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Journal articles on the topic 'Hagi pottery'

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1

ÖNEY, Dicle. "IMJIN SAVAŞI SONRASI KORELİ ÇÖMLEKÇİLERİN JAPON SERAMİK KÜLTÜRÜNE ETKİLERİ." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 33 (September 15, 2022): 43–56. http://dx.doi.org/10.31567/ssd.734.

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The Imjin War was fought between Japan and Korea between 1592 and 1598. The process that started with Japan's invasion of Korea resulted in the capture of skilled Korean craftsmen and about 800 Korean potters, among them, after the war. Captive Korean potters were settled in areas of western and southern Japan ruled by the Lords of the time. Korean potters, who have a deep-rooted ceramic tradition, developed ceramic production techniques in the Japanese regions where they were placed and became the creators of products such as Satsuma-yaki, Hagi and Karatsu ceramics, and Arita porcelain, which are known today as Japanese ceramics. As a result of the effects of Korean potters captured as a kind of war booty on Japanese ceramic art and culture, the Imjin War in the literature of ceramic art history; is called the “Tea Bowl War”, “The Pottery War” and the “Ceramic War”. In this study, a brief history of the Imjin War is given, the Korean ceramic tradition and culture, which reached its peak during the pre-war Joseon Dynasty, is evaluated through examples, and finally, technical and formal transformations and new formations in post-war Japanese ceramic production are examined. Keywords: Imjin War, Tea Bowl War, Pottery War, Korean Ceramics, Japanese Ceramics
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Noh,Sung-Hwan. "A Study of Chosen potter in Hagi Japan." Japanese Language and Literature Association of Daehan ll, no. 47 (August 2010): 329–47. http://dx.doi.org/10.18631/jalali.2010..47.019.

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Noh,Sung-Hwan. "A study of Korean Japanese potter in Hagi Yamaguchi." Journal of the society of Japanese Language and Literature, Japanology ll, no. 50 (August 2010): 335–58. http://dx.doi.org/10.21792/trijpn.2010..50.017.

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4

노, 성환. "A Study on the Josen Potter Saeki Family in Hagi, Japan." Journal of Japanese Studies 59 (January 15, 2020): 7–22. http://dx.doi.org/10.18841/2016.2020.59.1.

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노, 성환. "A Study on the Josen Potter Saeki Family in Hagi, Japan." Journal of Japanese Studies 59 (January 15, 2020): 7–22. http://dx.doi.org/10.18841/2019.59.1.

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노, 성환. "A Study on the Josen Potter Saeki Family in Hagi, Japan." Journal of Japanese Studies 59 (January 15, 2020): 7–22. http://dx.doi.org/10.18841/2020.59.1.

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7

Noh,Sung-Hwan. "A Study on Lee, Jak Kwang and Lee, Kyung, the Chosun Potter of Hagi, Japan." Journal of North-east Asian Cultures 1, no. 61 (December 2019): 361–79. http://dx.doi.org/10.17949/jneac.1.61.201912.021.

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Lee, Won Tae. "Emergence and Significance of Grey Pottery in Baekjeon · Yesan-ri Remains, Seongju." Yeongnam Archaeological Society 97 (September 30, 2023): 167–88. http://dx.doi.org/10.47417/yar.2023.97.167.

