Relevant bibliographies by topics / Haiku (Japanese poetry and prose)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Haiku (Japanese poetry and prose)'

Author: Grafiati
Published: 25 February 2023
Last updated: 31 July 2025

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Journal articles on the topic "Haiku (Japanese poetry and prose)"

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Iida, Atsushi. "The value of poetry writing." Scientific Study of Literature 2, no. 1 (2012): 60–82. http://dx.doi.org/10.1075/ssol.2.1.04iid.

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The aim of the current study is to evaluate poetry writing as a way of second language (L2) learning by exploring the interaction between academic prose and the effect of writing Japanese poetry — haiku. This article first describes some critiques of using poetry in educational settings and discusses the nature of poetry writing at the tertiary level in L2 contexts. The study was designed as an intervention in which 20 EFL students in Japan produced pre- and post-argumentative essays and L2 haikus. The data obtained was submitted to statistical analysis, which showed that there was a significa
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Mewhinney, Matthew. "The Rhythm of Breath in Natsume Sōseki’s Recollecting and Such." Literature 3, no. 1 (2023): 94–111. http://dx.doi.org/10.3390/literature3010008.

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This article examines Japanese novelist Natsume Sōseki’s (1867–1916) memoir Recollecting and Such (Omoidasu koto nado; 1910). I argue that Sōseki invites the reader to imagine breath through his literary representation of both physiological and metaphysical experience and the rhythm of the narrative’s experimental poetic form. In concert with the theme of this special issue, I show how Recollecting and Such self-reflexively restores and evokes the corporeal experience of sensation beyond just visual perception: the narrative reveals itself as a poetic form of measurement and its first-person n
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Zemlyanskaya, K. A. "The Genre System of the “Japanese” Works of Venedict Mart of the Early Period." Studies in Theory of Literary Plot and Narratology, no. 2 (2024): 71–84. http://dx.doi.org/10.25205/2713-3133-2024-2-71-84.

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The prose and poetry of the Far Eastern writer Venedikt Mart provides vivid examples of works in which the writer artistically comprehends the frontier reality of the first decades of the 20th century culture and life of various peoples of the Far East. The personality of the writer Venedikt Mart (1896–1937) included a joyful childhood on the periphery of the Russian Empire, upbringing in the family of a famous coastal local historian, participation in the cultural life of Vladivostok and Harbin in the 20s, and the desire to integrate into Soviet literature. Today, the rich creative heritage o
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Venzo, Paul. "Wabi Sabi: Intermediated Textures of Impermanence and Imperfection." Belas Infiéis 8, no. 3 (2019): 217–25. http://dx.doi.org/10.26512/belasinfieis.v8.n3.2019.26340.

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Mark Reibstein and Ed Young’s 2008 picture book Wabi Sabi tells the story of a Kyoto cat in search of the meaning of its name. This award-wining children’s book explores identity through the composition of various layers of meaning and complexity in form and structure, suggesting that an understanding of identity cannot be expressed easily through words alone. This paper begins by examining how the use of a range of storytelling modes including collage, photography, drawing, poetry and prose are combined, inviting the implied child reader to become involved in the intermedial qualities of the
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Lāms, Edgars. "Andreja Papārdes dzeja 20. gadsimta sākuma laikmeta un latviešu dzejas kontekstā." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 56–63. http://dx.doi.org/10.37384/aplkp.2020.25.056.

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Andrejs Papārde’s real name is Miķelis Valters (1874–1968), he was born and raised in Liepāja in a family of dock workers. Valters is a versatile personality – a Doctor of Juridical Science, a social worker, a politician and a diplomat with outstanding accomplishments in Latvian history. Valters was also an art theorist and poet. He signed his literary works with a pseudonym Andrejs Papārde. In literature, Papārde announces himself in the 1890s with works of short prose and reflections, later also with poetry. In book shape, his poetry is published after the 1905 Russian Revolution. He has thr
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Ni Luh Gede Meilantari, I Nyoman Suarka, I Ketut Sudewa, and Igaa Mas Triadnyani. "The Evolution Of Japanese Haiku: From Paper To Digital." International Journal of Education and Literature 3, no. 2 (2024): 128–35. http://dx.doi.org/10.55606/ijel.v3i2.118.

