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1
Horwood, Thomas. "Public Opinion and the 1908 Eucharistic Congress." Recusant History 25, no. 1 (May 2000): 120–32. http://dx.doi.org/10.1017/s0034193200032039.
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The summer of 1908 was a summer of congresses in London. The decennial Pan-Anglican Congress assembled in July, the History of Religions Congress met in September, the Trades Union Congress held its annual meeting shortly thereafter, and the International Congress on Moral Education took place in October. None of these received as much newspaper attention as the Roman Catholic International Eucharistic Congress, which convened in England for the first time, from Wednesday 9 to Sunday 13, September. Many column inches were devoted to the preparations and proceedings; photographs were printed; and hundreds of readers’ letters were published afterwards. In reportage the newspapers differed slightly; in opinion, more so. Most of the proceedings were not controversial at all, consisting of liturgies, lectures on various aspects of Catholic belief concerning the Eucharist, and evening meetings in the Albert Hall. What excited the press and sections of the public was the proposed closing spectacular: a procession of the Blessed Sacrament through the streets around Westminster Cathedral.
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Hoppit, Julian. "Scotland and the Taxing Union, 1707–1815." Scottish Historical Review 98, no. 1 (April 2019): 45–70. http://dx.doi.org/10.3366/shr.2019.0379.
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This article sketches the amounts of taxes collected in Scotland for central government between the Union of 1707 and the end of the Napoleonic wars, looking at the impact of the Union, change over time and comparisons with how much taxes were collected in the rest of Britain. Those findings are then generally explained with reference to tax policy, taxable capacity and the tax gap. Finally, how these findings affect our understanding of the Union state are considered. Contrary to many accounts, the Union did not immediately lead to much larger amounts of taxes being collected, nor to much money being sent to London. Rather it was from the 1780s that substantial change on both accounts took place, though even in 1815 the per capita tax take in Scotland was under a half that in England and Wales. Trying to resolve the tension between the principles of equality and equity enshrined in the Union treaty, tax policy was more sympathetic to Scotland's circumstances than is often allowed. Very speculatively, Scotland's taxable capacity appears to have been significantly less than England's, even as late as 1815. And while the revenue services were necessarily more costly in Scotland, probably greater relative poverty there also lowered tax compliance compared to England.
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Murphy, Phillip J., and Elizabeth Murphy. "The value of urban trails, statuary and installations for Geoscience education: uses and abuses from the north of England and further afield." Terrae Didatica 14, no. 3 (September 28, 2018): 277–81. http://dx.doi.org/10.20396/td.v14i3.8653526.
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The origins, uses and fates of a number of purpose built urban educational resources sited in the north of England are reviewed. These include walk on geological maps, building stone trails, a church gate and landscaping in a city park. A geological trail in the municipal cemetery of Rochdale dating from 1855 is a candidate for the oldest purpose made geological education trail in the world and the most recent educational resource was built in 2015. The destruction of a walk on geological map of England and Wales in 2004 shows that such valuable geoscience educational resources are in need of protection. A range of educational uses of these resources are suggested. Comparison is made with similar resources in London, both statuary and web based, and ways to ensure their preservation and continued educational use are suggested. This study shows that a geoscience education resource, if sited in the right place and looked after, can be an exciting and inspirational education resource in regular use for over half a century.
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Sidorova, S. E. "EAST INDIAN AND OTHER DOCKS IN LONDON: IMPERIAL ARCHITECTURE, COLONIAL TRADE AND POSTCOLONIAL MEMORY." Journal of the Institute of Oriental Studies RAS, no. 3 (13) (2020): 190–205. http://dx.doi.org/10.31696/2618-7302-2020-3-190-205.
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The article concentrates on the colonial and postcolonial history, architecture and topography of the southeastern areas of London, where on both banks of the River Thames in the 18th–20th centuries there were located the docks, which became an architectural and engineering response to the rapidly developing trade of England with territories in the Western and Eastern hemispheres of the world. Constructions for various purposes — pools for loading, unloading and repairing ships, piers, shipyards, office and warehouse premises, sites equipped with forges, carpenter’s workshops, shops, canteens, hotels — have radically changed the bank line of the Thames and appearance of the British capital, which has acquired the status of the center of a huge empire. Docks, which by the beginning of the 20th century, occupied an area of 21 hectares, were the seamy side of an imperial-colonial enterprise, a space of hard and routine work that had a specific architectural representation. It was a necessary part of the city intended for the exchange of goods, where the usual ideas about the beauty gave way to considerations of safety, functionality and economy. Not distinguished by architectural grace, chaotically built up, dirty, smoky and fetid, the area was one of the most significant symbols of England during the industrial revolution and colonial rule. The visual image of this greatness was strikingly different from the architectural samples of previous eras, forcing contemporaries to get used to the new industrial aesthetics. Having disappeared in the second half of the 20th century from the city map, they continue to retain a special place in the mental landscape of the city and the historical memory of the townspeople, which is reflected in the chain of museums located in this area that tell the history of English navigation, England’s participation in geographical discoveries, the stages of conquering the world, creating an empire and ways to acquire the wealth of the nation.
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Sims, Robert C., Darlene E. Fisher, Steven A. Leibo, Pasquale E. Micciche, Fred R. Van Hartesveldt, W. Benjamin Kennedy, C. Ashley Ellefson, et al. "Book Reviews." Teaching History: A Journal of Methods 13, no. 2 (May 5, 1988): 80–104. http://dx.doi.org/10.33043/th.13.2.80-104.
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Michael B. Katz. Reconstructing American Education. Cambridge and London: Harvard University Press, 1987. Pp. viii, 212. Cloth, $22.50; E. D. Hirsch, Jr. Cultural Literacy: What Every American Needs to Know. Boston: Houghton Mifflin Co., 1987. Pp. xvii, 251. Cloth, $16.45; Diana Ravitch and Chester E. Finn, Jr. What Do Our 17-Year-Olds Know? A Report on the First National Assessment of History and Literature. New York: Harper & Row, 1987. Pp. ix, 293. Cloth, $15.95. Review by Richard A. Diem of The University of Texas at San Antonio. Henry J. Steffens and Mary Jane Dickerson. Writer's Guide: History. Lexington, Massachusetts, and Toronto: D. C. Heath and Company, 1987. Pp. x, 211. Paper, $6.95. Review by William G. Wraga of Bernards Township Public Schools, Basking Ridge, New Jersey. J. Kelley Sowards, ed. Makers of the Western Tradition: Portraits from History. New York: St. Martin's Press, 1987. Fourth edition. Vol: 1: Pp. ix, 306. Paper, $12.70. Vol. 2: Pp. ix, 325. Paper, $12.70. Review by Robert B. Luehrs of Fort Hays State University. John L. Beatty and Oliver A. Johnson, eds. Heritage of Western Civilization. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1987. Sixth Edition. Volume I: Pp. xi, 465. Paper, $16.00; Volume II: pp. xi, 404. Paper, $16.00. Review by Dav Levinson of Thayer Academy, Braintree, Massachusetts. Lynn H. Nelson, ed. The Human Perspective: Readings in World Civilization. New York: Harcourt Brace Jovanovich, 1987. Vol. I: The Ancient World to the Early Modern Era. Pp. viii, 328. Paper, $10.50. Vol. II: The Modern World Through the Twentieth Century. Pp, x, 386. Paper, 10.50. Review by Gerald H. Davis of Georgia State University. Gerald N. Grob and George Attan Billias, eds. Interpretations of American History: Patterns and Perspectives. New York: The Free Press, 1987. Fifth Edition. Volume I: Pp. xi, 499. Paper, $20.00: Volume II: Pp. ix, 502. Paper, $20.00. Review by Larry Madaras of Howard Community College. Eugene Kuzirian and Larry Madaras, eds. Taking Sides: Clashing Views on Controversial Issues in American History. -- Volume II: Reconstruction to the Present. Guilford, Connecticut: The Dushkin Publishing Groups, Inc., 1987. Pp. xii, 384. Paper, $9.50. Review by James F. Adomanis of Anne Arundel County Public Schools, Annapolis, Maryland. Joann P. Krieg, ed. To Know the Place: Teaching Local History. Hempstead, New York: Hofstra University Long Island Studies Institute, 1986. Pp. 30. Paper, $4.95. Review by Marilyn E. Weigold of Pace University. Roger Lane. Roots of Violence in Black Philadelphia, 1860-1900. Cambridge, Massachusetts, and London: Harvard University Press, 1986. Pp. 213. Cloth, $25.00. Review by Ronald E. Butchart of SUNY College at Cortland. Pete Daniel. Breaking the Land: The Transformation of Cotton, Tobacco, and Rice Cultures since 1880. Urbana and Chicago: University of Illinois Press, 1985. Pp. xvi, 352. Paper, $22.50. Review by Thomas S. Isern of Emporia State University. Norman L. Rosenberg and Emily S. Rosenberg. In Our Times: America Since World War II. Englewood Cliffs, New Jersey: Prentice-Hall, 1987. Third edition. Pp. xi, 316. Paper, $20.00; William H. Chafe and Harvard Sitkoff, eds. A History of Our Time: Readings on Postwar America. New York: Oxford University Press, 1987. Second edition. Pp. xiii, 453. Paper, $12.95. Review by Monroe Billington of New Mexico State University. Frank W. Porter III, ed. Strategies for Survival: American Indians in the Eastern United States. New York, Westport, Connecticut, and London: Greenwood Press, 1986. Pp. xvi, 232. Cloth, $35.00. Review by Richard Robertson of St. Charles County Community College. Kevin Sharpe, ed. Faction & Parliament: Essays on Early Stuart History. London and New York: Methuen, 1985. Pp. xvii, 292. Paper, $13.95; Derek Hirst. Authority and Conflict: England, 1603-1658. Cambridge: Harvard University Press, 1986. Pp. viii, 390. Cloth, $35.00. Review by K. Gird Romer of Kennesaw College. N. F. R. Crafts. British Economic Growth During the Industrial Revolution. New York: Oxford University Press, 1985. Pp. 193. Paper, $11.95; Maxine Berg. The Age of Manufactures, 1700-1820. New York: Oxford University Press, 1985. Pp. 378. Paper, $10.95. Review by C. Ashley Ellefson of SUNY College at Cortland. J. M. Thompson. The French Revolution. New York: Basil Blackwell, 1985 reissue. Pp. xvi, 544. Cloth, $45.00; Paper, $12.95. Review by W. Benjamin Kennedy of West Georgia College. J. P. T. Bury. France, 1814-1940. London and New York: Methuen, 1985. Fifth edition. Pp. viii, 288. Paper, $13.95; Roger Magraw. France, 1815-1914: The Bourgeois Century. New York and Oxford: Oxford University Press, 1985. Pp. 375. Cloth, $24.95; Paper, $9.95; D. M.G. Sutherland. France, 1789-1815: Revolution and Counterrevolution. New York and Oxford: Oxford University Press, 1986. Pp. 242. Cloth, $32.50; Paper, $12.95. Review by Fred R. van Hartesveldt of Fort Valley State College. Woodford McClellan. Russia: A History of the Soviet Period. Englewood Cliffs, New Jersey: Prentice-Hall, 1986. Pp. xi, 387. Paper, $23.95. Review by Pasquale E. Micciche of Fitchburg State College. Ranbir Vohra. China's Path to Modernization: A Historical Review from 1800 to the Present. Englewood Cliffs, New Jersey: Prentice-Hall, 1987. Pp. xiii, 302. Paper, $22.95. Reivew by Steven A. Leibo of Russell Sage College. John King Fairbank. China Watch. Cambridge and London: Harvard University Press, 1987. Pp. viii, Cloth, $20.00. Review by Darlene E. Fisher of New Trier Township High School, Winnetka, Illinois. Ronald Takaki, ed. From Different Shores: Perspectives on Race and Ethnicity in America. New York and Oxford: Oxford University Press, 1987. Pp. 253. Paper, $13.95. Review by Robert C. Sims of Boise State University.
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Gold, John R., and Margaret M. Gold. "Access for all: the rise of the Paralympic Games." Journal of the Royal Society for the Promotion of Health 127, no. 3 (May 2007): 133–41. http://dx.doi.org/10.1177/1466424007077348.
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The Paralympic, or Parallel, Games for athletes with disabilities have played a major role over the past half century in changing attitudes towards disability and accelerating the agenda for inclusion. This article charts their development from small beginnings as a competition for disabled ex-servicemen and women in England founded shortly after the Second World War to the present day ambulatory international festival of Summer and Winter Games organized in conjunction with the Olympic Games. The Paralympic Games trace their origins to the work of Dr (later Sir) Ludwig Guttmann at the National Spinal Injuries Unit at Stoke Mandeville Hospital in Buckinghamshire who used sport as an integral part of the treatment of paraplegic patients. A sports competition was held at the hospital to coincide with the Opening Ceremony of the London Games in July 1948. This became an annual event attracting the first international participation in 1952, after which it became the International Stoke Mandeville Games. From 1960 onwards attempts were made to hold every fourth Games in the Olympic host city. Despite initial success in staging the 1960 Games in Rome and the 1964 Games in Tokyo, subsequent host cities refused to host the competitions and alternative locations were found where a package of official support, finance and suitable venues could be assembled. In 1976, the scope of the Games was widened to accept other disabilities. From 1988 onwards, a process of convergence took place that saw the Paralympics brought into the central arena of the Olympics, both literally and figuratively. In the process they have embraced new sports, have encompassed a wider range of disabilities, and helped give credence to the belief that access to sport is available to all. The Paralympics also underline the change from sport as therapeutic competition to that of elite events that carry intrinsic prestige, with growing rivalry over medal tables. For the future, however, questions remain as to whether the current arrangements of separate but supposedly equal festivals assist the continuing development of the Paralympics or perpetuate difference.
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Anderson, Martin. "London, Cadogan Hall and King's Place: Second London Festival of Bulgarian Culture." Tempo 67, no. 265 (July 2013): 81–83. http://dx.doi.org/10.1017/s0040298213000557.
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One of the most enjoyable characteristics of London musical life is that it is peopled by a generous number of foreigners who, every so often, take it upon themselves to enlighten the rest of us as to the music we are missing from back home. These can, of course, be hit-and-miss occasions, but it's in the nature of exploring unknown music of any age that you will happily put up with a handful of duds if you come away with a real discovery ringing in your ears. The Second London Festival of Bulgarian Culture (I seem to have missed the First) ran in various venues over the course of November 2012 and also accommodated art, film, literature, theatre and other forms of music (folk, pop and jazz). It opened its classical batting with a concert of ‘Bulgarian and British Symphonic Folk Songs’ in Cadogan Hall on 3 November, with the Varna Symphony Orchestra, Paulina Voices (the choir of St Paul's Girls' School) and the Holst Choir (from James Allen's Girls' School) conducted by Martin Georgiev. Pancho Vladigerov (1899–1978) being the only Bulgarian composer generally known to the outside world, it made sense to begin with him. His Shumen Miniatures, six attractive piano pieces based on folk-tunes from the town, Shumen, where Vladigerov grew up, were written in 1934 and orchestrated at some later date vouchsafed neither by the concert-programme nor the worklist at www.vladigerov.org. They embrace a variety of lighter moods: the first and fourth pieces offer lazy and lyrical summer-evening hazes and the second and third vigorous dances; the proximity of the fifth to the style of Enescu brought a reminder of the long common border Bulgaria shares with Romania (Shumen is around 100 km away from it).
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Conway, Paul. "London, Wigmore Hall and Wilton's Music Hall: James Clarke and Jeremy Dale Roberts." Tempo 67, no. 266 (October 2013): 85–87. http://dx.doi.org/10.1017/s0040298213000995.
