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Journal articles on the topic 'Gwendolyn'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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1

Panofsky, Ruth. "Gwendolyn Moore." Mémoires du livre 13, no. 1 (2022): 1. http://dx.doi.org/10.7202/1094132ar.

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2

Rowell, Charles H., and Gwendolyn Midlo Hall. "Gwendolyn Midlo Hall." Callaloo 29, no. 4 (2006): 1049–55. http://dx.doi.org/10.1353/cal.2007.0067.

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3

Mikell, Gwendolyn. "Remarks by Gwendolyn Mikell." Proceedings of the ASIL Annual Meeting 87 (1993): 48–52. http://dx.doi.org/10.1017/s0272503700079155.

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4

Thor, Devin. "Gwendolyn Romani (1951–2018)." California Archaeology 11, no. 2 (2019): 297–98. http://dx.doi.org/10.1080/1947461x.2019.1668170.

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5

Watkins, Mel. "Gwendolyn Brooks (1917–2000)." Black Scholar 31, no. 1 (2001): 51–54. http://dx.doi.org/10.1080/00064246.2001.11431124.

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6

Richardson, Rita C. "Cultural Diversity and Social Skills Instruction." Remedial and Special Education 19, no. 6 (1998): 370. http://dx.doi.org/10.1177/074193259801900608.

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7

White, John, and George E. Kent. "A Life of Gwendolyn Brooks." Modern Language Review 87, no. 2 (1992): 457. http://dx.doi.org/10.2307/3730706.

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8

Wheeler, Belinda. "Gwendolyn Bennett's “The Ebony Flute”." PMLA/Publications of the Modern Language Association of America 128, no. 3 (2013): 744–55. http://dx.doi.org/10.1632/pmla.2013.128.3.744.

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IntroductionGwendolyn Bennett (1902-81) is often mentioned in books that discuss the harlem renaissance, and some of her poems Occasionally appear in poetry anthologies; but much of her career has been overlooked. Along with many of her friends, including Jessie Redmond Fauset, Langston Hughes, and Countee Cullen, Bennett was featured at the National Urban League's Civic Club Dinner in March 1924, an event that would later be “widely hailed as a ‘coming out party’ for young black artists, writers, and intellectuals whose work would come to define the Harlem Renaissance” (McHenry 383n100). In t

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9

Hanson, Elizabeth I., George E. Kent, and James Robert Payne. "A Life of Gwendolyn Brooks." American Literature 63, no. 3 (1991): 574. http://dx.doi.org/10.2307/2927272.

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10

Benson II. "Interview with Gwendolyn M. Patton." Journal of Civil and Human Rights 1, no. 2 (2015): 182. http://dx.doi.org/10.5406/jcivihumarigh.1.2.0182.

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11

Myers, Gwendolyn. "Gwendolyn Myers: A peace advocate." Africa Renewal 32, no. 1 (2018): 16. http://dx.doi.org/10.18356/dbbb1cb8-en.

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12

Rowell, Charles H. "A Conversation With Gwendolyn Knight." Callaloo, no. 37 (1988): 689. http://dx.doi.org/10.2307/2931719.

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13

Hoagwood, Terence Allan, and Stephen Caldwell Wright. "On Gwendolyn Brooks: Reliant Contemplation." MELUS 23, no. 3 (1998): 211. http://dx.doi.org/10.2307/467685.

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14

Shaw, Harry B., and Stephen Caldwell Wright. "On Gwendolyn Brooks: Reliant Contemplation." African American Review 32, no. 3 (1998): 499. http://dx.doi.org/10.2307/3042252.

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15

Fonteneau, Yvonne, and George E. Kent. "A Life of Gwendolyn Brooks." World Literature Today 66, no. 1 (1992): 137. http://dx.doi.org/10.2307/40147971.

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16

Joyner, Carolyn. "The Now of Gwendolyn Brooks." Pleiades: Literature in Context 39, no. 1 (2019): 113. http://dx.doi.org/10.1353/plc.2019.0029.

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17

Melnikova, Lyubov A. "Peculiarities of representation of the image of an exceptional hero in K. Gir’s Timeless trilogy." Nizhnevartovsk Philological Bulletin 7, no. 2 (2022): 79–89. http://dx.doi.org/10.36906/2500-1795/22-2/07.

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The purpose of this article is to consider, by using the method of descriptive poetics, the features of revealing the image of an exceptional character in K. Gere's Timeless trilogy, which are closely related to the problem of growing up and becoming the personality of the main character Gwendolyn Shepherd. Endowing the latter with the ability to carry out the so-called jumps into the past, K. Gere not only recreates the realities of past eras, but also subjects the process of moral transformation of Gwendoline Shepherd to artistic comprehension. The fact that the latter has a unique gift, her

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18

Morgan, Kelly. "Jersey Gold: The Newark Overland Company’s Trek to California, 1849." New Jersey Studies: An Interdisciplinary Journal 4, no. 1 (2018): 222. http://dx.doi.org/10.14713/njs.v4i1.114.

