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Books on the topic 'Hair-work'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

Mark, Campbell. The art of hair work: Hair braiding and jewelry of sentiment : with catalog [sic] of hair jewelry. Berkeley, Calif: Lacis Publications, 1989.

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2

Qin zi shi yong fa shi DIY. Taibei Xian Banqiao Shi: Min sheng wen hua shi ye you xian gong si, 1998.

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3

Sheumaker, Helen Diana. "A Token that love entwines": Nineteenth-century human hair work and the American white middle class. Ann Arbor, Mich: UMI Dissertation Services, 2003.

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4

Jiu shi ai tian ran shou zuo bao yang pin: Cosmetic diy. Taibei Shi: Yi feng tang chu ban she, 2015.

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5

Takahashi, Emiko. Chʻuang i ssu tai chin hua fa shih =: Hair accessories & corsages made from ribbon. Hsiang-kang: Wan li chi kou· Te li shu chü, 1995.

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6

Tundaleva, Irina. Sanitation and hygiene of hairdressing services. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/979063.

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The purpose of the tutorial is to highlight the specifics of sanitary and hygienic requirements for the work of hairdressers and their employees. The specific features of the applied technologies for disinfection of instruments are described. Issues related to the need to comply with sanitary and hygienic standards are highlighted. The section of Microbiology related to the field of hairdressing services is considered. The topics of preventing the spread of infectious diseases are covered in detail, and the types of skin diseases are described. A separate section is devoted to competent care of the scalp and hair, face skin, nails. Meets the requirements for the profession of a hairdresser in accordance with the Federal state educational standard of secondary professional education of the last generation in the specialty 43.02.13 "technology of hairdressing". For students who receive secondary special education in hairdressing specialties.

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7

Campbell, Mark. Art of Hair Work: Hair Braiding and Jewelry of Sentiment. Lacis Publications, 1996.

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8

Kleinlein, Walter J. Practical Balance and Hair-spring Work. Arlington Book Co, 1992.

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9

The jewellers' book of patterns in hair work. St. Sampson, Guernsey: Toucan, 1993.

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10

Chi, Zongxian. Gu dong yin shi: Nu ren di jin chai meng (Yi shu xiao guan zhen cang bao dian xi lie cong shu). Taiwan xian zhi chu ban shi ye gu fen you xian gong si, 1997.

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11

Publishing, Hair Stylist. World's Most Amazing Hair Stylist: Lined Journal, 120 Pages, 6 X 9, Hair Stylist Funny Job Work Gift Idea, Black Matte Finish. Independently Published, 2020.

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12

jackson, jake. Hair & Make-Up. Flame Tree Publishing, 2010.

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13

publishing, newbooks. Get up Clear Your Desk Tie Your Hair and Just Start You Can Do It: Daily Motivation Quotes Notebook for Work, School, and Personal Writing - 6x9 110 Pages. Independently Published, 2020.

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14

Strong, Anne, and Sheila McCallun. Starting Work in the Salon. Hyperion Books, 1989.

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15

McCallum, Sheila. Starting work in the salon. Elm, 1989.

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16

Baloh, Robert W. Breuer Discovers How the Balance Portion of the Inner Ear Works. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780190600129.003.0004.

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Josef Breuer presented his initial work on the inner ear to the Imperial Society of Physicians in 1873. His basic premise was that the semicircular canals sense angular movement of the head by movement of the fluid (endolymph) within them. The endolymph moves relative to the walls of the canals because of its inertia. In dissecting the semicircular canals of pigeons, he noted nerve endings contacting cells at the base of the ampulla and microscopic hairs extending from the top of the cells into a gelatinous bulb (the cupula). He hypothesized that movement of the endolymph fluid triggered by angular head movements bent the tiny hairs, activating the nerve endings at the base of the hair cells. The nerves in turn passed on signals reflecting the direction and magnitude of hair deflection to the central nervous system. At approximately the same time, Ernst Mach came to a similar conclusion.

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17

Stewart, Molly. THE TARTAN UNICORN: Mary Madigan's Music; The Wedding Guest; Let Down Your Golden Hair; Open House; Ghost of a Career; Spacelings; Work Boots and Carpet; Tides of Time; Dirt and Damnation; Flag of Surrender. Norquay, 1987.

