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Books on the topic 'Hamley (Firm)'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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1

Dawson, Anthony B. Hamlet. Manchester: Manchester University Press, 1995.

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2

Schunert, Sonja. Shakespeares "Hamlet" im Film. Alfeld/Leine: Coppi-Verlag, 1999.

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3

Russell, Brown John. Hamlet. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2006.

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4

Kozint︠s︡ev, Grigoriĭ Mikhaĭlovich. Gamlet: Hamlet. [Russia]: RUSCICO, 2003.

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5

Branagh, Kenneth. Hamlet. New York: W.W. Norton & Co., 1996.

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6

Kliman, Bernice W. Hamlet: Film, television, and audio performance. Rutherford [N.J.]: Fairleigh Dickinson University Press, 1988.

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7

Tony, Richardson, and Neil Hartley. Shakespeare's Hamlet. Culver City, Calif: Sony Pictures Home Entertainment, 2012.

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8

Sosnowska, Monika. Hamlet uzmysłowiony. Łódź: Wydawnictwo Uniwersytetu Łódzkiego, 2013.

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9

Cinematic Hamlet: The films of Olivier, Zeffirelli, Branagh, and Almereyda. Athens: Ohio University Press, 2011.

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10

Rungs on a ladder: Hammer Films seen through a soft gauze. Lanham, Md: Scarecrow Press, 2003.

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11

Maxford, Howard. Hammer, house of horror: Behind the screams. London: B.T. Batsford, 1996.

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12

Howard, Tony. Women as Hamlet: Performance and interpretation in theatre, film and literature. Cambridge, UK: Cambridge University Press, 2007.

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13

Devore, Christopher. Hamlet: A Franco Zeffirelli film : freely adapted from William Shakespeare's tragedi. [S.l]: [s.n.], 1990.

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14

The art of Hammer: Posters from the archive of Hammer Films. London: Titan Books, 2010.

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15

Hammer and beyond: The British horror film. Manchester, UK: Manchester University Press, 1993.

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16

A thing of unspeakable horror: The history of Hammer films. London: Aurum, 2007.

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17

Kenneth, Branagh, ed. Shakespeare on the screen: Kenneth Branagh's adaptations of Henry V, Much ado about nothing and Hamlet. 2nd ed. Frankfurt am Main: P. Lang, 2000.

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18

From Bauhaus to bowties: HGA celebrates 35 years. Minneapolis, Minn: Hammel, Green, and Abrahamson, 1989.

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19

Maxford, Howard. Hammer, house of horror: Behind the screams. Woodstock, N.Y: Overlook Press, 1996.

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20

T, Koetting Christopher, ed. A history of horrors: The rise and fall of the house of Hammer. Lanham, Md: Scarecrow Press, 2009.

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21

T, Koetting Christopher, ed. A history of horrors: The rise and fall of the house of Hammer. Lanham, Md: Scarecrow Press, 1996.

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22

The charm of evil: The life and films of Terence Fisher. Metuchen, N.J: Scarecrow Press, 1991.

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23

1970-, Barnes Alan, ed. The Hammer story. London: Titan Books, 1998.

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24

The Hammer vault: Treasures from the archives of Hammer Films. London: Titan Books, 2011.

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25

Costa, Janet. To see or not to see: The inclusion and exclusion of Fortinbras in five film productions of Hamlet. Birmingham: University of Birmingham, 1997.

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26

Hammer film scores and the musical avant-garde. Jefferson, N.C: McFarland & Co., 2008.

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27

Stoppard, Tom. Rosencrantz and Guildenstern are dead: The film. London: Faber and Faber, 1991.

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28

Stanzick, Nicolas. Dans les griffes de la Hammer: La France livrée au cinéma d'épouvante. Paris: Scali, 2008.

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29

Dracula. London: I.B. Tauris, 2003.

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30

Johnson, Tom. Hammer Films: An exhaustive filmography. Jefferson, N.C: McFarland, 1996.

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31

Sangster, Jimmy. Inside hammer: Behind the scences at the House of Horror. London: Reynolds & Hearn, 2001.

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32

Larson, Randall D. Music from the house of Hammer: Music in the Hammer horror films, 1950-1980. Lanham, Md: Scarecrow Press, 1996.

