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Journal articles on the topic 'Gypsies, fiction'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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1

Fomin, Eduard Valentinovich, and Lilia Vladimirovna Illarionova. "The image of gypsies in the Chuvash linguistic culture." Ethnic Culture 5, no. 1 (2023): 60–64. http://dx.doi.org/10.31483/r-105642.

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The work is devoted to the analysis of the image of gypsies in the Chuvash linguistic culture. In the message, linguoculture is understood as a phenomenon that summarizes all manifestations of culture reflected through language. The study is based on the Chuvash linguistic material, folklore and literary texts, as well as other information related to the gypsies. The study is based on a scientific analysis of the Chuvash speech products marked by the mention of gypsies and is generally retrospective in nature. Nevertheless, the conclusions are still relevant in today’s realities. Gypsies in Ch

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2

Khan, Mir hazar. "گل بنگلزئی نا افسانہ غاتا کتاب، دڑد آتا گواچی؛ نا جاچ اس". Al-Burz 13, № 1 (2021): 36–44. http://dx.doi.org/10.54781/abz.v13i1.271.

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When the industrial revolution and progressive tendencies in the nineteenth century influenced every sphere of life, literature could also not escape such trends. At that time, fiction (short story) was introduced as a new genre in literary world and soon it managed to generate a distinction. Like the other languages of the world, fiction writers of Brahui literature also effectively adopted this genre. Among the pioneer Brahui fiction writers, the name of Gul Bangulzai is also well known who initiated the fiction writing. The effects of the progressive literary movement can be seen in his f

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3

Corporaal, Marguérite, and Tom Sintobin. "‘GEMEEN VOLK’." De Moderne Tijd 3, no. 3 (2019): 249–85. http://dx.doi.org/10.5117/dmt2019.3.005.sint.

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‘COMMON PEOPLE’ Gypsies in European regional fiction Regional fiction is a genre in which the tension between local and national cultures tends to play an important role. This article explores the representation of a category of characters that seems to escape that binary opposition: gipsies. More specifically, it analyzes six case studies from regional literature produced in Ireland and the Low Countries to find out whether we can speak of a transnational trope. Although the representation of gipsies in the case studies are different in several respects, there are also striking similarities.

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4

Basu, Manisha. "Thick as Thieves: Mothers, Gypsies, & Criminals in Enola Holmes’ Victorian England." Victoriographies 14, no. 1 (2024): 1–19. http://dx.doi.org/10.3366/vic.2024.0515.

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In her 2006 Young Adult novel, The Case of the Missing Marquess, Nancy Springer narrativises Enola Holmes as Sherlock Holmes’ intrepid and extraordinarily intelligent sister, a young woman with the ability to challenge even that great detective's iconic deductive abilities. I suggest that this overtly feminist impulse in rewriting the Victorian world of Conan Doyle is supplemented in Springer's novel with a nod toward the politics of intersectionality which attends to the ways in which gendered, class-based, and racialised identities become relational in an axiomatics of capitalist-colonialism

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Prylipko, Iryna. "Image of the Other in O. Honchar’s Fictional and Journalistic Discourse." Академічний журнал "Слово і Час", no. 1 (January 20, 2019): 38–51. http://dx.doi.org/10.33608/0236-1477.2019.01.38-51.

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The paper deals with the representation of other nations in fiction and journalism by O. Honchar. The specificity of reception and representation of the ethnic characters and other-culture realities is considered in the context of the paradigms “Me – Other”, “Own – Alien”. The paper surveys creative transformation of O. Honchar’s impressions from his trips in different countries, resulted in literary embodiment of perceptive peculiarities noticed by the writer in Hungarians, Slovaks, Czechs, Japanese, Chinese, Indians, Portuguese, Americans, Germans, Gypsies and others. The representation of t

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6

Schneeweis, Adina, and Katherine A. Foss. "“Gypsies, Tramps & Thieves”: Examining Representations of Roma Culture in 70 Years of American Television." Journalism & Mass Communication Quarterly 94, no. 4 (2017): 1146–71. http://dx.doi.org/10.1177/1077699016682723.

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Most Americans know little about the “Gypsies,” or Roma, other than what they learn in the media. Although research shows that media have perpetuated stereotypes, there is thin anthological attention to the representation of Gypsies in American media. This study examines portrayals of Gypsies in fictional and reality television programs 1953-2014, and reveals that American television has reinforced stereotypes, suggesting that Gypsies are consistently different, a closed ethnic community resistant to change. More recent representations convey that Gypsies may be misunderstood due to their cult

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7

Hutchings, Stephen C. "The gypsy as vanishing mediator in Russian television coverage of interethnic tension." Nationalities Papers 41, no. 6 (2013): 1083–99. http://dx.doi.org/10.1080/00905992.2013.801417.

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The article addresses the representation of gypsies in Russian television news bulletins and popular drama series over a 15-month period. It seeks first to explain the prominence of the media image of the gypsy relative to the size of the Roma population and second to account for the relationship between fictional and non-fictional modes of representation. Situating itself within the broader field of post-Soviet Russian identity studies and applying qualitative tools differentiated according to the arena of analysis, it looks at questions of lexicon, voice and viewpoint in relation to news and

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8

Bidaud, Samuel. "Some Reflexions on Jan Čep’s Short Stories in Exile." Literatūra 63, no. 4 (2021): 8–24. http://dx.doi.org/10.15388/litera.2021.4.1.