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In October 2012, Hurricane Sandy prevented the New York-based JACK quartet from crossing the Atlantic to join forces with the Arditti Quartet in the UK première of James Clarke's 2012-S. So the belated first performance within these shores of Clarke's new piece for two string quartets, which took place at a Wigmore Hall recital on 6 May 2013, had been much anticipated.
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Miller, Malcolm. "London, Royal Festival Hall: Steve Reich's ‘Radio Rewrite’." Tempo 67, no. 265 (July 2013): 78–79. http://dx.doi.org/10.1017/s0040298213000521.
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Radio Rewrite, whose world première by the London Sinfonietta (who co-commissioned it) was warmly greeted by the capacity audience at the Royal Festival Hall on 5 March 2013, represents a fascinating postmodern symbiosis that attests to the veteran minimalist composer's continuing quest to cross new aesthetic boundaries in his eighth decade. It formed the centrepiece of a stunning concert, broadcast live by BBC Radio 3, which marked the first leg of a UK Reich tour that preceded the work's first USA airing (in Stanford on 16 March by the other commissioning ensemble, Alarm Will Sound). Reich concerts are occasions, and here the master himself together with percussionist David Hockings opened the programme with Clapping, then joined Sound Intermedia in their artful shaping of the amplified soundscape in a virtuoso performance by Mats Bergström of Electric Counterpoint. It was a performance of that work in Krakow in 2011, by Johnny Greenwood from the rock band Radiohead, that led to Reich's exploration and exploitation of their repertoire – notably two songs, ‘Jigsaw Falling into Place’ and ‘Everything in Its Right Place’ – in his new work.
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Garrison, Wade. "David D. Hall. Ways of Writing: The Practice and Politics of Text-Making in Seventeenth Century New England. Philadelphia: University of Pennsylvania Press, 2008. 233 p. ISBN 978-0812241020. $49.95." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 12, no. 1 (March 1, 2011): 55–58. http://dx.doi.org/10.5860/rbm.12.1.349.
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Expanded from a series of three lectures given in 2007, Hall describes the political, social, and cultural forces that influenced modes of authorship, publishing, and dissemination in 17th-century New England. Separate, but not wholly apart, Hall delineates how writing in New England developed along a different trajectory from the center of the English-speaking world in London. Hall begins by asserting that two keys to understanding New England’s text-making culture have been undervalued. The first is the essentially collaborative culture of how texts were written, spoken, shared, transcribed, annotated, and rewritten. The second is the fundamentally handwritten or scribal practices that . . .
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Matar, Nabil I. "John Locke and the Jews." Journal of Ecclesiastical History 44, no. 1 (January 1993): 45–62. http://dx.doi.org/10.1017/s0022046900010198.
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In 1813, a century after the death of John Locke, an anonymous pamphleteer in London, writing under the pseudonym of ‘Abraham, saac and Jacob’, complained about the restrictions which were placed on the Jews. In The Lamentations of the Children of Israel representing the Hardships they suffer from the Penal Laws, the author recalled John Locke as a defender of the Jews, and quoted one of the philosopher's favourable comparisons between Jews and Gentiles. The author evidently felt that Locke's advocacy of toleration for dissenters in the second half of the seventeenth century could be applied to the Jews of nineteenth–century England: having argued in defence of non–Anglicans, Locke was believed to have argued for non–Christians too.
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Burton, Frances. "Owens v Owens: A Most Curious Case." Denning Law Journal 32, no. 1 (March 31, 2021): 5–23. http://dx.doi.org/10.5750/dlj.v32i1.1916.
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The combination of the long Brexit delays, largely unwelcome General Election, a change of leadership and Cabinet composition in the Conservative government and finally the coronavirus has between them resulted in a long pause in expected reforming legislation which is much needed in Family Law, including the initial loss of the Divorce Dissolution and Separation Bill 2019, generated in 2019 by the failure of Mrs Owens’ ’ Supreme Court appeal in the now notorious case of Owens v Owens. While this was immediately hailed by the media as justification for urgent reform of the Law of Divorce in England and Wales – on the grounds that English law was almost alone in modern liberal jurisdictions in lacking a No Fault Divorce regime – clearly this has now been overtaken by subsequent events.
While it may be factually accurate that England and Wales does not have such a regime for dissolution of marriage without fault and by consent (at least without satisfying the inconvenient condition of waiting for the two-year delay necessary for a decree on the basis of two years of separation and consent), and perhaps should have one for the reason stated, the failed Owens appeal has absolutely no jurisprudential connection with any urgency for reform of the law in order to secure such a decree at all. This is because the legal profession has been effectively obtaining divorces under the present law for over 40 years, and, notwithstanding Owens, has been continuing to do so since 2018, albeit with the caveat that drafting must be undertaken with extreme care to be sure to avoid a repeated debacle. Nevertheless, on account of the age of the present statute, legal, political and social theorists of course have strong arguments for a No Fault addition to the existing Matrimonial Causes Act 1973 or even for replacing the existing provisions of that statute altogether.
However this is because the present statute is itself a re-enactment and consolidation of the original Divorce Reform Act 1969 which led the post-WWII reforms creating our current Law of Divorce, so is well past its ‘sell-by date’, but not because it does not work in modern times. If anything, and especially with the assistance of s76 of the Serious Crime Act 2015, s 1(2)(b) of the 1973 Act works entirely consistently with present philosophy, that is, as marriage is a partnership of equals there is no place for any form of domestic abuse within it.
In fact Mrs Owens thus could (and arguably should) have obtained her divorce on the existing basis, pursuant to s 1(2)(b) of the 1973 Act, namely on that of her husband’s ‘behaviour’. Thus, as indeed hinted by Lady Hale in her paragraph 50 of the Supreme Court judgment, which she added to the agreed text set by Lord Wilson, there was clear evidence of the alleged ‘authoritarian, demeaning and humiliating conduct over a period of time’, which in law was capable of founding a decree, and there was existing case law supporting this in the case of Livingstone-Stallard v Livingstone-Stallard.
Consequently in her paragraph 53 she identified what in her view was thus ‘the correct disposal … to allow the appeal and send the case back to be tried again’ – which, however, could not be adopted in the particular circumstances, owing to the fact that no one, including the Appellant, Mrs Owens, wanted to go through such a trial again, not least as even her counsel, Philip Marshall QC, ‘viewed such a prospect with dread’. Thus, in her paragraph 54, Lady Hale concluded that she was ‘reluctantly persuaded that this appeal should be dismissed’ – a conclusion, however, not stopping her from including some forthright comments on the conduct of the case below, with which any analysis can only agree.
So, whatever happened in Owens v Owens? In the Central London Family Court, the Court of Appeal and the Supreme Court?
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Wedekind, Frank. "Middlesex Music Hall: Fragment from a London Journal, 1894." New Theatre Quarterly 4, no. 16 (November 1988): 328–29. http://dx.doi.org/10.1017/s0266464x00002918.
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AT DINNER I mention that a few days before I had been to the Middlesex Music Hall in Drury Lane. My neighbour to the left tells me that it is the commonest theatre in all London, and my neighbour to the right says that of its kind it ranks as the poshest. My neighbour across the way, Herr Mess of Frankfurt, asks me to take him along, please, if I ever go somewhere like that again. Did I have anything on for tonight? I say I meant to go to a music hall in Whitechapel. He is wildly enthusiastic, but takes so long to put on his overcoat that we shall be too late. Meanwhile we are joined by a young French Swiss and we go to the Middlesex Music Hall. Neither gentleman seems to have the foggiest notion of what sort of place it is. The dances bore them, the music isn't pretty enough for them. The girls on stage are too young for them, the audience too loud, they don't hear the tunes, they don't see the costumes and they don't feel the century-old atmosphere surrounding them. One of them takes his hometown paper out of his pocket, the other regrets he is unable to strike up an ‘acquaintance’ in his vicinity.
