.org/10.5040/9781501339974.0014.

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