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This study examines the emergency and significance of Grey pottery in Baekjeon Yesan-ri remains, Seongju. The research findings show that Grey pottery in Baekjeon Yesan-ri remains, Seongju, emerged between the end of the 2nd century B.C. (PeriodⅠ-1) and the beginning of the 1st century B.C., and continued until the middle of the 2nd century (PeriodⅡ-1). The date of earthenware excavated from the 3rd tomb of wooden coffins in Baekjeon Yesan-ri, Seongju was thought to be the 2nd century B.C. based on the fact that Clay band pottery and pouch-shaped pottery with clay band were found along with them at remains of Hagu-ri and Bukto-ri, Gyeongju, as well as Paldal-dong, Daegu, and also in reference to the period of Clay band pottery excavated from the first tomb of wooden coffins in Gyodong-ri, Ulsan. Therefore, it is possible to adjust the presumed period of the Pottery with stamped design that had been entered to the basin of Nakdong River up to the 2nd century B.C. Over Daegu region adjacent to remains of Baekjeon Yesan-ri, Seongju, with Nakdong River as the boundary, remains are scattered at Paldal-dong, Hakjeong-dong, Seobyeon-dong, Sinseo-dong, etc. The groups in Baekjeon Yesan-ri, Seongju, and in Paldal-dong, Daegu, maintained the equal status in the early stage of Grey pottery, but in the latter period of Grey pottery, the spread of the group in Paldal- dong, Daegu, was likely to be accelerated. Specifically, in the 1st century B.C., the burial earthenware and metalware composition of the wooden coffin tombs excavated from No. 1, 3, and 31 of Baekjeon Yesan-ri, Seongju, were similar to that of No. 45, 94 of Paldal-dong, Daegu. In Seongju region, there were no known remains of the Proto-three Kingdom Age which connected the Bronze Age and the age of the Three Kingdoms until the archaeological evidence of the Proto-three Kingdom Age was found in remains of Baekjeon Yesan-ri, Seongju. It is expected, therefore, that there will be a comprehensive discussion on Seongju in its stage that small political states formed.
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Briggs, C. Stephen, William J. Britnell, and Alex M. Gibson. "Two Cordoned Urns from Fan y Big, Brecon Beacons, Powys." Proceedings of the Prehistoric Society 56 (1990): 173–78. http://dx.doi.org/10.1017/s0079497x00005107.

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Late in November 1981, Mr M. Wright of the Danywenallt Centre, Talybont, noticed fragments of prehistoric pottery and an associated cremation burial in an area eroded by walkers in the pathway on Fan y Big (SO 03712057; fig. 1). The site lies at a height of 655 m on one of the denuded spurs of the northern escarpment of the Beacons (pl. 12). The find itself lay next to a small dry-stone beacon about 1 m high, on the knife-edge of the spur and less than 10m away from the precipitous cliffs which drop away for about 100 m to either side. Behind the spur, to the south, is a slight plateau covered in eroding peat hags with a little cotton grass.The ground was frozen at the time of the discovery to a depth of about 3 cm, and the obvious vulnerability of the pottery to destruction by the weather or the passage of human feet necessitated immediate action to preserve it. A small excavation team supervised by C. S. Briggs was hastily assembled to undertake this task in bitter weather several days later.
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Beach*, Shannon E., Terri W. Starman, and H. Brent Pemberton. "Nitrogen Toning and Thidiazuron (TDZ) Improve Pot Plant Quality of Bracteantha bracteata Cultivars." HortScience 39, no. 4 (July 2004): 893D—894. http://dx.doi.org/10.21273/hortsci.39.4.893d.

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Bracteantha bracteata (Vent.) Anderb. & Haegi (bracteantha) is a vegetative annual produced as a 12.7-cm potted plant in 6 weeks of greenhouse production. A dense leaf canopy produced with a conventional constant-feed fertilization regime (300 mg·L-1 20N-4.4P-16.6K) caused increased disease pressure and lower leaf chlorosis during greenhouse production. During shelf life, lower leaves of plants con-tinued to become chlorotic. The objective was to decrease leaf area and prevent lower leaf chlorosis without affecting harvest time, plant quality or shelf life of two cultivars of three series of bracteantha. The first experiment was to reduce the rate of fertilizer two weeks prior to harvest. Treatments were no fertility reduction (300 mg/liter), 50% reduction (150 mg/liter), and 100% reduction (0 mg·L-1). At harvest, plants were evaluated for shelf life in a growth room at 21.1 ± 1.3 °C and 6 μmol·m-2·s-1 PPF. Five cultivars in the 100% fertility reduction treatment had decreased height and/or width index at harvest and three cultivars maintained higher postharvest quality ratings compared to the other treatments. Separately, the effect of the duration of fertilization was evaluated by terminating fertilization at weekly intervals (0-6 weeks) throughout production. Ceasing fertilization two to three weeks prior to harvest produced plants with lower leaf area without affecting flower number. In another experiment, thidiazuron (TDZ) as a foliar spray at 0, 0.1, 0.5, and 1.0 mg·L-1 was applied to decrease lower leaf yellowing. SPAD-502 chlorophyll meter readings of lower leaves were increased with 0.1 mg·L-1 TDZ treatment compared to the control. Phytotoxic symptoms occurred on plants receiving higher TDZ rates.
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Dewi, Nurul Kemala. "ANALISIS KEMAMPUAN MENDESAIN POSTER BERTEMA SENI BUDAYA NTB PADA MAHASISWA CALON GURU SEKOLAH DASAR." Gorga : Jurnal Seni Rupa 12, no. 1 (June 17, 2023): 84. http://dx.doi.org/10.24114/gr.v12i1.43654.