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Conway, Paul. "Kreutzer Quartet, Wilton's Music Hall, London: Sadie Harrison, Edward Cowie and Michael Finnissy." Tempo 68, no. 268 (March 20, 2014): 83–84. http://dx.doi.org/10.1017/s0040298213001769.
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The Kreutzer Quartet's ‘Beethoven Begins’ series, based around the great German master's Op.18 string quartets, has included an example of new music in each of its six concerts, a tribute to the players’ eclectic tastes, versatility and accomplishment in diverse repertoire. Their generously filled programmes all take place within the flaky grandeur of Wilton's Music Hall, one of London's quirkiest and most bewitching venues.
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Dean, D. M. "Public or Private? London, Leather and Legislation in Elizabethan England." Historical Journal 31, no. 3 (September 1988): 525–48. http://dx.doi.org/10.1017/s0018246x00023475.
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On the morning of Wednesday, 24 February 1585, a bill ‘for imploying of Landes and Tenementes given to the Maintenance of Highewayes, Bridges etc.’ was read in the house of common for the seond time and committed for consideration by several members that afternoon in the hall of the Middle Temple. The committee decided to introduce a completely new measure which was itself committed after the second reading on 9 March. At one point in these proceedings William Fleetwood, recorder of London, told the lower house that he had advised the bill's promoter to make it ‘a private bill but he would not and therfor he shall see what will come of it’. Undoubtedly irked at this refusal to accept his advice, Fleetwood may have felt some satisfaction when the bill was rejected on its third reading in the lower house. Nevertheless, the bill's promoter had good reason to introduce his measure as a public rather than as a private bill. Private bills were expensive. Fees were payable at every stage, for the reading, committing, engrossing and endorsing such bills, and then, if all went well, fees had to be paid if the promoter wanted the bill printed and thus made public. Besides the cost, private bills stood less chance of getting through both houses of parliament. Not only was there a great risk of one's measure getting swamped by the large number of private bills always introduced in the first few weeks of a session, but it was also frequently asserted that private bills should have low priority on the agenda of parliament.
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Moss, Adèle. "Diplomates Day 2004." Primary Dental Care os11, no. 2 (April 2004): 48–49. http://dx.doi.org/10.1308/135576104773711282.
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On Saturday, 28th February 2004 the Faculty of General Dental Practitioners (UK) hosted its annual Diplomates Day. A total of 93 individuals received diplomas in the largest ceremony in the Faculty's history, which took place in the grand setting of the Edward Lumley Hall at The Royal College of Surgeons of England.
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Narain, Amrita. "Diplomates Day 2005." Primary Dental Care os12, no. 3 (July 2005): 89–90. http://dx.doi.org/10.1308/1355761054348413.
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On Saturday, 26th February 2005 the Faculty of General Dental Practice (UK) hosted its annual Diplomates Day. A total of 163 individuals received Diplomas in one of the largest ceremonies in the Faculty's history, which took place in the grand setting of the Edward Lumley Hall at The Royal College of Surgeons of England.
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Moss, Adèle. "Diplomates Day 2003." Primary Dental Care os10, no. 3 (July 2003): 78–79. http://dx.doi.org/10.1308/135576103322497039.
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On Saturday 1st March 2003 the Faculty of General Dental Practitioners (UK) hosted its annual Diplomates Day. A total of 85 individuals received diplomas in one of the largest ceremonies in the history of the FGDP(UK), which took place in the grand setting of the Edward Lumley Hall at The Royal College of Surgeons of England.
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Barlow, Jill. "London, King's Place: Simon Holt and Jonathan Dove at ‘Britten 100’." Tempo 67, no. 265 (July 2013): 85–86. http://dx.doi.org/10.1017/s0040298213000570.
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Since reviewing the opening of London's latest new concert hall complex, King's Place, in 2008 I have welcomed the opportunity to follow this up by reviewing subsequent premières in their purpose-built studio-style concert halls pretty well annually. For 2013 Kings Place celebrates the centenary of the birth of one of the UK's most illustrious composers, in its three-day series ‘Britten at 100’. As one of the involved presenting pianists, Andrew Matthews-Owen, aptly commented in the Kings Place brochure: ‘It's strange that people are still a little scared of Britten – I think he'd enjoy the fact that his music still has the ability to shock and unsettle us today’. Well I'm certainly not scared of any composer I'm reviewing, but on this special ‘Britten’ occasion I was at pains to point out to the powers that be that I was mostly there on 9 February to review the two probably rather more ‘quirky’ world premières by Simon Holt and Jonathan Dove rather than make any major comment about Britten as such.
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Lee, David. "New Music Biennial, Glasgow Royal Concert Hall." Tempo 69, no. 271 (January 2015): 79–81. http://dx.doi.org/10.1017/s0040298214000734.
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Amidst the wide range of events staged as part of Glasgow's 2014 Cultural Programme in celebration of the Commonwealth Games, the New Music Biennial Showcase occupied the closing weekend of the Games. Hosted at the Glasgow Royal Concert Hall on 1 and 2 August, it made use of three separate performances spaces: the main hall, the newly redeveloped Strathclyde Suite and the more intimate brand new City of Music Studio. As at its London partner event, which took place between 4 and 6 July at the Southbank Centre, audiences were provided with an opportunity to hear 20 new commissions from a diverse selection of composers from across Britain, each of which had already been performed across the country in a variety of locations, ranging from skate parks to concert halls.
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Duncan, Craig. "Cutlers' Surgical Prize." Bulletin of the Royal College of Surgeons of England 90, no. 6 (June 1, 2008): 211. http://dx.doi.org/10.1308/147363508x314816.
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The Worshipful Company of Cutlers, in association with The Royal College of Surgeons of England, each year awards the Cutlers' Surgical Prize, comprising the silver gilt Clarke medal and a sum of £1,000, for the entry judged to be the most outstanding advance in design of a surgical instrument or technique. The award is presented at a dinner held in the spring at Cutlers' Hall in the City of London.
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Moyrer, Christine. "London, England and Beyond: Social Transformations in Richard Brome's "The Sparagus Garden"." Studia Historyczne 60, no. 2 (238) (December 29, 2018): 31–46. http://dx.doi.org/10.12797/sh.60.2017.02.03.
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Richard Brome’s The Sparagus Garden (1635) unfolds against the backdrop of the rapidly transforming urban and social landscapes of Caroline London. This paper argues that this play is deeply implicated in the discursive processes of appropriating and understanding London’s shifting urban and social topographies. Abounding with topical and topographical allusions, the play has long drawn critical interest mainly for its documentary qualities and its exploitation of the short-lived theatrical vogue for ‘place-realism’. Spatial mobility, changes in the city’s urban landscape and the play’s insistent questioning of fundamental categories of social status, belonging and identity have taken centre stage, as critics have acknowledged that the play addresses and negotiates pressing anxieties of a society in flux.
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Byrne, Bridget. "England – Whose England? Narratives of Nostalgia, Emptiness and Evasion in Imaginations of National Identity." Sociological Review 55, no. 3 (August 2007): 509–30. http://dx.doi.org/10.1111/j.1467-954x.2007.00720.x.
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This paper explores the contested and racialised nature of Englishness as a national identity. Based on qualitative interviews of white mothers in London, the paper examines the different ways in which the interviewees positioned themselves in relation to concepts of Englishness. National identity involves ways of being, a sense of place and belonging. It is produced through forms of myth-making and narrative production which depend on particular constructions of time and space. This paper examines how nation-ness is imagined and lived by the interviewees. It asks how constructions of Englishness related to constructions of the self and how imaginings of belonging involved imagining of otherness. It also describes how, for some of the interviewees, the domestic, particularly in notions of cleanliness and dirt, as well as food and consumption, was a key metaphor for explaining their relationship to national identity.
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DUCKETT, JEFFREY G., and SILVIA PRESSEL. "The Colorful Phenology of Five Common Terricolous Mosses in London, England." Bryophyte Diversity and Evolution 39, no. 1 (July 24, 2017): 44. http://dx.doi.org/10.11646/bde.39.1.8.
