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Dissertations / Theses on the topic 'Hamlet Hamlet'

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Published: 4 June 2021
Last updated: 1 February 2022

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1

Sharif, Mohammad Muazzam. "Hamlet in Pakistan." Thesis, University of Southampton, 2017. https://eprints.soton.ac.uk/417235/.

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This thesis tests and questions the concept of revenge in Hamlet against the context of Pukhtun culture in the Khyber Pukhtunkhwa (KP) province of Pakistan. As this study seeks to understand the emotive meaning of revenge in a range of cultural contexts, I explore the way in which Hamlet is read and interpreted in a culture where revenge, as in the debased form of badal, is both current and pervasive. The KP universities‘ students who belong to the culture, where revenge is considered obligatory, tend to identify themselves with various characters of the play, particularly Hamlet. This study s
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2

Barreto, Eduardo. ""Hamlet" and Marginality." FIU Digital Commons, 2015. http://digitalcommons.fiu.edu/etd/1859.

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This research aims to explore the place of marginality (or that which is not the immediate focus of narrative) in the context of the play and through the examination of the characters of Fortinbras and Horatio, in William Shakespeare’s Hamlet. The intended outcome is to encourage diversified perspectives and approaches to the play by focusing on the marginal themes and/or characters. The chapters address the characters of Fortinbras and Horatio; the first inverts the protagonist/foil relationship by reading Hamlet as a foil to Fortinbras, while the second uses Freud’s “The Uncanny” as a way to
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3

Semenenko, Aleksei. "Hamlet the Sign : Russian Translations of Hamlet and Literary Canon Formation." Doctoral thesis, Stockholms universitet, Slaviska institutionen, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-7148.

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This work is an attempt to answer one simple question: What is Hamlet? Based on the material of Hamlet translations into Russian, the dissertation scrutinizes the problems of literary canon formation, translation and textuality proceeding in two parallel directions: the historical analysis of canon formation in translation and the conceptualization of Hamlet’s textuality. The methodological framework is defined in the context of Jurij Lotman’s semiotics of culture, which is invaluable for an understanding of the mechanisms of literary evolution, the theory of translation and literary canon for
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4

Nicholas, Simon. "Is Hamlet untranslatable? : renegotiating the boundaries of translatability in twentieth century German Hamlets." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/10727.

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This thesis will focus on twentieth-century German translations and adaptations of Shakespeare's Hamlet. Some of the pre-requisites of a work's translatability are that it must exist in a stable text, its meaning should be accessible to interpretation, and it should provide a unitary comment that can be re-constructed in a second language and culture. I do not believe that Hamlet satisfies any of these pre-requisites. There is no transcendent text, it seems to resist interpretation, and the lack of a unitary comment problematises the articulation of a response to the play that can be re-coded
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5

Roesler, Stephanie. "Yves Bonnefoy et «Hamlet»." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86507.

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Between 1957 and 1988, the contemporary French poet Yves Bonnefoy translated Shakespeare's Hamlet five times. This thesis is an in-depth analysis of these five translations and of their evolution: above all, it explores Yves Bonnefoy's poetics of translation. The first section examines Bonnefoy's articulated understanding of poetry, translation and their relationship, but also of Shakespeare and Hamlet, in order to contextualize the translations and define Bonnefoy's approach to the translation process (position traductive) and his translation project, according to the method proposed by Antoi
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6

Blair, David. "Hamlet from The Stage." Digital Commons @ East Tennessee State University, 2010. https://dc.etsu.edu/etd/1671.

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Hamlet From The Stage is a video production designed to be an extra feature on the DVD video of the stage production of Hamlet, performed by the Division of Theatre and Dance at East Tennessee State University, and filmed by the Department of e-Learning during the Spring Semester of 2009. Hamlet From The Stage is a professional interview style video package of the cast of Hamlet designed to help inexperienced collegiate actors learn some useful tools when approaching a Shakespearean audition or performance. This video package represents over eleven months of production: concept, writing, set d
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7

Evans, Madisen Jade. "An All-Female Hamlet." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/510.

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8

Sessler, Brigitte. "Hamlet - ein lyrisches Politikum? Hamlet in deutschsprachigen Gedichten vom 18. Jahrhundert bis heute." Heidelberg Winter, 2007. http://d-nb.info/987386263/04.

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9

Sessler, Brigitte. "Hamlet - ein lyrisches Politikum ? : Hamlet in deutschsprachigen Gedichten vom 18. Jahrhundert bis heute /." Heidelberg : Winter, 2008. http://d-nb.info/987386263/04.