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33

United States. Congress. House. Committee on Education and Labor. Hearing on H.R. 3160, Comprehensive Occupational Safety and Health Reform Act, and the fire at the Imperial Food Products Plant in Hamlet, North Carolina: Hearing before the Committee on Education and Labor, House of Representatives, One Hundred Second Congress, first session, hearing held in Washington, DC, September 12, 1991. Washington [D.C.]: U.S. G.P.O., 1991.

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34

United States. Congress. House. Committee on Education and Labor. Hearing on H.R. 3160, Comprehensive Occupational Safety and Health Reform Act, and the fire at the Imperial Food Products Plant in Hamlet, North Carolina: Hearing before the Committee on Education and Labor, House of Representatives, One Hundred Second Congress, first session, hearing held in Washington, DC, September 12, 1991. Washington: U.S. G.P.O., 1991.

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35

United States. Congress. House. Committee on Education and Labor. Hearing on H.R. 3160, Comprehensive Occupational Safety and Health Reform Act, and the fire at the Imperial Food Products Plant in Hamlet, North Carolina: Hearing before the Committee on Education and Labor, House of Representatives, One Hundred Second Congress, first session, hearing held in Washington, DC, September 12, 1991. Washington: U.S. G.P.O., 1991.

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36

United States. Congress. House. Committee on Education and Labor. Hearing on H.R. 3160, Comprehensive Occupational Safety and Health Reform Act, and the fire at the Imperial Food Products Plant in Hamlet, North Carolina: Hearing before the Committee on Education and Labor, House of Representatives, One Hundred Second Congress, first session, hearing held in Washington, DC, September 12, 1991. Washington: U.S. G.P.O., 1991.

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37

United States. Congress. House. Committee on Education and Labor. Hearing on H.R. 3160, Comprehensive Occupational Safety and Health Reform Act, and the fire at the Imperial Food Products Plant in Hamlet, North Carolina: Hearing before the Committee on Education and Labor, House of Representatives, One Hundred Second Congress, first session, hearing held in Washington, DC, September 12, 1991. Washington: U.S. G.P.O., 1991.

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38

United States. Congress. House. Committee on Education and Labor. Hearing on H.R. 3160, Comprehensive Occupational Safety and Health Reform Act, and the fire at the Imperial Food Products Plant in Hamlet, North Carolina: Hearing before the Committee on Education and Labor, House of Representatives, One Hundred Second Congress, first session, hearing held in Washington, DC, September 12, 1991. Washington: U.S. G.P.O., 1991.

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39

United States. Congress. House. Committee on Education and Labor. Hearing on H.R. 3160, Comprehensive Occupational Safety and Health Reform Act, and the fire at the Imperial Food Products Plant in Hamlet, North Carolina: Hearing before the Committee on Education and Labor, House of Representatives, One Hundred Second Congress, first session, hearing held in Washington, DC, September 12, 1991. Washington: U.S. G.P.O., 1991.

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40

United, States Congress House Committee on Agriculture Subcommittee on Department Operations Research and Foreign Agriculture. Review of U.S. Department of Agriculture's Food Safety and Inspection Service workplace safety regulations: Hearing before the Subcommittee on Department Operations, Research, and Foreign Agriculture of the Committee on Agriculture, House of Representatives, One Hundred Second Congress, first session, November 12, 1991. Washington: U.S. G.P.O., 1992.

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41

United States. Congress. House. Committee on Agriculture. Subcommittee on Department Operations, Research, and Foreign Agriculture. Review of U.S. Department of Agriculture's Food Safety and Inspection Service workplace safety regulations: Hearing before the Subcommittee on Department Operations, Research, and Foreign Agriculture of the Committee on Agriculture, House of Representatives, One Hundred Second Congress, first session, November 12, 1991. Washington: U.S. G.P.O., 1992.

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42

Duckett, Victoria. Hamlet. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039669.003.0003.

