Relevant bibliographies by topics / HAN-DYNASTY

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'HAN-DYNASTY'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "HAN-DYNASTY"

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Ouyang, Mingding, and Shisheng Lv. "Research on the application of amber modeling and matching art in contemporary amber design in Han Dynasty." BCP Social Sciences & Humanities 18 (June 30, 2022): 571–77. http://dx.doi.org/10.54691/bcpssh.v18i.1164.

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By studying the characteristics of amber art in Han Dynasty, this paper focuses on the matching features of Shengxing ornament, animal sculpture and necklace in Han Dynasty amber art. Secondly, it collects the main styles of contemporary amber design, analyzes the contemporary amber aesthetics, and finds out the similarities between Han Dynasty amber art and contemporary amber art, and finally designs a set of programs that can adapt to the modern amber market, Summed up the Han Dynasty amber art in the application of modern amber design rules, so that the Han Dynasty amber art can be in contemporary amber design vitality. This paper will be analyzed at the following levels: the first chapter analyzes the current amber design market; the second chapter analyzes the social background and artistic characteristics of Han Dynasty amber art; the third chapter analyzes the feasibility and fusion point of Han Dynasty amber art in contemporary amber design on the basis of studying the characteristics of Han Dynasty amber art and contemporary amber design.
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Zhang (張峰屹), Fengyi. "The Influence of Chenwei on Han Dynasty Literature and Literary Theory." Journal of Chinese Humanities 8, no. 1 (July 8, 2022): 58–115. http://dx.doi.org/10.1163/23521341-12340125.

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Abstract Apocryphal chenwei ideas and beliefs rose to prominence in the Han dynasty as a political and cultural movement that became closely intertwined with orthodox classical scholarship. These ideas and beliefs profoundly influenced the literature and literary theory of this period, and their influence must be taken into consideration – alongside that of classical scholarship – when undertaking Han dynasty literary and cultural research. A comprehensive understanding of Han dynasty literature and literary thought can only be obtained when connections to both chenwei themes and classical scholarship have been recognized. Accordingly, this article seeks to shed light on the strong links between chenwei concepts and Han dynasty literary thought through an examination of chenwei influence on Han dynasty poetry and literary theories.
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Wang, Yuting. "The Rise and Fall of the Western Han Dynasty Imperial Power from the Perspective of Mausoleum Regulations." Journal of Education, Humanities and Social Sciences 28 (April 1, 2024): 185–94. http://dx.doi.org/10.54097/9mh4vj35.

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This paper uses the cultural factor analysis method in the archaeological research method to explore the rise and fall of the imperial power of the Western Han Dynasty by taking the remains in the regulation of the mausoleum of the Western Han Dynasty as the analysis and research object. By combing the evolution of the imperial mausoleum system in the Western Han Dynasty, this paper aims to analyze the influence of the imperial power system on the regulation of the imperial mausoleum. At present, the academic circles generally believe that the mausoleum system in the early Western Han Dynasty was ‘Han Cheng Qin system’, and gradually improved and developed independently in the middle and late stages, but there is still a debate on whether there is ‘Zhao Mu’. The current archaeological data and research show that the imperial power has become an important factor restricting the layout of the Western Han Dynasty mausoleum under the influence of different political ideas, and it involves the destruction of the Han ancestral temple. This paper argues that the Han Dynasty laid the foundation for the development of the imperial mausoleum system in later generations.
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Pulleyblank, Edwin G. "The Reconstruction of Han Dynasty Chinese." Journal of the American Oriental Society 105, no. 2 (April 1985): 303. http://dx.doi.org/10.2307/601709.

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Yang, Yang. "The theory of Han is the fire dynasty and Yao's progeny's established in the Han Dynasty." Journal of School Social Work 68 (November 30, 2017): 225–56. http://dx.doi.org/10.37924/jssw.68.8.