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10

Breedlove, Allegra B. "Hamlet #PRINCEOFDENMARK: Exploring Gender and Technology through a Contemporary Feminist Re-Interpretation Of Hamlet." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/667.

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11

Barrus, David W. "Hamlet : the design as process." Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Theatre and Dramatic Arts, c2012, 2012. http://hdl.handle.net/10133/3389.

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This thesis represents the written portion of the Degree Requirements of the Master of Fine Arts in Theatre Design. The Thesis production of HAMLET, by Wm. Shakespeare (edited by Brian C. Parkinson), was the University of Lethbridge Department of Theatre and Dramatic Arts third show of the 2011 – 2012 Mainstage Theatre season, running February 14 – 18, 2012, performed at the University Theatre in the University of Lethbridge Centre for the Arts, Lethbridge, Alberta. HAMLET was directed by Brian C. Parkinson, with the assistant direction of L. Jay Whitehead and Yvonne Mandel. Contained within t
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12

Berger, Amy White. "Claudius' story in Shakespeare's Hamlet." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2003. http://www.kutztown.edu/library/services/remote_access.asp.

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13

Breedlove, Allegra B. "The Digital Soliloquies of Hamlet." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/618.

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14

Bjurström, Andrea. "Screen:play : Hamlet genom okända skärmdumpar." Thesis, Konstfack, Grafisk design & illustration, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7359.

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For my graduation project I was interested in title cards, intertitles and captions from past films and clips. I am fascinated by their typography and art, but also the visual aspects of age and use. Aided by the writings of the artist and filmmaker Hito Steyerl, I explored the world of the poor quality image, an image that has been copied and pasted into different (mainly digital) channels of distribution. I found my own way of translating the visual language of an image with a past. Quoting one of the most retold (copied and pasted) plays; The Tragedy of Hamlet, Prince of Denmark written by
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Malm, Lauren Lynnae, and Lauren Lynnae Malm. "Hamlet, Conscience, and Free Will." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625077.

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This thesis examines William Shakespeare's Hamlet through the historical conflict between Protestantism and Catholicism. Shakespeare writes in a religious atmosphere heavily informed by the sixteenth-century religious conflict between the Protestant Church of England and Catholic ideology. While the Church of England controlled English religious thought through strict censorship of Catholic theology, the Church was unable to erase the Catholic history of the country. In Hamlet, these two opposing ideologies come face to face. Prince Hamlet, linked to the Protestant Reformer Dr. Martin Luther t
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16

Sanchez, Isabel M. "The Root of the Recycled: A Comparative Analysis of Shakespeare's "Hamlet" and the Mythological "Ur-Hamlet"." FIU Digital Commons, 2012. http://digitalcommons.fiu.edu/etd/782.

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The purpose of my thesis was to explore the problem surrounding the sources believed to constitute the Ur-Hamlet from which Shakespeare derived Hamlet. By utilization of close reading, analysis, and archetypical criticism, my thesis confirms Shakespeare’s usage of the “Hero as Fool” archetype present in the Danish legend of Amleth, translated by Saxo Grammaticus and Francois Belleforest, as the Ur-Hamlet. My study is significant because it further develops the notion that the earlier legend served as the originary source for Hamlet, while providing evidence that rejects the validity of other s
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17

Sander, Johanna. "Hamlet på motorcyklar : En komparativ analys av TV-serien Sons of Anarchy och Shakespeares drama Hamlet." Thesis, Karlstads universitet, Estetisk-filosofiska fakulteten, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-6947.

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In 2008 Fox first aired its hit show Sons of Anarchy, a drama series about a Californian motorcycle club. The main thrust is about the club’s vice-president and his struggle to find his place in a life of violence. According to creator Kurt Sutter the series is partly based on Shakespeare’s 16th century drama Hamlet - Prince of Denmark, which causes the show to often be referred to as ”Hamlet on Harleys”. Focusing on the first two seasons of the series, this essay looks into the relationship between the two works of art. Asking how the inspiration of the play is reflected in the television ser
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18

Pettersson, Frida. "Från Hamlet till 3D : Lejonkungens marknadsföringsprocess." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-24131.

