Relevant bibliographies by topics / H. P. Lovecraft

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'H. P. Lovecraft'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'H. P. Lovecraft.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "H. P. Lovecraft"

1

Hand, Richard J. "‘Awed listening’: H. P. Lovecraft in classic and contemporary audio horror." Horror Studies 13, no. 1 (April 1, 2022): 97–115. http://dx.doi.org/10.1386/host_00048_1.

Full text
Abstract:
From the beginnings of radio drama to digital podcasting, horror has been a significant genre. Radio located an immediate and effective affinity with horror, exploiting the form’s qualities of invisibility, immersivity and suggestion in realizing the genre in on-air performance. As a part of this, adaptation ‐ from Gothic classics to populist fiction ‐ has been central. One conspicuous absence in early radio is H. P. Lovecraft with only one notable adaptation in the 1930‐1950s ‘golden age’. Nevertheless, in the radio work of Lovecraft acolyte Robert Bloch as well as shows such as Quiet, Please (1947‐49) the ‘Lovecraftesque’ is strongly evident. Indeed, various dimensions to Lovecraft’s fiction make his oeuvre ideally suited to audio adaptation. In recent times, the transmedia pre-eminence of Lovecraft is evident in audio culture as much as anywhere else. This article scopes the presence of Lovecraft in both classic and contemporary contexts of horror audio.
APA, Harvard, Vancouver, ISO, and other styles
2

van Allen, Lanny. "Recommended: H. P. Lovecraft." English Journal 75, no. 4 (April 1986): 73. http://dx.doi.org/10.2307/819382.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Setiya, Kieran. "Correspondence; Revisiting H. P. Lovecraft." Yale Review 108, no. 3 (September 24, 2020): 135–52. http://dx.doi.org/10.1111/yrev.13676.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Setiya, Kieran. "Correspondence; Revisiting H. P. Lovecraft." Yale Review 108, no. 3 (2020): 135–52. http://dx.doi.org/10.1353/tyr.2020.0048.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Sokol, Augustín, and Jozefa Pevčíková. "Animal symbolism in works of H. P. Lovecraft." Ars Aeterna 13, no. 3 (December 1, 2021): 42–56. http://dx.doi.org/10.2478/aa-2021-0016.

Full text
Abstract:
Abstract Howard Phillips Lovecraft is widely considered to be one of the most influential writers of modern horror fiction and one of the main pioneers of the genre in its current form. One of the less discussed attributes of his work is his use of animal symbolism, despite how common it is, and serves several important functions. We will examine the different forms of animal symbolism in Lovecraft’s writing, their use and their respective functions. Our main goal will be to examine how animal symbolism in Lovecraft’s work was influenced by cultural and mythological sources and his own opinions towards different creatures and what they represent, in which case we will examine how his knowledge and beliefs may have influenced his depiction of animals. Our focus will be on the depiction of cats, dogs, snakes, aquatic, and amphibious animals as these play a significant role Lovecraftian fiction. We will also examine how animal symbolism connects to the key themes in cosmic horror, such as its negation of anthropocentrism.
APA, Harvard, Vancouver, ISO, and other styles
6

Jelača, Matija. "O UŽASU SPOZNAJE: SPEKULATIVNI REALIZAM I H. P. LOVECRAFT." Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu 63, no. 1-2 (March 19, 2020): 1–31. http://dx.doi.org/10.22210/ur.2019.063.1_2.01.

Full text
Abstract:
ON THE HORROR OF KNOWLEDGE: SPECULATIVE REALISM AND H. P. LOVECRAFT This paper provides an account of the relation between the philosophy of speculative realism and H. P. Lovecraft’s poetics of “cosmic horror”. Q. Meillassoux and R. Brassier are taken as representatives of speculative realism. These two philosophers share two fundamental presumptions: first, any philosophy that aspires to the name of “realism” has to provide an answer to the question as to how thought can think a world without thought; and second, insofar as it reveals that this is indeed possible – to think a world without thought – science constitutes the greatest challenge to correlationism. The first two parts of the text provide an account of these two aspects of Meillassoux’s and Brassier’s projects respectively. The third part reconstructs the basic tenets of Lovecraft’s poetics of “cosmic horror”, first through an engagement with his numerous (auto)poetic writings on this genre, and then by a reading of his famous short story “The Call of Cthulhu”. Finally, the conclusion brings these various threads together in order to show that an explication of the relation between these three authors facilitates a better understanding of the specifics of their individual projects.
APA, Harvard, Vancouver, ISO, and other styles
7