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Bao, David. "The Evolution, Characteristics, and Aesthetic Expression of Han Dynasty Sculptures: Exploring the Artistic Achievements of Ancient China." Advances in Education, Humanities and Social Science Research 6, no. 1 (July 7, 2023): 299. http://dx.doi.org/10.56028/aehssr.6.1.299.2023.

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This study explores the development, traits, methods, and philosophies of Han sculptural works throughout Chinese history. Han dynasty sculptures are exceptional works of art due to their unusual ceramic figurines, stone creature sculptures, and pictorial stone designs. The article explores the evolution of art across time, centering on the Han dynasty and its emphasis on functional sculptures. Cultural influences such as the mixing of Chu and Western Region art via the Silk Road are discussed how they influenced Han Dynasty sculptures. The study also explores the stories told via the sculptures of the Han era, focusing on themes of life, myth, and masculinity. With an emphasis on stone carving and a wide range of expressive methods, this article examines the creative expressions and aesthetic principles at work in sculptures from the Han Dynasty. The relevance of sculptures from the Han Dynasty to the evolution of ancient Chinese art is discussed, with examples highlighting the sculptures' dynamic life and creative quality.
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Jin, Xin. "On the image language of music and dance in the graphic seal of the Han Dynasty." Advances in Education, Humanities and Social Science Research 1, no. 1 (May 9, 2022): 335. http://dx.doi.org/10.56028/aehssr.1.1.335.

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Among the graphic seals of the Han Dynasty in China, one kind is to express the image content of music and dance in the Han Dynasty, which is mostly combined with image languages such as song, dance and music, forming an organic overall image in the seal.In this paper, these seal images are summarized as four music and dance image languages of the Han Dynasty, such as "Accompanied by Guqin and harps", "‘Sheng’and‘Yu’similar", "Dancing sleeve dance up" and "Drunk percussion ‘Zhu’ ", which can not only provide us with a certain image reference for studying the music and dance of the Han Dynasty, but also reflect the real life of the people of the Han Dynasty on the other hand,It is also a comprehensive aesthetic embodiment of the image seal of music and dance integrating dance and performance.
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Han, Liu, and Yang Cui. "The application of virtual reality technology in museum exhibition ——Take the Han Dynasty Haihunhou Ruins Museum in Nanchang as an example." E3S Web of Conferences 236 (2021): 04045. http://dx.doi.org/10.1051/e3sconf/202123604045.

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The opening of the Haihunhou Relics Museum of The Han Dynasty in Nanchang showcases the largest, best-preserved and most abundant legal-marquis tombs of the Han Dynasty discovered in China, and exhibits the historical sites and precious cultural relics of the Han Dynasty in an undamaged manner. The tomb of Haihunhou reflects the splendid civilization of an era, which is of great significance to the study of Chinese politics, economy and culture in han Dynasty. The display of the Han Dynasty Haihunhou Ruins Museum in Nanchang also represents the display level of today's China. Nowadays, people are more and more interested in and want to visit ancient relics. However, it is difficult for traditional museums to display ancient relics and visitors cannot understand the historical stories behind them. With the development of contemporary science and technology and virtual reality technology, museum exhibits more tends to digital, intelligent technology, through the cultural relics of the display of virtual reality technology, brings to the sea faint principality of nanchang han dynasty ruins museum different presentation, more fully play of the museum's education value and historical responsibility.
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Wang, Ruorui. "The Thought of Governing Country and Employing People in the Period of Emperor Wu of Han." Transactions on Social Science, Education and Humanities Research 6 (March 22, 2024): 44–49. http://dx.doi.org/10.62051/xzr2m512.

