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1

Polk, Patrick Arthur. Haitian Vodou flags. University Press of Mississippi, 1997.

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2

1941-, Cosentino Donald, and University of California, Los Angeles. Fowler Museum of Cultural History., eds. Sacred arts of Haitian vodou. UCLA Fowler Museum of Cultural History, 1995.

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3

Tann, Mambo Chita. Haitian vodou: An introduction to Haiti's indigenous spiritual traditions. Llewellyn Publications, 2012.

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4

Michel, Claudine, and Patrick Bellegarde-Smith. Vodou in Haitian Life and Culture. Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780312376208.

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5

Joanne, Bartley, ed. Vodou songs in Haitian Creole and English. Temple University Press, 2012.

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6

Largey, Michael D. Vodou nation: Haitian art music and cultural nationalism. University of Chicago Press, 2006.

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7

Claudine, Michel, and Bellegarde-Smith Patrick, eds. Vodou in Haitian life and culture: Invisible powers. Palgrave Macmillan, 2006.

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8

1948-, Gautier Maryse, and Momplaisir Michel-Ange, eds. Les esprits du vodou haïtien. Educa Vision, 2011.

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9

England), Nottingham Contemporary (Nottingham, ed. Kafou: Haiti, art and vodou. Nottingham Contemporary, 2012.

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10

Francisque, James. Nan wout pou yon filozofi ayisyen: Filozofi somatik-korenanm. Edisyon Freda, 2021.

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11

Camille, Natasha. Cheche : Trouve: What "Western" Medical Students Could Learn from Haitian Vodou. the author, 2016.

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12

Alcena, Valiere. Triumph and tragedies of Haiti and its people. Le Negre Publishing Co, 2010.

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13

Herskovits, Melville J. Life in a Haitian valley. Markus Wiener Publishers, 2007.

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14

Fleurant, Gerdès. Dancing spirits: Rhythms and rituals of Haitian Vodun, the Rada rite. Greenwood Press, 1996.

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15

Musée d'Aquitaine de la ville de Bordeaux., ed. Peintures haîtiennes d'inspiration vaudou. Festin, 2007.

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16

Ellen, Harold, ed. Haitian diary: Papers and correspondence from Alan Lomax's Haitian journey 1936-37 / compiled and edited by Ellen Harold. Harte Recordings, 2009.

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17

Cosentino, Donald. Vodou things: The art of Pierrot Barra and Marie Cassaise. University Press of Mississippi, 1998.

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18

Florida State University Museum of Fine Arts. Decolonizing refinement: Contemporary pursuits in the art of Edouard Duval-Carrié. The Museum of Fine Arts Press, 2018.

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19

Barbereau, Caroline. Les guerriers bizango: L'art d'une société secrète vaudoue en Haïti, symbole de liberté et de justice. Lelivredart, 2011.

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20

Accademia di Francia (Rome, Italy) and Institut français d'Haiti, eds. Peintures et dessins Vaudou d'Haiti, 1986. De Luca, 1986.

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21

Fanini-Lemoine, Hervé. Face à face: Autour de l'identité haïtienne. Kiskeya Publishing Co., 2012.

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22

Beauquis, Corinne Y. Horizons multiples de l'écriture haïtienne contemporaine. Les Éditions du CIDIHCA, 2017.

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23

Haitian Vodou Flags. University Press of Mississippi, 2010.

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24

Veve:L'Art Rituel Du Vodou Haitien/Ritual Art of Haitian Vodou. ReMe Art Publishing, 2005.

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25

Hebblethwaite, Benjamin. A Transatlantic History of Haitian Vodou. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835604.001.0001.