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18

50 Ribbon Rosettes & Bows to Make: For Perfectly Wrapped Gifts, Gorgeous Hair Clips, Beautiful Corsages, and Decorative Fun! St Martin s Griffin, 2014.

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19

Fancy Nancy: Hair Dos and Hair Don'ts. Harper, 2011.

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20

Going Gray: What I Learned about Beauty, Sex, Work, Motherhood, Authenticity, and Everything Else That Really Matters. Little, Brown and Company, 2007.

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21

Woods, Douglas W., and Michael P. Twohig. Trichotillomania: An ACT-enhanced Behavior Therapy Approach Workbook (Treatments That Work). Oxford University Press, USA, 2008.

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22

Pinder, Kymberly N. Black Liberation Theology, Black Power, and the Black Arts Movement at Trinity United Church of Christ. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039928.003.0004.

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This chapter examines the Black Mural Movement in the context of religious imagery by focusing on the evolution of Joseph W. Evans Jr.'s art. In 1986 Evans illustrated the motto of Chicago's Trinity United Church of Christ (TUCC), “Unashamedly Black and Unapologetically Christian” with a painting of a Jesus with dark brown skin and tightly curled black hair, his arms outstretched around a smiling African American family. This image of a black Christ was Evans's vision of being black and Christian. In the 1970s Evans joined TUCC, where the pastor, Jeremiah Wright Jr., promoted Black Liberation Theology and recommended specific texts and sermons for the artist to study that transformed his conception of Christ. This chapter first considers black theology and pan-Africanism at TUCC before discussing the influence of the Black Arts Movement and the muralist William Walker on Chicago. It also assesses the impact, in terms of style and content, of the murals on Chicago's South Side on Evans's work and concludes with an overview of TUCC's stained glass program.

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23

Dosekun, Simidele. Fashioning Postfeminism. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043215.001.0001.

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This book concerns young, class-privileged women in the Nigerian city of Lagos who dress in a “spectacularly feminine” style characterised by the extravagant use and combination of normatively feminine technologies of dress: cascading hair extensions, false eyelashes and nails, heavy and immaculate makeup, and so on. Based on interviews with such stylized women, the book offers a critical consideration of the kinds of feminine subjectivities that they are performing and desiring. Tracing the repertoires of individualist choice, pleasure, entitlement and “can do” that run through the women’s talk, it argues that they subscribe passionately to the notion, or what the book frames more specifically as the “postfeminist promise,” that immaculate and spectacularized feminine beauty now constitutes and signals feminine power. Seeing themselves as “already empowered,” then, what the women do not see is the need for cultural critique, nor for feminism in the form of collective political struggle. The first book on postfeminism both as a cultural formation in the global South and as it interpellates black women, the work offers a groundbreaking new understanding of the culture as performative and transnationally mobile, and a richly theorised account of how women live, embody, and to some extent suffer it, in the flesh.

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24

Watson, Nicola J. The Author's Effects. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198847571.001.0001.

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The Author’s Effects: On Writer’s House Museums is the first book to describe how the writer’s house museum came into being as a widespread cultural phenomenon across Britain, Europe, and North America. Exploring the ways that authorship has been mythologized and materialized through the conventions of the writer’s house museum, The Author’s Effects anatomizes the how and why of the emergence, establishment, and endurance of popular notions of authorship in relation to creativity. It traces how and why the writer’s bodily remains, possessions, and spaces came to be treasured in the late eighteenth and nineteenth centuries, as a prelude to the appearance of formal writer’s house museums. It ransacks more than 100 museums and archives to tell the stories of celebrated and paradigmatic relics—Burns’ skull, Keats’ hair, Petrarch’s cat, Poe’s raven, Brontë’s bonnet, Dickinson’s dress, Shakespeare’s chair, Austen’s desk, Woolf’s spectacles, Hawthorne’s window, Freud’s mirror, Johnson’s coffee-pot, and Bulgakov’s stove, amongst many others. It investigates houses within which nineteenth-century writers mythologized themselves and their work—Thoreau’s cabin and Dumas’ tower, Scott’s Abbotsford and Irving’s Sunnyside. And it tracks literary tourists of the past to such long-celebrated literary homes as Petrarch’s Arquà, Rousseau’s Île St Pierre, and Shakespeare’s Stratford to find out what they thought and felt and did there, discovering deep continuities with the redevelopment of Shakespeare’s New Place for 2016

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25

Lozada, María Cecilia, ed. Andean Ontologies. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056371.001.0001.