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This article focuses on the six short stories that the Czech writer Jan Čep wrote during his exile in France, when he fled the new Czechoslovak communist regime after 1948. These texts are as follows: Les Tziganes [The Gypsies], which was written in French and published in the journal Terre humaine in 1952, Tajemství Kláry Bendové [The Secret of Klára Benda], Před zavřenými dveřmi [In Front of the Closed Door], Ostrov Ré [Ré Island], Květnové dni [Days of May], and Tři pocestní [Three Pilgrims]. These short stories are interesting for several reasons. First of all, they present a changing poin

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9

Borenstein, Eliot. "Our Borats, Our Selves: Yokels and Cosmopolitans on the Global Stage." Slavic Review 67, no. 1 (2008): 1–7. http://dx.doi.org/10.2307/27652762.

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The comic figure of the yokel has undergone a resurgence in the past decade, culminating in Sacha Baron-Cohen's Borat. The yokel, whose predictable humor is based on his aggressive backwardness and persistent malapropisms, draws attention to the “foreignness” with which multiculturalism is uncomfortable, while also highlighting the economic and cultural dislocation of globalization. Cohen builds on the longstanding stereotypes about Jews and Gypsies (Roma), creating a persona who resembles the “vermin” of Nazi propaganda and manages to elicit racist responses from his unwitting audience. Borat

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10

Mochi Sismondi, Andrea. "Theatrical language, narrative techniques and anti-anti-Gypsyism." Anuac 6, no. 1 (2017): 187–208. http://dx.doi.org/10.7340/anuac2239-625x-2931.

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With this article based on his fieldwork in Šuto Orizari, a Municipality in the suburbs of Skopje (Macedonia), the author analyses how theatrical language and narrative techniques can be used to oppose the strengthening of anti-gypsism in public opinion. Šuto Orizari is the only Municipality in the world where romanés is used as an official language, and the Mayor and the majority of the members of the assembly of the municipality come from the Roma community, thus enjoying a degree of effective self-government. Andrea Mochi Sismondi and Fiorenza Menni lived there for two years trying to under

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11

Andl-Beck, Boróka. "Unbridling the "Tamed Other"." AnaChronisT 22 (August 21, 2024). http://dx.doi.org/10.53720/tpgd9630.

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This article investigates late-Victorian literary depictions of the imagined “Gypsy” by examining the “Szgany” of Bram Stoker’s novel Dracula. Contemporary ethnographic and legal sources are also employed to uncover Stoker’s reading of “the Gypsy” and the shift from domestic to recognisably foreign roles assumed in works of fiction. This discussion tackles the interaction of landscape and ideology, the historical and ethnographical context of the late nineteenth century, and the general significance of “the Gypsy” in these narratives. Building on the Gothic notion of the de-localised (Oriental

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12

Bilos, Piotr. "À Suwałki en Pologne et au Canada. Tziganes, Indiens, métis et êtres hybrides. Du cliché de l’étranger à l’hybridité exilique constitutive de la condition humaine." Slovo The Distant Voyages of Polish..., The distant journeys of... (2021). http://dx.doi.org/10.46298/slovo.2021.7447.

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International audience Arkady Fiedler’s Canada Smels like resin ( first edition in 1935) mixes reporting with a personal quest. The 14 stories of I doubt that you will be able to follow us (the volume was published in 2013) by Jacek Milewski exploit fiction in order to tell truths about the Polish Gypsy community. The two works reveal a common perspective that justifies studying them side by side. Arkady Fiedler and Jacek Milewski move outside their home group to communities, certainly firmly rooted in their culture, but also, in many respects, dominated and marginalized: Indians and Gypsies.

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13

Rao, Aparna, and Michael J. Casimir. "A Stereotyped Minority "Zigeuner" in Two Centuries of German Reference Literature." Ethnologia Europaea 23, no. 2 (1993). http://dx.doi.org/10.16995/ee.1212.

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This paper reviews the entry "Zigeuner" in thirty editions of general encyclopaedias in the German language between 1819 and 1986. The entries were found to be largely repetitive, stereotyped, and much of the "information" plainly fictive. While the homogeneity of "Gypsies" is concluded explicitly in almost all these editions, there is a chronological variation in the stereotypes. The entries exhibit both racism and romanticism, both fear and fascination. On the whole it seems that what are supposed to be facts about "Gypsies" were and still are more often than not facts about their social env

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14

Smith, Jorden. "The Gypsy King by M. Fergus." Deakin Review of Children's Literature 3, no. 3 (2014). http://dx.doi.org/10.20361/g23w42.

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Fergus, Maureen. The Gypsy King. Toronto: RazorBill Penguin Canada, 2013. Print.Described by the publisher, Penguin Canada, as “The Princess Bride meets A Game of Thrones with a hint of Ever After,” this book holds great promise. As a fan of all three, my expectations were high and I was a little disappointed. The book is enjoyable, the writing is engaging, the plot has a few interesting twists, the main characters are interesting, but the abrupt ending felt like a marketing ploy. At least it is an effective ploy. I am already watching the shelf for the next book in the series to arrive.Fergus

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15

Connor, Will. "Making It Magical." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3006.

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In the late 2010s, I owned and operated a bespoke drum-building company, and during that time, I was commissioned to build a frame drum by the partner of a musician who was also a magic practitioner. The commission was fitting despite my business not being related to magic or Paganism directly. I have been working with drum construction in all of my research projects during my academic career, a touring percussionist for decades, and the company focussed on making drums inspired by Lovecraftian narratives and Lovecraftian Futurist music. Due to the nature of Lovecraftian horror and science fic

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