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Den här uppsatsen handlar om hur film marknadsförs via trailrar, exemplet är filmen Lejonkungen från 1994 och dess uppföljare samt en nyutgåva. Syftet är att undersöka vad det är som hamnar i fokus i filmernas trailrar, vad de har gemensamt och vad som skiljer dem åt, samt hur berättelsen förnyas. Uppsatsen tar upp forskning om high concept, trailrar och Disney för att få en teoretisk grund till analysen av vad som hamnar i huvudsakligt fokus i trailrarna och vad det fyller för funktion. Med hjälp av tidigare forskning och analys av trailrarna undersöker uppsatsen vilka strategier filmskapare
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19

Loberg, Harmonie Anne Haag. "Hamlet haven : an online, annotated bibliography." University of South Florida, 2002. http://purl.fcla.edu/fcla/etd/SFE0000036.

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Loberg, Harmonie. "Hamlet Haven: An Online, Annotated Bibliography." Scholar Commons, 2002. https://scholarcommons.usf.edu/etd/1524.

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The Challenge: Today a daunting quantity of scholarship relating to Hamlet exists. While databases and electronic catalogues aid research, these directories present a virtual wall of minimal bibliographic data. Sorting through lists still takes eons. Meanwhile, new publications are constantly added to the academic stacks that ever threaten to tumble over. The Solution: A web site that groups together scholarly publications using similar approaches and treating similar subjects will translate the overwhelming into the maneuverable. The online medium will provide accessibility to everyone--stude
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Malone, Samuel C. III. "An Actor's Method to Building the Character of Hamlet in The Tragedy of Hamlet, Prince of Denmark." ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2096.

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This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored
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22

Records, Nathan D. Beard DeAnna M. Toten. "A director's approach to William Shakespeare's Hamlet." Waco, Tex. : Baylor University, 2007. http://hdl.handle.net/2104/5082.

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Lee, John. "Shakespeare's Hamlet and the controversies of self." Thesis, University of Bristol, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295030.

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Barros, Edlúcia Robélia Oliveira de. "Performances em Hamlet: textualidades, teatralidades e liminaridades." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/5950.

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Submitted by Cláudia Bueno (claudiamoura18@gmail.com) on 2016-08-17T19:15:20Z No. of bitstreams: 2 Dissertação - Edlúcia Robélia Oliveira de Barros - 2016.pdf: 4103005 bytes, checksum: 2af3328007974598a93b1627ae8a18ab (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Cláudia Bueno (claudiamoura18@gmail.com) on 2016-08-17T19:17:41Z (GMT) No. of bitstreams: 2 Dissertação - Edlúcia Robélia Oliveira de Barros - 2016.pdf: 4103005 bytes, checksum: 2af3328007974598a93b1627ae8a18ab (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9
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Hatab, Hanan Abou. "Arab Shakespeare : six Arab adaptations of Hamlet." Thesis, University of Essex, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.548589.

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Walsh, James Jason JR. "American Hamlet: Shakespearean Epistemology in Infinite Jest." Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1409079425.

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Suratos, Jennifer. "Hamlet, Nora, and the changing form of tragedy." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/788.

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William Shakespeare’s influence on the genre of tragedy is both powerful and undeniable, while contemporary notions about tragedy have shifted into a modern light through the influence of Norwegian playwright Henrik Ibsen. This study concentrates specifically on Hamlet and A Doll’s House in order to indicate the ways in which ideas of tragedy have evolved. By investigating the effect of religion in Hamlet and the absence of it in A Doll’s House, I will argue that the main shift in tragedy is the loss of God. This thesis examines the transformation of the two heroes throughout the course of the
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Lessard, Bruno. "The mind's I, moral agency in Shakespeare's Hamlet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ61352.pdf.

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Cinpoeş, Nicoleta. "'As a stranger give it welcome' : Romania's Hamlet." Thesis, University of Warwick, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426749.

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Brunner, Julia. "Christa Wolf's "Hamlet" intertextuality in Christa Wolf's "Kassandra" /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 132 p, 2009. http://proquest.umi.com/pqdweb?did=1885467551&sid=7&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Vieira, Erika Viviane Costa. "Espectros de Hamlet: questões de adaptação e apropriação." Universidade Federal de Minas Gerais, 2012. http://hdl.handle.net/1843/ECAP-8URFXN.

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Este trabalho analisa algumas adaptações de 'Hamlet', que são os romances 'The Prince of West End Avenue', de Alan Isler, 'Gertrude and Claudius', de John Updike, o conto 'Gertrude Talks Back', de Margaret Atwood, e a apresentação teatral 'Elsinore', de Robert Lepage, sob a ótica da espectralidade de Derrida. Este aspecto se apresenta de forma distinta em cada uma dessas obras, embora todas elas realizem uma intensa atividade intertextual. A espectralidade de 'Hamlet' ronda esses textos e propõe-se que este aspecto perpassa as adaptações de Shakespeare de maneira geral. Discute-se ainda a dist
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Leibnitz, Kimiko. "Die Frauenfiguren in Hamlet-Verfilmungen des 20. Jahrhunderts." Doctoral thesis, Saarbrücken VDM Verlag Dr. Müller, 2005. https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-19478.