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A Transatlantic History of Haitian Vodou focuses on the influence of the kingdoms of Dahomey, Allada, and Hueda in the emergence of central rites in Haitian Vodou. Connecting four centuries of political, social, and religious history with fieldwork and language documentation, this book analyzes Haitian Vodou’s African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti. The African chapters focus on history, economics and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, and music of the region’s religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, Aja, Fon, and Yoruba people deeply shaped the emergence of Haiti’s creolized culture. The Haitian chapters focus on Vodou’s Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier’s Vodou Lakay and Rasin Bwa Kayiman’s Guede, rasin compact discs released on Jean Altidor’s Miami label, “Mass Kompa Records.” All the Vodou songs on the discs are analyzed with a method dubbed “Vodou hermeneutics” that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.
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26

The Haitian Vodou Handbook. Inner Traditions / Bear & Company, 2010.

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27

Ferguson, Garland. Esoteric Codex: Haitian Vodou. Lulu Press, Inc., 2015.

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28

L. Joseph, Celucien, and Nixon S. Cleophat, eds. Vodou in the Haitian Experience. Lexington Books, 2016. https://doi.org/10.5040/9781978739994.

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One glaring lacuna in studies of Haitian Vodou is the scarcity of works exploring the connection between the religion and its main roots, traditional Yoruba religion. Discussions of Vodou very often seem to present the religion in vacuo, as a sui generis phenomenon that arose in Saint-Domingue and evolved in Haiti, with no antecedents. What is sorely needed then is more comparative studies of Haitian Vodou that would examine its connections to traditional Yoruba religion and thus illuminate certain aspects of its mythology, belief system, practices, and rituals. This book seeks to bridge these gaps. Vodou in the Haitian Experience studies comparatively the connections and relationships between Vodou and African traditional religions such as Yoruba religion and Egyptian religion. Such studies might enhance our understanding of the religion, and the connections between Africa and its Diaspora through shared religious patterns and practices. The general reader should be mindful of the transnational and transcultural perspectives of Vodou, as well as the cultural, socio-economic, and political context which gave birth to different visions and ideas of Vodou. The chapters in this collection tell a story about the dynamics of the Vodou faith and the rich ways Vodou has molded the Haitian narrative and psyche. The contributors of this book examine this constructed narrative from a multicultural voice that engages critically the discipline of ethnomusicology, drama, performance, art, anthropology, ethnography, economics, literature, intellectual history, philosophy, psychology, sociology, religion, and theology. Vodou is also studied from multiple theoretical approaches including queer, feminist theory, critical race theory, Marxism, postcolonial criticism, postmodernism, and psychoanalysis.
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29

Charles, Asselin, Celucien L. Joseph, Brandon R. Byrd, Nixon S. Cleophat, and Wiebke Beushausen. Vodou in Haitian Memory: The Idea and Representation of Vodou in Haitian Imagination. Lexington Books/Fortress Academic, 2016.

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30

Joseph, Celucien L. Vodou in Haitian Memory: The Idea and Representation of Vodou in Haitian Imagination. Lexington Books/Fortress Academic, 2016.

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31

Haitian Vodou: An Introduction to Haiti's Indigenous Spiritual Tradition. Llewellyn Publications, 2012.

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32

(Editor), Patrick Bellegarde-Smith, and Claudine Michel (Editor), eds. Haitian Vodou: Spirit, Myth, And Reality. Indiana University Press, 2006.

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33

(Editor), Patrick Bellegarde-Smith, and Claudine Michel (Editor), eds. Haitian Vodou: Spirit, Myth, And Reality. Indiana University Press, 2006.

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34

Peressini, Mauro, Rachel Beauvoir-Dominique, and Musée canadien des civilisations Staff. Vodou. Musee Canadien des Civilisations, 2013.

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35

Vodou. Canadian Museum of History, 2013.

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36

Benedicty-Kokken, Alessandra. Spirit Possession in French, Haitian, and Vodou Thought. Published by Lexington Books, 2014. https://doi.org/10.5040/9781978732001.