Hernández Roura, Sergio Armando. "Rhetorics and Cosmicism in H. P. Lovecraft." Brumal. Revista de investigación sobre lo Fantástico 7, no. 1 (June 19, 2019): 15. http://dx.doi.org/10.5565/rev/brumal.503.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sederholm, Carl H. "H. P. Lovecraft, Heavy Metal, and Cosmicism." Rock Music Studies 3, no. 3 (January 29, 2016): 266–80. http://dx.doi.org/10.1080/19401159.2015.1121644.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Scotuzzi, Nathalia Sorgon. "Keziah Mason: a bruxa cientista de H. P. Lovecraft." Literartes 1, no. 15 (December 21, 2021): 48–65. http://dx.doi.org/10.11606/issn.2316-9826.literartes.2021.184675.

Full text
Abstract:
A obra do escritor norte-americano H. P. Lovecraft é marcada por um conteúdo mitológico de autoria própria que é parte indissociável de sua escrita. Essa mitologia autêntica e alienígena possui seus próprios pressupostos, não tendo relações diretas (e poucas vezes indiretas) com a mitologia cristã. O conto “Sonhos na casa da bruxa” (1933), entretanto, trabalha com a figura da bruxa, que é constantemente associada ao Diabo e ao cristianismo e, assim, nosso objetivo com esse trabalho é identificar de que forma Lovecraft desenvolve essa figura nesse conto e até que ponto incorpora elementos da mitologia cristã em sua história.
APA, Harvard, Vancouver, ISO, and other styles
10

Gacoin-Marks, Florence. "H. P. Lovecraft et l'œuvre de Michel Houellebecq : hypothèses pour une étude génétique." Acta Neophilologica 39, no. 1-2 (December 1, 2006): 125–29. http://dx.doi.org/10.4312/an.39.1-2.125-129.

Full text
Abstract:
Le présent article expose les résultats d'une lecture attentive de la monographie que Michel Houellebecq, écrivain français contemporain, a consacrée à H. P. Lovecraft. La présentation que Houellebecq propose de l'écrivain américain est un précieux document permettant de formuler des hypothèses concernant le rôle joué par Lovecraft dans la genèse des oeuvres de l'écrivain français.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "H. P. Lovecraft"

1

Reiter, Geoffrey. ""A dark poem" : Lovecraft and his Puritans /." Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Heye, Kézia L'Engle de Figueiredo. "Weird fiction and the unholy glee fo H. P. Lovecraft." Florianópolis, SC, 2003. http://repositorio.ufsc.br/xmlui/handle/123456789/86573.

Full text
Abstract:
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente.
Made available in DSpace on 2012-10-21T08:21:02Z (GMT). No. of bitstreams: 1 193275.pdf: 328228 bytes, checksum: 1560ec68c3127a980c594f90b7c807c6 (MD5)
APA, Harvard, Vancouver, ISO, and other styles
3

Scotuzzi, Nathalia Sorgon [UNESP]. "Relances vertiginosos do desconhecido: a desolação da ciência em H. P. Lovecraft." Universidade Estadual Paulista (UNESP), 2017. http://hdl.handle.net/11449/150830.