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Diese Dissertation liefert einen kulturhistorischen Überblick über die Darstellung der Frauenfiguren Gertrude und Ophelia in Hamlet-Verfilmungen des 20. Jahrhunderts. Die beiden weiblichen Gestalten werden dabei im Hinblick auf ihr äußeres Erscheinungsbild wie auch ihre Charakterzeichnung vor dem historischen, kulturellen, politischen und gesellschaftlichen Entstehungshintergrund der Filme beleuchtet. Die Analysen konzentrieren sich ausschließlich auf Kinofilme, da diese ein wesentlich breiteres Publikum erreichen als etwa die diversen Bühnen- oder Textfassungen des Stücks. Die erste der insge
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Linda, Nilsson. "Att återge Hamlet : Översättningsnormer och strategier vid teateröversättning." Thesis, Stockholms universitet, Institutionen för svenska och flerspråkighet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-133981.

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Denna uppsats ämnar göra ett nedslag i svensk teateröversättning för den svenska teaterscenen. Teateröversättning är ett relativt outforskat forskningsfält generellt, men i synnerhet råder det en avsaknad av studier som fokuserar på svenska teateröversättningar. I detta syfte har undersökningen valt att analysera William Shakespeares, Hamlet, genom att analysera ett urval av svenska Hamletuppsättningar och tillhörande metatexter återskapas de strategier och normer som översättaren inkorporerar vid nyöversättning från den engelska källtexten till den svenska måltexten. Tre spelversioner av Haml
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Clay, Terrie Lynn. "Elaborate Performance: How Satan and Hamlet's Thwarted Ambition Shapes Interactions in Paradise Lost and Hamlet ." University of Toledo Honors Theses / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1386875204.

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Ehsan, Arooj [Verfasser]. "Disrupting the Symbolic Hamlet: A Semiotic Reading / Arooj Ehsan." Berlin : Freie Universität Berlin, 2020. http://d-nb.info/1224884000/34.

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Nielsen, Isho Paul. "The Prototypical Avengers in The Spanish Tragedy and Hamlet." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-35317.

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During the height of the English Renaissance, the revenge tragedies The Spanish Tragedy and Hamlet were introduced to the English literary canon. In this essay, I will focus on the similarities that the protagonists, Hamlet and Hieronimo, share as prototypical avengers. Although Hamlet’s contribution to the genre should not be discredited, I will argue that the similar characterisation of Hieronimo in The Spanish Tragedy, portrays the same depth and entitlement to the acclaim as a prototypical avenger as Hamlet. Even though their portrayal may differ in tone, their shared commonality attribute
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Shurafa, Nuha Suleima Daoudi. "A critical study of the Arabic translations of Hamlet." Thesis, University of Salford, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239974.

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Muttaleb, Fuad Abdul. "Shakespeare, Chekhov and the problem of the Russian Hamlet." Thesis, University of Essex, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328343.

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Ferretti, Mariana Galletti. "O sujeito e o Outro no conflito de Hamlet." Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/16908.

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Made available in DSpace on 2016-04-29T13:30:46Z (GMT). No. of bitstreams: 1 Mariana Galletti Ferretti.pdf: 462508 bytes, checksum: 116f7d7b713a3d736bc921ba9432efe7 (MD5) Previous issue date: 2010-12-08<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This work intends, starting from Shakespeare s intuition about the human condition expressed in the vicissitudes of Hamlet s character, to deepen a reflection on the concept of subject in Lacan s theory articulated to the formularization of the author concerning the structure and the logic times of the subject s constitu
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Brown, Angela. "Earthbound Humors: An Ecocritical Approach to Melancholy in As You Like It and Hamlet." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1169.

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Ecocriticism explores the way in which artists interact with, interpret and represent the natural world. The concept of “nature,” according to ecocriticism, goes beyond simply flora and fauna, extending to human nature as well. In Shakespeare's England, a person's nature was determined by his bodily humors, so the melancholy humor particularly lends itself to an ecocritical approach because it is inextricably linked to the natural world. Transcending genre, melancholy is not limited to the green world of comedy but rather appears in tragedy as well. In As You Like It, the melancholy
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Wilhelm, Kristina. "Protein complexes : assembly, structure and function." Doctoral thesis, Umeå universitet, Medicinsk kemi och biofysik, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-29792.