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Haiku is a type of traditional Japanese poetry that originated in the Muromachi era (13th-15th centuries) and evolved further throughout the Edo era (17th century). Haiku, along with Ninja, Manga, Samurai, and Karaoke, has become a prominent Japanese vocabulary word around the world. Haiku is a form of poetry that can be found in both Japanese and international literature. Haiku has grown in popularity as a result of technological advancements in the twenty-first century, particularly through the internet and social media. This study attempts to summarize the evolution of haiku from paper to d
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Nguyen, Lien Mai Thi, and Nhu Chan Minh Dieu Nguyen. "Approaching classical Japanese Haiku poetry through the perspective of ink painting art and application to teaching foreign literature for Literature Pedagogy students at Dong Thap University." Vietnam Journal of Education 5, no. 2 (2021): 41–49. http://dx.doi.org/10.52296/vje.2021.98.

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Exploring the culture and literature of countries around the world is increasingly important in the current trend of international exchange and integration. Therefore, foreign literature disciplines, including Japanese literature, occupies an increasingly essential position in the curriculum of Dong Thap University. However, the perception and teaching of Japanese Haiku poems have long been challenged due to language barriers as well as cultural differences. In order for enhancing the quality of teaching Haiku poetry to Literature Pedagogy majors at Dong Thap University, the article presents a
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Nguyen, Lien Mai Thi, and Nhu Chan Minh Dieu Nguyen. "Approaching Classical Japanese Haiku Poetry through the Perspective of Ink Painting Art and Application to Teaching Foreign Literature for Literature Pedagogy Students at Dong Thap University." Vietnam Journal of Education 5, no. 2 (2021): 52–60. http://dx.doi.org/10.52296/vje.2021.69.

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Exploring the culture and literature of countries around the world is increasingly important in the current trend of international exchange and integration. Therefore, foreign literature disciplines, including Japanese literature, occupies an increasingly essential position in the curriculum of Dong Thap University. However, the perception and teaching of Japanese Haiku poems have long been challenged due to language barriers as well as cultural differences. In order for enhancing the quality of teaching Haiku poetry to Literature Pedagogy majors at Dong Thap University, the article presents a
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Mohammed, Ameen Kamil Jawad. "A STYLISTIC STUDY OF SELECTED POEMS OF HAIKU POETRY." International Journal of Applied and Advanced Scientific Research (IJAASR) 8, no. 1 (2023): 1–5. https://doi.org/10.5281/zenodo.7509123.

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The present paper aims to study the Japanese Haiku poetry from a stylistic perspective. To show the stylistic devices employed by Haiku poets, some selected poems from the poetry of Haiku masters, Basho, Buson and so on.  To achieve the aims of the study, eleven poems of Japanese Haiku have been qualitative analyzed in terms of a stylistic framework. The findings of analysis revealed that some Stylistic devices are found by the analysis of Hiaku poems. One highly used device is foregrounding or the deviant of structures by means of repetition, fronting and metaphor. Repetition is expresse
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Barnhill, David L. "Bashō as Bat: Wayfaring and Antistructure in the Journals of Matsuo Bashō." Journal of Asian Studies 49, no. 2 (1990): 274–90. http://dx.doi.org/10.2307/2057297.

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The japanese writer Matsuo Bashō (1644–94) is known in the West primarily as a haiku poet. But he was also a master of Japanese prose, both haibun (short pieces of poetic prose) and kikō (travel literature). It is in his prose, particularly his travel journals, that Bashō portrays a vision and a way of life that is profoundly religious.
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Dissertations / Theses on the topic "Haiku (Japanese poetry and prose)"

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Hagnell, Fredrik, and Karl-Axel Zander. "Personalized Poetry Generator : Development of a mobile application for Android called Deleteby Haiku which generate poems in the Japanese poetry form haiku based on user’s SMS-logs." Thesis, KTH, Skolan för informations- och kommunikationsteknik (ICT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-128524.

