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Journal articles on the topic 'Hamlet in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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1

Sjölin, Mette Hildeman. "‘|Y]oung Hamlet’." Critical Survey 35, no. 4 (2023): 94–112. http://dx.doi.org/10.3167/cs.2023.350407.

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Abstract Shakespeare's Hamlet has been retold in children's versions several times in Sweden in recent years. It was the subject of the first episode of the children's television programme På teatern [At the Theatre], written and directed by Christina Nilsson for SVT in 2001–2002, where Shakespearean actors meet their child or grandchild backstage after a performance to tell and partly enact the story of the play. In 2005–2006, Lotta Grut wrote the plays Lille Hamlett och spöket [Little Hamlett and the Ghost] and Offelia kom igen! [Offelia Come Again!] for the theatre company Unga Roma. In the

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2

Lupton, J. R. ""Hamlet" without Hamlet." Modern Language Quarterly 69, no. 3 (2008): 418–20. http://dx.doi.org/10.1215/00267929-2008-006.

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3

Clayton, Tom. "Whither Hamlet's “Words, Words, Words”? Notes on Dialogue and Designs in Hamlet." Ben Jonson Journal 25, no. 2 (2018): 214–41. http://dx.doi.org/10.3366/bjj.2018.0225.

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Four Hamlets and Hamlets have evolved from recent text-editorial practice, corresponding with, respectively, Q1 1603, Q2 1604–05, F 1623, and the composite received text combining Q2 and F. Q2 is the fullest and most authoritative text, F is a slightly shorter, cut revision containing passages omitted in Q2. At present, Q1—half the length of Q2—is either young Shakespeare's first version or, more likely, a later derivative of F1's ancestor (c. 1601–03). Although the most recent editors (of Arden 3 and the New Oxford Shakespeare) favor individual editions of Q1, Q2, and F, there remains much to

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4

Dalimunthe, Syaiful, Yasmin Yasmin, Zahwa Rembune, Nur Febriani, and Zuhrina Aida. "Penggunaan Ecobrick dalam Upaya Untuk Mengurangi Volume Limbah Sampah Plastik di Desa Pematang Johar Dusun XV." Jurnal Teknik Industri Terintegrasi 6, no. 4 (2023): 1236–42. http://dx.doi.org/10.31004/jutin.v6i4.18794.

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According to data from the Ministry of Environment and Forestry (MoEF), Indonesia will produce 19.45 million tons of waste by 2022. Of the total amount of waste, 882.03 thousand tons of it is waste from North Sumatra. This amount of waste makes North Sumatra the seventh largest waste producer in Indonesia. Pematang Johar Village is one of five villages located in Labuhan Deli Sub-district, Deli Serdang Regency. The village consists of 18 hamlets, one of which is hamlet XV Suka Mulia. Hamlet XV is a hamlet that is labeled as an ecobrick hamlet, because hamlet XV is the first hamlet to bring and

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5

Vivier, Jean. "Hamlet." Cahiers Élisabéthains: A Journal of English Renaissance Studies 103, no. 1 (2020): 201–3. http://dx.doi.org/10.1177/0184767820946175ae.

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6

Price, Eoin. "Hamlet." Cahiers Élisabéthains: A Journal of English Renaissance Studies 103, no. 1 (2020): 187–89. http://dx.doi.org/10.1177/0184767820946175z.

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7

Hunt, Cameron. "Homophonic Hamlet: Making Hamlet Ma(i)d." Explicator 67, no. 3 (2009): 209–12. http://dx.doi.org/10.3200/expl.67.3.209-212.

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8

Prendergast, C. "Derrida's Hamlet." SubStance 34, no. 1 (2005): 44–47. http://dx.doi.org/10.1353/sub.2005.0020.

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9

ROSE, JACQUELINE. "Hamlet ? the Mona Lisa of Literature." Critical Quarterly 28, no. 1-2 (1986): 35–49. http://dx.doi.org/10.1111/j.1467-8705.1986.tb00004.x.

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10

Thomas, Alfred, and William Shakespeare. "Hamlet." Theatre Journal 40, no. 1 (1988): 118. http://dx.doi.org/10.2307/3207799.

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11

Sorgenfrei, Carol Fisher, William Shakespeare, and Charles Marowitz. "Hamlet." Theatre Journal 38, no. 1 (1986): 98. http://dx.doi.org/10.2307/3207827.

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12

McLennan, Kathleen A., and William Shakespeare. "Hamlet." Theatre Journal 38, no. 1 (1986): 101. http://dx.doi.org/10.2307/3207828.

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13

Carlson, Marvin, and William Shakespeare. "Hamlet." Theatre Journal 41, no. 3 (1989): 396. http://dx.doi.org/10.2307/3208187.

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14

Dieckman, Suzanne Burgoyne, and William Shakespeare. "Hamlet." Theatre Journal 41, no. 3 (1989): 398. http://dx.doi.org/10.2307/3208188.