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Other than general statements about ‘fruiting’ seasons, published floras provide little or no instructive information on moss phenology. Moreover, detailed primary data on reproductive cycles are limited to a very few mosses and remain unknown for the majority of the commonest species. Thus we recorded, over a three year period, the reproductive stages of five very common mosses (Bryum capillare, B. radiculosum, Grimmia pulvinata, Schistidium crassipilum and Tortula muralis) growing on walls in London, England, relying throughout on freshly observed materials rather than dried specimens used in most previous studies. In addition to all the stages visible to the naked eye, which we photographed at regular intervals, specimens were examined microscopically for the presence of viable gametangia, young embryos and the condition of the stomata. Each species had its own distinct phenology and an unique sequence of capsule colour changes. In the two Bryum species, gametangium ontogeny, followed by fertilization, takes place in the spring but the embryos remain dormant until the autumn whereas these stages are autumnal in Grimmia pulvinata, Schistidium crassipilum and Tortula muralis with sporophyte development following immediately. Most stages in sporophyte ontogeny occur over the winter months. The time from embryo formation to spore release ranges from over fifteen months in the two Bryum species down to eight months in Schistidium. In all but this last species there is a delay of up to several months between sporophyte maturation and spore release. In Bryum, hygroscopic movements of the annular cells following heavy rain eventually leads to lid shedding. Over the three years of this study the reproductive cycles were generally the same except that damp weather in the autumn promoted capsule expansion in Grimmia and Schistidium and warm dry weather in the spring hastened capsule maturation in Bryum. Whatever the weather conditions, the stomata of the two Bryum species, Grimmia and Tortula were always open suggesting a primary role in capsule desiccation leading to spore discharge rather than the regulation of gaseous exchange.
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Blackmore, Howard L. "The Boxted Bombard." Antiquaries Journal 67, no. 1 (March 1987): 86–96. http://dx.doi.org/10.1017/s0003581500026299.
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In 1792 the Society published in Archaeologia an engraving of ‘An antient Mortar at Eridge Green’, with the claim that it was the first gun made in England. Subsequent writers on the history of artillery, while noting the gun's importance as one of the first examples of a wrought-iron cannon or bombard (to give it its correct name), believed that it had been destroyed. In fact, by the date of its publication, the bombard had been removed to Boxted Hall, Suffolk, where it remained unrecognized until its transfer to the Royal Armouries, H. M. Tower of London, in 1979. This article traces the history of the bombard, the method of its construction and concludes that it was probably made in England, in the Weald, during the fifteenth century.
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Phillips. "Child Abandonment in England, 1741–1834: The Case of the London Foundling Hospital." Genealogy 3, no. 3 (June 29, 2019): 35. http://dx.doi.org/10.3390/genealogy3030035.
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The prevailing view of abandoned children in the eighteenth and nineteenth centuries comes from Dickens’ Oliver Twist. Twist was born and raised in a workhouse in nineteenth-century London. However, the workhouse was not the only, or even, the main place to which children were abandoned. The London Foundling Hospital opened in 1741 and, although admission rules were often strict, between the years 1756 and 1760, any child presented to the Hospital was admitted. This article examines the ways in which children were abandoned to the Foundling Hospital and how these children were cared for in the period 1741–1834. It charts the children’s journeys through the Hospital, from their initial abandonment and admission to their eventual discharge—either through death, apprenticeship, or marriage—or their continued residence at the institution. This article provides insights into the multiple experiences of childhood abandonment and details the utility of the Hospital’s surviving records. It argues that children admitted to the London Foundling Hospital received life chances they would otherwise not have received. The Hospital provided nursing, clothing, medical care, both an academic and vocational education, and a living space for those unable to survive alone in adulthood.
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Stevenson, Christine. "Occasional Architecture in Seventeenth-Century London." Architectural History 49 (2006): 35–74. http://dx.doi.org/10.1017/s0066622x00002707.
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The present essay is mainly concerned with the coronation entries staged for James I and Charles II by the City of London in 1604 and 1661, and especially with the temporary arches made out of wood and canvas and erected to mark nodal points along the routes. These events have been the subjects of scholarship keenly attuned to their place in accessions more than usually demanding upon representations of the king’s majesty, in as much as James was the first Stuart king of England and, by the terms of hereditary monarchy, his grandson’s reign began twelve years before his coronation, at the moment Charles I’s head was severed from the neck. Here, however, the arches will explain, or emblematize, a particular way of conceiving architecture: as an assemblage of readily-dismountable parts like Lego bricks, or like a trophy, the ornamental group of symbolic or typical objects arranged for display. In this kind of architecture ‘classical’ ornament comprises, not the material realization of a stable, rational, and universal intellectual system elsewhere promoted by the early Stuarts’ patronage of Inigo Jones, for example, but what Sir Balthazar Gerbier in 1648 called a ‘true History’ of destruction and triumph, the result of more or less random despoliation and reassembly. What follows is not, therefore, directly concerned with majesty, nor with the arches’ iconography or their audiences, their place in London’s ceremonial geography, nor even their elaboration of the ‘complex relationships between two distinct but interconnected political domains’, the City that built them and the monarchy that graced them.
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Flint, Kate. "COUNTER-HISTORICISM, CONTACT ZONES, AND CULTURAL HISTORY." Victorian Literature and Culture 27, no. 2 (September 1999): 507–11. http://dx.doi.org/10.1017/s1060150399272142.
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LATE IN 1839, George Catlin arrived in London from New York with a collection of Native American artifacts, costumes, and some six hundred portraits and other paintings. Executed during the previous eight years in the Prairies and the Rockies, they showed the appearance, habitat and customs of various tribes. Catlin rented the Egyptian Hall, in Piccadilly, set up a wigwam made of twenty or more ornamented buffalo skins in the center, and proceeded to mount his exhibition. Initially attracting a good deal of favorable attention, it ran for two years before touring England, Scotland, Ireland, and finally France.
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Orme, Nicholas. "An English Grammar School ca. 1450: Latin Exercises from Exeter (Caius College MS 417/447, folios 16v–24v)." Traditio 50 (1995): 261–94. http://dx.doi.org/10.1017/s0362152900013246.
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Our knowledge of school education in medieval England has been immeasurably advanced during the last fifty years or so by the study of school textbooks. When the topic of medieval English schools was first identified in the 1890s, by A. F. Leach and others, it centered chiefly on their organization. Scholars collected references to their existence and continuity, together with the rather sparse records of their constitutions, masters, and pupils. Then, in the 1940s, the late R. W. Hunt drew attention to the manuscripts by which Latin and English were taught and studied in schools, a source that has since been explored by other writers. The study of manuscripts, it is now clear, enables us to understand much of what the schools taught, to gauge better the objectives and standards of school education, and to measure the similarities and differences between schools. Some of the surviving manuscripts cannot be attributed to particular schools, masters, or pupils, and therefore form a guide to education only in general. Others can be more exactly located. Dr. David Thomson, who has studied twenty-four fifteenth-century school manuscripts that contain material in Latin and English, is able to link at least half to particular schools, including Basingwerk Abbey (north Wales), Battlefield College (Shropshire), Beccles (Suffolk), Eton College (Bucks.), Exeter (Devon), St. Anthony's School (London), Magdalen College School (Oxford), St. Albans (Herts.), and Winchester College (Hants.). Other manuscripts can be attributed to Barlinch Priory (Somerset), Newgate School Bristol (Gloucs.), and Lincoln or its vicinity. This is a wide selection of places, geographically and institutionally. There are schools connected with monasteries (Barlinch and Basingstoke), fee-paying town grammar schools (Beccles, Exeter, and St. Albans), and the free grammar schools endowed during the later Middle Ages, such as Eton, St. Anthony's London, Magdalen College Oxford, and Winchester.
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Rogers, Victoria. "Thomas Goff, Four Harpsichords, J.S. Bach and the Royal Festival Hall." Royal Musical Association Research Chronicle 49 (2018): 50–67. http://dx.doi.org/10.1080/14723808.2017.1341204.