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Researchers at Mobile Life Centre are working on a project called “Delete by Haiku - Concept development and visualization of persistence/an SMS log dilemma” (subproject of “Re-Mobiling -breaking apart time and technology”, 2012-). The purpose of that project is to evaluate an approach of handling the growing amount of users’ digital data in phones (especially SMS logs) by trying to create, in the deletion process of old SMS, something potentially meaningful in a playful manner: poems. The students’ project aimed to develop a concretized demo for their idea, an SMS log deleting and poetry gene
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Kunftová, Tereza. "Haiku jako prostředek kulturologického zkoumání." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-312466.

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The subject of the thesis is theoretical and empirical analysis of literary form haiku concerning the place of origin (Japan), circumstances of its spreading in czech area and finally interdisciplinary analysis of this form. The papier aims to point out the connection of this artistic form with specific aspects of cultural psychology comparing the attitudes of Japanese and Czech culture. The used method is based on qualitative collection data, including the selective research in the field of Czech art in the spirit of haikai.
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Alfarrobinha, Leonilda Isidoro Cavaco. "Ao encontro da natureza através da poesia Haiku de Matsuo Bashô." Master's thesis, 2015. http://hdl.handle.net/10400.14/19227.

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A poesia japonesa não é muito conhecida em Portugal apesar da ligação entre o nosso país e o Japão datar do século XVI. Na sociedade japonesa, o apreço pela poesia e a sua prática têm-se manifestado desde tempos remotos. O género poético haiku com raízes em géneros anteriores, desenvolveu-se no século XVII por acção do poeta Matsuo Bashô que o aperfeiçoou e lhe deu dignidade literária. A presença da Natureza no haiku é uma das suas características fundamentais. Através do conhecimento profundo da Natureza e da arte do haiku, Bashô procurou um sentido para a vida. A nossa tradução e análise de
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Kang, RS. "Soseki and Shiki : their friendship in haiku and kanshi." Thesis, 2005. https://eprints.utas.edu.au/20633/1/whole_KangRosemarySe-Soon2006_thesis.pdf.

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This thesis interrogates the friendship between Natsume Soseki and Masaoka Shiki through a study of their kanshi and haiku exchanges, examining the concepts of "influence" and intertextuality. Both Soseki and Shiki were educated in the Chinese classics and practiced writing kanshi during their student days. When Soseki and Shiki became good friends, they exchanged kanshi and haiku in their correspondence. Shiki was impressed by Soseki's creativity of expression, his sensitivity to colours and sounds and his ability to express innermost thoughts in his kanshi. Even though Soseki's motivation f
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Scott, Rob. "The History of Australian Haiku and the Emergence of a Local Accent." Thesis, 2014. https://vuir.vu.edu.au/25867/.

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Since haiku first crossed Australian borders more than one hundred years ago, it has undergone a process of translation, interpretation and transformation. This study examines aspects of haiku’s cultural transmission and evolution in Australia from a genre oriented to the early Japanese models, to one which is informed by a growing international haiku community and an emerging local sensibility. This study will examine the origins of Australian haiku by evaluating the contribution of some of its most important translators and educators and assess the legacy of Australia’s early haiku edu
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Books on the topic "Haiku (Japanese poetry and prose)"

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Lee, Don Y. Autohaiku: Japanese poetry. Eastern Press, 1996.

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Brownell, Johanna. Haiku: Seasons of Japanese poetry. Castle Books, 2004.

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Michiko, Warkentyne, and Till Barry, eds. Haiku: Japanese art and poetry. Pomegranate Communications, 2010.

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Matsuyama Shiritsu Shiki Kinen Hakubutsukan., ed. Haiku to haiku: Dai 20-kai tokubetsu kikakuten. Matsuyama Shiritsu Shiki Kinen Hakubutsukan, 1989.

