To see the other types of publications on this topic, follow the link: Hairstyles.
Dissertations / Theses on the topic 'Hairstyles'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 47 dissertations / theses for your research on the topic 'Hairstyles.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Tolley, Rebecca. "Emily Post, Hairstyles, Ballpoint Pens." Digital Commons @ East Tennessee State University, 2010. https://www.amzn.com/1587656590.
Full textAbstract:
Book Summary:This three-volume set discusses important people, events and issues during the years of 1940 to 1949, with particular focus on World War II and its impact on history and daily life. It features long overviews and short entries discussing people, books, films, plays, and other important topics representative of that era. Every entry focuses on the topic or person during the 1940s in order to explore what made the decade unique.
2
Patrick, Deborah Michelle. "An investigation of hair modelling and rendering techniques with emphasis on African hairstyles." Thesis, Rhodes University, 2005. http://hdl.handle.net/10962/d1006561.
Full textAbstract:
Many computer graphics applications make use of virtual humans. Methods for modelling and rendering hair are needed so that hairstyles can be added to the virtual humans. Modelling and rendering hair is challenging due to the large number of hair strands and their geometric properties, the complex lighting effects that occur among the strands of hair, and the complexity and large variation of human hairstyles. While methods have been developed for generating hair, no methods exist for generating African hair, which differs from hair of other ethnic groups. This thesis presents methods for modelling and rendering African hair. Existing hair modelling and rendering techniques are investigated, and the knowledge gained from the investigation is used to develop or enhance hair modelling and rendering techniques to produce three different forms of hair commonly found in African hairstyles. The different forms of hair identified are natural curly hair, straightened hair, and braids or twists of hair. The hair modelling techniques developed are implemented as plug-ins for the graphics program LightWave 3D. The plug-ins developed not only model the three identified forms of hair, but also add the modelled hair to a model of a head, and can be used to create a variety of African hairstyles. The plug-ins significantly reduce the time spent on hair modelling. Tests performed show that increasing the number of polygons used to model hair increases the quality of the hair produced, but also increases the rendering time. However, there is usually an upper bound to the number of polygons needed to produce a reasonable hairstyle, making it feasible to add African hairstyles to virtual humans. The rendering aspects investigated include hair illumination, texturing, shadowing and antialiasing. An anisotropic illumination model is developed that considers the properties of African hair, including the colouring, opacity and narrow width of the hair strands. Texturing is used in several instances to create the effect of individual strands of hair. Results show that texturing is useful for representing many hair strands because the density of the hair in a texture map does not have an effect on the rendering time. The importance of including a shadowing technique and applying an anti-aliasing method when rendering hair is demonstrated. The rendering techniques are implemented using the RenderMan Interface and Shading Language. A number of complete African hairstyles are shown, demonstrating that the techniques can be used to model and render African hair successfully.GNU Ghostscript 7.07
3
Tolley, Rebecca. "Alaskan Pipeline, Feminist Art, Hairstyles, Ms. Magazine, Sanitary Napkins with Adhesive Strips." Digital Commons @ East Tennessee State University, 2005. https://www.amzn.com/1587652293.
Full textAbstract:
Book Summary:Watergate, the Vietnam War, the environmental movement, the energy crisis, the women's movement, disco. The Seventies in America brings this controversial decade to life by examining these topics and many more. This encyclopedia appears at a time when many people are reevaluating the 1970's, realizing that it was not a superficial, throwaway era but actually a time of dynamic political, social, and cultural change. The Seventies in America is also a much-needed source of reliable information for today's students, all of whom were born after the decade ended.
4
Manento, Theresa M. "A study on the effects music videos have on adolescent fashion and hair styles." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1991. http://www.kutztown.edu/library/services/remote_access.asp.
Full textAbstract:
Thesis (M.S.)--Kutztown University of Pennsylvania, 1991.Source: Masters Abstracts International, Volume: 45-06, page: 2714. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaves 27-28).
5
Tassie, G. J. "The social and ritual contextualisation of Ancient Egyptian hair and hairstyles from the Protodynastic to the end of the Old Kingdom." Thesis, University College London (University of London), 2009. http://discovery.ucl.ac.uk/18730/.
Full textAbstract:
Hair, the most malleable part of the human body, lends itself to the most varied forms of impermanent modifications. The resulting hairstyles convey social practices and norms, and may be regarded as part of the “representation of self” and an integral element in the maintenance and structuring of society. In this thesis, a systematic and quantative investigation has been undertaken of the structural relationships between variations in hairstyles and principal changes in social organisation in ancient Egypt from the Protodynastic to the end of the Old Kingdom (3,350-2,181 BC), a period that witnessed the rise, consolidation and eventually breakdown of centralised authority. The results reveal that hairstyles were linked to the identity of individuals and social groups, such as men, women, children and the elderly. Hairstyles were used as a means of displaying status. After experimentation with a broad spectrum of hairstyles during the Protodynastic and early Dynasty I, an institutionalised canon for hairstyles was established, coinciding with the creation of administrative institutions. These codified hairstyles continued to serve as the norms for identifying members of the administration or signs of authority. By the end of the Old Kingdom, the hairstyles of the elite had been adopted by the lower officials of the increased bureaucracy and provincial elites as representations of their newly acquired power and status. Although initially the majority of the men had their hair cut short, modifications of short hair and the adoption of mid- and shoulder-length hair became progressively common. The use of certain hairstyles was restricted to the higher social offices, with longer hair being emblematic of power and divinity. Women, by contrast, initially had long hair with greater variety occurring by Dynasty I and a more restricted array from Dynasty II onwards. However, long hair was predominant among women of all social statuses in all periods. Long hair may have thus been related to the perception of women as mothers (responsible for childbirth and nursing), and hence their perceived role as directly linked with procreation and fecundity. Although the adoption of the tripartite by high officials was related to this ‘generative’ aspect of feminine hairstyles, it was primarily in imitation of the God Osiris and his regenerative powers.
6
Voverytė, Aistė. ""Neužmirštuolės"." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140703_134011-68179.
Full textAbstract:
1944 m Lietuvoje prasidėjo partizaninis karas. Daugelis vyrų išejo į miškus kovoti su okupantais. Šioje kovoje neliko nuošalyje ir moterys, jų vaidmuo buvo labai svarbus. Prireikus jos, petys petin kovojo su vyrais prieš enkavedistų būrius, slaugė sužeistuosius, palaikė ryšius tarp skirtingų partizanų apygardų. Ryšininkės perduodavo svarbę slaptą informaciją: apie susitikimo vietas, slaptažodžius, naujai įsikūrusius bunkerius – slėptuves, perduodavo slaptus dokumentus. Kad jų nesuciuptų ir neperimtų slaptos informacijos, moterys perduodamus laiškelius slepdavo. Jos buvo išradingos. Lankydamasi druskininkų rezistencijos ir tremties muziejuje sužinojau, jog laiškeliai buvo slepiami ir plaukuose. Ši istorija mane sužavejo, tad nusprendžiau šią idėją perteikti magistro baigiamajame darbe. Savo kūrinyje vaizduoju 9 lietuvaitėms būdingas ilgų plaukų šukuosenas, kuriose paslepiu savają žinutę. Mano perduodamoje žinutėje įrašyti žodžiai iš „Tauro“ apygardos ryšininkės žvalgės Julijos Čepaitytės – Simanaitienės slapyvardžiu Undinė sukurtos baladės apie partizano likimą. Ši baladė skirta partizanui „Kovui“ Jonukui Stačiokui atminti. Po balade autorė parašė.
