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Books on the topic 'Haikau'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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1

Mora, Pat. Yum! mmmm! qué rico!: Brotes de las Américas. Lee & Low Books, 2009.

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2

1947-, Katō Sadahiko, and Miura Jakkai, eds. Haikai jinbutsu binran: Tsuketari, Haika jinbutsu binran. Yumanishobō, 1999.

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3

O'Mara, Joan Hertzog. The Haiga genre and the art of Yosa Buson (1716-84). University Microfilmes International, 1998.

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4

Fukumoto, Ichirō. Haiku geijutsuron. Chūsekisha, 2000.

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5

Kubota, Motomi. Yojō no fukken: Gendai haiku no wasuremono. Tōkyō Shiki Shuppan, 1999.

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6

Matsuoka, Kiyoshi. Gendai haiku hyōronshi. Kadokawa Shoten, 2005.

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7

Hakubutsukan, Tateyama Shiritsu. Haikai-zanmai: Haiku ga hakobu Edo bunka : kikakuten zuroku. Tateyama Shiritsu Hakubutsukan, 2004.

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8

Yosa, Buson. Botsugo 220-nen Buson. Shibunkaku Shuppan, 2003.

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9

1943-, Fukumoto Ichirō, ed. Sanseidō meika meiku jiten. Sanseidō, 2005.

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10

Aiba, Shin, and Nishiyama Matsunosuke. Matsumoto Kinkeijō no haiku: Aru Meiji haidan gaishi. Nagata Shobō, 1989.

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11

Kobayashi, Rin. Randoseru Haijin no go-shichi-go: Jūissai, futōkō no shōnen. Ikiru kibō wa haiku o yomu koto. Bukkuman sha, 2013.

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12

1907-, Yamamoto Kenkichi, and Ōoka Makoto 1931-, eds. Dai saijiki. Shūeisha, 1989.

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13

Kankōkai, Bashō Zen Zufu, ed. Bashō zen zufu. Iwanami Shoten, 1993.

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14

Heinrich, Peggy. Peeling an orange: Haiku. Modern English Tanka Press, 2009.

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15

Vargö, Lars. Kyŏul ŭi tal: Haik'u chip (Collection of Haiku) = Winter moon = Vintermåne = Fuyu no tsuki. Hon, 2011.

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16

Furudate, Haruichi. Haikyu! Viz Media, 2016.

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17

Marsicano, Rodrigues Alberto, ed. Haikai. Editora Oriento, 1988.

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18

Furudate, Haruichi. Haikyu! Viz Media, 2016.

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19

Furudate, Haruichi. Haikyu! Viz Media, 2016.

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20

Heese, Marié. Haiku: Haiku for Africa. University of South Africa, 1997.

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21

Čekolj, Marijan. Haiku sekvence: Teorija haiku. Hrvatsko haiku društvo, 2011.

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22

Kawana, Hajime. Chōhatsusuru haiku iyasu haiku. Chikuma Shobō, 2010.

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23

Aoki, Makoto. Haiku, haiku to shi. Yumani Shobō, 2012.

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24

Rascón Castro, Cristina, 1976- editor of compilation, ed. Haikai desde Tijuana: Antología de haikai (tanka, renga, haiku, senry, haiga y otros géneros breves de poesía japonesa) : 24 autores de Baja California. Consejo Nacional para la Cultura y las Artes, Centro Cultural Tijuana, 2013.

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25

1954-, Nagashima Hiroaki, ed. Meika meiku daijiten: Saiji, hito, shizen. Meiji Shoin, 2012.

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26

Toshokan, Tenri. Tenri Toshokan kaikan 70-shūnen kinenten: Sōgi, Bashō, Saikaku to sono shūhen. Tenri Gyararī, 2001.

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27

Ritchie, Ward. Haiku. Imprenta Glorias, 1985.

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28

Bodden, Valerie. Haiku. Creative Paperbacks, 2011.

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29

Bodden, Valerie. Haiku. Creative Education, 2008.