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19

Brown, Felicity, Barbara Overbury and, and Kate Nash. "Gwendolyn Ruth Nash MB BS, FRANZCP." Medical Journal of Australia 176, no. 2 (2002): 82. http://dx.doi.org/10.5694/j.1326-5377.2002.tb04293.x.

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20

Carr, Annie, and Olivia Bennett Wood. "Gwendolyn Mae Bowen Rossell—1935-1986." Journal of the American Dietetic Association 86, no. 11 (1986): 1597–99. http://dx.doi.org/10.1016/s0002-8223(21)04162-6.

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21

Debo, Annette. "Signifying Afrika: Gwendolyn Brooks' Later Poetry." Callaloo 29, no. 1 (2006): 168–81. http://dx.doi.org/10.1353/cal.2006.0049.

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22

Carpenter, Faedra Chatard, and Gwendolyn D. Pough. "An Interview with Gwendolyn D. Pough." Callaloo 29, no. 3 (2006): 808–14. http://dx.doi.org/10.1353/cal.2006.0134.

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23

Bolaños, Aimée, and Hugh Hazelton. "Gwendolyn Macewen: versiones de su poesía." Interfaces Brasil/Canadá 17, no. 3 (2017): 155. http://dx.doi.org/10.15210/interfaces.v17i3.12507.

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24

D. H. Melhem. "Gwendolyn Brooks, Black Poetry, and Me." Callaloo 32, no. 4 (2009): 1208–12. http://dx.doi.org/10.1353/cal.0.0578.

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25

Jackson, Angela. "In Memoriam: Gwendolyn Brooks (1917-2000)." Callaloo 23, no. 4 (2000): 1163–69. http://dx.doi.org/10.1353/cal.2000.0200.

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26

Kim, Eui Young. "Excavating Mecca: Gwendolyn Brooks’s Spatial Sensitivity." Institute of British and American Studies 48 (February 28, 2020): 55–78. http://dx.doi.org/10.25093/jbas.2020.48.55.

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27

Al-Douri, Hamdi Hameed, and Saba Ali Khalaf. "THE WOMANLY VOICE OF RACISM AS REPRESENTED IN GWENDOLYN BROOKS'S IN THE MECCA." Al-Adab Journal 3, no. 141 (2022): 1–14. http://dx.doi.org/10.31973/aj.v3i141.3716.

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Gwendolyn Brooks has found herself in a double bind, first because of her "race or ethnicity" as an African American, and at that time because of her femininity. Brooks's writing demonstrates this twofold strain. Brooks is proud of her ethnicity and culture, and she also promotes and celebrates femininity. This study aims to examine the subject of racism in Black American poetry using descriptive techniques by examining certain works by Gwendolyn Brooks. So, Brooks attempts to portray the social injustice and oppression of women of her community that occurred in the 1960s of the 20th century.

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28

Amorim, Lauro Maia. "O drama e a alegria da tradução: Gwendolyn Brooks versando a vida em três poemas." Cadernos de Literatura em Tradução, no. 16 (May 10, 2016): 131–46. http://dx.doi.org/10.11606/issn.2359-5388.i16p131-146.

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Propõe-se, com este trabalho, a tradução comentada de três poemas da premiada poeta afro-americana Gwendolyn Brooks. Discutem-se as diferentes dimensões interpretativas que seus poemas sugerem e suas implicações para as estratégias de tradução adotadas para a sua recriação em língua portuguesa.

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29

Sanderson, Rena, and D. H. Melhem. "Gwendolyn Brooks: Poetry and the Heroic Voice." Journal of the Midwest Modern Language Association 21, no. 1 (1988): 75. http://dx.doi.org/10.2307/1315130.

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30

Vacín, Luděk. "The Babylonian world - Edited by Gwendolyn Leick." Journal of the Royal Anthropological Institute 14, no. 4 (2008): 897–98. http://dx.doi.org/10.1111/j.1467-9655.2008.00537_8.x.

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31

Coats, Karen. "Don’t Call Me Baby by Gwendolyn Heasley." Bulletin of the Center for Children's Books 67, no. 11 (2014): 577. http://dx.doi.org/10.1353/bcc.2014.0523.

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32

Quealy-Gainer, Kate. "Ink, Iron, and Glass by Gwendolyn Clare." Bulletin of the Center for Children's Books 71, no. 6 (2018): 241–42. http://dx.doi.org/10.1353/bcc.2018.0087.

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33

Bialek, Joanna. "Hyslop, Gwendolyn 2017. A grammar of Kurtöp." Linguistics of the Tibeto-Burman Area 41, no. 1 (2018): 128–32. http://dx.doi.org/10.1075/ltba.00003.bia.