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The Han Dynasty is of great significance to the process of the unification of China, and the system of the Han Dynasty also laid the foundation for the political system of China for more than 1,000 years. Among them, Emperor Wu was the key figure in the transition of the Han Dynasty system. Scholars generally summarize the ruling thought of Emperor Wu of Han Dynasty as external Confucianism and internal law, which is not accurate. From the analysis of the selection and appointment of the imperial officials in the Emperor Wu's dynasty, we can find that Emperor Wu's governance and employment strategy are based on his own will, which reflects strong functionalism and totalitarianism. Confucianism, as the mainstream thought advertised at that time, was more of a decoration.
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LIU, Yutong. "On the Supremacy of Confucianism and the Periodization of Confucian Classics Learning in the Han Dynasty." Asian Studies 12, no. 1 (January 18, 2024): 87–112. http://dx.doi.org/10.4312/as.2024.12.1.87-112.

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Wang Baoxuan’s 王葆玹 argument that Emperor Wu of the Han dynasty respected the Five Confucian Classics and tolerated non-Confucian schools because the “supremacy of Confucianism” (獨尊儒術) was not implemented until the reign of Emperor Cheng can be disputed. Additionally, Wang’s premise that masters learning (子學) in the Warring States period was the source of classics learning (經學) in the Western Han dynasty, and the extinction of masters learning during the supremacy of Confucianism led to the decline of classics learning, can also be debated. This paper proposes that with regard to the supremacy of Confucianism, the focus was on the second founding of the Han dynasty, not on the relationship between classics learning and masters learning. Both the Qin dynasty and the Western Han dynasty had masters learning as their guiding ideology, but Emperor Wu found that solely relying on masters learning, which was a collection of ideas by important thinkers, was not sustainable. Instead, the Han dynasty needed to be based on classics learning, which represented the traditional Chinese civilization that was inherited from the three ancient and sacred Chinese dynasties of the Xia, Shang, and Zhou. The supremacy of Confucianism was thus a means of ensuring the continuity and stability of the Han dynasty that was applied by Dong Zhongshu and Emperor Wu.
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Dissertations / Theses on the topic "HAN-DYNASTY"

1

Li, Hui. "Chinese glass before the Han Dynasty." [S.l. : s.n.], 2008.

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曾智勇 and Chi-yung Tsang. "The development of Gongyang scholarship in the Han Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B43894914.

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Wong, Yin-chiu, and 黃彥超. "Investigating morden studies of Han shu (Yang Shuda's Han shu kui guan in particular) using Han bamboo slips of Zhangjiashan = Cong Zhangjiashan Han jian kan jin ren "Han shu" yan jiu : yi Yang Shuda "Han shu kui guan" wei zhong xin." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/208085.

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Han Shu is our first history book which narrates the story by dynasty. It carries a lot of valuable information of the Han dynasty, both historically and literarily. However, because of the long-ago history, a lot of language, pronunciation, naming system, names of officials and places are now difficult to read and understand. Throughout the history, a number of people had analyzed Han Shu. These people have solved a lot of queries. Yang Shuda has high achievements in analyzing Han Shu. He is not only good at etymology and phonology but also analyzing parts of speech and sentence patterns. In terms of the use of materials, not only does he compare different versions of literature, but also uses inscriptions and even cultural data such as marriage and death for analysis. All these contribute to his unique analysis. The analysis of Han Shu has opened up a new field as more and more materials are excavated. Bronze, lacquer and even lute and currency are used in research. This has broadened the academic horizons and solved many mysteries. In 1983, in Hubei province, a lot of Han bamboo slips were excavated, which have provided tremendous help to our understanding of the medicine, law, mathematics and others of the Han dynasty. By the time when current books of Han analysis such as Yang Shuda’s Han Shu Kui Guan were punished, bamboo clips of Zhangjiashan were not yet unearthed. It is unable to invoke this important information, resulting in some doubtful content. I hereby try to make use of these bamboo slips to supplement previous comments, provide new research directions, or affirm previous results. This dissertation is divided to six parts. Each uses the notes of current analysts as the starting point while incorporating Zhangjiashan Han bamboo slips. My analysis is based on Yang Shuda Han Shu Kui Guan, together with the analysis of some current analysts.
published_or_final_version
Chinese Language and Literature
Master
Master of Arts
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Lin, Cheng-Sheng. "Han burial jades : the role of jade in the Han Dynasty tombs (206 BC-AD 220)." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.273302.