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Shimizu, Yaichi. Shinpen Kindai haiku. Kanrin Shobō, 2001.

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Aoki, Makoto. Haiku, haiku to shi. Yumani Shobō, 2012.

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Matsuyama Shiritsu Shiki Kinen Hakubutsukan. "Haiku" no tanjō: Shiki no kindai haiku kakuritsu. Matsuyama Shiritsu Shiki Kinen Hakubutsukan, 2000.

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Kawana, Hajime. Chōhatsusuru haiku iyasu haiku. Chikuma Shobō, 2010.

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Senoo, Takeshi. Haiku to no sōgū: Haiku hyōgenron josetsu. Hakuchisha, 1987.

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Harold, Stewart, ed. A net of fireflies: Japanese haiku and haiku paintings. C.E. Tuttle Co., 1993.

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Book chapters on the topic "Haiku (Japanese poetry and prose)"

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Zheng, Jianqing. "Richard Wright’s Haiku, Japanese Poetics, and Classical Chinese Poetry." In Cross-Cultural Visions in African American Literature. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119123_2.

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Aoyama, Tomoko. "Border-Crossing Food and Humour in Itō Hiromi's Prose and Poetry." In Border-Crossing Japanese Literature. Routledge, 2023. http://dx.doi.org/10.4324/9781003143178-9.

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Iwasaki, Shoichi. "Suppressed Assertion and the Functions of the Final-Attributive in Prose and Poetry of Heian Japanese." In Textual Parameters in Older Languages. John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/cilt.195.11iwa.

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"8. Poetry or Prose?" In The First Modern Japanese. Columbia University Press, 2016. http://dx.doi.org/10.7312/keen17972-008.

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Mehl, Scott. "A Disaster Averted." In The Ends of Meter in Modern Japanese Poetry. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501761171.003.0004.

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This chapter reviews the haiku's appearance on an international stage from the perspective of that form's first European-language translators, who had to grapple with the intractable problem of haiku's brevity. Haiku poets of the time regarded the same question with urgency: Would the haiku survive in the modern period? The chapter then introduces haiku poet Masaoka Shiki who warned repeatedly that the haiku was doomed to imminent extinction unless a more catholic approach to poetic diction were adopted. In order for Shiki's assertion of haiku's literariness to be seen in a multinational frame
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Ueda, Makoto. "Chapter 7 Basho on the Art of the Haiku: Impersonality in Poetry." In Japanese Aesthetics and Culture. SUNY Press, 1995. https://doi.org/10.1515/9781438407258-011.

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Lavery, Grace E. "The Pre-Raphaelite Haiku." In Quaint, Exquisite. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691183626.003.0004.

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This chapter narrates the establishment of Japanese-style haiku poetry as the definitive genre of exquisite aestheticism within English-language verse, a position that haiku has occupied since the outset of the 20th century until the present time. It argues that, in a domain beyond the university—but certainly encompassing the kindergarten, the doctor's waiting room, and the online message board, haiku has only consolidated its position as the apogee of a kind of formally contrived poetry that, howsoever contrived, works, as the exquisite always does. It has done so, not by repeating the moder
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Gander, Catherine. "Poetry." In The Edinburgh Companion to Don DeLillo and the Arts. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474499903.003.0011.

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Poets, such as the figure of the hostage in Mao II, or Tessa in The Silence, and poetry, whether in the form of the haiku (Point Omega), the song lyric (Great Jones Street), rap (Cosmopolis), the elegy (End Zone), or even street art (Underworld), often play quietly significant roles in DeLillo’s fiction. This chapter is the first piece of scholarship to focus on poetry and poetics across DeLillo’s work. DeLillo has spoken about how his craft is shaped by a poetic practice; about how he chooses each word of each sentence according to its sound, shape, and resonance; about how he types each para
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"Chapter 6. Poetry and Prose in Chinese." In A History of Japanese Literature, Volume 2. Princeton University Press, 1986. http://dx.doi.org/10.1515/9781400886036-011.

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Ono, Jumpei, and Takashi Ogata. "Haiku Generation From Narratological Perspective." In Bridging the Gap Between AI, Cognitive Science, and Narratology With Narrative Generation. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4864-6.ch007.

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Haiku—a form of unrhymed poetry—is popular among the Japanese. A typical haiku is composed of 17 moras and three phrases. A haiku has the possibility of scratching the surface and uncovering a hidden message through an expression of events. According to Masaoka Shiki, a haiku is a kind of literature and has high affinity with our research on generating stories. In this chapter, the authors implemented the prototype system that has two functions: first, to produce multiple haikus from a single story, and second, to engender multiple stories from haikus. The system prototyped in this chapter is
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Conference papers on the topic "Haiku (Japanese poetry and prose)"

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Гринина, Е. Н. "«PICTURESQUE HAIKU» BY ELENA BRANOVITSKAYA." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.19.

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Японская поэзия и живопись всегда привлекали российских литераторов и художников. Национальная форма стихосложения хайку и в наши дни находит не просто отклик в душах, а становится для некоторых из них формой самореализации. Одним из таких примеров является творчество петербургской художницы Елены Брановицкой. Обращаясь в своей художественной и педагогической практике к технике энергетической живописи, она развивает собственное творческое направление, выражающееся в соединении живописи и слова Japanese poetry and painting have always attracted Russian writers and artists. Even today, the natio
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BAYUTOVA, M. S. "METAPHYSICS OF THE ELEMENTS IN MATSUO BASHO'S POETRY: FIRE (ON THE EXAMPLE OF POEMS TRANSLATED BY V. N. MARKOVA)." In FORTUNES OF NATIONAL CULTURES IN GLOBALIZATION CONTEXT: BETWEEN TRADITION AND THE NEW REALITY. Chelyabinsk State University Publishing House, 2024. https://doi.org/10.47475/9785727120088_41.

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In the article the author explores Matsuo Basho's poetry from the point of view of its reading regarding the metalanguage of four elements (water, fire, air, and earth). In particular, the author analyzes the volume and expressiveness of fiery images in the poet's haiku and renku. The author concludes that the element of fire occupies a weak position in the world view of the Japanese classic, since its images have a very limited place in poems, carry ambivalent characteristics and in the vast majority of clashes lose to the water element which, on the contrary, plays an important role in the B
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Sun, Li. "Zhou Zuoren' Translation of Japanese and Ancient Greek Poetry and Forming of the Literary Thought of Chinese Vernacular Prose." In Proceedings of the 2017 5th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/ieesasm-17.2018.53.

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Duthely, Lunthita, Harashita Sunaoshi, and Olga Villar-Loubet. "Book: Venture into a New Realm of Cross-Cultural Psychology Meditation, Mantric Poetry, and Well-being: A Qualitative, Cross-Cultural, Cross-Disciplinary Exploration with American Secondary and Japanese Post-Secondary Adolescents." In International Association of Cross Cultural Psychology Congress. International Association for Cross-Cultural Psychology, 2018. http://dx.doi.org/10.4087/xlul1485.

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Higher well-being correlates positively with multiple psychological and social outcomes, including workplace success and better academic outcomes for students. Poetry and meditation, independently, have been demonstrated in prior studies to increase well-being in a variety of contexts, including physical and mental health challenges. To our knowledge, this is the only published cross-cultural study that merged contemplative practices and poetry within the well-being paradigm, particularly among general, non-clinical adolescent populations. The purpose of this exploratory study was to examine t
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Katsumata, Hiromi, and Bo Liu. "A drawing system with an interface that can be used to impose limits and unleash creativity." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001503.

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In order to enjoy creativity, the creators need to be given environmental restrictions. For example, there are rules such as Japanese Haiku or Chinese Zeku for poetry, or musical grammar for music, and these rules are supposed to enhance the creativity of the creator. However, most existing drawing software focuses only on making the process of completing a work comfortable, and does not provide much support for the goal setting process that requires environmental restrictions. In this study, based on research on creativity, such as the idea method, we were able to show that developing a drawi
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