„ Šias eilutes sukūriau 1950 m. liepos 10-11 d., pati būdama be namų ir laisvės, netekusi savo pirmosios tikrosios meilės ir karštai mylinčio tikro draugo, kuris buvo tarsi švyturys pavergtoje tėvynėje. Tavęs aš niekad nepamiršiu.“
Manau baladė puikiai atskleidžia priežastis dėl ko Lietuvos moterys taip pat išėjo į miškus kariauti... [toliau žr. visą tekstą]In 1944 the partisan war in Lithuania began. The most of the men went to woods to fight against occupants. In this fight the woman’s role was also very important. They were fighting against NKVD the same strong as men do; they also were nursing injured people, keeping connection between different partisans’ counties as postal workers (signallers). Signallers were transmitting very important confidential information: about meeting places, passwords, newly constructed hiding places – bunkers, transferring secret documents. In fact that women could be caught and secret information taken, they were hiding all mails. And women were very resourceful. Visiting ‘’Resistance and Deportation Museum’’ in Druskininkai I’ve got news that secret mails were hiding in women hair. This history improved me so much so I decided to convey this idea in my Master's thesis. In my work you can see nine different long hairdressings what characteristic of Lithuanian women. In all these hairdressings I hide my secret message. In my transmitting message there are words from ballad about partisan’s destiny which was created by signaller Julija Cepaityte – Simantiene (known as Undine) from “Tauras” county. This ballad is dedicated to partisan Jonukas Staciokas “Kovas”. After the ballad writer wrote: “These lines I created in 1950, July 10-11. itself being without a home and freedom, lost my first true love and real hot loving friend who was like a beacon subjugated homeland. I will never forget you." In... [to full text]
7
Silva, Célia Regina Reis da. "Crespos insurgentes, estética revolta memória e corporeidade negra paulistana, hoje e sempre." Pontifícia Universidade Católica de São Paulo, 2016. https://tede2.pucsp.br/handle/handle/19003.
Full textAbstract:
Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-09-12T13:12:51Z
No. of bitstreams: 1
Célia Regina Reis da Silva.pdf: 3189263 bytes, checksum: 96680011e5d2439383b35f72977be744 (MD5)Made available in DSpace on 2016-09-12T13:12:51Z (GMT). No. of bitstreams: 1 Célia Regina Reis da Silva.pdf: 3189263 bytes, checksum: 96680011e5d2439383b35f72977be744 (MD5) Previous issue date: 2016-03-14
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This study raised and analysed issues related to kinky hair, understood as a territory of insurgencies in reexistence aesthetics in the decoloniality of bodies, beings and knowledges made invisible by the hegemonic Eurocentric cultural pattern. The research, carried out in the poor areas of São Paulo, focused on cultural collective movements, in which young Afro-Brazilians manifest themselves through Black and peripheral literary narratives and performances, with poetry readings, songs, plays, blogs, magazines, adornments, clothing, grafitti, tattoos, particularly kinky hairstyles in intercultural, intertextual and mediatic relations, expressing their Blackness, in a perspective of a “corporeal semiology”. They are current cultural identity practices in a productive dialogue with the past, in a continuous Afro diasporic struggle for culture and (self) representation in the racial relations of modernity
Esse estudo levantou e trouxe para análise questões relacionadas a cabelo crespo, entendido enquanto território de insurgências em estéticas de reexistência na decolonialidade de corpos, seres e saberes invisibilizados por padrão cultural hegemônico eurocêntrico. Trata-se de pesquisa realizada na periferia de São Paulo, onde atentamos aos movimentos de coletivos culturais, nos quais jovens afro-brasileiros manifestam-se através de narrativas literárias e performáticas negras e periféricas, produzindo saraus, músicas, teatro, blogs, revistas, adornos, vestuário, grafite, tatuagens, em especial penteados crespos em relações interculturais, intertextuais e midiáticos expressando sua negritude, na perspectiva de uma “semiologia corpórea”. Trata-se de práticas culturais identitárias atuais em diálogo profícuo com passado, em luta contínua afro-diaspórica pela cultura e (auto) representação nas relações raciais da modernidade
8
Morey, Yvette Vivienne. "Counter-hair/gemonies: hair as a site of black identity struggle in post-apartheid South Africa." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1002533.
Full textAbstract:
This thesis aims to allow the meanings engendered by various black hairstyle choices to emerge as discursive texts with which to further explore issues of black identity in post-apartheid South Africa. It seeks to identify what, if any, new discursive spaces and possibilities are operational in the post-apartheid capitalist context, and how identities are moulded by, and in tum, influence these possibilities. Operating within a discourse analytic approach, this research did not intend to establish fixed and generalisable notions of identity, but by unpacking the discursive baggage attached to historically loaded subjectivities it is concerned with reflecting identity as an ongoing and reflexive project. Entailing a diverse selection of texts, the analysis includes self-generated texts (stemming from interviews, a focus group and participant observation), and public domain texts (stemming from online and print media articles). Chapters 5 - 9 constitute the textual analysis. Using a consumer hair care product as a text, chapter 5 serves as an introduction to discourses surrounding black hair as a variously constructed object. This focus is concerned, more specifically, with the construction of black hair as a 'natural' object in chapter 6. Chapter 7 examines black hair gemonies and the " problematic classification and de/classification of class and consumer identities. Discourses pertaining to the construction and positioning of gendered and sexual subjectivities are explored in chapter 8. Finally, chapter 9 is concerned with the operations of discourses as they function to construct essentialised or hybrid conceptions of identity. The implications for black identity construction in post-apartheid South Africa are discussed in chapter 10 alongside a deconstruction of the research method and researcher positioning.
9
Zhang, Wenshu. "Hairstyle modelling based on a single image." Thesis, Bournemouth University, 2018. http://eprints.bournemouth.ac.uk/30662/.
Full textAbstract:
Hair is an important feature to form character appearance in both film and video game industry. Hair grooming and combing for virtual characters was traditionally an exclusive task for professional designers because of its requirements for both technical manipulation and artistic inspiration. However, this manual process is time-consuming and further limits the flexibility of customised hairstyle modelling. In addition, it is hard to manipulate virtual hairstyle due to intrinsic hair shape. The fast development of related industrial applications demand an intuitive tool for efficiently creating realistic hairstyle for non-professional users. Recently, image-based hair modelling has been investigated for generating realistic hairstyle. This thesis demonstrates a framework Struct2Hair that robustly captures a hairstyle from a single portrait input. Specifically, the 2D hair strands are traced from the input with the help of image processing enhancement first. Then the 2D hair sketch of a hairstyle on a coarse level is extracted from generated 2D hair strands by clustering. To solve the inherently ill-posed single-view reconstruction problem, a critical hair shape database has been built by analysing an existing hairstyle model database. The critical hair shapes is a group of hair strands which possess similar shape appearance and close space location. Once the prior shape knowledge is prepared, the hair shape descriptor (HSD) is introduced to encode the structure of the target hairstyle. The HSD is constructed by retrieving and matching corresponding critical hair shape centres in the database. The full-head hairstyle is reconstructed by uniformly diffusing the hair strands on the scalp surface under the guidance of extracted HSD. The produced results are evaluated and compared with the state-of-the-art image based hair modelling methods. The findings of this thesis lead to some promising applications such as blending hairstyles to populate novel hair model, editing hairstyle (adding fringe hair, curling and cutting/extending hairstyle) and a case study of Bas-relief hair modelling on pre-processed hair images.
10
Khumalo, Nonhlanhla P. "The Epidermiology of Hairstyle related african hair disdorders, in and Urban Township in South Africa." Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/2781.
Full textAbstract:
The hair of indigenous people of Africa varies from the north to the south of the continent. Although the variation in hair colour from light brown to black occurs, the most significant difference is in the curls which are tightest, and spiral, in indigenous sub Saharan Africans. African hair for the purpose of this thesis refers to the latter hair phenotype. The unique morphology of this hair type is associated with specific responses to grooming. In addition hairstyle preferences may be influenced by politics and fashion. Specific scalp disorders have been anecdotally reported to be more prevalent in Africans. These are acne (folliculitis) keloidalis (AKN), central centrifugal cicatricial alopecia (CCCA) and traction alopecia (TA). For many years all these conditions have been suspected to have a causal association with hairstyles. However, preliminary investigation suggested a lack of population studies demonstrating the latter association. In addition the possible influence of the unique African hair follicle on disease pathogenesis had not been determined. The aims of this thesis were to: Present a systematic 1. literature review of published prevalence and incidence data on the above three conditions. 2. Conduct cross sectional studies to investigate the prevalence of AKN, CCCA and TA in a population of school children and adults and the prevalence of different hairstyles, and to describe any associations between hairstyles and disease. 3. Develop and test for reliability a new severity scoring system for TA the commonest of the above conditions [the marginal traction alopecia severity (M-TAS) scoring instrument]. 4. Evaluate the determinants of both TA presence and severity in African females using data from our cross sectional studies in school children and adults.