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Tsang, Chi-yung. "The development of Gongyang scholarship in the Han Dynasty = Han dai Gongyang xue de fa zhan /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B24729590.

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Mohr, Kyle A. "The Mechanics of Imperialism in the Ancient World." Miami University Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1210189238.

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jui-chen, yang, and 楊瑞珍. "Looks at Han Dynasty society from Han Yuefu." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/06577117054869334584.

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碩士
玄奘大學
中國語文學系碩博士班
99
Han Yuefu had rich content meaning，and reflected really social condition. It not only had value of the literature appreciation, but also made material of the Social history research. Hanyuefu is the second "Book of Songs", the ancient folk music of another great together. More than their come from lower-class people out of the mouth, "a sense of the dirge, and the fat edge of things" to express the voice of the people themselves, the people out of their love and hate, a true reflection of the internal contradictions of feudal society and conflict. Hanyuefu Poetry has always been to become literature scholars favorite literature，flashing a unique artistic brilliance. The present paper research subject sees the Han Dynasty society for Han Yuefu. It’s goal for penetrates Han Yuefu , seeks its thought connotation with Han Dynasty politics vicissitude, the economical development, the social environment and relations the technique thought tidal current, and further inquired into Han Yuefu conservatories manifest many social phenomena, brings the popular resentment, politics including the war corvee ruins the powerful bullies to run amuck, the social polarization of the rich and the poor, under the feudal ethics and rites marital question, looks after and so on with a person to the life main body; The economical aspect inquires into two Chinese economy production activity, the handicraft development standard, the city life and the trade activity, the basic necessities of life culture and so on; As well as in social life forms custom public sentiments and so on marriage, funeral, sacrificial offering, belief, dancing to music entertainment, increase the literature understanding the ersatility.The expectation penetration literature, the history, the custom and so on the multiple angles carefully examine, analyzes the Han Dynasty society profoundly hundred condition, the people's thought values and so on, makes up only elaborates insufficiency of the Chinese musical conservatory from the literature angle.
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Wu, Min-Min, and 吳旻旻. "Chuci criticism of Han dynasty." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/65825181976570812263.

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HUANG, KUO-CHEN, and 黃國禎. "The morality of Western Han Dynasty." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/54182834000949297125.

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博士
東海大學
中國文學系
104
The morality of Western Han Dynasty is built on relationships with past history and shaps its unique concept of morality. First of all，we need to explain〝moral〞and〝behavior〞. We need to understand the meanings and the evolution of the morality. We need to understand the inner and external meanings of the morality in Xu-Shen’s 〝Shuo-Wen-Jie-Zi〞. Secondly，we quote the concepts of three morals in Dong-Zhong-Shu’s 〝Chun-Qiu-Fan-Lu〞. The three morals are uesd as the spindle of the paper. The Tian-De is evolved from the Religion-Tian、the Moral-Tian to the Yin-Yang Five-Element Tian. The De-De is evolved from the moral duty in patriarchal to the transition between the collapse of feudalism and the empire’s foundation. Finally，the world-wide vision is shown. The Ren-De is evolved from the monarch morals to the Confucianism inherent moral and the Huang-Lao universal harmony. Finally，the Ren-De is explained by Yin-Yang. At this time，the moral is separated into two parts：the inner temperament and the external telepathy. My dissertation is dissertated from ages anterior to the Western Han Dynasty and then connect the Western Han Dynasty. My dissertation includes three categories：ideology、politics、economics. According to the three morals，we dissertate those categories and construct my dissertation.
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Wang, Yi-Chun, and 汪怡君. "Han Dynasty imperial seal India writing research." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/12417030079179142880.