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The lack of adequate poster work for aspiring elementary school teachers served as the inspiration for this study. The placement of language and images pays little consideration to compositional theory, and the outcomes of the poster design efforts are still inadequate. While making billboards and posters is a subject in Class VI SD Cultural Arts and Crafts, additional research is required to delve deeper into it and find out how the quality of student poster work currently is. This study aims to describe the ability to design posters with the Art and Culture theme of NTB for elementary school teacher candidates. This research used a descriptive qualitative method and the data collection is done by using observation and documentation. The research sample was poster works with the theme of NTB Cultural Arts for Semester I and II students of the PGSD UNRAM Study Program of 2022. The sampling technique used purposive sampling, which was based on a variety of NTB Cultural Arts, such as decoration, traditional music, traditional food, pottery, and traditional dances. Data analysis uses theory of art/design composition, in the form of art/design principles. The results showed that the ability to design posters for Art and Culture of NTB was quite good, but there were several items that still require improvement, such as the accuracy of the shapes to make pictures and letters, the arrangement of pictures and letters, and the accuracy of technique to convey the message.Keywords: ability, posters, cultural arts, NTB. AbstrakPenelitian ini dilatarbelakangi oleh kurang maksimalnya karya poster mahasiswa calon guru sekolah dasar. Penataan tulisan dan gambar kurang memperhatikan teori komposisi dan hasil karya merancang poster kurang memuaskan. Sementara materi Seni Budaya dan Prakarya di kelas VI SD adalah membuat reklame/poster. Untuk lebih mendalaminya maka diperlukan penelitian agar terungkap dengan jelas seperti apa kualitas karya poster mahasiswa. Penelitian ini bertujuan untuk mendeskripsikan kemampuan mendesain poster bertema Seni Budaya NTB pada mahasiswa calon guru sekolah dasar. Jenis penelitian adalah kualitatif deskriptif. Pengambilan data dilakukan dengan observasi dan dokumentasi. Sampel penelitian adalah seluruh karya poster bertema Seni Budaya NTB pada mahasiswa Semester III Prodi PGSD UNRAM Tahun 2022. Teknik pengambilan sampel menggunakan purposive sampling yaitu berdasarkan ragam Seni Budaya NTB, yaitu ragam hias, musik tradisional, makanan tradisional, gerabah, dan tarian tradisional. Analisis data menggunakan teori komposisi seni rupa/desain, berupa prinsip-prinsip seni rupa/desain. Hasil penelitian menunjukkan bahwa kemampuan mendesain poster bertema Seni Budaya NTB sudah cukup baik, namun masih banyak hal yang perlu ditingkatkan, yaitu ketepatan bentuk dalam membuat gambar dan huruf, penataan gambar dan huruf, dan ketepatan penyampaian pesan.Kata Kunci: kemampuan, poster, seni budaya, NTB. Authors:Nurul Kemala Dewi : Universitas Mataram References:Aswasulasikin, A., Pujiani, S., & Hadi, Y. A. (2020). Penanaman Nilai Nasionalis Melalui Pembelajaran Budaya Lokal Sasak di Sekolah Dasar. Jurnal DIDIKA: Wahana Ilmiah Pendidikan Dasar, 6(1), 63-76.Dewi, Nurul Kemala & Tahir, M. (2020). Penciptaan Ragam Hias De Saphir Sasambo Untuk Mendukung Praktek Komposisi Berbasis Kelokalan di Prodi PGSD FKIP UNRAM. Laporan Penelitian tidak diterbitkan. Mataram: Universitas Mataram.Herliyani, E., & Suryana, J. (2015). DKV Sebagai Perancangan Media Promosi Jurusan Desain Komunikasi Visual (DIII) Undiksha Berbasis Web. Prasi: Jurnal Bahasa, Seni, dan Pengajarannya, 10(20).Kembaren, Y. A., Kartono, G., & Mesra, M. (2020). Analisis Karya Poster Berdasarkan Unity, Layout, Tipografi, Dan Warna. Gorga: Jurnal Seni Rupa, 9(1), 121-126.Safitri, Indah Ayu. (2020). Proporsi Kacang Tanah dan kedelai Terhadap Sifat Kimia dan Organoleptik Jajan Manjareal Khas Sumbawa. Skripsi tidak diterbitkan. Mataram: Universitas Muhammadiyah Mataram.Supandi, M. B., & Azis, A. C. K. (2020). Peninjauan Poster dari Warna dan Tipografi di SMK Multimedia Istiqlal. Gorga: Jurnal Seni Rupa, 9(2), 419-423.Utoyo, A. W. (2020). Analisis Komunikasi Visual Pada Poster Sebagai Media Komunikasi Mendorong Jarak Sosial Di Jakarta Saat Epidemi Covid 19. LUGAS Jurnal Komunikasi, 4(1), 35-42.
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12