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Most proteins must fold into their native conformations to fulfil their biological functions. Failure of proteins to fold leads to cell pathology and a broad range of human diseases referred to as protein misfolding disease, e.g., Alzheimer’s disease, Parkinson’s disease, and type II diabetes. More than 40 proteins are known to be connected with misfolding diseases. These proteins share no sequence homology but all assemble into cross-b sheet containing insoluble fibrillar aggregates. Despite the pathological conditions that these proteins can induce, living organisms can take advantage of the
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Pickett, Lewis. ""In What Particular Thought to Work": Hamlet and Manic-Depression." TopSCHOLAR®, 1996. http://digitalcommons.wku.edu/theses/797.

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By means of contemporary diagnostic criteria, Prince Hamlet may be demonstrated to be a Bi-Polar I Manic Depressive. Because current genetic research suggests that this disease is inherited, it is logical to ask if Claudius also suffers from this disorder. It can be demonstrated that he does. We may conclude that Claudius murdered the late King of Denmark during a manic episode similar to the one in which Hamlet kills Polonius.
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Löthberg, Erika. "Var tid har sin Hamlet : - En semiotisk studie av Hamletaffischer." Thesis, Linköping University, Department for Studies of Social Change and Culture, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-17726.

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<p>I uppsatsen studeras representationen av William Shakespeares pjäs<em> Hamlet </em>i affischsammanhang. Ett antal <em>Hamlet</em>affischer från 1900-talet framtill 2008 beskrivs, tolkas och analyseras. Fokus ligger främst på det aktuella anslaget från 2008 års produktion på Dramaten i Stockholm. Bakgrunden innehåller kortare teoriavsnitt om klassisk och visuell retorik, bildstruktur, semiotik samt affischens historia och roll i dag. En kortare beskrivning av pjäsens handling ger en naturlig ingång till den kortare presentationen av samtliga affischer som följer. I analysen studeras <em>Haml
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Woolff, Nicola. "Shakespeare's tragic family, sacrificers and victims from Cain to Hamlet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0003/MQ35091.pdf.

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Laqué, Stephan. "Hermetik und Dekonstruktion die Erfahrung von Transzendenz in Shakespeares Hamlet." Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2758696&prov=M&dok_var=1&dok_ext=htm.

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Fresco, Gabriella Petrone. "Shakespeare's reception in 18th century Italy : the case of Hamlet." Thesis, University of Warwick, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357494.

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Laqué, Stephan. "Hermetik und dekonstruktion : die erfahrung von transzendenz in Shakespeares "Hamlet /." Heidelberg : Universitätsverlag Winter, 2002. http://catalogue.bnf.fr/ark:/12148/cb40115438v.

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Barrie, Steven. "Shakespearean variations a case study of Hamlet, prince of Denmark /." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1245428198.

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Wenjing, Chen Alexandra. "The Role of Women in Thomas Ostermeier's Production of "Hamlet"." Thesis, Freie Universitaet Berlin (Germany), 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10291096.

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<p> This research looks at the production of <i>Hamlet</i> by Thomas Ostermeier, the director of the Schaub&uuml;hne Berlin. The production presents two female characters with a single female performer, and persents the concept that coporeality is an impossible exteriority. This research uses the playscript of Ostermeier's production of <i>Hamlet</i> as reference, and Judith Butler's book <i>Bodies that Matter</i> for its theoretical method, as well as contemporary critics of feminist study on the gendered body, to interpret the role of female characters in Ostermeier's production of <i> Hamle
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Portella, Luciana Balbo. "A questão da passividade na melancolia : o paradigma de Hamlet." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/311203.

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Orientadores: Mario Eduardo Costa Pereira, Jacques Andre<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Ciencias Medicas<br>Made available in DSpace on 2018-08-04T01:11:18Z (GMT). No. of bitstreams: 1 Portella_LucianaBalbo_D.pdf: 14939845 bytes, checksum: 8e1fb3d98c0103b46363d61d7b557c01 (MD5) Previous issue date: 2004<br>Resumo: A tese de doutoramento intitulada "A questão da passividade na melancolia: paradigma de Hamlef' trata de alguns o questionamentos clínicos sobre a ação da passividade e, conseqüente impacto sobre a relação analítica, num caso de melancolia. Su
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