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碩士
國立中正大學
中國文學所
96
The abstract past person grinds governs two Chinese writing, many take Xu Shen "Shuowen Jiezi" as the direction, carries on the shape, the sound, righteousness and even the six categories of characters discernment, however from underground cultural relic massive unearthed, including imperial seal India, seals the putty, materials and so on Jan Bo, carved stone, not less than provides for the Han Dynasty writing research faces newly.Among them, Yu Xiyin on material object, because casts in the limited India surface engraves the writing, therefore the typeface many style change, does not lose the artistic special appearance; Also in the historical data evidence, Han Dynasty imperial seal India deep makes up the history, tests the history characteristic.Always prints the writing research to the Chinese, "Chinese Prints Writing except Luo Fuyi To draft", "Chinese Prints Writing To draft Addendum" two books to have outside unifying, its surplus for single paper, fragmentary dispersion, few integrity seeker; However Roche's two book books in circulation early, are apart from the now already 20 remaining years of life, or has the gaps and omissions, releases by mistake, therefore prints research the writing to the Chinese, still treated the development.As for other scholar work or the leaning official stamp, or are selfish India, but concerns the Han Dynasty imperial seal India reasonable argument research monograph, is putting to is lacking.The predecessor does farm work, the posterity will continue, in view of the fact that item former han dynasty India studies many limitations, this article composes, will lay a foundation in the past worthies achievement, Hebei will be being been seeking on and on, will be able to make the integrity induction and the analysis to the Han Dynasty imperial seal India writing.
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Books on the topic "HAN-DYNASTY"

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Zhengchang, Zhu, ed. Han hua xiang shi: Han dynasty stone relief. Jinan Shi: Shandong you yi chu ban she, 2002.

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Lewis, Candace J. Pottery towers of Han dynasty, China. Ann Arbor, MI: UMI, 1999.

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Xiong, Tieji. An Academic History of China's Han Dynasty. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6403-1.

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Li, Xian, 651-684, writer of added commentary and Chin Ki-hwan translator, eds. Hu Han sŏ: Wŏnmun yŏkchu. Sŏul-si: Myŏngmundang, 2018.

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Xuanyuan, Zhiqiu. Han xing ba shi nian: The rise of the Han dynasty. Beijing: Qing hua da xue chu ban she, 2013.

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Ning, Chen. Qin Han ma zheng yan jiu. Beijing: Zhongguo she hui ke xue chu ban she, 2015.

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translator, An Pingqiu, Zhang Chuanxi translator, and Wang Zhiguang 1960 translator, eds. Han shu xuan: Chronicles of the Han dynasty / written by Ban Gu (Han Dynasty) ; edited bt An Pingqiu, Zhang Chuanxi ; translated by Wang Zhiguang. Beijing: Wai wen chu ban she, 2015.

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Li, Hu. Xian Qin Han Tang shi lun: Xianqin hantang shilun. Beijing Shi: Beijing shi fan da xue chu ban she, 2016.

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Ma, Menglong. Da yi tong wang chao de que li: Qin Han. Shanghai: Shanghai ren min chu ban she, 2018.

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Feng, Qipu. Xuzhou liang Han wen hua. Nanjing Shi: Nanjing da xue chu ban she, 2015.

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Book chapters on the topic "HAN-DYNASTY"

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Ch’ien, Mu. "The Han Dynasty." In Merits and Demerits of Political Systems in Dynastic China, 1–27. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58514-6_1.

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ZHU, Yi-ting. "Ethical Thought in Han Dynasty." In A Panoramic History of Traditional Chinese Ethics, 189–210. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-1252-7_3.

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Jiang, Yukuan. "The horse in Han dynasty." In Proceedings of the 2022 5th International Conference on Humanities Education and Social Sciences (ICHESS 2022), 561–66. Paris: Atlantis Press SARL, 2022. http://dx.doi.org/10.2991/978-2-494069-89-3_65.