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Andean Ontologies is a fascinating interdisciplinary investigation of how ancient Andean people understood their world and the nature of being. Exploring pre-Hispanic ideas of time, space, and the human body, these essays highlight a range of beliefs across the region’s different cultures, emphasizing the relational aspects of identity in Andean worldviews. Studies included here show that Andeans physically interacted with their pasts through recurring ceremonies in their ritual calendar and that Andean bodies were believed to be changeable entities with the ability to interact with nonhuman and spiritual worlds. A survey of rock art describes Andeans’ changing relationships with places and things over time. Archaeological and ethnographic evidence reveals head hair was believed to be a conduit for the flow of spiritual power, and bioarchaeological remains offer evidence of Andean perceptions of age and wellness. Andean Ontologies breaks new ground by bringing together an array of renowned specialists including anthropologists, bioarchaeologists, historians, linguists, ethnohistorians, and art historians to evaluate ancient Amerindian ideologies through different interpretive lenses. Many are local researchers from South American countries such as Ecuador, Peru, Bolivia, Chile, and Argentina, and this volume makes their work available to North American readers for the first time. Their essays are highly contextualized according to the territories and time periods studied. Instead of taking an external, outside-in approach, they prioritize internal and localized views that incorporate insights from today’s indigenous societies. This cutting-edge collection demonstrates the value of a multifaceted, holistic, inside-out approach to studying the pre-Columbian world.

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26

Petrovici, Norbert, Codruța Mare, and Darie Moldovan. The Economy of Cluj. Cluj-Napoca and the Cluj Metropolitan Area: The development of the Local Economy in the 2008-2018 decade. Presa Universitară Clujeană, 2021. http://dx.doi.org/10.52257/9786063710445.

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Over the last decade, globalization processes have intensified, and as such, global organizations relocated their secondary processes to new spaces specialized in operations (Peck 2018; Oshri, Kotlarsky, and Willcocks 2015). Most of the processes that are being externalized are Business Process Outsourcing (BPO) and Information Technology Outsourcing (ITO) (Oshri, Kotlarsky, and Willcocks 2015). The global outsourcing hotspots are India, China and the Philippines, that concentrate over 80% of outsourced processes. At European level, Central and Eastern Europe has capitalized most of the outsourcing in the West, particularly in regards to German capital (Marin 2018; Dustmann et al. 2014). Almost half (45.4%) of the total foreign investments of German companies is outsourced to Central and Eastern Europe. In Romania 63.7% of the German foreign investments are processes that were outsourced to our country (Marin, Schymik, and Tarasov 2018). As Peck (2018) points out, the logic behind the process is finding the cheapest labor force pools. Initially, outsourcing was focused on industrialized labor, however, now it is mostly skilled and highly skilled workforce that is being outsourced (Pavlínek 2019). Even if it is work performed by white collars, it has a high level of repetitiveness; however, in sectors such as IT there are also R&D operations (Oshri, Kotlarsky, and Willcocks 2015). Cluj is an example of a city whose local economy and workforce composition changed dramatically after the 2008-2010 financial crisis. The city is one of the Central and Eastern European hubs that benefited from the globalization of outsourcing operations. In particular, Cluj-Napoca excels in four transnational fields: Information & Communications Technology, Business Support Services, Engineering, Research & Development and Financial Services. In 2018, Cluj-Napoca was one of the most developed cities in the European Union in the GDP per capita group 19.000 – 27.000 at Purchasing Power Parity, cities that made a credible commitment at European level to promote knowledge, culture and creativity. In particular, participation in global production chains has generated the emergence of two types of internal markets: An internal market for the well-paid labor force employed in internationalized sectors that consumes a series of dedicated products and services: hospitality (restaurants, cafes, bars), food stuffs (meat products, pastries, premium alcoholic products), lifestyle services (hair salons , spas, gyms), cultural services (festivals, theatres, operas), location services (real estate services, interior design services, furniture manufacturing services). A set of markets that serve the global capital in reproducing their location (cleaning services, security, construction of type A office buildings, human resources). Both domestic and internationalized markets are responsible for the impressive development of the city between 2008 and 2018. The GDP of the Cluj Metropolitan Area and the private revenues of companies have doubled in the last decade.

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