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During the 1950s and 1960s in London, in the Royal Festival Hall, an unusual series of concerts took place. These concerts stood apart from the usual offerings in London's post-war musical life. What they offered was early music, principally J.S. Bach's concertos for two, three and four keyboards, played not on the piano, as had hitherto been the case, but on the harpsichord. This article documents, for the first time, the facts, and the implications, of the Royal Festival Hall concert series: how it came about; the repertoire; the performers; and the performances. The article concludes that the Royal Festival Hall concerts were notable in the evolution of the early music movement in the UK, deepening its reach to a broader audience and nurturing an awareness of an issue that was increasingly to gain traction in the later decades of the twentieth century: the idea of historical authenticity in the performance of early music.
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FIELD, JACOB F. "Charitable giving and its distribution to Londoners after the Great Fire, 1666–1676." Urban History 38, no. 1 (April 5, 2011): 3–23. http://dx.doi.org/10.1017/s0963926811000010.
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ABSTRACT:Major fires are essential case-studies of how urban society responds to crisis. How a city organizes its relief reflects its place in larger networks and reveals its charitable priorities. This article will use the example of the Great Fire of London (1666) to show how the city recovered from this catastrophe. It will examine the recovery using the records of a nationwide charitable collection taken for Londoners ‘distressed’ by the Fire, which shows both how and where money was collected in England and spent in London. It will show that London was extremely resilient to the Fire, and that there was significant continuity before and after the disaster.
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Hewitt, Jon. "Daring to Think Seriously: the Need for Aesthetic Judgements." New Theatre Quarterly 26, no. 1 (February 2010): 77–80. http://dx.doi.org/10.1017/s0266464x10000084.
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The issue of attitudes towards the arts in England is here compared and contrasted with those evident in the rest of Europe today. This article was written in June 2009, following discussions in Wroclaw during the festival ‘The World as a Place of Truth’, part of the Year of Grotowski. Jon Hewitt is Artistic Director of Admiration Theatre Company, based in London. He has directed several productions, the most recent being Romeo and Juliet Docklands, set in the East End of London. In February 2010 his latest production, Tower Hamlet, opens at the Courtyard Theatre.
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Page, Christopher. "The Spanish Guitar in the Newspapers, Novels, Drama and Verse of Eighteenth-Century England." Royal Musical Association Research Chronicle 44 (2013): 1–18. http://dx.doi.org/10.1080/14723808.2012.761764.
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For Paul SparksFor the most part, the history of the Spanish guitar in eighteenth-century England seems to be no history at all. There appears to be little to place between Samuel Pepys and the beginning of the nineteenth century when the six-string guitar emerged as a favoured instrument of the parlour musician. Thus it is widely supposed that the gut-strung guitar was little used in England until Fernando Sor and other foreign players made it fashionable in the decades after Waterloo (1815). This article proposes to correct that deeply entrenched view with a chronological checklist of material, much of it presented in this connection for the first time, that illuminates the fortunes of the guitar in eighteenth-century England, principally London.
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Doe, Norman. "Samuel Hallifax (1733–1790)." Ecclesiastical Law Journal 22, no. 1 (December 31, 2019): 49–66. http://dx.doi.org/10.1017/s0956618x19001704.
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Trinity Hall, Cambridge was founded in 1350 by William Bateman, Bishop of Norwich, for the study of canon law and civil law, as provided in its statutes. It later developed a direct connection with Doctors’ Commons in London, the College of Advocates practising in the church and admiralty courts. In the period 1512–1856, of the 462 admitted as advocates, 85 were from the Hall, including 15 masters and 45 fellows. From 1558 to 1857, the Hall had 9 out of about 25 Deans of Arches: two under Elizabeth, three at the end of the seventeenth century, three in the eighteenth century and one in the nineteenth. It has also provided more than 24 diocesan chancellors. As a result, within Cambridge University, Trinity Hall became the ‘nursery for civilians’, and the usual home for the Regius Professor of Civil Law. Among the first 12 of these (1540–1666), the Hall had 5. From 1666 to 1873, all of the next 12 holders were Trinity Hall by origin or adoption. Uniquely, all four of those holding this chair from 1757 to 1847 were clergy. These included Samuel Hallifax, Regius Professor of Civil Law 1770–1782. What follows deals with the life and career of Hallifax; his legal treatise An Analysis of the Roman Civil Law Compared with the Laws of England (with particular reference to its treatment of ecclesiastical law), its use and later editions; and the part played by it in a development which saw Trinity Hall become the centre for the new Civil Law classes (1816–1857), the forerunner of the modern Cambridge Law Tripos.
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Holman, Peter. "The Sale Catalogue of Gottfried Finger's Music Library: New Light on London Concert Life in the 1690s." Royal Musical Association Research Chronicle 43 (2010): 23–38. http://dx.doi.org/10.1080/14723808.2010.10541030.
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In the winter of 1704–5 Henry Playford advertised ‘a Choice Collection of Vocal and Instrumental Musick in Italian, French, and English’ owned by Gottfried Finger and partly collected by him ‘in his Travels to Italy’. Finger had evidently sold the collection to Johann Gottfried Keller and John Banister junior prior to his abrupt departure from England in 1701 after coming last in the competition to set Congreve's masque The Judgement of Paris. The discovery of a copy of the printed catalogue throws light on Finger's collecting activities in Italy and on the reception of Italian music in England. It also includes a list of ‘Mr. Finger's Great Pieces for his Consort in York-Buildings’, providing us with valuable new information about his concert activities in London in the 1690s, and about the size and composition of groups performing at York Buildings, London's first purpose-built concert hall. The list includes many pieces richly scored with brass, woodwind and strings, evidently performed with sizeable forces: most of the sets of parts are said to have been ‘Prick’d 3 times over’. It adds a number of new pieces to the catalogue of Finger's known compositions, and enables us to attribute to him an anonymous sonata for four recorders and continuo that was published in the twentieth century as by James Paisible.
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Wilkinson, Greg. "Mental Health Services Planning." Bulletin of the Royal College of Psychiatrists 9, no. 7 (July 1985): 138. http://dx.doi.org/10.1192/s0140078900022161.
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A timely conference on Mental Health Services Planning, organized jointly by the Royal College of Psychiatrists and the Department of Health and Social Security, took place in London in March 1985. The conference concentrated on difficulties associated with the implementation of government policies for mental health service planning in England and Wales. Particular emphasis was given to the problems of transition from hospital-based services to community-based services.
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Anisimov, V. N. "J. Arendt. Melatonin and the Mammalian Pineal Gland. — London: Chapman & Hall, 1995. — 331 p." Problems of Endocrinology 42, no. 6 (December 15, 1996): 40–41. http://dx.doi.org/10.14341/probl12060.
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Despite the rapid progress of endocrinology in the last quarter of the 20th century, it should be noted that no other gland of internal secretion, to the extent that the pineal gland, is honored to be "titular" in the scientific community or scientific journal. Indeed, the European Society for the Study of the Pituitary Gland has been actively working for many years, the Melatonin Club was founded, the Journal of Pineal Research, Advances in Pineal Research, and the European Pineal Society News are published, and international conferences and symposiums are held annually in the last decade. dedicated to the pineal gland and melatonin. The rapid development of chronobiology led to the establishment of the leading role of the pineal gland and its main hormone melatonin in the implementation of the circadian, seasonal and annual rhythms of many functional systems of the body. The monograph under review, written by the famous English researcher of the pineal gland, Josephine Arendt, is a unique publication in which one author has systematized and critically analyzed the vast amount of factual material accumulated to date on the physiological effects and mechanisms of action of melatonin. The book consists of 9 chapters, unequal both in volume and in terms of circle and the importance of the issues addressed in them. The very brief chapter 1 summarizes the history of the study of the pineal gland and the discovery of melatonin and its functions in the body. Unfortunately, there was no place in it to mention such important events as the first description of the morphological picture of the hypofunction of the pineal gland (B.P. Kucherenko, 1941), the pioneering study of A.M. Khelimsky, who in 1953 first came to conclusion about age-related involution of the pineal gland.
