Academic literature on the topic 'Han yue tang (Shaoxing, China)'

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Journal articles on the topic "Han yue tang (Shaoxing, China)"

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Xiaodun, Wang, and Sun Xiaohui. "Yuebu of the Tang Dynasty: Musical Transmission from the Han to the Early Tang Dynasty." Yearbook for Traditional Music 36 (2004): 50–64. http://dx.doi.org/10.1017/s0740155800020452.

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This paper studies the system and development of the yuebu, an official court music system during the Tang dynasty. Research on the music of the Tang dynasty has been quite abundant, mostly on the yanyue (court banquet music that was administered by the yuebu), with notable studies by scholars such as Ren Bantang (1982), Kishibe Shigeo (1973), Wang Xiaodun (1995), and Shen Dong (2000). However, previous research on music of the Tang dynasty emphasised acculturation and assimilation between China and cultures from bordering western countries; they did not look at music of the Tang court from th
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Yu, Wang. "Luofu Shan." Database of Religious History, June 27, 2024. https://doi.org/10.5281/zenodo.12574544.

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Known as the "Grand Mountain of the Yue Region (粤岳)" according to the Han dynasty historian Sima Qian 司馬遷, Mount Luofu 羅浮山 held great significance as a cultural hub in southern China. It was also revered as one of the foremost mountains in Chinese history and culture due to the rich history of a significant number of practitioners of Daoism and Buddhism, as well as Confucian scholars who lived, studied, taught, and practiced their doctrines there. During its heyday, Mount Luofu was recorded as a thriving center of "Nine Taoist Temples, Eighteen Buddhist Temples, and Twenty-two Hermitages (九觀十八
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Kuang, Lanlan. "Staging the Silk Road Journey Abroad: The Case of Dunhuang Performative Arts." M/C Journal 19, no. 5 (2016). http://dx.doi.org/10.5204/mcj.1155.

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The curtain rose. The howling of desert wind filled the performance hall in the Shanghai Grand Theatre. Into the center stage, where a scenic construction of a mountain cliff and a desert landscape was dimly lit, entered the character of the Daoist priest Wang Yuanlu (1849–1931), performed by Chen Yizong. Dressed in a worn and dusty outfit of dark blue cotton, characteristic of Daoist priests, Wang began to sweep the floor. After a few moments, he discovered a hidden chambre sealed inside one of the rock sanctuaries carved into the cliff.Signaled by the quick, crystalline, stirring wave of sou
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Dolomatov, S.I., та W. Zukow. "Эпигенетика почек = Kidneys epigenetics". 7 липня 2019. https://doi.org/10.5281/zenodo.3270754.

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<strong>Dolomatov S.I., Zukow W. </strong><strong>Эпигенетика почек</strong><strong> = Kidney</strong><strong>s</strong><strong> epigenetics</strong><strong>. </strong><strong>RSW. Radom,</strong><strong> 144 </strong><strong>p. ISBN </strong><strong>9780359774524</strong><strong>.</strong><strong> DOI </strong><strong>http://dx.doi.org/10.5281/zenodo.3270699</strong><strong> PBN Poland </strong><strong>https://pbn.nauka.gov.pl/sedno-webapp/works/917606</strong> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <strong>Radomska Szkoła Wyższa w Radomiu, Radom, Poland</strong> &nbsp; &nbsp; &nbsp; &nbsp; &nbsp
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Books on the topic "Han yue tang (Shaoxing, China)"

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Lan ting de gu shi--Shaoxing Han yue tang cang lan ting wen wu zhan (2016 Zhejiang Sheng bo wu guan). Lan ting de gu shi: Zhejiang Shaoxing Han yue tang cang lan ting wen wu xuan = Stories of Orchid pavilion : cultural relics collected by Shaoxing Hall of Hanyue, Zhejiang. Wen wu chu ban she, 2016.

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Ji xiang ru yi: Zhejiang Shaoxing han yue tang cang gu dai yi shu pin jing cui = Good luck and auspiciousness : gems of ancient art works collected by Shaoxing Hall of Hanyue, Zhejiang. Wen wu chu ban she, 2013.

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Book chapters on the topic "Han yue tang (Shaoxing, China)"

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Wu, Chunming. "“Central Nation-Peripheral Barbarians in Four Directions-Four Seas”: The Geopolitical Order of Land-Sea Interactions of Early Chinese Civilization." In The Archaeology of Asia-Pacific Navigation. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-4079-7_1.

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AbstractDespite being a coastal country located to the west of the Pacific, ancient China essentially had a continental cultural pattern, with its vision turned toward the mainland, and a geopolitical order of land-sea interactions of ancient civilization centered on the Central Plains (Zhongyuan, 中原) around the middle and lower reaches of the Yellow River and surrounded by “Peripheral Barbarians in Four Directions” (四方蛮夷) within “Four Seas” (四海). Nevertheless, these peripheral maritime “barbarian” Yi (夷) and Yue (越) and the oversea maritime Fan (番) had been active and developed along the sout
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Wu, Chunming. "“Central Nation-Peripheral Barbarians in Four Directions-Four Seas”: The Geopolitical Order of Land-Sea Interactions of Early Chinese Civilization." In The Archaeology of Asia-Pacific Navigation. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-4079-7_1.

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AbstractDespite being a coastal country located to the west of the Pacific, ancient China essentially had a continental cultural pattern, with its vision turned toward the mainland, and a geopolitical order of land-sea interactions of ancient civilization centered on the Central Plains (Zhongyuan, 中原) around the middle and lower reaches of the Yellow River and surrounded by “Peripheral Barbarians in Four Directions” (四方蛮夷) within “Four Seas” (四海). Nevertheless, these peripheral maritime “barbarian” Yi (夷) and Yue (越) and the oversea maritime Fan (番) had been active and developed along the sout
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