Full text
Abstract:
Submitted by NATHALIA SORGON SCOTUZZI null (irongirl30@gmail.com) on 2017-06-05T16:09:32Z No. of bitstreams: 1 DEFESA PDF.pdf: 1473085 bytes, checksum: b597e5fade9bf95162960314d44c55d6 (MD5)
Approved for entry into archive by Luiz Galeffi (luizgaleffi@gmail.com) on 2017-06-06T16:23:35Z (GMT) No. of bitstreams: 1 scotuzzi_ns_me_arafcl.pdf: 1473085 bytes, checksum: b597e5fade9bf95162960314d44c55d6 (MD5)
Made available in DSpace on 2017-06-06T16:23:35Z (GMT). No. of bitstreams: 1 scotuzzi_ns_me_arafcl.pdf: 1473085 bytes, checksum: b597e5fade9bf95162960314d44c55d6 (MD5) Previous issue date: 2017-05-15
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Um dos elementos chave na obra de H. P. Lovecraft é a Ciência, que é representada de maneira verossímil frente à realidade empírica do momento histórico do autor. A Ciência, em diversos momentos, se torna a responsável por mover a trama, possibilitar as ações e justificar as descobertas extraordinárias dos personagens. Sua análise, portanto, permite um enriquecimento da discussão a respeito da obra do autor de modo geral. Realizando uma análise das implicações da Ciência dentro das tramas, a partir de questões espaciais e filosóficas, pretendemos contribuir para uma compreensão mais ampla do seu papel na obra de Lovecraft. Além das análises, buscamos delinear o perfil da crítica que o autor realiza à Ciência, e de que maneira ela é construída por meio de seus contos e novelas agrupados no conjunto conhecido como Cthulhu Mythos.
One of the key elements in H. P. Lovecraft‘s work is Science, which is represented in a verisimilar way to the empirical reality of the author‘s historic moment. Science is for several times the responsible for moving the plot, making the characters‘ actions possible and justifying their extraordinary discoveries. Therefore, its analysis allows an enrichment of the discussion regarding the author‘s work in a general way. Analyzing the implications of Science inside the plots as from spatial and philosophical matters, we intend to contribute with a broader comprehension of its role inside Lovecraft‘s work. Besides the analyses, we aim at outlining the profile of the criticisms the author makes to Science, and how they are built through his short stories and novellas in the group known as the Cthulhu Mythos.
APA, Harvard, Vancouver, ISO, and other styles
4

Scotuzzi, Nathalia Sorgon. "Relances vertiginosos do desconhecido : a desolação da ciência em H. P. Lovecraft /." Araraquara, 2017. http://hdl.handle.net/11449/150830.

Full text
Abstract:
Orientador: Aparecido Donizete Rossi
Banca: Júlio César França Pereira
Banca: Álvaro Luiz Hattnher
Resumo: Um dos elementos chave na obra de H. P. Lovecraft é a Ciência, que é representada de maneira verossímil frente à realidade empírica do momento histórico do autor. A Ciência, em diversos momentos, se torna a responsável por mover a trama, possibilitar as ações e justificar as descobertas extraordinárias dos personagens. Sua análise, portanto, permite um enriquecimento da discussão a respeito da obra do autor de modo geral. Realizando uma análise das implicações da Ciência dentro das tramas, a partir de questões espaciais e filosóficas, pretendemos contribuir para uma compreensão mais ampla do seu papel na obra de Lovecraft. Além das análises, buscamos delinear o perfil da crítica que o autor realiza à Ciência, e de que maneira ela é construída por meio de seus contos e novelas agrupados no conjunto conhecido como Cthulhu Mythos.
Abstract: One of the key elements in H. P. Lovecraft's work is Science, which is represented in a verisimilar way to the empirical reality of the author's historic moment. Science is for several times the responsible for moving the plot, making the characters' actions possible and justifying their extraordinary discoveries. Therefore, its analysis allows an enrichment of the discussion regarding the author's work in a general way. Analyzing the implications of Science inside the plots as from spatial and philosophical matters, we intend to contribute with a broader comprehension of its role inside Lovecraft's work. Besides the analyses, we aim at outlining the profile of the criticisms the author makes to Science, and how they are built through his short stories and novellas in the group known as the Cthulhu Mythos.
Mestre
APA, Harvard, Vancouver, ISO, and other styles
5

Lima, Dulce Fabiana Mota. "Traduzindo horrores com H. P. Lovecraft (1890-1937) : aspectos afetivos e relação tradutoria." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269233.