Putri, Widya Arga, and Darwanto. "Corporate Social Responsibility Disclosure Analysis with Social Performance Indicators in Sharia Banking in Indonesia." Jurnal Ekonomi Syariah Teori dan Terapan 9, no. 6 (December 7, 2022): 874–83. http://dx.doi.org/10.20473/vol9iss20226pp874-883.

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ABSTRAK Penelitian ini bertujuan untuk menganalisis tingkat pengungkapan Corporate Social Responsibility (CSR) perbankan syariah periode 2018-2020 dengan menggunakan indeks Social Performance Indicators (SPI). Indeks SPI memiliki kerangka kerja yang lebih luas dengan menambahkan aspek religiositas sebagai indikator penilaian. Penelitian ini bersifat deskriptif kualitatif-kuantitatif menggunakan metode analisis isi yang dikombinasikan dengan sistem pembobotan dan pemeringkatan menggunakan skala RDAP. Data pada penelitian ini menggunakan data sekunder yang diperoleh dari laporan tahunan setiap perbankan syariah. Sampel penelitian ini terdiri dari Bank Aceh Syariah, Bank NTB Syariah, Bank Mega Syariah, BTPN Syariah, BCA Syariah, BNI Syariah, dan Bank Syariah Mandiri. Penelitian ini menggunakan enam indikator yang terdiri dari Religiositas, Lingkungan, Masyarakat, Tata Kelola, Karyawan, dan Klien. Hasil penelitian ini menunjukkan bahwa Tata Kelola adalah dimensi yang paling banyak diungkapkan oleh perbankan syariah dengan skor 95,8%, sedangkan dimensi Klien memperoleh skor paling rendah yakni sebesar 53,4%. Pengungkapan CSR dengan indeks SPI perbankan syariah selama periode 2018-2020 secara keseluruhan memperoleh predikat proaktif dari skala RDAP dengan skor sebesar 85,6%. Penelitian ini membuktikan bahwa indikator yang digunakan indeks SPI telah mencakup hal-hal yang dibutuhkan perbankan syariah untuk menilai kinerja tanggung jawab sosialnya. Perbankan syariah diharapkan dapat memberikan kontribusi lebih pada dimensi klien di samping menjaga konsistensi tanggung jawab sosial pada dimensi lainnya. Kata Kunci: Corporate Social Responsibility, Social Performance Indicators, Pengungkapan, Pemeringkatan. ABSTRACT This study aimed to analyze the disclosure of Corporate Social Responsibility (CSR) of Islamic banking for the 2018-2020 period using the Social Performance Indicators (SPI) index. The SPI index has a broader framework by adding aspects of religiosity as an assessment indicator. This was a descriptive qualitative-quantitative research. It used the content analysis method combined with a weighting and ranking system which used the RDAP scale. The data in this study used secondary data obtained from the annual report of each Islamic banking. The sample of this research consisted of Bank Aceh Syariah, Bank NTB Syariah, Bank Mega Syariah, BTPN Syariah, BCA Syariah, BNI Syariah, and Bank Syariah Mandiri. This study used six indicators consisting of Religiosity, Environment, Society, Governance, Employees, and Clients. The results of this study indicate that Governance is the dimension most widely disclosed by Islamic banking with a score of 95.8%, while the Client dimension obtained the lowest score of 53.4%. CSR disclosure with the Islamic banking SPI index during the 2018-2020 period as a whole received a proactive predicate from the RDAP scale with a score of 85.6%. This research proves that the indicators used by the SPI index have covered the things that Islamic banks need to assess their social responsibility performance. Islamic banking is expected to contribute more to the client dimension while maintaining consistency in social responsibility in other dimensions. Keywords: Corporate Social Responsibility, Social Performance Indicators, Disclosure, Ranking. REFERENCES Amran, A., Fauzi, H., Purwanto, Y., Darus, F., Yusoff, H., Zain, M.M., Naim, D.M.A. & Nejati, M. (2017). Social responsibility disclosure in Islamic banks: A comparative study of Indonesia and Malaysia. Journal of Financial Reporting and Accounting, 15(1), 99-115. https://doi.org/10.1108/JFRA-01-2015-0016 Carroll, A. B. (1979). A three-dimensional conceptual model of corporate performance. Corporate Social Responsibility, 4(4), 