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15

Krasner, David, William Shakespeare, Anton Chekhov, and Geroge Calderon. "Hamlet." Theatre Journal 44, no. 4 (1992): 528. http://dx.doi.org/10.2307/3208779.

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16

Troy, Shari, and William Shakespeare. "Hamlet." Theatre Journal 44, no. 4 (1992): 530. http://dx.doi.org/10.2307/3208780.

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17

Favorini, Attilio, and William Shakespeare. "Hamlet." Theatre Journal 44, no. 4 (1992): 543. http://dx.doi.org/10.2307/3208787.

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18

Londre, Felicia Hardison, and William Shakespeare. "Hamlet." Theatre Journal 46, no. 1 (1994): 128. http://dx.doi.org/10.2307/3208964.

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19

Fisher, James, and William Shakespeare. "Hamlet." Theatre Journal 45, no. 4 (1993): 552. http://dx.doi.org/10.2307/3209026.

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20

De Ferrari, Chela. "Hamlet." Theater 53, no. 2 (2023): 26–51. http://dx.doi.org/10.1215/01610775-10350524.

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21

Delaney, Bill. "Shakespeare's HAMLET." Explicator 58, no. 2 (2000): 67–68. http://dx.doi.org/10.1080/00144940009597010.

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22

Smith, David M. "Shakespeare's Hamlet." Explicator 59, no. 4 (2001): 174–76. http://dx.doi.org/10.1080/00144940109597126.

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23

Sterling, Eric. "Shakespeare's Hamlet." Explicator 60, no. 1 (2001): 2–5. http://dx.doi.org/10.1080/00144940109597150.

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24

Gooch, Michael. "Shakespeare's Hamlet." Explicator 60, no. 4 (2002): 186–88. http://dx.doi.org/10.1080/00144940209597707.

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25

Hinten, Marvin D. "Shakespeare's Hamlet." Explicator 62, no. 2 (2004): 68–70. http://dx.doi.org/10.1080/00144940409597173.

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26

Delaney, Bill. "Shakespeare's Hamlet." Explicator 63, no. 2 (2005): 66–68. http://dx.doi.org/10.1080/00144940509596893.

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27

Monitto, Gary V. "Shakespeare's Hamlet." Explicator 46, no. 2 (1988): 6. http://dx.doi.org/10.1080/00144940.1988.9935287.

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28

Viswanathan, R. "Shakespeare's Hamlet." Explicator 46, no. 2 (1988): 6–8. http://dx.doi.org/10.1080/00144940.1988.9935288.

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29

Turek, Charles. "Shakespeare's Hamlet." Explicator 48, no. 4 (1990): 239–41. http://dx.doi.org/10.1080/00144940.1990.9934010.

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30

Carson, Ricks. "Shakespeare's Hamlet." Explicator 50, no. 4 (1992): 198–99. http://dx.doi.org/10.1080/00144940.1992.9935314.

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31

Hinten, Marvin D. "Shakespeare's Hamlet." Explicator 51, no. 3 (1993): 145–46. http://dx.doi.org/10.1080/00144940.1993.9938002.

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32

Smith, Evans Lansing. "Shakespeare's Hamlet." Explicator 52, no. 3 (1994): 137–40. http://dx.doi.org/10.1080/00144940.1994.9938747.

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33

Carson, Ricks. "Shakespeare's Hamlet." Explicator 53, no. 3 (1995): 130. http://dx.doi.org/10.1080/00144940.1995.9937249.

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34

Thatcher, David. "Shakespeare's Hamlet." Explicator 54, no. 3 (1996): 134–36. http://dx.doi.org/10.1080/00144940.1996.9934091.

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35

Kumamoto, Chikako. "Shakespeare's Hamlet." Explicator 64, no. 4 (2006): 202–5. http://dx.doi.org/10.3200/expl.64.4.202-205.

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36

Taylor, Mark. "Shakespeare's Hamlet." Explicator 65, no. 1 (2006): 4–7. http://dx.doi.org/10.3200/expl.65.1.4-7.

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37

McInnis, David. "Shakespeare's Hamlet." Explicator 65, no. 2 (2007): 68–71. http://dx.doi.org/10.3200/expl.65.2.68-71.

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38

Stein, Suzanne. "Shakespeare's Hamlet." Explicator 67, no. 2 (2009): 117–20. http://dx.doi.org/10.3200/expl.67.2.117-120.

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39

Neill, Michael, Cedric Watts, Alexander Leggatt, Adrian Poole, and Peter Davison. "Hamlet." Modern Language Review 85, no. 3 (1990): 692. http://dx.doi.org/10.2307/3732220.

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40

Evans, G. Blakemore, William Shakespeare, and Harold Jenkins. "Hamlet." Modern Language Review 81, no. 3 (1986): 710. http://dx.doi.org/10.2307/3729205.

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41

Ikhsan, Ikhsan, and Faizal Satria Desitama. "Pengaruh Akuntabilitas Pengelolaan Dana Desa Dan Pendapatan Asli Daerah Terhadap Kepercayaan Masyarakat Desa Pojok Kecamatan Campurdarat Kabupaten Tulungagung." Journal of Economic, Bussines and Accounting (COSTING) 6, no. 2 (2023): 2413–24. http://dx.doi.org/10.31539/costing.v6i2.5904.