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Tomson, Earl. "GERARD SCHURMANN IN INTERVIEW." Tempo 59, no. 231 (January 2005): 17–28. http://dx.doi.org/10.1017/s0040298205000033.
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Gerard Schurmann was born of Dutch parents in the former Dutch East Indies in 1924, but spent more than 40 years, including the most formative period of his musical life, in England before moving to the US in 1981. Even during his years in the Netherlands as orchestral conductor with the Dutch Radio in his early twenties, he maintained an apartment in London, sometimes commuting to his place of work in Hilversum. His experience was similar to Bernard van Dieren, another Dutch-born composer who lived in England, although not for as many years as Schurmann: Holland has made no particular move to claim either as a Dutch composer. It was in England that Schurmann developed his skills and persona as a musician, after arriving as a teenager in 1941.
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Bernstein, Saul. "Toynbee Hall: The First Hundred Years. by Asa Briggs and Anne Macartney, London, England: Routledge & Kegan Paul, 1984, 208 pp. $35.00." Social Work 31, no. 4 (July 1, 1986): 316–17. http://dx.doi.org/10.1093/sw/31.4.316-a.
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Kassas, M. "The Vegetation of Egypt, by M.A. Zahran & A.J. Willis. Chapman & Hall, London, England, UK: xvi + 424 pp., illustr., paperback, 1992." Environmental Conservation 20, no. 4 (1993): 377–78. http://dx.doi.org/10.1017/s0376892900023821.
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Lannon, David. "Manchester’s New Fleet Prison or House of Correction and Other Gaols for Obstinate Recusants." Recusant History 29, no. 4 (October 2009): 459–86. http://dx.doi.org/10.1017/s003419320001236x.
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Few people today realise that Manchester was used in Elizabethan England as a place where obstinate recusants might be imprisoned both as a warning to others and in the hope that their conformity to the religious laws of the realm might be obtained. Three places were used to hold the captives. The first was the disused chapel on the only bridge that then existed between Manchester and Salford, the second was Radcliffe Hall or Pool Fold Lodge near the present day Cross Street Chapel, and the third was the House of Correction built between Hunt’s Bank and the sandstone bluff on which stood the former collegiate buildings, today the home of Chetham’s Library and world famous School of Music.
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Jóźwik, Anna. "Modernization Of Saint Pancras And King’s Cross Railway Stations In London." Civil And Environmental Engineering Reports 18, no. 3 (September 1, 2015): 65–74. http://dx.doi.org/10.1515/ceer-2015-0037.
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Abstract The article concerns the renovation and modernization of two London railway stations - St. Pancras and King‘s Cross. Both stations were built in the middle of the nineteenth century and are an example of industrial heritage. A characteristic feature that distinguishes the two buildings is the metal (iron) structure with a glass canopy. The St. Pancras railway station was characterized by a hall with the largest span in the world, and today is one of the leading examples of using iron in the development of architecture and building structures. Both stations have experienced periods of flourishing and stagnation throughout their history. There were even plans to demolish the old stations and build new facilities and in their place. Now, after the successful modernization of St. Pancras and King’s Cross railway stations, they serve as good examples of the adaptation of transport utilities to modern needs, while respecting their historic structure. The problems that the designers and contractors were faced with during the renovation and modernization of the two London stations also deserve attention.
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Romashina, Ekaterina Yu. "Text and Image: Conversation in Different Languages (Oscar Pletsch’s Book Graphics in Germany, England, and Russia)." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 113–33. http://dx.doi.org/10.17223/23062061/24/6.
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In the second half of the 19th century, children’s picture books became a mass phenomenon in European book publishing practice. The development of printing technology, the formation of psychology as scientific knowledge, the improvement of methods of educational interaction between adults and children led to the appearance of children’s books not only for reading them aloud, but also for looking at pictures in them. However, the connections between the textual and visual narratives of books were not yet strong. Often, for economic reasons, the same illustrations were used in combination with different texts, and translations and reprints added discrepancies. In the article, this is illustrated by materials from the analysis of German, Russian, and English editions with drawings by Oscar Pletsch: Die Kinderstube (Hamburg, 1860), Gute Freundschaft (Berlin, 1865), Kleines Volk (Berlin, 1865), Allerlei Schnik-Schnak (Leipzig, 1866); Malen’kie Lyudi (St. Petersburg, 1869), Tesnaya Druzhba (St. Petersburg, 1869), Pervye Shagi Zhizni (St. Petersburg, 187?), Yolka (St. Petersburg, 1874); Child- Land (London, 1873). The plots Pletsch created are compared with the texts in three languages. As a result of the analysis, significant differences between the texts and the visual range of the editions were revealed. The article identifies the options of transforming meanings and interpreting drawings, reveals the tendency of their use for didactic purposes. The album Gute Freundschaft (initially containing only short captions to the drawings) acquired detailed poetic texts—monologues or dialogues of depicted children—in the Russian translation. The English publisher “scattered” the visual series: in Child-Land, the same drawings were placed randomly and mixed with other illustrations without observing any logic. The London edition contained prosaic texts, many of which did not coincide in meaning with the storyline of the original. The author (translator) sometimes interpreted the images “taken out of context” in a neutral way and sometimes added other (including sharply negative) characteristics to children’s postures, gestures, and movements. In a number of cases, the texts emotionally “loaded” the images in a completely different way than the artist conceived: a gesture of greeting turned into a threat, expectation turned into boredom, and so on. It should be stressed that the Russian publisher Mauritius Wolf treated the German originals more carefully than his English colleagues from S.W. Partridge & C°. The analysis of publications and the comparison of their verbal and visual plots allowed identifying the nature of the interrelation of text and image as a “conversation in different languages”. The reason for the “discord” could be translation problems, general changes in the functional tasks of the publication (for example, towards a didactic purpose), the mismatch of cultural codes in the system of different European languages, and technical difficulties in printing. All this led to the emergence of new senses and meanings—sometimes unexpected, but always important, interesting and never accidental.
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Dennis, Richard. "No Home-Like Place: Delusions of Home in Born in Exile." Victoriographies 10, no. 2 (July 2020): 147–64. http://dx.doi.org/10.3366/vic.2020.0379.
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George Gissing was obsessed with the question of ‘home’, in his own restless mobility as well as that of his characters, whose domestic circumstances he invariably enumerated in detail. Gissing's Born in Exile moves between real and fictional locations in London, Exeter, and the industrial north of England, but also between a variety of lodgings, chambers, and houses which accommodate, constrain, and only occasionally liberate their occupants. Their contradictory and volatile attitudes to these ‘homes’ parallel Gissing's unstable reactions to his own lodgings and highlight the relative nature of locations between town and country as well as differences in perception of the same physical surroundings. Descriptions of and debates about ‘home’ in Born in Exile provide a prelude to Gissing's later, more dogmatic pronouncements in The Private Papers of Henry Ryecroft, also penned – in fiction – from the perspective of the country around Exeter.
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Beer, Barrett L. "London Parish Clergy and the Protestant Reformation, 1547–1559." Albion 18, no. 3 (1986): 375–93. http://dx.doi.org/10.2307/4049980.