37–45. https://doi.org/10.5465/amr.1979.4498296 Clarkson, M. E. (1995). A stakeholder framework for analyzing and evaluating corporate social performance. Academy of Management Review, 20(1), 92–117. https://doi.org/10.5465/amr.1995.9503271994 Desiana. (2018). Pelaporan corporate sosial responsibility (CSR) perbankan syariah dalam perspektif syariah enterprise theory. Jurnal Ekonomi Dan Hukum Islam, 2(2), 107–133. Fauzi, M., Akbarudin, W. H., Darmasetiawan, I. E., & Darussalam, A. (2020). Penerapan tanggung jawab sosial perbankan syariah milik negara dengan indeks Islamic social reporting. Jurnal Ilmiah Ekonomi Islam, 6(3), 488–500. http://dx.doi.org/10.29040/jiei.v6i3.1342 Fitria, S., & Hartanti, D. (2010). Islam dan tanggung jawab sosial: Studi perbandingan pengungkapan berdasarkan global reporting initiative indeks dan Islamic social reporting indeks. Simposium Nasional Akuntansi Purokerto. Gustani. (2014). Model pelaporan kinerja sosial perbankan syariah: Implementasi Islamic social reporting index di indonesia. Jakis: Jurnal Akuntansi dan Keuangan Islam, 2(1), 35–49. https://doi.org/10.35836/jakis.v2i1.51 Hadi, N. (2011). Corporate social responsibility. Graha Ilmu. Hamidi, L., & Worthington, A. C. (2020). How social is Islamic banking? Society and Business Review, 16(1), 51–70. https://doi.org/10.1108/SBR-03-2020-0036 Haniffa, R. (2002). Social reporting disclosure: An Islamic perspective. Indonesian Management & Accounting Research, 1(2), 128–146. Haniffa, R., & Hudaib, M. (2007). Exploring the ethical identity of Islamic banks via communication in annual reports. Journal of Business Ethics, 76(1), 97–116. https://doi.org/10.1007/s10551-006-9272-5 Hassan, A., & Harahap, S. S. (2010). Exploring corporate social responsibility disclosure: The case of Islamic banks. International Journal of Islamic and Middle Eastern Finance and Management, 3(3), 203–227. https://doi.org/10.1108/17538391011072417 Othman, R., Thani, A. M., & Ghani, E. K. (2015). Determinants of Islamic social reporting among top shariah-approved companies in Bursa Malaysia. Research Journal of International Studies, 12(May), 4–20. Potter, W. J., & Levine-Donnerstein, D. (1999). Rethinking validity and reliability in content analysis. Journal of Applied Communication Research, 27, 258–284. https://doi.org/10.1080/00909889909365539 Pratiwi, A., Nurulrahmatia, N., & Muniarty, P. (2020). Pengaruh corporate social responsibility (CSR) terhadap profitabilitas pada perusahaan. Owner: Riset dan Jurnal Akuntansi, 4(1), 95-103. https://doi.org/10.33395/owner.v4i1.201 Ramasamy, B., Yeung, M. C. H., & Au, A. K. M. (2010). Consumer support for corporate social responsibility (CSR): The role of religion and values. Journal of Business Ethics, 91, 61–72. Https://doi.org/10.1007/s10551-010-0568-0 Slamet, M. (2001). Enterprise Theory dalam konstruksi akuntansi syari’ah (Studi teoritis pada konsep akuntansi syari’ah). Skripsi tidak dipublikasikan. Universitas Brawijaya. Triyuwono, I. (2011). Mengangkat “sing liyan“ untuk formulasi nilai tambah syari’ah. Jurnal Akuntansi Multiparadigma, 2(2), 186–200. http://dx.doi.org/10.18202/jamal.2011.08.7116 Triyuwono, Iwan. (2006). Akuntansi syari’ ah: Perspektif, metodologi dan teori. Rajawali Press. Umam, K. (2009). Trend pembentukan bank umum syariah pasca UU no. 21 tahun 2008: konsep, regulasi, dan implementasi (1st ed.). BPFE Yogyakarta. Wartick, S. L., & Cochran, P. L. (1985). The evolution of the corporate social performance model. Academy of Management Review, 10(4), 758–769. https://doi.org/10.5465/amr.1985.4279099 Worthington, A. C. (2018). Islamic social banking: The way forward. Jurnal Ekonomi Malaysia, 52(1), 179-190. Yusuf, M. Y. (2017). Islamic corporate social responsibility (ICSR) pada lembaga keuangan syariah (LKS) teori dan praktik (Pertama). Kencana.
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Cempaka, Anindya Arum, and Maria Theresia Arie Lilyana. "A Qualitative Study: Stress Adaptation in Elderly during the COVID19 Pandemic Era." JURNAL KEPERAWATAN SUAKA INSAN (JKSI) 7, no. 1 (June 23, 2022): 54–64. http://dx.doi.org/10.51143/jksi.v7i1.341.