Full text
Abstract:
Orientador: Jo Anne Marie McCafrey Busnardo Neto
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-04T10:46:54Z (GMT). No. of bitstreams: 1 Lima_DulceFabianaMota_M.pdf: 1702617 bytes, checksum: 01b92470aa6dac2d8a4cac3c76a84f5b (MD5) Previous issue date: 2005
Resumo: Esta dissertação apresenta um estudo de caso auto-reflexivo que denomino autoetnografia de tradução. Esse estudo visa a minha própria relação tradutória com um escritor norte-americano bastante representativo para a literatura de horror, Howard Philips Lovecraft (1890-1937). Para investigar essa relação, utilizo-me de uma metodologia de pesquisa qualitativa que combina dois instrumentos: histórias de vida e protocolos verbais (aos quais me refiro também como protocolos de tradução). Durante as análises dos dados coletados, eu verifico a aplicabilidade de certas teorias psicanalíticas: o neo-lacanianismo do teórico da escrita Mark Bracher (1999); o pós-lacanianismo de Julia Kristeva e suas noções de registro Semiótico e de abjeto; o conceito de relação tradutória amorosa (ou relação de amor) e a idéia de escrita singular da teórica brasileira de tradução Maria Paula Frota (2000); e o ¿Esquema Lacandemônico¿ do teórico norte-americano de tradução Douglas Robinson (2001). O foco da investigação é a visibilidade do tradutor. Faço uso também de teorias de recepção para compreender as implicações ¿ inclusive as implicações éticas ¿ de uma relação tradutória caracterizada por um amor infeliz e que é construída pelo apagamento de aspectos importantes do texto de partida
Abstract: This dissertation presents a self-reflexive case study which I will call an autoethnography of translation. The study describes my own relationship, as a translator, to the North American author H. P. Lovecraft (1890-1937), one of the most representative creations of the horror genre in literature. In order to investigate that relationship, I utilize a qualitative research methodology which combines two instruments: life histories and verbal protocols (which I also refer to as translation protocols). During the analysis of the data collected, I attempt to verify the applicability to translation processes of certain psychoanalytic theories: the neo-Lacanianism of the writing theorist Mark Bracher (1999); the post-Lacanianism of Julia Kristeva and her notions of the Semiotic Register and the abject; the concept of the translation love relationship (or love affair) and the idea of the singular in translation writing processes of the Brazilian translation theorist Maria Paula Frota (2000); and the ¿Lacandemonic Schema¿ of the North American theorist of translation Douglas Robinson (2001). The focus of the investigation is the translator¿s visibility. I also make use of theories of reception in order to understand the implications ¿ including ethical implications ¿ of a translation relationship characterized as unhappy love, and which is constructed through the erasure of important aspects of the source text
Mestrado
Tradução
Mestre em Linguística Aplicada
APA, Harvard, Vancouver, ISO, and other styles
6

Dutra, Daniel Iturvides. "O horror sobrenatural de H. P. Lovecraft : teoria e praxe estética do horror cósmico." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/128999.

Full text
Abstract:
H.P. Lovecraft, em seus ensaios e cartas, nos oferece uma reflexão riquíssima sobre a narrativa de horror e como esta deve se expressar na literatura. O autor cunhou o termo Horror Cósmico para denominar sua teoria estética. Porém, mais do que ser uma teorização sobre o horror na literatura, o Horror Cósmico é uma teorização sobre como deve ser a narrativa que Lovecraft julga ser a ideal para as histórias que deseja contar. Nessa perspectiva, a análise de sua ficção, acompanhado dos conhecimentos adquiridos pela análise pormenorizada de seus ensaios e cartas sobre o tema, permitem ao leitor compreender melhor sua obra, chegando assim a uma interpretação aproximadamente correta de sua ficção. O objetivo deste trabalho, portanto, é compreender como suas teorizações se refletem em seus textos ficcionais. Os contos e respectivas transposições fílmicas selecionadas foram analisados sobre o prisma destas teorizações. Para alcançarmos esse objetivo primeiro analisamos os seus contos comparativamente com os textos não ficcionais, a fim de compreendermos a forma como o autor expressa o conceito de Horror Cósmico em sua prosa ficcional. Após a compreensão dos elementos teóricos de Lovecraft em sua ficção, analisamos as transposições fílmicas selecionadas sob esse mesmo prisma. Pesquisas bibliográficas foram realizadas com o objetivo de construir um referencial teórico para a abordagem proposta.
H.P. Lovecraft, in his essays and letters, offers the reader powerful insights into the subject of horror and how it should be expressed in literature. The author coined the term Cosmic Fear to name his aesthetic theory. However, in addition to being a theory about horror in literature, Cosmic Fear is a theory about how the ideal horror story (as Lovecraft wishes to write it) should be. From this perspective, the analysis of Lovecraft´s fiction, accompanied by the knowledge acquired through a detailed analysis of his essays and letters on the subject, allows the reader to better understand his work, thus reaching an approximately correct interpretation of his fiction. The goal of our research, therefore, is to understand how Lovecraft´s aesthetic theory works in his fiction. The short stories, novels and the filmic transpositions we selected for this research were analyzed under the prism of these theories. To achieve this goal we analyzed his fiction by comparing it first to his non-fiction in order to understand the concept of Cosmic Fear in his fiction. After understanding Cosmic Fear in Lovecraft´s fiction, we analyzed the selected filmic transpositions under the same prism. Bibliographic references were used with the purpose of building a theoretical framework for the proposed approach.
APA, Harvard, Vancouver, ISO, and other styles
7