11
Debbo, Nicola Jane. "The role of the women in the frescoes from Akrotiri, an examination of the iconography of dress, hairstyle and jewellery." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0011/MQ52892.pdf.
Full text
12
Michaelis, Lucas. "La représentation des bijoux féminins dans l'art de l'Egypte romaine : une classification chronologique." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040165.
Full textAbstract:
Dans le cadre de ce doctorat sur la représentation des bijoux féminins dans les portraits de l’Égypte romaine, les recherches se concentraient sur les « portraits du Fayoum » et masques funéraires des trois premiers siècles après J.-C.Bien que les masques funéraires et les portraits du Fayoum aient été le sujet de plusieurs publications pendant ces dernières années, il nous manquait encore une étude détaillée sur les bijoux féminins qui s’inspiraient presque exclusivement de la mode romaine. Une classification chronologique de ces portraits, mais aussi des masques funéraires, pouvait être obtenue par les coiffures féminines. Par conséquence, la distinction des portraits par époque nous permettait d’identifier les changements dans la mode des bijoux pendant les trois premiers siècles après J.-C., en donnant aux archéologues la possibilité de classifier encore mieux certains types de bijoux qui sont découverts pendant des fouilles ou sur le marché de l’art. Dans le cadre ce cette étude, les diverses représentations de bijoux, en provenance d’autres provinces romaines mais aussi des originaux, appartenant à des trésors et à des tombes datés étaient également consultés. L’application de nos résultats à d’autres contextes géographiques est toujours légitime, car les mêmes principaux types de bijoux étaient utilisés dans tout l’empire romain.Grâce à toutes ces données, il était possible de reconstruire les différents aspects de la mode des bijoux pour les différentes dynasties impériales pendant les trois premiers siècles après J.-CThis particular PhD research project focuses on the representation of jewellery on “Fayum portraits” and mummy masks from Roman Egypt. Even though Roman mummy masks and the so called “Fayum portraits” have been the subject of numerous research in recent years, a detailed study on the individuals’ jewellery is still missing up to this date. This is particularly regrettable because females on these portraits are almost exclusively wearing Roman-type jewellery. A chronological order that includes a precise dating must be obtained by the female hairstyles that have been influenced by Roman fashion dispersed in the Roman Empire through representations in form of busts, coins and paintings of the Empresses and members of the imperial families. Consequently, this chronological order allows us to identify the various changes in the jewellery fashion throughout the imperial dynasties of the first three centuries A.D. A goal of the chronological classification of jewellery in the art of Roman Egypt is to help future researchers to date jewellery more precisely, in particular – which is quite common for jewellery - when their provenance is unknown or imprecise. The results will be complemented by representations of jewellery in art from other regions of the Empire but also by actual dated finds. Finally, all these factors will help to obtain a better understanding of Roman jewellery fashion, its distribution and even more which types were “à la mode” at what particular time
13
Ramé, Betty. "Orner la tête à l'Age du Bronze en Égée : de la coiffure à la parure." Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01H055.
Full textAbstract:
Les coiffures et les parures de tête, en tant qu’éléments forts de communication, permettent d’aborder des champs d’investigations sur l’appartenance culturelle et identitaire de leurs porteurs. Cette thèse, à travers ce nouvel angle d’approche, vise à éclairer la place et le rôle de la chevelure et des coiffes dans les civilisations égéennes de l’âge du Bronze. Notre étude se fonde principalement sur deux types de sources complémentaires : les sources directes (bandeaux métalliques) et les sources indirectes (iconographie). Notre démarche a conduit à proposer une nouvelle typologie morpho-stylistique des coiffures et parures de tête visibles dans l’iconographie. Ces diverses représentations ont montré que certaines coiffures et parures de tête sont des marqueurs sexuels, chrono-culturels et sociaux. Grâce à un double examen visuel (observation macroscopique et microscopique) des bandeaux métalliques, nous avons reconstitué leur chaîne opératoire. Cette étude a mis en évidence des différences techniques (fabrication et décoration) et des usures intimement liées aux contextes chrono-culturels. Cette thèse tend également à montrer que le bandeau devait être porté en association avec un tissu.Par l’étude des traces immatérielles et grâce à la mobilisation de diverses sources (iconographiques, archéologiques, textuelles et comparatives), nous avons tenté d’appréhender les outils et la gestuelle associée au traitement de la chevelure, mais aussi les matériaux pouvant composer les parures de tête représentées en iconographie. Des reconstitutions du port du bandeau ont enfin montré le vaste champ de possibilités du port de cet artefactHairstyles and headdresses, as strong elements of communication, allow to address the cultural and identity affiliation of their wearers. This dissertation, through this new approach, aims to shed light on the place and role of hairstyles and headdresses in Aegean civilizations of the Bronze Age.Our study is mainly based on two complementary sources: direct sources (metal headbands) and indirect sources (iconography). Our approach led to propose a new morpho stylistic typology of hairstyle and head ornaments visible in iconography. The various representations have shown that certain hairstyles and headdresses are gendered, chrono cultural and social markers. A double visual examination (macroscopic and microscopic observation) of the metal headbands enabled us to reconstruct their chaîne opératoire. This analysis highlighted technical differences (manufacture and decoration) and use wear closely linked to chrono-cultural contexts. This dissertation also suggests that the headbands should be worn in combination with a cloth.Through the study of immaterial traces and the mobilization of various sources (iconographic, archaeological, textual and comparative), we tempted to perceive the tools and the gestures associated with the treatment of the hair, but also the materials which could have been used for making the head ornaments represented in iconography. Finally, reconstructions of the wearing of the headband have shown the multiple possibilities of how to wear this type of artefact
14
Lin, Chia-Miao, and 林珈妙. "Analysis on Evolution of Bridal Hairstyles in Contemporary Taiwan and Modern Bridal Hairstyle Design." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/29048755654603417806.
Full textAbstract:
碩士樹德科技大學
應用設計研究所
101
Taiwan''s wedding industry has decades of developmental history. However, there is still a lack of systematic and complete documentation of bridal hairstyles. This study aims to examine the causes of diversity in bridal hairstyles and the possibility of subsequent development for application in related fields. The researched period spanned the five decades between 1961 and 2010. First, by conducting a review of historical documents as the methodofpreliminary data collection, pictures of bridal hairstyles and textual background information of social settings in respective decades were gathered to investigate the causes to the evolution of bridal hairstyles in each of these decades. Given no complete documentation that examines bridal hairstyles in Taiwan, it was necessary to supplement data shortage with the unstructured approach provided by in-depth interviewing. The interview results were then coded and compared with the previously collected textual and image data for mutual corroboration. Based on the resultant table ''Relationship between Social Settings and Evolution of Bridal Hairstyles between 1961 and 2010'', the causes of different looks of bridal hairstyles in each of these decades were further explored. The Taiwanese society in the decade between 2001 and 2010 presents a diverse landscape due to information advancement. Therefore, the current state survey was conducted using incorporated textual and image data as well as the interview results and shows that wigs, accessories and hairstyling tools are key factors to style diversification in the fields where bridal hairstyles are widely used. Thiscollection of hairstyle designs, called ''Nereid'', includes seven bridal hairstyles that embody the graceful and romantic image of sea nymphs and echo the rich diversity of the ocean. The bridal hairstyle and accessory designs, created following the design path of element extraction, conversion, styling and color scheming,meet the purpose of interdisciplinary integrated application and are provided as references for future designers in discourses and application when designing bridal styles.
15
Lee, Chia-Ying, and 李佳穎. "An Interactive System for 3D Hairstyles." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/42522368668276082572.
Full textAbstract:
碩士國立臺灣大學
資訊工程學研究所
89
This paper presents an interactive system for creating natural looking 3D hairstyles, by which users can cut, comb and perm the hair model and generate realistic hair images. The system contains three stages: modeling, styling and rendering. We produce a physical hair model using a cantilever beam simulation with collision detection. Then the styling phase is a hair editing process, using styling tools to change the length, position and curvature of hair strands. We adopt the ideal fluid model as the basis of our styling operations and developed six algorithms suitable for styling. Users can interact with tools in real-time and create various convincing hairstyles. Our system increases the ease of hairstyling and can render natural hair images with shadow and back-lighting effects.
16
Patrick, Deborah Michelle. "An investigation of hair modelling and rendering techniques with emphasis on African hairstyles /." 2004. http://eprints.ru.ac.za/131/.
Full text
17
Tsai, I.-Chen, and 蔡伊媜. "Men’s Perception and Preference of Women’s Hairstyles." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/99891881246243820667.
Full textAbstract:
碩士台南應用科技大學
應用設計研究所
100
Nowadays, people have individual, and often innovative, views about their hairstyles and most of them can groom their own hair. Also, information about hairstyle is a concern not exclusive to hairstylists. The time women spend on grooming every day take up a considerable amount of time in their life and they pay ever increasing attention to their hairstyles. The most obvious reason for them to change their hairstyles is that they care how the opposite sex perceives them. This study aims to explore men’s perception and preference of women’s hairstyles. Hairstyles come in wide varieties and different hairstyles cause one to be perceived differently as well. In light of this, this study adopts the empirical research method and Kansei Engineering to analyze the correlations between the hairstyle elements and perceptions concerning hairstyles, as well as to investigate the grouping of male research subjects based on their hairstyle preferences. The objectives of this study are: to understand the cognition of the general public regarding the hairstyle vocabulary, a tool for them to express and communicate their ideas on hairstyling, and to understand how men of different ages, hairstyling backgrounds, and educational backgrounds will perceive women’s hairstyles and further to understand the hairstyle preferences for men of different ages, hairstyling backgrounds, and educational backgrounds. Finally, the correlations between hairstyle elements and the perceptions of the hairstyles are analyzed with the analysis results serving as a reference for women in choosing their hairstyles. The research results are as follows: 1.Based on the relationships between hairstyle and vocabulary, a suitable hairstyle can be determined through hairstyle perceptions. 2.This hairstyle perception investigation shows that research subjects with hairstyling backgrounds have different perceptions than those without a hairstyling background, and that subjects with a high school diploma also have perceptions different from those with a university degree or above. 3. Men in the same groups with respect to age, hairstyling background, and education background have the same hairstyle preferences.
18
李秋燕. "A Study on the Relationship Between Hairstyles and Kansei Images." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/77758004219376676009.
Full textAbstract:
碩士樹德科技大學
應用設計研究所
91
A procedure is a Study on the Relationship Between Hairstyles and Kansei Images, At the moment to conference the hair design''s essay in domestic is very seldom, Besides the hairstyles can create ever changing in shape, But the relation research few to balance, The factor not just research worker very few also the research methods not to know the right way, So the research apply the form design methods, Use the reference of kansei engineering, To analyze corresponding relationship on hairstyle''s morphology elements; It means using the lead of consumer in kansei engineering depend on the theory, Look for the form design elements which effected the consumer''s hair style images. The research has 4 purposes:（1）To build up the rules of the hairstyles designing, and turn the hairstyles image can state also communicate with image language, those for convenience on design expression.（2）Understanding what consumers need and what they feel at hairstyles, get the designer and consumer closer.（3）To find out the corresponding relationship between hairstyles and image language to assist designers, capture the relationship of hair style image rapidly.（4）To supply when hair design for reference resources in future. The research rely on interview、questionnaire、and statistical analysis to catch representative hair style sample、the hair form elements and the pair of kansei adjective language, then move forward to analyze the hairstyle form elements and investigate the kansei image experimentation, By using quantification I ,The analysis result, Switching the consumer''s sensitivity feeling in hairstyles into quantification, To inference between the 9 couple kansei language and hair style form elements of corresponding relationship, Also build up the rules of the hair style designing, the result use the clear and definite way to research the relationship between hair style form elements and kansei image; In view of the above to reduce between the designer and consumer''s the difference in hairstyles kansei(sensitive) cognitive, and assist the hair designer get reference when design the hair Style.
19
Varner, Teri Lynn. "Performing black consciousness through natural hairstyles the case of African-American females in Detroit, Michigan /." 2003. http://www.lib.utexas.edu/etd/r/d/2003/varnert032/varnert032.pdf#page=3.
Full text
20
Chen, Tsung-Ming, and 陳宗銘. "Innovative Hairstyles Based On the Blow-Drying Hands-On Skills Test of the Level B Technician Certification for Female Hairdressing." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/4w2jbu.
Full textAbstract:
碩士東方設計學院
文化創意設計研究所
105
Hairdressing has a long history and evolves with human society.Hairstyles recall distinctcultural periods, and producing them is a traditional craft that deserves continued attention. This craft requires constant ingenuity; its practitioners mustdesign new hairstyles with sophistication, harmony, balance, and grace. In brief, hairdressing inherits the distinct cultural values of eachperiod in the history of a society and reflects its particulartrends, evoking vibrancyin fashions.Moreover,in addition torepresentingcurrent fashions,hairstylesare a sign manifesting an individual’s personal image. Blow-drying is a hairdressing technique that uses piling, shaping, and aesthetic impulsesto create distinctive hairstyles. The aesthetical, art, and beautification functions of blow-drying create miscellaneous and vibrant visual perceptions, constructing the visualization of characteristics.In this thesis, hairdressing was combined with environmentally-friendly media to inventively adapt the blow-dried hairstyles that are covered in the hands-on skills test of the Level B Technician for Female HairdressingCertification (as mandated by the Taiwanese government), creating a different sense of layer, innovating hairstyles, and integrating traditional and trendy elements.The results present9 affective and delicatestyles characterized as“classically trendy,”“youthfully charming,”“trendy wild,”“cerebral and graceful,”“intellectual and classic,”“gentle and profound,”“modest and petite,”“energetic and romantic,” and “clever and elegant.” This study proposesthis range ofhairstyles to promotethe development of this cultural and creative industry and the refinement of blow-drying. The findings of this study may inform further research and contribute to the hairdressing industry.
21
Lalonde, Angelique Maria Gabrielle. "The power of a "hot" haircut : hair, sexuality, and self at the salon." Thesis, 2007. http://hdl.handle.net/1828/1239.
Full textAbstract:
Hair, as it is fashioned in this research project, is a lens which brings embodiment, if only
ephemerally, into a place of expressive focus. This thesis considers, as its subjects of
research, women between the ages of 20 and 30 in Victoria, BC, Canada, who
purposefully use the hair styling services of a regular stylist to negotiate social anxieties
and play with possibilities of identity through the medium of hair. I engage with the
concept of embodiment specifically in order to approach current theoretical concerns in
anthropology with how commodity culture plays out and is played upon, both materially
and ideologically, through the bodies of social actors. Hair is particularly well suited to a
theoretical concern with embodiment because it is a biological medium of cultural
pliability; it occurs at the interface of a biological entity, upon which it grows, and a
cultural being, who styles it.
22
Russell, Paitra D. "Styling Blackness : African American hair styling practices in late twentieth century America and the phenomenology of race /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3060260.
Full text
23
Chou, Jia-kai, and 周家愷. "Virtual Haircut and Hairstyle Cloning." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/29122353130966939128.