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34

Bryant, M. "Gwendolyn Brooks, Ebony, and Postwar Race Relations." American Literature 79, no. 1 (2007): 113–41. http://dx.doi.org/10.1215/00029831-2006-073.

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35

Niewiarowski, Stefan. "A memorial to Gwendolyn J. Stewart, Ph.D." Thrombosis Research 77, no. 5 (1995): 393–97. http://dx.doi.org/10.1016/0049-3848(95)90014-4.

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36

Thorsson, C. "Gwendolyn Brooks's Black Aesthetic of the Domestic." MELUS: Multi-Ethnic Literature of the United States 40, no. 1 (2015): 149–76. http://dx.doi.org/10.1093/melus/mlu062.

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37

Olson, Katherine. "Gwendolyn and Estrildis: Invading Queen in British Historiography." Medieval Feminist Forum 44, no. 1 (2008): 36–52. http://dx.doi.org/10.17077/1536-8742.1708.

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38

Gill. "Gwendolyn Brooks and the Legacies of Architectural Modernity." Humanities 8, no. 4 (2019): 167. http://dx.doi.org/10.3390/h8040167.

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This essay reads the work of poet, Gwendolyn Brooks, in terms of its critical engagement with the architectural modernity of her home city, Chicago. Taking her poetry from A Street in Bronzeville (1945) through to the 1968 collection, In the Mecca, as a primary focus, the essay traces the significance of Chicago style architecture on Brooks’ aesthetic. It was in Chicago that some of the first tall office buildings were designed; it was here that structural steel and glass were first used to distinctive architectural effect, and it was here, in 1893, that the World’s Columbian Exposition was he

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39

Ortega, Kirsten Bartholomew. "The BlackFl�neuse: Gwendolyn Brooks's ?In the Mecca?" Journal of Modern Literature 30, no. 4 (2007): 139–55. http://dx.doi.org/10.2979/jml.2007.30.4.139.

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40

Shollenberger, Jess. "A Queer Enough Love: Gwendolyn Brooks's "Women, Yes"." College Literature 48, no. 3 (2021): 374–405. http://dx.doi.org/10.1353/lit.2021.0014.

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41

Palhas, Maria Luiza. "Gwendolyn Brooks: poeta, novelista, esposa, mãe e professora." Cadernos de Literatura em Tradução, no. 8 (December 1, 2007): 47–52. http://dx.doi.org/10.11606/issn.2359-5388.i8p47-52.

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42

Wheeler, Lesley. "Heralding the Clear Obscure: Gwendolyn Brooks and Apostrophe." Callaloo 24, no. 1 (2001): 227–35. http://dx.doi.org/10.1353/cal.2001.0073.

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43

Parker, Bradley J. "Mesopotamia: The Invention of the City. Gwendolyn Leick." Near Eastern Archaeology 71, no. 4 (2008): 255–56. http://dx.doi.org/10.1086/nea20697201.

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44

Law, Robin. "Etnias de africanos na diáspora: novas considerações sobre os significados do termo 'mina'." Tempo 10, no. 20 (2006): 98–120. http://dx.doi.org/10.1590/s1413-77042006000100006.

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Partindo do questionamento de um trabalho da historiadora americana Gwendolyn Midlo Hall, o autor analisa os vários significados do termo "mina" na África e na diáspora. Desta forma, demonstra a importância do profundo conhecimento da documentação, assim como da nomenclatura para poder perceber as nuances de um termo que pode designar lugares e grupos étnicos ou lingüísticos, dependendo de quem fala e quando dele se fala.

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45

Sullivan, James D. "Killing John Cabot and Publishing Black: Gwendolyn Brooks's "Riot"." African American Review 36, no. 4 (2002): 557. http://dx.doi.org/10.2307/1512412.

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46

Gery, John. "Subversive Parody in the Early Poems of Gwendolyn Brooks." South Central Review 16, no. 1 (1999): 44. http://dx.doi.org/10.2307/3189711.

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47

Horvath, Brooke Kenton. "The Satisfactions of what's Difficult in Gwendolyn Brooks's Poetry." American Literature 62, no. 4 (1990): 606. http://dx.doi.org/10.2307/2927070.

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48

Eso, David. "Perfect Mismatch: Gwendolyn MacEwen and the Flat Earth Society." Resurfacing: Women Writing in 1970s Canada 44, no. 2 (2020): 211–31. http://dx.doi.org/10.7202/1070963ar.

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49

Bush, Elizabeth. "A Song for Gwendolyn Brooks by Alice Faye Duncan." Bulletin of the Center for Children's Books 72, no. 4 (2018): 163. http://dx.doi.org/10.1353/bcc.2018.0829.

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50

Hoffner,, Harry A. "A Dictionary of Ancient Near Eastern Mythology. Gwendolyn Leick." Journal of Near Eastern Studies 55, no. 3 (1996): 230–33. http://dx.doi.org/10.1086/373851.

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