Dahlbäck, Joakim. "Cthulhu vaknar på vita duken : En jämförande analys av H.P. Lovecrafts The Call of Cthulhu och Andrew Lemans filmatisering av den." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-175450.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Smith, Lacroix Louis-Pierre. "Mythologie de Lovecraft : contexte, prétexte, texte." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25212/25212.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Horth, Sophie. "Dire et montrer l'horreur : le sublime par l'ekphrasis au service du fantastique chez H.P. Lovecraft." Master's thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/26477.

Full text
Abstract:
L’étude de l’œuvre de l’auteur fantastique américain H.P. Lovecraft a souvent été mise de côté dans les études littéraires, où on qualifiait son style d’excessif et maladroit. Celui-ci a alimenté beaucoup de débats sur l’appartenance de Lovecraft au genre fantastique en général, duquel on l’excluait, prétextant qu’il rompait la traditionnelle hésitation typiquement fantastique. Dans ce mémoire, nous souhaitons nous interroger sur le rôle que peut jouer l’écriture particulière de Lovecraft dans la construction d’un univers narratif cohérent, malgré la crise du signe à laquelle font face ses personnages. Nous observerons comment l’écriture de Lovecraft, grâce à son recours à l’ekphrasis, parvient à susciter le sublime, d’abord chez ses narrateurs, mais également transcender le récit pour atteindre le lecteur. Nous montrerons comment le sublime vécu par ses personnages parvient, grâce à une esthétique de la présence du surnaturel, à faire douter le lecteur sur sa propre réalité.
APA, Harvard, Vancouver, ISO, and other styles
10

Schnabel, William. "Les monstres familiers de H. P. Lovecraft : une analyse des images tératologiques dans la vie et l'oeuvre de H.P.Lovecraft." Toulouse 2, 1995. http://www.theses.fr/1995TOU20077.

Full text
Abstract:
Notre recherche porte essentiellement sur les images teratologiques dans la fiction de h. P. Lovecraft. Cette etude tache de montrer les correspondances et les interferences qui existent entre sa vie et son oeuvre litteraire. Le monstre lovecraftien est le miroir qui reflete les aspects dysphoriques ou negatifs de sa vie. Les images monstrueuses sont filtrees, deformees, grossies ou condensees par les evenements qu'il a vecus, pour devenir enfin des metaphores obsessionnelles, personnalisees par la plume de l'ecrivain. Nous commencons notre etude par un examen du racisme lovecraftien. Nous nous appliquons a analyser les contenus racistes dans sa fiction, sa correspondance et ses essais. Ensuite nous abordons le theme des vampires lovecraftiens. Nous examinons les vampires demoniaques, les vampires humains morts-vivants, les vampires theriomorphes, la possession vampirique, la reincarnation vampirique et les vampires psychiques. Dans le troisieme chapitre nous voulons montrer que les personnages lovecraftiens sont les doubles de l'auteur, des facettes de son caractere. Nous analysons les themes de l'imago monstrueuse, du double maternel et paternel, de la maison onirique, de la nouvelle-angleterre et de la decadence. Dans le quatrieme chapitre nous etudions les doubles reveurs, les doubles metamorphiques, les doubles par possession, les doubles jumeaux et les doubles monstrueux. Nous terminons notre recherche par une analyse de l'espace monstrueux qui comprend les themes du labyrinthe, de l'escalier et de l'abime
The present study focusses primarily on the teratological images in the life and fiction of h. P. Lovecraft. Our objective is to show the links between the two as well as the way in which the author's life intrudes in his art. Lovecraft's monsters function as a sort of mirror revealing the negative or dysphoric aspects of his life. Throughout his fiction, his images of monsters are filtered, deformed, enlarged and condensed as a result of his own personal experience, and eventually become obsessional metaphores, bearing the author's unique trademark. Our study begins with an investigation of lovecraft's racism, before concentrating on his use of vampires and the theme of the double. We conclude our research with an analysis of the author's use of space as an integral part of his teratological images
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "H. P. Lovecraft"