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Goldin, Paul R. "Mencius in the Han Dynasty." In Dao Companion to the Philosophy of Mencius, 49–61. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-27620-0_3.

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Zheng, Zhenduo. "Folk Literature in the Han Dynasty." In History of Chinese Folk Literature, 43–103. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_3.

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Xiong, Tieji, and Yinbo Li. "Academic Carriers in the Early Han Dynasty." In An Academic History of China's Han Dynasty, 19–39. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6403-1_2.

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Xiong, Tieji, and Yinbo Li. "Influential Moves in Developing Han Academics." In An Academic History of China's Han Dynasty, 141–209. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6403-1_4.

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Xiong, Tieji, and Yinbo Li. "Convergence and Integration of Different Academic Schools." In An Academic History of China's Han Dynasty, 211–315. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6403-1_5.

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Xiong, Tieji, and Yinbo Li. "Evolution of Academic Carriers in the Earlier and the Later Han." In An Academic History of China's Han Dynasty, 41–139. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6403-1_3.

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Xiong, Tieji, and Yinbo Li. "Historical and Cultural Background of Academics in Han Dynasty." In An Academic History of China's Han Dynasty, 1–18. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-6403-1_1.

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Conference papers on the topic "HAN-DYNASTY"

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Sun, Ming. "The Han Dynasty-Xiongnu Relationship in the Early Western Han Dynasty: The Peace between the Enemies." In 2021 International Conference on Public Relations and Social Sciences (ICPRSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211020.244.

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Man, Li. "Integrated geophysical methods for detecting archaeological Han Dynasty tombs." In SEG Technical Program Expanded Abstracts 2016. Society of Exploration Geophysicists, 2016. http://dx.doi.org/10.1190/segam2016-13865143.1.

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Lu, Jiachuan. "Folklore Thoughts in the Tomb Murals of Han Dynasty." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.92.

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Chen, Dalei. "The Design Aesthetics of Lacquerware in the Han Dynasty." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.133.

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Beibei, Han. "Analysis of Agricultural Development in Hexi in Han Dynasty." In Proceedings of the 2018 International Conference on Economy, Management and Entrepreneurship (ICOEME 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icoeme-18.2018.91.

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Zhang, Hanjun. "Han Opera’s Influence on the Han Embroidery Between the Late Qing Dynasty and Early Minguo Period." In 7th International Conference on Social Science and Higher Education (ICSSHE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211122.094.

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"Research on Economic Center of Gravity based on Western Han Dynasty." In 2020 Conference on Economics and Management. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000524.

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Man*, Li, Zhang Zhiyong, Xie Shangping, and Yang Jun. "Integrated Electric Methods for Detecting the Archaeological Tomb in Han Dynasty." In Near-Surface Asia Pacific Conference, Waikoloa, Hawaii, 7-10 July 2015. Society of Exploration Geophysicists, Australian Society of Exploration Geophysicists, Chinese Geophysical Society, Korean Society of Earth and Exploration Geophysicists, and Society of Exploration Geophysicists of Japan, 2015. http://dx.doi.org/10.1190/nsapc2015-109.

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Chang, Yan. "Three interpretations for 'three mountains crown' decorative graphic in Han Dynasty." In 2013 International Conference on Advances in Social Science, Humanities, and Management. Paris, France: Atlantis Press, 2013. http://dx.doi.org/10.2991/asshm-13.2013.86.

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Chen, Liling, Jinsheng Kang, Leilei Zhang, Mengcheng Wang, and Ding Wang. "The application of Han Dynasty cultural elements to modern product design." In 2014 20th International Conference on Automation and Computing (ICAC). IEEE, 2014. http://dx.doi.org/10.1109/iconac.2014.6935464.

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You might also be interested in the extended bibliographies on the topic 'HAN-DYNASTY' for particular source types:
Journal articles Dissertations / Theses Books
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