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AbstrakPenelitian ini bertujuan untuk mengetahui pola adaptasi stres pada lansia di masa pandemi virus corona-2019 (COVID19). Penelitian ini akan sangat membantu perawat keperawatan jiwa untuk meningkatkan kualitas hidup lansia di masayang akan datang. Penelitian kualitatif digunakan dengan pendekatan fenomenologis dengan melibatkan sepuluhpartisipan di Surabaya. Analisis kualitatif dilakukan untuk menganalisis data yang dikumpulkan dari wawancaramendalam. Ada empat tema utama yang ditemukan dalam penelitian ini meliputi 1) penyebab stres selama pandemiCOVID-19, 2) gejala fisik yang disebabkan oleh stres, 3) sumber koping untuk menghadapi stres, dan 4) mekanisme kopingyang digunakan untuk menghadapi stresor. Penelitian ini menyatakan bahwa kondisi mental lansia cukup terpengaruhakibat virus corona. Program pelatihan dan pendidikan yang membahas strategi psikologis untuk mengatasi stres sangatdirekomendasikan untuk lansia. Demikian pula, kegiatan yang terkait dengan peningkatan dukungan masyarakat (online)sangat penting untuk membantu mereka mengatasi kesulitan psikologis selama pandemi.Kata kunci: lansia; pola adaptasi stres; pandemi covid-19 ReferencesAbu-Raiya, H. et al. (2020) ‘Religious Coping andHealth and Well-Being among Jews andMuslims in Israel’, International Journal forthe Psychology of Religion, 30(3), pp. 202–215. doi: 10.1080/10508619.2020.1727692.Aglozo, E. Y. et al. (2021) ‘Spirituality and subjectivewell-being among Ghanaian older adults:optimism and meaning in life as mediators’,Aging and Mental Health, 25(2), pp. 306–315.doi: 10.1080/13607863.2019.1697203.Amelia, A., Lathifah, A. and Thohir, M. (2020) ‘LansiaRindu Bahagia: Kajian Keluarga JawaKelompok Lansia SUCI BanyumanikSemarang’, Jurnal Ilmiah Kajian Antropologi,4(1), pp. 65–72. Available at:https://ejournal.undip.ac.id/index.php/endogami/article/view/34823.Ardyani, B. and Putri, G. K. 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Naranjo, Pedro Miguel, and Mª del Rosario García Huerta. "Entre la Tierra y el Cielo: aproximación a la iconografía y simbolismo de las aves en el mundo tartésico y fenicio-púnico en la península ibérica." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 11 (June 22, 2022): 260–79. http://dx.doi.org/10.18239/vdh_2022.11.11.