Full textAbstract:
碩士國立臺灣科技大學
資訊管理系
97
We are living in a new world where everyone cares to have his/her own style. To create a unique identity, one might consider changing his/her facial appearance. Instead of undergoing a facial surgery, applying different hairstyles could also dramatically influence the facial appearance of a person. It is a more cost-efficient,much easier and less dangerous way to attain the purpose of acquiring uniqueness compared with others. In this paper, we propose a system that can virtually replace one’s hairstyle by others’. By assuming that a user inputs a single 2D image, our system detects the contour of the facial shape, and then automatically separate the original image into 2 layers. The bare-head layer preserves the human face bounded by a facial contour. And the forehead skin, which is occluded by hair, will be re-synthesized by our algorithm. Note that it is a challenging task to synthesize the forehead skin. While the problem is similar to texture synthesis and image in-painting, they are not exactly the same. The hair layer contains the extracted hairstyle from the input image, and it will be added into our hairstyle database. Finally, the user could select a variety of hairstyles from the database. Once the desired hairstyle has been chosen, our system provides a simple and intuitive method for a virtual hairstyle try-on.
24
LAI, YU-HSIN, and 賴譽心. "Taiwanese Infernal General Creative Hairstyle Design." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/31925200448290929910.
Full textAbstract:
碩士嶺東科技大學
流行設計系碩士班
104
Taiwan is a country which contains various kinds of religions. The folk parade is an indispensable part in the temple fair that includes a series of folk performance to thank god bless. It is not only cultural heritage for Taiwanese but also shows strong vitality of Formosa. In this thesis, refers the characters of four traditional hell generals such as General Gan, General Liu, General Xie and General Fan, and two underworld officers such as civil officer and military officer. These hell generals with unique characters and special face make up to emphasize the folk culture charms. Integrate the charms of hell generals and traditional hair style of ancient female to develop a series of fashion hair design. Refreshing the view of the folk culture and inspire creative of hair design salon. To present a new visual of hair fashion.
25
Cheng, Yu-Ting, and 鄭宇婷. "QHair: A Quick Hairstyler by Parameter Tuning." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/61762578314958456306.
Full textAbstract:
碩士國立臺灣大學
電機工程學研究所
99
Delicate hairstyling for character creation plays an influential role in animations or games. However, due to the complexity of hair such as enormous hair strands and untraceable hair flows, hairstyling with traditional graphical software is quite a sophisticated task, which usually needs considerable time and professional skills. Therefore, we present a user-friendly hairstyling system called QHair for quick parameter-tuned hairstyling, which quantifies an example hair model with many feature-derived hair parameters. QHair is contributed not only to the improvement on the delicacy of hair design for game character creation but also to the mass production of hairstyles for the crowd in large-scale scenes.
26
Wu, Wei Ying, and 吳威穎. "An Intelligent Recommendation System for Personalization Hairstyle." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/12051275344496767239.
Full textAbstract:
碩士國立屏東科技大學
資訊管理系所
101
In pace with the rapid development of information technology, image recognition technology are widely used in all walks of life, in beauty design-related industries order enhance their own competitiveness to a new status. Therefore, we propose a system structure that according user’s experience to design intuitive operating user interface. We can use computer to achieve virtual hairstyles replace and hairstyles recommended by image recognition technology that can reduce time and cost spend. The study module build a recommended hairstyle system to assist users select the most suitable hairstyle, the system provides functions to user：(1) Module of create a hairstyle samples—the hairstyle part is training images by skin-color detection algorithm, then extracted the component belongs the part of hairstyle only, provides users a virtual hairstyle replace. (2) Module of Create a facial shape samples—facial part is the use of active shape models algorithm training face images, then extract facial to component. The module matching with the template, then we completed the facial classification. (3)Module of Create a recommended system—using the data by users returned, after data analysis, the data can be used to a personal recommendation rules, allows users to according different hairstyle conditions to find the most suitable hairstyle. Finally, this study can setting facial and hairstyle components edge feature, for facial and hairstyle components setting synthetic match to achieve virtual synthesis technology. For facial and hairstyle components conduct synthesis match so as to achieve the effect of virtual synthesis
27
Li, Yu-Chun, and 李宇峻. "A Matting-based Automated Hairstyle Simulation System." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/c4ntz8.
Full textAbstract:
碩士國立臺南大學
資訊工程學系碩士班
103
The existing matting-based hairstyle simulation systems have two disadvantages. The first one is the limitations of background and cloths’ colors for the target image. The background should be as simple as possible and the colors of cloths must be distinct to the hair color. The second one is the need of interaction with the user to adjust the target hair to fit the customer's face. Hence, in this study we develop a new algorithm to make our hair style simulation system can work for complex background and no need of user interaction.
28
CHEN, CHUN-WEI, and 陳俊瑋. "A Method for Hairstyle Recognition Using Image Processing." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/3bu43a.
Full textAbstract:
碩士南臺科技大學
多媒體與電腦娛樂科學系
105
Hair is the biggest feature on the human’s face, but the hair detection is not popular as the face detection. In this research, we want to propose a way to definition the hair style, and create a software to distinguish the hair style by the single picture, make hair detection become more systematic. When make the 3D selfies, the hair area need to reprocessing after 3D scan, we can use this method to make process be automated. We will use KJ Method to present the human’s cognition, then define and get hair style identification variable make hair style digitization, and use these variable on cluster analysis，get the hair style identification classification, and compare the KJ Method classification and hair style identification classification, in the end, create a hair recognize software to classify the hair style by single picture, In the end of this research, we get 4 kind of KJ Method classification and 5 kind of hair style identification classification by same 40 hair sample,(the hair style identification have 6 parameters), after we compare these two classification, similar rate is 75%，left 25% is because our hair style identification variable is not very effective on the hair inner line and hair outer line’s shape describe, and we suggest add more hair style identification variable to make similar rate increase. This research can support the hair recognize research in the future or use this method on any kind of multimedia field.
29
Chen, Zhuohan, and 陳卓晗. "Hairstyle Removal and Transfer using Convolutional Neural Networks." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/5em2tc.
Full textAbstract:
碩士國立臺灣大學
資訊網路與多媒體研究所
107
This thesis proposed an automatic method for editing a portrait photo so that the people looks have the same hairstyle as other people in the reference photo. Recent works have shown great improvements in a lot kind of human portrait image-to-image style transfer, including the transfer of age, gender, hair color, and even facial expressions. However, style transfer for hairstyle is still untouched, existing methods can not change a person’s hairstyle correctly. Our approach relies on a modified framework of cycle-consistent generative adversarial networks. We first feed a portrait photo with its face mask into a UNET to remove a person’s hair in that photo. Then this photo is combined with another reference photo and a face mask. Then we feed this combined photo into another UNET to generate a new portrait photo, which has the original person face and the hairstyle from the referenced photo. The results show that we can not only remove a person’s hair in a portrait photo but also add hairstyle from another reference photo into the portrait.
30
Cho, Sheng-Shui, and 卓聖水. "Digital video and men hairstyle aesthetics for Creative Studies." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/11972517105262918255.
Full textAbstract:
碩士吳鳳科技大學
應用數位媒體研究所
104
A Taiwanese proverb says "Tangshan to Taiwan, toting three knives, scissors, a cutting knife, and razors." It means that, at the time of the space-time background, these immigrant ancestors came to Taiwan reclaimed homeland due to hardship, to be able to survive and adventure crossing station, so not to bring gold and silver jewelry, tools, but a living, like the tailor with scissors, and a chef with a kitchen knife with a barber's razor and so on. Through this proverb can be learned in a distant time hairdressing industry had to exist! But then today's technology is not as advanced, and therefore the method is to master skills to teach oral solid foundation phase grant and gradual acquisition of power from no hair reference information, learning; as time goes by, is now under technologically advanced status, transfer of information has become more diverse, and the need to take advantage of many of the original production of human industry, but also changed to replace the human machinery , which were hairdressing industry through the machinery but still can not replace, we can see that the barber is a need for industry through actual observation, communication, understanding the needs of the other side of the hair industry through interaction with customers, which is also the machinery can not be replaced Features; but nevertheless, for expertise in this area is still very rare book, especially the part of "man haircut", and therefore will be to "digital video aesthetics and men hairstyles for Creative Studies' research for the study of the topic. Keywords: Digital video Men hairstyle Aesthetics innovation
31
Huang, Hsin-Yi, and 黃馨逸. "The Effect of Customization on Loyalty in Hairstyle Design Industry." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/48673529940747639535.