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This book recuperates the important history that Haitian thought around Vodou possession has had in French critical theory. The author takes the period of the 1930s and ‘40s, as the centerfold of a more complex network of relations that places Haiti as one of the pivots of a more expanded intellectual conversation around “possession,” which links anthropology, literature, psychoanalysis, human rights, and visual arts in France, Haiti, and the United States. Benedicty argues that Haiti as the anthropological other serves as a kick-starter to an entire French-based theoretical apparatus (Breton, Leiris, Bataille, de Certeau, Foucault, and Butler), but once up and running, its role as catalyst is forgotten and the multiple iterations of the anthropological other are cast back into the net of Michel-Rolph Trouillot’s “Savage slot.” The book offers the reader unfamiliar with Haiti a comprehensive interdisciplinary study of twentieth and early twenty-first century Haitian thought, including a detailed timeline of important moments in the intellectual history that connects Haiti to France and the United States. The first part of the book is about global dispossessions in the first decades of the twentieth century; the second part points to how the narratives of ‘Haiti’ are intimately linked to a Franco-U.S.-American discursive space, constructed over the course of the twentieth century, a discursive order that has conflated the representation of ‘Haiti’ with an understanding of Vodou primarily as an occult religion, and not as a philosophical system. The third and fourth parts of the book examine how the novels of René Depestre, Jean-Claude Fignolé, and Kettly Mars have revisited the notion of possession since the fall of the Duvalier dictatorships.
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37

Jean. God in the Haitian Voodoo Religion. Dorrance Publishing Co., Inc., 2004.

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38

Thomas, R. Murray. Roots of Haiti’s Vodou-Christian Faith. Praeger, 2014. http://dx.doi.org/10.5040/9798216010012.

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This book traces the development of Haiti's combined Vodou-Christian religion from 1500 to the present and explains how this combination of distinct faiths coalesces in a coherent belief system. What are the historical reasons for the popularity of two contradictory worldviews in Haiti, Vodou and Catholicism? What elements of Vodou and Catholicism are alike, and how are they drastically different? What is the connection between indigenous African religions and Vodou? And why has religion in Haiti evidenced an accelerating rate of change in recent decades? Roots of Haiti's Vodou-Christian Faith: African and Catholic Origins answers these questions and more in its examination of the highly unique and often-misunderstood religious practices in Haiti. Reaching back half a millennium to the European conquest of the island of Haiti, author R. Murray Thomas inspects the origins and nature of these two competing and complementary religious traditions: the traditional African faiths brought by the slaves who were imported to Haiti to labor in the fields and mines, and the Catholicism promoted—often violently—by Spanish and French colonial authorities. Following a historical background, the subsequent chapters focus on the organization of Haitian religion, spirits, creation belief, causes and ceremonies, maxims and tales, symbols and sacred objects, sacred sites, religious societies, and the future of the Vodou-Christian faith.
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39

Delany, Vicki. Haitian graves. 2015.

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40

Armand, Margaret Mitchell. Healing in the Homeland: Haitian Vodou Tradition. Lexington Books/Fortress Academic, 2013.

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41

Armand, Margaret Mitchell. Healing in the Homeland: Haitian Vodou Tradition. Lexington Books/Fortress Academic, 2015.

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42

Healing in the Homeland: Haitian Vodou Tradition. Lexington Books/Fortress Academic, 2013.

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43

Bartley, Joanne. Vodou Songs in Haitian Creole and English. Temple University Press, 2011.

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44

Heaven, Ross, and Tim Booth. Vodou Shaman: The Haitian Way of Healing and Power. Inner Traditions International, Limited, 2003.

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45

Benedicty, Alessandra. Spirit Possession in French, Haitian, and Vodou Thought. Lexington Books/Fortress Academic, 2014.

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46

Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan, 2006.

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47

Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan, 2006.

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48

Menfo, Mambo Vye Zo Komande la. Serving the Spirits: The Religion of Haitian Vodou. Serving the Spirits: The Religion of Vodou, 2011.

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49

Michel, C., and P. Bellegarde-Smith. Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan Limited, 2006.

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50

Michel, C., and P. Bellegarde-Smith. Vodou in Haitian Life and Culture: Invisible Powers. Palgrave Macmillan, 2006.

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