1

Joshi, S. T. H. P. Lovecraft: A comprehensive bibliography. Tampa, Fla: University of Tampa Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Joshi, S. T. H. P. Lovecraft: A comprehensive bibliography. Tampa, Fla: University of Tampa Press, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Lovecraft, H. P. The case of Charles Dexter Ward: H. P. Lovecraft. New York: Ballantine Books, 1987.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Dyer, Jim, ed. The Gentleman From Angell Street: Memories of H. P. Lovecraft. Narragansett, Rhode Island: Fenham Publishing, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Brachthäuser, Christian. Eine grenzenlos einsame Seele: H. P. Lovecraft - Leben und Werk. Groß-Gerau: Ancient-Mail-Verl., 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Camp, L. Sprague De. H. P. Lovecraft. Festa Verlag, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Lovecraft, H. P. H. P. Lovecraft Collection. IDB Productions, 2016.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Lovecraft, H. P. Annotated H. P. Lovecraft. Tandem Library, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Dobbyn, Nigel. H. P. Lovecraft Drawing Book. Arcturus Publishing, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Joshi, S. T. H. P. Lovecraft: A Life. Cooper Square Publishers, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "H. P. Lovecraft"

1

Colebrook, Martyn. "“Comrades in Tentacles”: H. P. Lovecraft and China Miéville." In New Critical Essays on H.P. Lovecraft, 209–26. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137320964_12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Simmons, David. "“A Certain Resemblance”: Abject Hybridity in H. P. Lovecraft’s Short Fiction." In New Critical Essays on H.P. Lovecraft, 13–30. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137320964_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Alcalá González, Antonio. "Degeneration in H. P. Lovecraft and William Hope Hodgson." In The Palgrave Handbook of Contemporary Gothic, 1209–22. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33136-8_72.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Carlin, Gerry, and Nicola Allen. "Slime and Western Man: H. P. Lovecraft in the Time of Modernism." In New Critical Essays on H.P. Lovecraft, 73–90. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137320964_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Wisker, Gina. "“Spawn of the Pit”: Lavinia, Marceline, Medusa, and All Things Foul: H. P. Lovecraft’s Liminal Women." In New Critical Essays on H.P. Lovecraft, 31–54. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137320964_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hantke, Steffen. "From the Library of America to the Mountains of Madness: Recent Discourse on H. P. Lovecraft." In New Critical Essays on H.P. Lovecraft, 135–56. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137320964_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Norman, Joseph. "“Sounds Which Filled Me with an Indefinable Dread”: The Cthulhu Mythopoeia of H. P. Lovecraft in “Extreme” Metal." In New Critical Essays on H.P. Lovecraft, 193–208. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137320964_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bloom, Clive. "This Revolting Graveyard of the Universe: the Horror Fiction of H. P. Lovecraft." In American Horror Fiction, 59–72. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-20579-0_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Janicker, Rebecca. "Myth and Monstrosity: The Dark Realms of H. P. Lovecraft and Guillermo del Toro." In The Transnational Fantasies of Guillermo del Toro, 45–60. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137407849_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

MacCormack, Patricia. "Queering the Weird: Unnatural Participations and the Mucosal in H. P. Lovecraft and Occulture." In Spaces and Fictions of the Weird and the Fantastic, 57–72. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-28116-8_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'H. P. Lovecraft' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography