Relevant bibliographies by topics / Hamlet (Faulkner, William)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hamlet (Faulkner, William)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Hamlet (Faulkner, William)"

1

Peiu, Anca. "The Frost in Faulkner: Walls and Borders of Modern Metaphor." Acta Universitatis Sapientiae, Philologica 10, no. 1 (2018): 75–88. http://dx.doi.org/10.2478/ausp-2018-0005.

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AbstractMy paper discusses the dialogue between Robert Frost’s verse and William Faulkner’s works: from the first poems he published as a young writer, especially in his debut volume The Marble Faun (1924), to The Hamlet (1940), an acknowledged novel of maturity. Three world-famous poems: “Birches,” “Mending Wall,” “Nothing Gold Can Stay” will represent here Frost’s metaphorical counterpart. The allegorical borders thus crossed are those between Frost’s lyrical New England setting and the Old South of Faulkner’s Yoknapatawpha diegesis; between (conventional patterns of) Romanticism and Moderni
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Haddad Baptista, Ana Maria, and Márcia Fusaro. "Educação, literatura e livros." EccoS – Revista Científica, no. 69 (June 14, 2024): e26727. http://dx.doi.org/10.5585/eccos.n69.26727.

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Rodrigo Lacerda nasceu em 1969, no Rio de Janeiro. Escritor, tradutor e editor. É autor dos seguintes livros: O mistério do leão rampante (novela, 1995, prêmio Jabuti e prêmio Certas Palavras); A dinâmica das larvas (novela, 1996); Fábulas para o séc. XXI (livro infantil, 1998); Tripé (contos, 1999); Vista do Rio (romance, 2004, finalista dos prêmios Zaffari & Bourbon, Portugal Telecom e Jabuti); O fazedor de velhos (romance juvenil, 2008, prêmio da Biblioteca Nacional, prêmio Jabuti, prêmio da FNLIJ); Outra vida (romance, 2009, prêmio da Academia Brasileira de Letras, segundo lugar nos pr
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Lane-Mercier, Gillian. "Le travail sur la lettre : politique de décentrement ou tactique de réappropriation?" Diachronie 11, no. 1 (2007): 65–88. http://dx.doi.org/10.7202/037316ar.

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Résumé Le travail sur la lettre : politique de décentrement ou tactique de réappropriation? — La visée de cet article est double. D'une part, il s'agit de répondre à quelques-unes des attaques récentes dirigées par Douglas Robinson contre les pratiques traductionnelles littérales, que Robinson qualifie de « protofascistes ». D'autre part, il s'agit d'interroger, dans le cadre d'un projet de retraduction littérale de The Hamlet de William Faulkner mené à l'université McGill entre 1990 et 1996, la valeur épistémologique, éthique et méthodologique de l'approche littérale prônée par Antoine Berman
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COLLINS, William. "Impenetrable Eyes, Stealth and Surveillance: A Corpus Stylistic Study of Salient Adjectives in William Faulkner’s The Hamlet." Studies in Linguistics and Literature 5, no. 4 (2021): p94. http://dx.doi.org/10.22158/sll.v5n4p94.

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Stylistics combines both a granular and global approach to works of literature. Through analysis of linguistic and semantic patterns in a text, stylistics explores how authors construct a fictional text world and populate it with vividly realized characters. In this article, I adopt a corpus-stylistic approach to William Faulkner’s The Hamlet. Through identification of high-frequency words and close reading of their concordances, I explore what the data reveals about Faulkner’s thematic concerns in the novel and how his linguistic strategies convey them to the reader.
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Skei, Hans H. "The Hamlet, William Faulkner's Last Great Novel." American Studies in Scandinavia 38, no. 2 (2006): 46–54. http://dx.doi.org/10.22439/asca.v38i2.4526.

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Lothe, Jakob. "Hans H. Skei: A Little Lost Village: Reading William Faulkner’s The Hamlet." Norsk litteratur­vitenskapelig tidsskrift 16, no. 02 (2013): 175–77. http://dx.doi.org/10.18261/issn1504-288x-2013-02-11.

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Larson, S. A. "“I be Dawg”: Intellectual Disability and the Animal Other in the Works of William Faulkner." Disability Studies Quarterly 34, no. 4 (2014). http://dx.doi.org/10.18061/dsq.v34i4.3999.

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<span>There is a considerable dearth of criticism that applies the critical lens of Disability Studies to the works of William Faulkner. This paper hopes to contribute to the discourse on Faulkner and disability by using a Disability Studies prospective to explore the intersection of intellectual disability and the psychological coping mechanism of dehumanization in the novels </span><span><em>Sanctuary</em></span><span> and </span><span><em>The Hamlet</em></span><span>. In both novels, cha
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Dissertations / Theses on the topic "Hamlet (Faulkner, William)"

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Pothier, Jacques. "Faulkner, The Hamlet et la trilogie des Snopes : développement d'une problématique de la communauté." Paris 7, 1994. http://www.theses.fr/1994PA070010.

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Cette these reexamine une tradition critique qui a vu dans l'histoire des snopes une defense du sens americain de la "communaute". La premiere partie examine la genese des snopes, et d'abord le contexte ideologique et les influences. L'avant-texte (notamment la nouvelle inedite " as i lay dying", reproduite en annexe) presente des scenes matricielles, "archi-scenes" d'une autre signification latente, et developpe la confrontation de deux personnages, flem snopes et ratliff. Au cours de la composition de the hamlet, faulkner resout la "scene originaire sociale" qui, dans les romans des annees t
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Schroeder, Sally Louise. "Allegory as rhetoric: Faulkner's trilogy." CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1416.

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Books on the topic "Hamlet (Faulkner, William)"

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Holmes, Catherine D. Annotations to William Faulkner's The hamlet. Garland Pub., 1996.

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McHaney, Thomas L., and William Faulkner. The Hamlet: William Faulkner Manuscripts (Faulkner, William, Works. 15.). Garland Publishing, 1987.

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Annotations to William Faulkner's 'the Hamlet'. Taylor & Francis Group, 2017.

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Annotations to William Faulkner's 'the Hamlet'. Taylor & Francis Group, 2017.

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Annotations to William Faulkner's 'the Hamlet'. Taylor & Francis Group, 2017.

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Holmes, Catherine D. Annotations to William Faulkner's 'the Hamlet'. Taylor & Francis Group, 2019.

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7

Faulkner, William. Hamlet (Vintage International) by Faulkner, William (2005) Paperback. Vintage Books, 1991.

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8

Mchaney, Thomas. The Hamlet: Nineteen Forty, Preliminary Materials (William Faulkner Manuscripts). Routledge, 1987.

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9

Faulkner, William. Villorrio / the Hamlet. Penguin Random House Grupo Editorial, 2016.

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10

Faulkner, William. Hamlet: A Novel of the Snopes Family. Tandem Library, 2003.

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Book chapters on the topic "Hamlet (Faulkner, William)"

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"The Hamlet (1940)." In William Faulkner. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511519314.019.

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Porter, Carolyn. "Snopes And Beyond: The Hamlet." In William Faulkner. Oxford University PressNew York, NY, 2007. http://dx.doi.org/10.1093/oso/9780195310498.003.0004.

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Abstract After Completing The Wild Palms But Before Beginning Go Down, Moses, Faulkner returned to material he had been developing from the outset of his career as a novelist-the tales of Snopeses. Headed by Flem, a sinister and sociopathic entrepreneur who rises from dirt farmer to bank president in the course of the three novels devoted to the family, the Snopeses are more a tribe than a family. They spread their prolific offspring across the county steadily as Flem brings in one cousin and then another to work at the enterprises he just as steadily takes over, from the store, the schoolhous
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"Chapter 1. Earthing The Hamlet." In William Faulkner. Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400827916.11.

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Tate, Allen. "“William Faulkner”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0027.

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This chapter is aimed as an obituary of William Faulkner. It describes Faulkner as an arrogant and ill-mannered individual in a way that is peculiarly “Southern”: in company he usually failed to reply when spoken to, or when he spoke there was something grandiose in the profusion with which he sprinkled his remarks with “Sirs” and “Ma'ms.” No matter how great a writer he may be, the public gets increasingly tired of Faulkner; his death seems to remove the obligation to read him. Nevertheless, the chapter regards Faulkner as the greatest American novelist after Henry James since the 1930s. It c
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"Chapter 2. Comparative Cows: Reading The Hamlet for Its Residues." In William Faulkner. Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400827916.42.

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Oe, Kenzaburo. "“Reading Faulkner from a Writer’s Point of View”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0038.

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In this chapter, the author offers a reading of William Faulkner from his point of view of as a writer. He begins by discussing one of Faulkner's unique narrative techniques, “reticence,” and explaining that when he reads Faulkner's novels, he always puts the translations beside the originals, whenever they are available. He claims that he experiences Faulkner through a triangular circuit for the transmission of verbal symbols—Faulkner; the translator, who is a specialist; and himself, a reader of the words of the other two. He also reflects on his response to Faulkner's attitude toward writin
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Spencer, Elizabeth. "“Emerging as a Writer in Faulkner’s Mississippi”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0036.

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In this chapter, the author reflects on William Faulkner's influence on her and on other Southern writers. The author says it would be impossible to think of Oxford, Mississippi without thinking of Faulkner, its most famous citizen. She recalls growing up in Carrollton, but admits that it took her many long years in associating Oxford and the University of Mississippi (Ole Miss) with Faulkner. It wasn't until she was in her early twenties and in graduate school at Vanderbilt that the author realized she must find out more about Faulkner. She began reading some of Faulkner's novels, including T
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Benét, Stephen Vincent. "“Flem Snopes and His Kin”." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0012.

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This chapter reviews William Faulkner's novel The Hamlet, the story of the fictional Snopes family and their gradual sucking dry of Frenchman's Bend. Used to a tradition of violence, even to Frenchman's Bend Flem Snopes and his breed were a surprise and a portent. In the Snopes family, Faulkner has created what is probably “the finest sub-human species in contemporary American literature.” The text claims that reading The Hamlet is like “listening to the gossip of a country store, with its cruelty, its extravagance, its tall stories, and its deadly comment upon human nature—but a gossip transl
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Wilder, Thornton. "Journal Entries." In The Dixie Limited. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496803382.003.0014.

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This chapter contains a number of journal entries, written between April 10, 1940 and November 6, 1949. In them, Thornton Wilder talks about three of William Faulkner's novels: Light in August, The Hamlet, and Absalom, Absalom!. Wilder first comments on Light in August, the climax of which is the castration of the half-Negro demon-hero Joe Christmas. According to Wilder, Faulkner represents the humiliation of the once gallant South in sexual terms; the Negro's strength is perpetually before their eyes to remind them of their loss. He then turns to what he believes is Faulkner's fancy overwriti
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10

"The Artistic Design of The Sound and the Fury." In Critical Essays on William Faulkner, edited by Robert W. Hamblin. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496841124.003.0007.

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This essay analyzes the narrative techniques that make this novel a masterpiece-one that seemed to be Faulkner’s favorite and that many critics feel is his greatest. The topics examined are viewpoint, style as characterization, and the use of counterpoint. If Absalom, Absalom! or Light in August or Go Down, Moses seem to be more ambitious novels, utilizing broader canvases to treat more crucial issues affecting the whole of society; if As I Lay Dying appears to be, in some respects, more imaginative and creative; if The Hamlet strikes one as a better blending of the tragic and comic elements o
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