Full textAbstract:
碩士大葉大學
事業經營研究所碩士在職專班
96
This study empirically examines the service quality and the customization to the loyalty influence. This research sent out 500 questionnaires and takes back 431 questionnaires, the returns-rate is 86.2%; effective questionnaires are 380, invalid questionnaires are 51, the effective questionnaires rate is 88.1%. The study identifies that service quality can directly affect organization loyalty; customization can directly affect designer loyalty; and service quality can directly affect designer loyalty; but customization can not directly affect organization loyalty. Conclusion: When the designer makes the service and the design to the consumer guest, can increase the customer to its designer's loyalty, and has the loyalty to the organization. If the designer leaves, the customer also has great possibility to leave. But under the customization service of designer can effectively promote organization's service quality; for example give more concerned to customer also can have the loyalty. Furthermore, the geographic and traffic convenience have great possibility to keep customer. Therefore the manager should put great emphasis on whole service quality for most first.
32
Huang, Fei-hsiang, and 黃飛翔. "Using Hair-filament and Hair-strand Features for Hairstyle Classification." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/62904021015980219600.
Full textAbstract:
碩士國立臺南大學
資訊工程學系碩士班
99
As the time changes, variety of hair styles expand, and it''s easy to obtain various kinds of information of hair styles; nevertheless, the larger the database is, the more important the hair classification become. Unfortunately, the structure of hair is very complicated, and the texture of hair is extremely unbalanced. The major problem is that there doesn’t exist an efficient way to classify those images. In this thesis we propose a method to manage the hair classifications and styles. We take the hair-filament orientation transition vector (HFOTV) and hair-stand orientation fourier descriptor (HSOFD) as hair features, then classify hair images by support vector machine (SVM). The experimental results show that the proposed method has extremely high classification accuracy.
33
Cheng, Chia-Hui, and 鄭佳惠. "Research into the Application of Architectural Aesthetics to Hairstyle’s Visual Arts." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/ajet4g.
Full textAbstract:
碩士東方設計大學
時尚美妝設計系
106
With the development of fashion trends, the trend of totem sculpture for European and American hairdressing art has been introduced to Taiwan, and is gaining popularity. Young people create a variety of visual artistic modeling in the hair styles, showing the effect of fashion and avant-garde and creating a unique personal style with the carving technique. This researcher has been engaged in the hairdressing work for many years and is interested in the hairdressing carving, hoping to apply the architectural aesthetics to the visual art of hairstyle so as to make the beauty of hairstyle art be presented in more diverse style and features through different elements and professional skills. This research hopes to apply the designs such as the geometric construction and hierarchical elements of the splendid European architecture and the visual arts to the practice creation of fashionable hairdressing carving. There are 4 creative processes as follows: (1) collect the literature discussion and analysis in the aspects such as Rome style, Gothic European architectural art and color aesthetics and transform the elements into the inspiration source of hairstyle creation. (2) Make use of different materials, tools and techniques to carry out the sculpturing design for visual hairstyle art. (3) In the principle of hairstyle modeling, the aesthetics and art are applied to express the theme. (4) To integrate the applications of modeling design, practice and techniques makes the works concrete to be presented. In this research, the lines and texture of the architecture were designed by hair dyeing, cutting, and totem carving through visual art design and application. 13 styles of hairstyle art sculptures were created and designed by the ways of curling hierarchical structure, streamline rhythm, color overlapping and painting application, respectively, trying to make the style and features of the visual hairstyle art reveal the diverse and practical artistic style and providing the experience and suggestions in the process of creation to the dealers related to hairdressing or researchers as the reference of creative thinking.
34
Liang, Ching-Lun, and 梁經綸. "A 3D HairStyle Fitting System for Hair Modeling, Rendering, and Mapping." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/43957763269528120840.
Full text
35
Yeh, Shu Hui, and 葉淑慧. "A Study of the Relationship between Consumers’ Aesthetic Lifestyle and Hairstyle Preferences." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/p5ns68.
Full textAbstract:
碩士台南應用科技大學
生活應用科學研究所
101
“Aesthetics” in life is extensively. Consumers concern their images of self esthetic sensibilities gradually, and the relationship between personal esthetic sensibilities and life style is very close. However, the relevant researches for the relationship between esthetic sensibilities and lifestyle are seldom in the past. The aim of this study bases on emphasizing consumers’ preferences of hairstyle and finding out the relation between different lifestyles and the preferences of hairstyle. There are 272 questionnaires are valid by Convenience sampling way, and the consumers in Chia-Nan Area who are the samples in this investigation. The result shows 7 factors of the aesthetic lifestyle: “Natural and Simple”, “Unique Taste”, “Low-profile Aesthetics”, “Image Shaping”, “Egoism”, “Fashion” and “Noble Luxury”. Also there are 5 factors of the preferences of hairstyle: “Fresh &; Quality”, “Sweet &; Cute”, “Traditional &; Conservative”, “Dapper &; Neutral”, and “Romantic &; Charming”. And these two variables are analyzed below: It is very obvious that aesthetic lifestyle and the preferences of hairstyle are related; and the preferences of hairstyle are influenced the most by pursuing “Growth” and “Shape” with high makeup of egoism. In addition, the analysis of hairstyle preferences shows that the consumers are “Romantic &; Charming” the most, and fallowed by “Sweet &; Cute”, “Traditional &; Conservative” and “Fresh &; Quality”. The less favorite style is“Dapper &; Neutral” for general consumers.
36
Lin, Kuo-Ming, and 林國明. "A study on Application of Constantin Brâncusi’s Culpture Concept in Hairstyle Design." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/v24g7f.
Full textAbstract:
碩士東方設計學院
文化創意設計研究所
102
This creation aims to base on Constantin Brâncusi’s pedestals, simplifying, and symbol as a starting point of discussion and apply it in hair design as aesthetic of three-dimensional form. Through hair design, combine space, quality, quantity, movement, and linear structure model. By the form of sculpture art, discuss the implication of art in hair design, promote the art performance in hair art, and constantly improve the skills and value added of hair design. In creative practice, this study sorts out the forms of hair. It regards the scalp as the sculpture pedestal and the hair as the material of the sculpture. The creation consists of three levels: (1) Origin: Applying Constantin Brâncusi’s concept about pedestals as a symbol of hair creation. (2) Extension: Interpreting the content of space through the shape escaping from the limitation of gravity. (3) Crossover: Confirming hair art in presentation of “shape”, with which to confirm three-dimensional art sculptures being applied in practical skills of hair design. It would offer main references to those who want to learn design of three-dimensional structure when going into creative hair design.
37
Lu, Chun Chen, and 盧春珍. "The Research of the Relationship between Aesthetic Lifestyles and Consumers' Preferences of Hairstyle." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/43825191563207856480.
Full textAbstract:
碩士輔仁大學
織品服裝學系
100
With the progress of the times, people have had constantly evolution and the upgrade in their living environment, also enhance the quality of life from the physical to the spiritual level. From the things you saw, the sound you heard, the smell you smelt, the items you touched, all should be focused on aesthetic so a variety of life style was formed and this type is called "Aesthetic Lifestyle. Into the 21st century is the era of consumer-oriented. Consumers enjoy and experience their life through a variety of products and services. In hair styles, there is more emphasis on personal characteristics and artistic creation so the hairdresser can not only use their technique and equipment to content customers. So do learners can not only focus on the learning of technical aspects without concerning the psychological level of consumers. Therefore, this study will explore the association of Aesthetic Life Style and the hair style preferences of consumer. This will be as a prototype for vi hairdresser and learners to establish a more professional service. This study was roughly divided into two parts. The first part is the construction of Aesthetic Life Style table. Through literature discussion and repeated viewing, there are 30 questions established finally for Aesthetic Life Style table. The second part is through groups discussion, which are composed of experts, senior hairdressing workers and teachers from beauty related departments, to establish ten kinds of hair style pictures and words for research. Issued and collected paper questionnaires to do descriptive statistics, factor analysis, reliability analysis and cluster analysis. The analysis results show that the aesthetic life style of people in Taipei area is constituted of four factors. Further through the method of cluster analysis, the four factors can be further analyzed into four clusters and found that every group of consumers are with different consumption characteristics. Then, using the maximum likelihood method to combine the questionnaire results of 10 kinds of hair style pictures and ten words to do factor analysis, there will be three kinds of hair style in result. At last, we use total effect analysis to understand the relationship of aesthetic life style groups in hair style preference. The analysis results showed that there is quite a significant relationship between the consumers of these four groups of aesthetic life style and three kinds of hair style patterns. Therefore, we determined that aesthetic life style is associated with the preferences of consumer’s hair style.
38
Lu, Mei-Hvan, and 呂美煥. "The study of woman’s hairstyle and ensemble design in Qin, Han and Tang Dynasties." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/56895934029417437213.
Full textAbstract:
碩士華梵大學
東方人文思想研究所
93
From the very beginning of human history, the original hairstyle of woman was long hair. With the development of history, woman began to create and organize their hairstyles. In the early of Qin dynasty, the human culture changed from a barbarism social to a civilization social and woman began to need the beauty of hairstyles. This not only gave a good beginning but also affected the development of attire culture in Han and Tang dynasties. The change of hairpin in Qin, Han, and Tang dynasties showed that the development of woman’s hairstyles had been deeply affected by the west culture. The fashion of woman’s hairstyles also showed that the progress of union, culture, and economics. In addition, hairstyles could present the woman’s social position. Further more due to the advanced weave technology, attire gave woman more bright attraction. In Tang dynasty, Lee family, the ruler, ruled over the whole country by an open attitude. All different cultures get to China and affected all Chinese especially the “Who” culture. This made the Tang to be the most colorful dynasty in China history. Woman’s hairpin, hairstyle, and clothing showed their beauty, social position and ages. Therefore it was very hard to go beyond Tang’s woman hairstyles and attire design. In the final, we gave the comparison of woman’s hairstyles, and attires in Qin, Han, and Tang dynasties. The affections by foreign countries are also presented. With these comparisons we can study the culture union and hopefully create more design activities in ensemble design.
39
SHR, JENG-AN, and 施政安. "An Extensive Design Process of Creative Arts on Costume and Hairstyle Practical Combinative Design." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/89755494949873453201.
Full textAbstract:
碩士亞洲大學
數位媒體設計學系
104
This research discusses how techniques in hair design are performed to express creativity and new ideas in clothing and hair style by making wigs and designing Han Chinese clothing. The data review shows there’s a modern trend in traditional Chinese clothing. Han Chinese clothing has revived in the last twenty years. It is loved by people because of its comfort and beauty. Therefore, an oriental taste can also be blended into hair style when designing overall fashion style. The research is based on art works made of hair lines. I investigated the shape of both ancient and modern Han Chinese clothing and then studied styles and techniques in Chinese ancient and modern hair styles. I applied various art styles and Han characters as the design elements in hair design exhibition, and also use Han Chinese clothing as a reference to design hair accessories. My art works adopted idioms as the design subject to discuss the cultural concept of the character “hair”, and mix and match hair styles with modern Han Chinese clothing. Furthermore, I applied SCAMPER to enhance the art works from copying to full play at spirit level with techniques of roping, bundling, plaiting, curling, hair bun and hair worn. Through methods such as gluing and collaging, it explains remaking and rebirth of hair lines. The art works made of mixed media materials based on the shape of Han characters makes hair styles being innovative but also classical at the same time. The experimental creation is made of nylon hair lines, white wool and real hair with the idea of mixed media materials and modern Han Chinese clothing. Under this cultural baptism, my art works present the concept with new techniques which shows the skills of overall fashion styling in hair design and modern Han Cultural clothing. It also delivers my creative ideas in hair design as well as catwalk walking and design of exhibition.
40
Kuo, Shu-Chuan, and 郭淑娟. "A Study of the Relationship of Design Factors and Practical Skills for Bob Hairstyle." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/eb4w34.
Full textAbstract:
碩士樹德科技大學
應用設計研究所
106
Bob hairstyle designs are available in a wide variety of styles, where the characteristics presented by the shoulder length Bob classic hairstyle are easily used to cover the Back of the flat head commonly seen in the country. The simple but elegant hair lines of Bob hairstyles fit all ages. Although Bob hairstyles developed from the 1950s have derived many enriched and dramatic hairline combinations, there is no specific theory and rule for the shapes and features of Bod hairstyles. Therefore, the purpose of this study is to create the key design factors for Bob hairstyles and conduct a practical design and verification perspective. To completely create 8 key design factors for Bob hairstyles, this study starts from a literature review on the 4 key factors and 21 sub-factors of the Bob hairstyles, and then gets experts’ consensus agreement on evaluated factors through a Modified Delphi Method.(MDM) Based on the design factors, there are 12 specific Bob hairstyles by innovation can be identified after a restructuring. Meanwhile, average percentage difference and paired sample t-test methods are used to further determine the expert’ consensus of opinions and the fitness of created Bob hairstyles. The results of this study showed that the average percentage difference of experts’ consensus and the fitness of created Bob hairstyles for both the created key design factors of Bob hairstyles and the hairstyles developed with the factors were below 10.8%, indicating that these key design factors could be practically applied to the Bob hairstyles.
41
Tzu-Ni, Lee, and 李姿霓. "The Differences Between Oriental & Western Women’s Fashion Make-up & Hairstyle In Twentieth Century." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/96921498272315607849.
Full textAbstract:
碩士中國文化大學
藝術研究所美術組
100
Looking at the fashion history of art especially the women’s hairstyle and make-up. It started with more innovation and change after the beginning of 20th century. The major reason is the invention of special purpose tools and health care, chemical and medical advances in this time. And the convenience of traffic, film, television and the popularity of newspaper and magazines also push the progress of hairstyle and make-up. And all of them have evolved a variety of changing hairstyle and make-up. I focus on the United States, the represent of Western, and Taiwan/China, the represent of Oriental. And we will discuss the features of hairstyle and make-up for each decade during 20th century. We also pointed out the different between Western and Oriental about them. Not only Western and Oriental but also the Taiwan and China will be discussed the differences. In addition the differences of art of hairstyle and make-up between Western and Oriental, I also try to point out more history, social, political factors that may cause the effect of hairstyle and make-up. After we are clear about the reason and why then we can easier to know the trend of hairstyle and make-up in future.
42
Hong, Ja-Si, and 洪瑞禧. "Hairdressing industry service quality and loyalty of research in Milan fashion hairstyle chain as an example." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/cx3ypq.
Full textAbstract:
碩士朝陽科技大學
休閒生活美學產業碩士專班
103
This study aimed to understand the beauty salon services and the current status of consumer behavior, and to explore the different backgrounds of customers provided by the beauty industry's service quality, and customer satisfaction,and customer loyalty with three dimensions of this surface Discussion on the correlation between. It conducted by distributing a random sampling of questionnaires in Tainan. A total number of 500 and 494 questionnaires were distributed and returned. Results found a positive impact of the beauty industry's service quality on satisfaction and loyalty. Key word: The beauty salon services、Service quality、 Satisfaction、Loyalty
43
CHEN, SHIANG-LING, and 陳香伶. "The Practical Exploration of the OMC Ladies Fashion Hairstyle Design and the Digital Media Teaching Material." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/s9bzu2.
Full textAbstract:
碩士吳鳳科技大學
應用數位媒體研究所
106
The Practical Exploration of the OMC Ladies Fashion Hairstyle Design and the Digital Media Teaching Material Student：Shiang-Ling Chen Advisor：Dr Yeong-Dong Hwang Department of Applied Digital Media The Graduate Program WuFeng University ABSTRACT Global economic development countries continue to development research for health and beauty enterprise, and directly driven hairdressing beauty related industries to attain output value multiple growth. Due to the lack of domestic experience in the international arena competition, it results in limited professional skills development. OMC (Organization Mondiale Coiffure, French) hairdressing beauty contest is the world's most credible and the largest international competition, and thus this research selected OMC ladies fashion hairstyle design for the practical exploration of case study. The process steps of this research include chromatology application, creative hairstyle design, haircut design level, color dye design application and whole hair line application. Among them, the previous study first discussed creative hairstyle design and then introduced into chromatology application, thus it can not present a better creative design. In addition, because whole hair line application is the most difficult and most important step, this step was chosen to create digital media teaching material. In addition to the five practical steps discussed in this study, digital media teaching materials for whole hair line application step are also developed. The purpose is to strengthen the learner's effective method for ladies fashion hairstyle design through digital video. Under the tutoring of digital media teaching mode, it is to make up for the lack of professional book graphics for hairstyle grooming techniques. Through the use of video and audio, it is to attract students' attention and to enhance their interest in learning, and can achieve more efficient learning as a reference for professional and technical teaching innovation, and thus can strengthen international professional knowledge and skills. Keywords: OMC（Organisation Mondiale Coiffure）, Ladies Fashion Hairstyle Design, Hair Design Level, Color Dye Design Application, Whole Hair Line Application, Digital Media Teaching Material
44
Chao, Yun, and 趙芸. "The influence of the hairstyle and hair color of female front-desk employees on employee professionalism, physical attractiveness, and hotel image." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/40944521684164833040.
Full textAbstract:
碩士國立臺灣師範大學
運動休閒與餐旅管理研究所
104
This study was designed to investigate the influence of the hairstyle and hair color of female front-desk employees on employee professionalism, physical attractiveness, and hotel image. Experimental Method was used in this study. The study was designed by 2×2 factors. There were 4 fictitious scenarios of the questionnaires which were sent to respondents randomly. There were 480 copies questionnaires sent out, and 439 valid questionnaires were collected; the effective rate is 91.5%. The objects of this study were people who have visited five-stars hotels within a year. Data was analyzed by SPSS 22.0. The results indicated that, first, when the female employee wore a bun hairstyle and black hair color, she received better perception of her professionalism than when she wore natural hairstyle and brown hair color. Second, when the female employee wore a natural hairstyle, she received better perception of her physical attractiveness than when she wore bun hairstyle. Third, when the female employee wore a bun hairstyle and black hair color, the hotel she worked in received better perception from the customers than when she wore natural hairstyle and brown hair color. In the end, for hoteliers, this research suggested that bun hairstyle and black hair color are good choices for front-desk female employees to raise the image of hotels and the professionalism of employees.
45
LAPEŠOVÁ, Tereza. "Vliv symetrie účesu na atraktivitu ženské tváře." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-394518.
Full textAbstract:
Diploma thesis deals with the effect of the hairstyle symmetry on the female face attractiveness. The aim of the thesis is to experimentally find out the possible relationship between the hairstyle symmetry and the attractiveness of the female face. To map out the views of attractiveness, an online questionnaire was submitted to the respondents of both sexes to evaluate female faces with a symmetrical and asymmetric hairstyles. A total of 56 images were created, which were evaluated by the respondents in terms of attractiveness on the scale of 1-10. Most respondents slightly favored the symmetrical hairstyles, only one sample of male respondents slightly favored the asymmetric hairstyles. Since the difference in symmetrical and asymmetric variations was not statistically significant in any case, it is possible to claim that the symmetry of the hairstyle does not affect the attractiveness of the female face.
46
Ching, Lee Yueh, and 李月卿. "Educational training & employees’ performances related research - A hairstylist from a hair salon in the hairdressing industry as an illustration." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/45181445132869271016.
Full textAbstract:
碩士佛光人文社會學院
管理學研究所
92
With human beings as its principal focus, educational training is a very important issue for the hairdressing industry. If it can be done to steady the hairstylist’s confidence, enhanced his/her capabilities, increase the manpower of the hairstylists and continuous training in fashion and technical skills for the hairstylists, operations of hair salons would be half as successful. Therefore, hairstylists is the most important human resource to the hairdressing industry, to a professional organization like the hairdressing industry, a practical method to improve the employees’ performances, the most common and popularly used is through related educational training courses, to improve the hairstylist’s technical and professional skills, therefore trainings for hairdressers in the hairdressing industry are never limited, however over generosity may resulted in too much training opportunities, causing situations of inappropriate trainings leading to high overhead costs, at the same time unable to control the educational effects. In view of this, this research used a case study from a hairdressing salon’s monthly sales information and its workers educational training programs, divided into technical and functional courses, and separately analyze the effects on employees’ performances, in the area of employees’ performances is categorized according to the hairdressing characteristics into categories of technical related income growth, retail sales growth and overall business income growth, at the same time population statistics variances are noted in research variables, applying a complete set of SPSS software to carry out the analysis, in order to understand the relationships between different educational training, employees’ performances and population statistics variances to arrive at the research result. This research discovered that technical courses have an obvious effect on technical related income growth, functional courses have an obvious effect on retail sales income growth, and functional courses have an obvious effect on overall business income growth, at the same time technical skills and functional skills have obvious crossed effects on overall business income growth. Population statistics variables of sex, marital condition, titles, in-shop experience have obvious effects on technical income growth, retail sales income growth and overall business income growth respectively. This research discovered comparatively hairstylists with a higher educational training attendance have a higher rate of business growth, simultaneously senior hairstylists also enjoyed better business growth, as a result hairdressing owners can encourage higher rate of participation in educational trainings in the group of lower business income growth and the junior hairstylists, and also to suggests to make the training contents more diverse and attractive, to increase hairstylists’ willingness to participate in the training programs, and to cultivate a sense of learning, to promote a initiative and challenging spirit, hairdressing owners can also use a complete performance evaluation system, together with a perfect training system to achieve the goals of better employees’ performances. Keywords: Hairdressing, educational trainings, performance
47
LAI, YU-HSIEN, and 賴昱憲. "Investigation on the Development of Oriental Hairstyles:A Comparison between the Chignon Styles of Tang Dynasty’s Kuan Chi and Japanese Geisha." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8u7c2z.
Full textAbstract:
碩士萬能科技大學
化妝品應用與管理研究所
106
This study aims to reflect on and analyze the cultural migration and the cultural implantation in the history of interaction of hairstyles between China and Japan. Collecting relevant information related to the research topic of this paper, this study uses two research methods: firstly, documentary analysis with macro perspective. By a method based on ideas of cultural digestion and assimilation, which are taken from Cai Yuanpei’s viewpoints about cultural integration theory, I comb the connection between the evolving of oriental hairstyles and mobility of cultures by exploring the cultural characteristics of hairstyles in the interaction between China and Japan; secondly, Comparative research with microscopic perspective. The method is to analyze the similarity and differences between the Chignon of Tang Dynasty’s Kuan Chi and that of Japanese Geisha. The author uses Pre-iconographical description, iconographical analysis, and iconographical interpretation of Erwin Panofsky’s enIconology. This study concludes in two findings. The first one is concerning cultural translation. Because of the cultural mobility within the subject and the object culture, hairstyles have shown similarity in the explicit performance between object(Japan) and suject(China) culture during the same period of time. The second finding is about Cultural implantation. Due to the self-awareness of subject (Japanese Geisha), hairstyles relatively demanded less from the foreign and subject culture (Tang Dynasty’s Kuan Chi). Therefore, the interaction between the hairstyles from the two areas have shown dissimilarity and implicit performance. The research shows that hairstyles have brought out implicit and dynamic messages with explicit and static styles. Furthermore, hairstyles interpret the comprehension and embodiment of contemporary aesthetics. Meanwhile, the mode of aesthetic trend can be created in one period with outward manifestation and inner characterization. The results of the study can be used as a reference to the flowing and implantation of hairstyles. Future study can extend in four aspects: feminism, internalization of education, materialism, and socialization.