Relevant bibliographies by topics / Hamburger Kunsthalle

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hamburger Kunsthalle'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Hamburger Kunsthalle"

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Schreiber, Falk. "Alte Meister." Theater heute 63, no. 1 (2022): 65–66. http://dx.doi.org/10.5771/0040-5507-2022-1-065.

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Schaefer, Barbara. "Wirklichkeit wirkt." Künstlerische Therapien, herausgegeben von Jan Sonntag und Michael Ganß 16, no. 1 (March 2019): 81–87. http://dx.doi.org/10.30820/1613-2637-2019-1-81.

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Welche Auswirkungen hat es, wenn in einem Wohnund Pflegeheim künstlerische Arbeit angeboten wird? Beispiele aus der Praxis zeigen: Künstlerisches Handeln öffnet Begegnungsräume außerhalb der Alltagsrollen. Die Möglichkeit des eigenständigen, künstlerischen Ausdrucks wird als Freiheit erlebt, als autonomer Spielraum jenseits des Pflegeund Versorgungsalltags. Der Kunstraum eröffnet die Möglichkeit hierarchiefreier Begegnung zwischen pflegebedürftigen Menschen und ihren Angehörigen. Gäste und Mitarbeiter berichten, wie sich ihr Blick für den inneren Reichtum von Menschen mit Demenz geöffnet hat. Das ästhetisch-emotionale Erleben von Kunstwerken anlässlich von Besuchen der Hamburger Kunsthalle und die damit verbundene soziale Teilhabe hinterlassen auch bei demenziell veränderten Menschen eine nachhaltige Wirkung.
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Sommermeyer, Barbara, and Claartje van Haaften. "Examining the digital future of analogue slide-based artworks at the Hamburger Kunsthalle." Studies in Conservation 61, sup2 (June 2016): 219–26. http://dx.doi.org/10.1080/00393630.2016.1190908.

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Seidel, Anna. "‘The Revival of the Medal’." Journal of the History of Collections 32, no. 2 (April 1, 2019): 303–12. http://dx.doi.org/10.1093/jhc/fhz013.

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Abstract Alfred Lichtwark (1852–1914) was the first director (1886–1914) of the Hamburger Kunsthalle. At his personal instigation, a sculpture collection was founded. Focusing on contemporary sculpture, he became a pioneer in the museum world. Lichtwark aimed at introducing sculpture to a wider public: he considered contemporary medals and plaquettes to be the most suitable material for his purpose, and consequently he initiated the sculpture collection in 1891 by assembling ‘sculptures en miniature’ from Paris. In his practice he probed questions of the medals’ art historical context, as well as processes of making and display. When Lichtwark published his book on the revival of the medal – Die Wiedererweckung der Medaille – in 1897, his engagement and expertise in the field were already widely respected. While he is well known as an innovative museum director, his role as collector of contemporary sculpture has not been sufficiently appreciated. This paper suggests a re-evaluation of his achievements.
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Kuyvenhoven, Fransje. "De aan Hendrik Voogd (1768-1839) toegeschreven tekeningen in de Gallerie dell'Accademia te Venetië Hun herkomst en hun ware auteur: Francesco Londonio." Oud Holland - Quarterly for Dutch Art History 106, no. 1 (1992): 20–31. http://dx.doi.org/10.1163/187501792x00136.

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AbstractIn 1956 Ilaria Toesca published an article in Bolletino d'Arte on a group of 19th-century drawings of North European origin cntitled : 'Alcuni disegni delle gallerie di Venezia. The drawings in question were by the Englishman William Young Ottley and the Dutchmen David Pierre Giottin Humbert de Superville and Hcndrik Voogd. I confine my remarks to the latter, who lived in Rome from 1788 until his death in 1839. The drawings come from the bequest of the Milan art-lover Giuseppe Bossi, with whom Voogd had a good business relationship. Discussing a signed drawing by Voogd, Toesca attributed 21 other drawings to him. The signature on the Venetian sheet is not the only proof of Voogd's authorship. Further evidence is provided by the circumstance that it is a preliminary study for a worked-up wash drawing in Hamburg (Kunsthalle) and also that it was preceded by a sketch in the Amsterdam Historical Museum. The topographical particulars of these three drawings arc discussed here. The attribution of the other 21 drawings is made 'dubitativamente' by Toesca. In my opinion her doubts are justified. Neither stylistically nor technically do they bear a resemblance to the rest of Voogd's oeuvre. The fact that the motifs (landscapes, cattle, studies of trees and plants) do occur in Voogd's work probably led to the attribution. The back of one of the drawings is inscribed 'Londonio'. The sale catalogue of Bossi's bequest (1818) lists both the Voogd drawing and work by Londonio. Francesco Londonio (1723-1783) was a Milan engraver and draughtsman who is chiefly known for his prints. Various print rooms in Europe possess work by him. It appears that the drawings attributed to Voogd are really preliminary studies by Londonio which he used for his oeuvre of prints. Indeed, some of the motifs in a series of etchings in the Rijksprentenkabinet in Amsterdam derive from the Venetian drawings. I therefore conclude that the Gallerie dell'Accademia in Venice own only one (signed) drawing by Hendrik Voogd, purchased by Bossi personally from the artist during his second visit to Rome (1810), and that the name of the true artist - Francesco Londonio - was lost when the sheets were removed from the original collector's albums.
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Burmeister, Stefan. "Im Zeichen der Goldenen Greifen: Königsgräber der Skythen. Ausstellung im Martin-Gropius-Bau, Berlin (6 Juli–1 Oktober 2007), Hypo-Kunsthalle, München (26 Oktober 2007–27 Januar 2008), und dem Museum für Kunst und Gewerbe, Hamburg (15 Februar–25 Mai 2008)." European Journal of Archaeology 11, no. 2-3 (2008): 273–76. http://dx.doi.org/10.1179/eja.2008.11.2-3.273.