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Although significant changes took place in the Church of England between 1547 and 1553, the Protestant Reformation under Edward VI has received less attention from historians than the Reformation under Henry VIII or Elizabeth I. The publication of A. G. Dickens'The English Reformationin 1964 marked the beginning of a redirection of reformation studies which included a deeper appreciation of the importance of the Edwardian Reformation. Dickens saw the English Reformation as part of a larger European religious crisis and focused attention on Lutheran, Calvinistic, and other continental influences that contributed to the development of protestantism under Henry VIII and Edward VI. Emphasizing the successes of Edwardian reformers, Dickens wrote, “Such evidence as we can adduce suggests that Protestantism continued steadily to expand amongst the upper and middle classes, while … able preachers could still make many converts among the working people of the towns.” In recent years, however, regional studies have revealed the obstacles to Protestant reform and the survival of Roman Catholicism.This essay looks at the Edwardian Reformation from the center of England, the city of London, and examines religious change at the parochial level. It is based on sixty-three clergy who were appointed to a total of sixty-six London benefices between 1547 and 1553 and traces their careers through the reign of Mary to the Elizabethan settlement of 1559. The essay studies the process of parochial reform by examining the exercise of patronage and attempting to determine the quality and religious orientation of beneficed clergy. It also seeks to identify the successes and failures of the government of Edward VI as it sought to promote Protestant reforms throughout the country.
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Balinskaite, Violeta, Alex Bottle, Louise Johanna Shaw, Azeem Majeed, and Paul Aylin. "Reorganisation of stroke care and impact on mortality in patients admitted during weekends: a national descriptive study based on administrative data." BMJ Quality & Safety 27, no. 8 (October 27, 2017): 611–18. http://dx.doi.org/10.1136/bmjqs-2017-006681.
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ObjectiveTo evaluate mortality differences between weekend and weekday emergency stroke admissions in England over time, and in particular, whether a reconfiguration of stroke services in Greater London was associated with a change in this mortality difference.Design, setting and participantsRisk-adjusted difference-in-difference time trend analysis using hospital administrative data. All emergency patients with stroke admitted to English hospitals from 1 January 2008 to 31 December 2014 were included.Main outcomesMortality difference between weekend and weekday emergency stroke admissions.ResultsWe identified 507 169 emergency stroke admissions: 26% of these occurred during the weekend. The 7-day in-hospital mortality difference between weekend and weekday admissions declined across England throughout the study period. In Greater London, where the reorganisation of stroke services took place, an adjusted 28% (relative risk (RR)=1.28, 95% CI 1.09 to 1.47) higher weekend/weekday 7-day mortality ratio in 2008 declined to a non-significant 9% higher risk (RR=1.09, 95% CI 0.91 to 1.32) in 2014. For the rest of England, a 15% (RR=1.15, 95% CI 1.09 to 1.22) higher weekend/weekday 7-day mortality ratio in 2008 declined to a non-significant 3% higher risk (RR=1.03, 95% CI 0.97 to 1.10) in 2014. During the same period, in Greater London an adjusted 12% (RR=1.12, 95% CI 1.00 to 1.26) weekend/weekday 30-day mortality ratio in 2008 slightly increased to 14% (RR=1.14, 95% CI 1.00 to 1.30); however, it was not significant. In the rest of England, an 11% (RR=1.11, 95% CI 1.07 to 1.15) higher weekend/weekday 30-day mortality ratio declined to a non-significant 4% higher risk (RR=1.04, 95% CI 0.99 to 1.09) in 2014. We found no statistically significant association between decreases in the weekend/weekday admissions difference in mortality and the centralisation of stroke services in Greater London.ConclusionsThere was a steady reduction in weekend/weekday differences in mortality in stroke admissions across England. It appears statistically unrelated to the centralisation of stroke services in Greater London, and is consistent with an overall national focus on improving stroke services.
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Scott, Hannah. "Music Hall, Jigs and Strippers: English Low-Brow Music in French Nineteenth-Century Travel Writing." Forum for Modern Language Studies 55, no. 4 (August 21, 2019): 397–414. http://dx.doi.org/10.1093/fmls/cqz020.
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Abstract It is a commonplace to remark that nineteenth-century England was a land without music. Yet French travel writers in the fin de siècle remark again and again on their astonishing, low-brow musical encounters in the nation’s capital. The present article examines such experiences in the writing of Jules Vallès and Hector France, as they turn their steps away from the refinement of Covent Garden to seek out more esoteric musical experiences in the music halls, tawdry bars, minor theatres and strip joints of London. These texts present an intriguing and ambivalent textual form to the reader. Though being based on – and structured as – travel anecdotes, they no less insistently reach beyond the anecdotal experience to extrapolate overarching conclusions about the English and their character relative to France. Yet in doing so, their texts reveal inconsistencies and contradictions as they try to reconcile these strange musical experiences with the stereotypes of Englishness that had solidified over the generations; these alien musical experiences resist conceptualization and challenge the tropes that had for so long underwritten French ideas of the English Other.
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Donagan, Barbara. "Did Ministers Matter? War and Religion in England, 1642–1649." Journal of British Studies 33, no. 2 (April 1994): 119–56. http://dx.doi.org/10.1086/386048.
Full textAbstract:
When the Scots advanced on England in August 1640, reports of their formidable progress quickly reached London. Their march wasvery solemn and sad much after the heavy form shewed in funerals. In the first place do march after the trumpets (which carry mourning ribbons & c.) a hundred ministers, whereof one in the middle carrieth the Bible covered with a mourning cover. There follow a great number of old men with petitions in their hands, and then the lords that are commanders wearing black ribbons or some sign of mourning, and in the last place the soldiers trailing their pikes with black ribbons on them, and the drums beating a sad march, such as they say is used in the funerals of officers of war.It would be hard to find a more vivid example of the integration of war and religion, of assent by military laymen to clerical authority, or of manipulation of ritual to impart a message: the presence of ministers and the Bible even more than the sobriety of the troops asserted that this army was the agent of God, to the comfort of its soldiers and the terror of its enemies.Could England achieve comparable godliness, order, and confidence in execution of divine purpose in the conduct of its own war? Parliamentary clergy lived in hope of similar recognition and achievement. Yet at best ritual must be distinguished from accompanying practice, as the conduct of Scottish soldiers in Newcastle and its environs was to demonstrate; at worst the clerical message was derided and ignored.
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Kerr, Douglas. "CONRAD AND THE COMIC TURN." Victorian Literature and Culture 43, no. 1 (February 6, 2015): 149–68. http://dx.doi.org/10.1017/s1060150314000394.
Full textAbstract:
Of his nineteen years as a sailor, from 1874 to 1894, Joseph Conrad actually worked on ships for ten years and eight months, of which just over eight years were spent at sea, including nine months as a passenger (Najder 161–62). During these nomadic years, London was the place to which he returned again and again to seek his next berth, staying in a series of sailors’ homes, lodgings, and boarding houses. How did he spend his time, a single man with no family and few friends, whose main occupation was waiting? He recalled, in the preface toThe Secret Agent, “solitary and nocturnal walks all over London in my early days” (7). Ford Madox Ford says that Conrad knew all the bars around Fenchurch Street (which links the financial centre of the City of London to Whitechapel and the East End) from his days of waiting for a ship. Returning to the area later in life, according to Ford's slightly improbable memory, he “became at once the city-man gentleman-adventurer with an eye for a skirt,” who “could tell you where every husky earringed fellow with a blue, white-spotted handkerchief under his arm was going to. . . .” (Joseph Conrad116, 117). The reality of these London sojourns was probably less romantic, most of the time. But there was one place where a sailor ashore, without much money, could always go for company and entertainment: the music-hall.
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Rezaeian, Mohsen, Graham Dunn, Selwyn St. Leger, and Louis Appleby. "Application of Commercial Software to the Classification of Suicide Cases: A Brief Report." Violence and Victims 26, no. 4 (2011): 533–40. http://dx.doi.org/10.1891/0886-6708.26.4.533.
Full textAbstract:
Mosaic Profiler software was used to classify suicide and open verdict cases during 1996 to 1998 in England and within England, for the London and the North West regions. The classification system was based on the socioeconomic characteristics of the last place of residence of the cases at the level of postcode. The results highlighted that deprived areas and areas that contain elderly population or those areas that suffer from lack of social cohesion are overrepresented, whereas affluent areas are underrepresented. All of these, although in the larger scale, seem to support the results of other studies. Nevertheless, more studies would be required before one can fully evaluate the application of the Mosaic Profiler in the field of spatial epidemiology.