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30

Villanueva, Alberto. Haiku. Ediciones del Mirador, 1989.

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31

Giudice, Giovanni. Haiku. Puntoacapo, 2012.

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32

Haikai kara haiku e. Kadokawa Gakugei Shuppan, 2004.

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33

Haikai kara haiku e. Kasama Shoin, 2005.

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34

Camacho Guizado, Eduardo. Textos mínimos. Ediciones Uniandes, 2018. http://dx.doi.org/10.51566/humalite2223.

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Textos mínimos es una colección de 54 poemas breves en los que la voz poética reflexiona sobre el lenguaje y su conexión con el momento vital de la madurez y la cercanía de la muerte. Los poemas evocan el género de haiku pero no son exactamente haikus, son “falsos haikus”, según el poeta, pues no cumplen las normas de versificación, de por sí complejas en el momento de la adaptación a lenguas diferentes del japonés. Sin embargo, los poemas hacen algo muy similar a lo que hace un haiku: captura, o intenta capturar, la esencia del instante, su riqueza evocadora y a veces nostálgica pero siempre

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35

Furudate, Haruichi. Haikyu!! Color Illustrations: Haikara!! Shueisha, 2018.

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36

Furudate, Haruichi. Haikyu!! Color Illustrations: Haikara!! Shueisha, 2018.

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37

Haiku genryū kō: Haikai hokkuron no kokoromi. Ehime Shinbunsha, 2000.

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38

Kinsei no haikai to haidan to. Izumi Shoin, 1994.

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39

Minzoku no kioku: Haikai, haiku kara miru Ōmi. Shakai Hyōronsha, 2017.

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40

Haiku no sokojikara: Shimofusa haidan ni miru haiku no jissō. Tōkyō Shiki Shuppan, 2017.

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41

Haiku no honshitsu. Kansai Daigaku Shuppanbu, 2002.

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42

Haiku sahō jiten. Sōtakusha, 1990.

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43

俳文学大辞典. Kadokawa Gakugei Shuppan, 2008.

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44

Hiroyuki, Inui. Haigaku shoki: Haijin, haiku, shomotsu to no sogu (Izumi sensho). Izumi Shoin, 1989.

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45

Haiku kara mita haikai: Shiki ni totte Bashō towa nani ka. Ochanomizu Shobō, 1999.

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46

Chosakushū. Ōfū, 2013.

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47

Rosenow, Ce. Lenard D. Moore and African American Haiku. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666994353.

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Lenard D. Moore and African American Haiku: Merging Traditions identifies Moore as a primary figure in the American Haiku Movement as well as a significant contributor to the field of African American haiku. Ce Rosenow analyzes the ways in which Moore combines haiku with a variety of other traditions: African American storytelling, jazz poetry, ekphrasis, and elegies. An examination of Moore’s haibun, a Japanese form combining prose and haiku, reveals the further development of the African American aesthetic created in his individual poems. Ultimately, the author argues that Moore’s decades-lo

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48

Hakutani, Yoshinobu. American Haiku, Eastern Philosophies, and Modernist Poetics. The Rowman & Littlefield Publishing Group, 2020. https://doi.org/10.5040/9781666983890.

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American Haiku, Eastern Philosophies, and Modernist Poetics traces the genesis and development of haiku in Japan as it transformed over the years and eventually made its way to the Western world. Yoshinobu Hakutani analyzes the prominent Eastern philosophies expressed through haiku, such as Confucianism and Zen, and the aesthetic principles of yugen, sabi, and wabi. Hakutani discusses several reinventions of haiku, from Matsuo Basho’s transformation of the classic haiku, to Masaoka Shiki’s modernist perspectives expressing subjective thoughts and feelings, and eventually to Yone Noguchi’s intr

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49

Hai no yamanami: Iki de shadatsu na fūryūjin chō. Kadokawa Gakugei Shuppan, 2009.

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50

Hankotsu burai no haijintachi. Shunʼyōdō Shoten, 2009.

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