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Burmeister, S. "Reviews: Exhibition Review: Im Zeichen der Goldenen Greifen: Konigsgraber der Skythen. Ausstellung im Martin-Gropius-Bau, Berlin (6 Juli--1 Oktober 2007), Hypo-Kunsthalle, Munchen (26 Oktober 2007--27 Januar 2008), und dem Museum fur Kunst und Gewerbe, Hamburg (15 Februar--25 Mai 2008)." European Journal of Archaeology 11, no. 2-3 (August 1, 2008): 273–76. http://dx.doi.org/10.1177/14619571080110020803.

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Gardner, K. B. "Japanische Handschriften und traditionelle Drucke aus der Zeit vor 1868 in Bonn, Japanologisches Seminar der Universität; Bremen, Kunsthalle Bremen, Übersee-Museum; Hamburg, Museum für Kunst und Gewerbe Hamburg, Hamburgisches Museum für Völkerkunde; Köln, Museum für Ostasiatische Kunst. Beschrieben von Eva Kraft. (Verzeichnis der Orientalischen Handschriften in Deutschland Bd. XXVII, 3.) pp. xxiii, 341, 15 pl. Stuttgart, Franz Steiner Verlag, Wiesbaden GMBH, 1988. DM 220." Journal of the Royal Asiatic Society of Great Britain & Ireland 122, no. 1 (January 1990): 213–15. http://dx.doi.org/10.1017/s0035869x00108469.

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Calè, Luisa, David Bindman, and Esther Chadwick. "William Blake’s Universe: An Interview with David Bindman and Esther Chadwick." Blake/An Illustrated Quarterly 57, no. 3 (January 24, 2024). http://dx.doi.org/10.47761/biq.352.

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In this interview, the curators David Bindman and Esther Chadwick discuss the upcoming exhibition William Blake’s Universe, which opens at the Fitzwilliam Museum, Cambridge (23 February–​19 May) and then moves to the Hamburger Kunsthalle (14 June–​8 September).
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"Gazes, Power, and Gender: The Figure of the Femme Fatale Reconsidered." CUSP: Late Nineteenth and Early Twentieth Century Cultures 2, no. 1 (January 2024): 151–56. http://dx.doi.org/10.1353/cusp.2024.a920151.

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Abstract: The exhibition Femme Fatale: Blick-Macht-Gender ran from 9 December 2022 to 10 April 2023 at the Hamburg Kunsthalle, offering a rich collection of works from the Pre-Raphaelites to contemporary photographers. The exhibition promised a problematisation of the figure of the femme fatale , particularly in the light of the #Metoo movement. While this was clearly successful, other aspects of this complex artistic figure were left unexplored by the curation.
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Dissertations / Theses on the topic "Hamburger Kunsthalle"

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John, Jennifer [Verfasser], Sigrid [Akademischer Betreuer] Schade, and Silke [Akademischer Betreuer] Wenk. "White Cubes - Gendered Cubes : Einschreibungen von Geschlecht in die diskursiven Praktiken von Kunstmuseen ; eine Untersuchung am Beispiel der Hamburger Kunsthalle / Jennifer John. Betreuer: Sigrid Schade ; Silke Wenk." Oldenburg : BIS der Universität Oldenburg, 2010. http://d-nb.info/1050267524/34.

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Books on the topic "Hamburger Kunsthalle"

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Kunsthalle, Hamburger. Hamburger Kunsthalle. 3rd ed. München: Prestel, 1994.

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1928-, Hofmann Werner, ed. Hamburger Kunsthalle. 2nd ed. München: Prestel, 1989.

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Kunsthalle, Hamburger. Hamburger Kunsthalle. Edited by Hofmann Werner 1928-, Leppien Helmut Rudolf, Paas Sigrun, and Happel Reinhold. München: Prestel, 1985.

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4

Kunsthalle, Hamburger, and Literaturhaus Hamburg, eds. Erstaunliche Einsichten: Schriftsteller über Bilder in der Hamburger Kunsthalle : Hamburger Kunsthalle, Literaturhaus Hamburg. Neumünster: Wachholtz Verlag, 2013.

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5

Rijn, Rembrandt Harmenszoon van. Rembrandt, hundert Radierungen: Hamburger Kunsthalle 15. April bis 7. Juni 1987. [Hamburg]: Die Kunsthalle, 1987.

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editor, Schneede Uwe M., Sitt Martina editor, Gassner Hubertus 1950 editor, Sitt Martina, and Hurttig Marcus Andrew, eds. Die Sammlungen der Hamburger Kunsthalle. Hamburg: Hamburger Kunsthalle, 2001.

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7

Skulpturenabteilung, Hamburger Kunsthalle. Die dritte Dimension: Plastiken, Konstruktionen, Objekte : Bestandskatalog der Skulpturenabteilung der Hamburger Kunsthalle. Hamburg: Die Kunsthalle, 1988.

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8

Luckhardt, Ulrich. Lovis Corinth und die Hamburger Kunsthalle. [Ostfildern]: Verlag Gerd Hatje, 1997.

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9

Howoldt, Jenns Eric. Adolph Menzel in der Hamburger Kunsthalle. [Hamburg]: Die Kunsthalle, 1993.

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10

M, Schneede Uwe, and Leppien Helmut Rudolf, eds. Die Hamburger Kunsthalle: Bauten und Bilder. Leipzig: Seemann, 1997.

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Book chapters on the topic "Hamburger Kunsthalle"

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Fahden, Melanie, and Anja Gebauer. "With AI to Art!" In Edition Museum, 265–72. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839467107-025.

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In this article, Melanie Fahden and Anja Gebauer present a participatory project in which young students collaborated in the development of an AI-based chatbot. How can artworks from the nineteenth to the twenty-first century be communicated to young people in a compelling way, and how can they be interrogated with respect to their current relevance and debated in light of recent socio-political discourse? These were a few of the initial questions for a sophisticated art mediation program within the framework of the special exhibition FEMME FATALE: Gaze-Power-Gender (9 December 2022 to 10 April 2023) at the Hamburger Kunsthalle.
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Fuhrmann, Sina, Martina Gschwilm, Katharina Hoins, Jan Metzler, and Andrea Weniger. "Beschleunigt durch die Krise: Die Hamburger Kunsthalle auf dem Weg zum Digitalen Museum." In Die Corona-Transformation, 343–64. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-33993-7_24.

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Klar, Alexander. "Heine(s) und die Hamburger Kunsthalle." In Hamburgs Heinrich Heine – denkmalbewegt, 12–17. Georg Olms Verlag, 2024. http://dx.doi.org/10.5771/9783487423999-12.

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"Galerie der Gegenwart Erweiterung der Hamburger Kunsthalle (1996)." In Centrum, 139–40. Wiesbaden: Vieweg+Teubner Verlag, 1997. http://dx.doi.org/10.1007/978-3-322-83184-2_29.

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Joosten, Andrea. "Objekt Künstlerbuch Besondere Herausforderungen am Beispiel der Bibliothek der Hamburger Kunsthalle." In Bibliothek – Forschung für die Praxis, edited by Petra Hauke, Andrea Kaufmann, and Vivien Petras. Berlin, Boston: De Gruyter, 2017. http://dx.doi.org/10.1515/9783110522334-032.

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Haug, Ute. ""… unter allerlei Gerümpel versteckt…", die Heines, die Hamburger Kunsthalle und das Heine-Denkmal." In Hamburgs Heinrich Heine – denkmalbewegt, 164–79. Georg Olms Verlag, 2024. http://dx.doi.org/10.5771/9783487423999-164.

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Leisner, Nadine, and Ulfert Oldewurtel. "Keep the Copy! Die Gipsabguss-Sammlung der Kunsthalle im sog. Hamburger Faksimile-Streit." In Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries, 313–28. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110757965-018.

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Rasztar, Claudia. "Blasse Mädchen und klassische Gesichter. Schönheitsideale in der Kunst – Ein Rundgang durch die Hamburger Kunsthalle." In Schönheitsmedizin, 11–30. Psychosozial-Verlag, 2016. http://dx.doi.org/10.30820/9783837967883-11.

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