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The purpose of this study is more community anxiety about development, finance and so on regarding village funds and regional original income, because there are various roads that are still comfortable to pass, this research uses a type ofquantitative research which is a research method that uses data- data in the form of numbers as a tool to analyze and conduct research studies,especially what has been examined. The type of this research is descriptive research type. Because Pojok Village has 3 hamlets, namely Secang Hamlet, Gedangsewu Hamlet, and Pojok Hamlet, with a total of 50 respon

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42

Kelly, Charles Adams, and Dayna Leigh Plehn. "Q1 Hamlet." Critical Survey 31, no. 1-2 (2019): 153–67. http://dx.doi.org/10.3167/cs.2019.31010212.

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The case for Q1 Hamlet as a pre-Q2 text is coming into focus as the findings of several scholars are reconciled. Additionally, a finding related to the Brudermord text has helped mark that text as a predecessor to both Q1 and Q2/F, with further implications for Q1 as a pre-Q2 text. As this view of Q1 becomes accepted, patterns of Q1 vs. Q2 variance advance the case for Q1 as being the author’s draft of the text that became the censor-approved ‘allowed book’. There is no way to know how most of the Q1 vs. Q2 textual variants progressed from Q1 as printed, to the non-extant allowed book from whi

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43

Holderness, Graham, and Bryan Loughrey. "Q1 Hamlet." Critical Survey 31, no. 1-2 (2019): 187–95. http://dx.doi.org/10.3167/cs.2019.31010214.

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While the articles in this volume are focussed on new research in Hamlet studies, this editorial ‘Afterword’ reverts to an earlier stage of the debate around Q1, specifically the ‘culture wars’ of the 1990s, and re-examines the controversy surrounding the publication of the Shakespearean Originals series, which was launched with a new edition of Hamlet First Quarto (1992). Shakespearean Originals sought to situate texts within the historical conditions of textual production by decomposing conflated modern editions into the various discrete, and to some degree incommensurable, textualisations t

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44

Sivefors, Per. "Alienating Hamlet." Critical Survey 35, no. 4 (2023): 41–57. http://dx.doi.org/10.3167/cs.2023.350404.

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Abstract The protagonist of Jenny Andreasson's autobiographical novel Teatern (2022) is a young female director whose feminist production of Hamlet at the Swedish national stage fails to have its planned premiere. While the novel makes a point of describing the misogynist structures behind this failure, the present article suggests that class structures and precarity are the main reasons behind it. The financial difficulties of the theatre generate a clear discrepancy between cultural capital – embodied by Shakespeare's canonical play – and economic. The resulting precarious work situation is

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45

Haslett, Tim. "Simulating Hamlet." International Journal of System Dynamics Applications 1, no. 4 (2012): 77–87. http://dx.doi.org/10.4018/ijsda.2012100104.

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This paper explores the implications of the use of System Dynamics to model dramatic works and examines the model used in Pamela Lee Hopkins’ “Simulating Hamlet in the classroom.” This paper addresses this issue from both a literary and a modelling perspective. It begins by discussing the use of System Dynamics modelling in literature within the framework established by Forrester. Two aspects of the model, motivation and evidence revelation, are then examined against evidence from the text, supported by historical information. Some difficulties inherent in modelling drama are highlighted and t

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46

Pabisch, Peter, and Peter Henisch. "Hamlet, Hiob, Heine." World Literature Today 64, no. 2 (1990): 304. http://dx.doi.org/10.2307/40146471.

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47

Long-Innes, Chesca. "Wulf Sachs'sBlack Hamlet." Scrutiny2 5, no. 2 (2000): 78–85. http://dx.doi.org/10.1080/18125440008565973.

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48

de Grazia, M. "Hamlet in Purgatory." Modern Language Quarterly 63, no. 4 (2002): 539–42. http://dx.doi.org/10.1215/00267929-63-4-539.

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49

Matthew Harkins. "Making “Young Hamlet”." SEL Studies in English Literature 1500-1900 49, no. 2 (2009): 333–54. http://dx.doi.org/10.1353/sel.0.0053.

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50

Tersmeden, Kiki Lindell. "(There Is) Nothing Like a Dane." Critical Survey 35, no. 4 (2023): 76–93. http://dx.doi.org/10.3167/cs.2023.350406.

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Abstract This article gives a brief account of the two-hundred-year-old performance history of Hamlet at Elsinore Castle; this is followed by a discussion of Gertrude as portrayed in nine English or English-speaking Hamlets at Elsinore, beginning with Olivier and the Old Vic in 1937 and concluding with Cape Town Theatre Company eighty-five years later, in 2022. The article discusses different aspects of how Gertrude (as seen through the prism of these particular Hamlet productions) has been portrayed on stage, drawing attention to the fact that, particularly in productions with a star actor in

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