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This chapter examines Sarah Bernhardt's appearance in the 1900 short film Hamlet. Part of Paul Decauville's program for the Phono-Cinéma-Théâtre at the Paris Exposition, Bernhardt's film featured the fencing scene of Hamlet. She had played (and toured) Hamlet successfully on the live stage the previous year. In this way, the film pointed backward just as it pointed forward, to a known theatrical show and to invention, to mechanical mediations that brought with them new ways of presenting and promoting theater. This chapter considers how live musicians, the phonograph, and hand-colored film contributed to Decauville's initiative and hence to Hamlet. It argues that Bernhardt's short film was a calculated response to the new media and to its possible future. Bernhardt did not just adapt her stage work for the screen; she was a savvy businesswoman aware that cinematized theater could attract new audiences to her.
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43

Lanier, Douglas M. Hamlet. Edited by Michael Neill and David Schalkwyk. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198724193.013.35.

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Film adaptations of Hamlet have tended to fall into two broad categories, psychological character studies of Hamlet that emphasize Oedipal dynamics, and political readings that portray the prince as a rebellious crusader against various forms of systemic sociopolitical corruption. Of the former group, Laurence Olivier’s 1947 Hamlet has been particularly influential, casting a long shadow across film versions by John Gielgud (1964), Tony Richardson (1969), and Franco Zeffirelli (1990). Notable examples of political screen adaptations include the versions by Akira Kurosawa (The Bad Sleep Well, 1960), Gyorgi Kozintsev (1964), Kenneth Branagh (1996), and Michael Almereyda (2000). This article surveys the history and characteristics of these two styles of adapting Hamlet to the screen, focusing on how specific films have reshaped Shakespeare’s play to respond to specific historical and cultural contexts, to the demands of film as a medium, and to previous film adaptations of the tragedy.
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44

Williams, Margaret, and Sarah Frankom. Hamlet. 2018.

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45

1938-, Klein Holger Michael, and Daphinoff Dimiter, eds. Hamlet on screen. Lewiston, N.Y: Edwin Mellen Press, 1997.

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46

Jackson, Russell, Kenneth Branagh, Rolf Konow, and William Shakespeare. Hamlet. Norton & Company, Incorporated, W. W., 1996.

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47

Kliman, Bernice W. Hamlet: Film, Television, and Audio Performance. Fairleigh Dickinson Univ Pr, 1988.

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48

Shakespeares Hamlet The Relationship Between Text And Film. Bloomsbury Publishing PLC, 2014.

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49

Crowl, Samuel. ‘Nobody’s Perfect’. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.15.

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This chapter explores the differing impact of the transvestite on stage and film. Its primary focus is on Sven Gade’s 1920 silent film Hamlet, starring the Danish film star Asta Nielsen as the prince, and Julie Taymor’s 2010 film The Tempest, with Helen Mirren reimagining Prospero and Prospera. The nine decades between the two films measure the course of several generations of technical and social progress. Further, their exemplary use of cross-dressing and gender-bending serve yet again to show larger historical crossings between Shakespeare’s generation and our own. Gade’s Hamlet serves as a defining historical moment for cross-dressing and gender-bending in filmed Shakespeare. Taymor’s Tempest provides a similar occasion for a contemporary audience—but with two important differences. Because Gade’s Hamlet is silent, visuals necessarily dominate text, whereas in Taymor’s Tempest visuals and text take on an integral balance and mutual reinforcement.
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50

Walden, Victoria. Studying Hammer Horror. Liverpool University Press, 2016. http://dx.doi.org/10.3828/liverpool/9781906733322.001.0001.

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When Hammer Productions was formed in the 1920s, no one foresaw the impact this small, independent studio would have on the international film market. Christopher Lee's mesmerizing, animalistic, yet gentlemanly performance as Dracula, Frankenstein's Monster, and the Mummy were celebrated worldwide, and the Byronic qualities of Peter Cushing's Dr. Frankenstein, among his many other Hammer characters, proved impossible to forget. Hammer maintained consistent period settings, creating a timeless and enchanting aesthetic. This book treats Hammer as a quintessentially British product and through a study of its work investigates larger conceptions of national horror cinemas. The book examines genre, auteur theory, stardom, and representation within case studies of Curse of Frankenstein (1957), Twins of Evil (1971), and Hammer's latest film, Beyond the Rave (2008). The book weighs Hammer's impact on the British film industry, past and present. Intended for students, fans, and general readers, this book transcends superficial preconceptions of Hammer horror in order to reach the essence of Hammer.
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