Full text
Abstract:
El objeto de este trabajo es el estudio del simbolismo de las aves en el ámbito tartésico y fenicio-púnico en la península ibérica durante el Bronce Final y el Hierro I. Se han recogido y analizado aquellas piezas con representaciones de aves, así como los restos orgánicos de éstas, si bien esto último no ha dado muchos frutos debido a las dificultades que existen tanto para su conservación como para la posterior identificación de especies. En total se han podido determinar ánades, gallos, palomas, flamencos, cisnes, lechuzas y halcones, todas ellas representadas en el Mediterráneo oriental y cuya iconografía se vincula al mundo funerario, al tránsito al Más Allá y a las divinidades. Gran parte de esa iconografía llegó a la península de mano de los fenicios, si bien su acogida y aceptación entre la población local fue variable. Palabras clave: aves, simbolismo, tartesios, fenicios, púnicosTopónimos: península ibéricaPeriodo: Hierro I. ABSTRACTThe aim of this paper is to study the symbolism of birds in Tartessian and Phoenician-Punic cultures within the Iberian Peninsula during the late Bronze and early Iron Age. To this end, items with any sort of symbolism connected with birds have been analysed. Organic remains have also been examined, although the latter did not make a relevant contribution to the study due to problems of conservation of the organic remains and subsequent identification of species. I have identified ducks, roosters, pigeons, flamingos, swans, owls and hawks, all located around the East Mediterranean basin and related to funerary contexts, the journey to the hereafter and deities. Most of this iconography reached the Iberian Peninsula via Phoenician culture, albeit its acceptance among the local population varied. Keywords: birds, symbolism, Tartesian, Phoenicians, PunicPlace names: Iberian PeninsulaPeriod: Iron Age REFERENCIASAlmagro Gorbea, M. J. 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Nunn, Astrid. "Hagit Torge. Pottery from the Persian and Hellenistic Periods at Ḥorbat Burin (East)." Abstracta Iranica, Volume 34-35-36 (July 15, 2016). http://dx.doi.org/10.4000/abstractairanica.41631.

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