Relevant bibliographies by topics / Hand weaving. Weaving Weaving

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Hand weaving. Weaving Weaving'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Hand weaving. Weaving Weaving"

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Buigasheva, Alla. "Hand Weaving in Modern Cultural Space of Ukraine: disappearing tradition." ART Space, no. 3 (2018): 86–89. http://dx.doi.org/10.28925/2519-4135.4.2018.3.15.

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The article shows the main problems of weaving. The content of the concept of “weaving” is revealed. It examines the role of weaving in a modern cultural space. The special attention is given to practical work of students who study tapestry art. It is explored the modern creative work of masters of weaving art of Ukraine.
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ORAN, Damla Fatma. "THE MOTHER ARCHETYPE and HANDS ON HIPS MOTIF." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 1 (2021): 335–55. http://dx.doi.org/10.46291/zfwt/130117.

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Symbols have become the most important tool for the human being’s self-expression from the first cave paintings to architecture. Each symbol has formed with values such as a message, thought and wish. In the memory of almost in every culture, the definition of weaving has been done over concepts such as eternity, immortality and plentifulness, however there is scarcely any data about their starting point. Archetype concept can be used to fill in these data blanks. Archetypes, propounded by the Swiss Psychiatrist Carl Gustav Jung, modelling the human character and collective unconscious relatio
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TROY, VIRGINIA GARDNER. "Weaving Diplomacy: Textiles and Hand-Weaving at Home and Abroad at Midcentury." Archives of American Art Journal 53, no. 1/2 (2014): 52–77. http://dx.doi.org/10.1086/aaa.53.1_2.43155543.

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YUKIMATSU, KEIKO. "Hand-Weaving Culture in Northeast Thailand." FIBER 67, no. 1 (2011): P.29—P.33. http://dx.doi.org/10.2115/fiber.67.p_29.

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Mills, Sarah. "The Eternal Renewal of Hand Weaving." Journal of Modern Craft 11, no. 2 (2018): 117–26. http://dx.doi.org/10.1080/17496772.2018.1493794.

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Stein, Richard A. "A Hand in Weaving Cells' Fates." Genetic Engineering & Biotechnology News 35, no. 14 (2015): 12, 14–15. http://dx.doi.org/10.1089/gen.35.14.07.

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Chai-Arayalert, Supaporn, and Supattra Puttinaovarat. "A Digital Micro-Game Approach to Improve the Learning of Hand-Weaving Art and History." International Journal of Emerging Technologies in Learning (iJET) 16, no. 08 (2021): 4. http://dx.doi.org/10.3991/ijet.v16i08.19795.

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This research focuses on the young people and an issue of national handicraft preservation in the form of southern style hand weaving. A game is used in the study on arts and cultures as a learning medium optimized for the young people who play an important role in preserving the traditional handicraft being at the verge of extinction. The “Exploring Na Muen Sri” was developed based on digital micro-game and Person-Artefact-Task model as well as the game production with the purpose of creating the learning media and a simulation containing new knowledge about hand-weaving art and history that
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Uzramma. "The Indian Loom, Climate Change, and Democracy." Comparative Studies of South Asia, Africa and the Middle East 39, no. 2 (2019): 233–40. http://dx.doi.org/10.1215/1089201x-7586753.

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Abstract Weaving on the handloom in India remains in the twenty-first century a large industry practiced by several million people, including, besides weavers themselves, others engaged in supporting activities. Indian hand weaving is a potentially viable ecological textile industry for the future, particularly if factors such as environmental damage and social costs are included in measuring viability. However, Indian hand weaving suffers from the perception that it is a relic of the past. Too, in the market it is undercut by cheaply made machine-produced cloth fraudulently sold as handmade.
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Clausen, Rosa Tolnov. "Having visits: Considerations on the researcher-as-host in participatory projects." Journal of Arts & Communities 10, no. 1-2 (2020): 109–27. http://dx.doi.org/10.1386/jaac_00009_1.

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The Weaving Kiosk project was a series of nine temporary weaving spaces that took place in Denmark, Sweden, Finland and Iceland throughout 2017 and 2018. Each Kiosk provided catalysts for conversations beyond preconceived ideas of what hand weaving in northern Europe means today. Using the two-year participatory Weaving Kiosk project as a case study, this article seeks to complement Donna Haraway’s concept of ‘visiting’ as a research inquiry method with the idea of ‘having visits’ as a method for approaching participation. The methods of visiting and having visits share their central ambition,
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Motamedzade, Majid, Alireza Choobineh, Mohammad Amin Mououdi, and Shirazeh Arghami. "Ergonomic design of carpet weaving hand tools." International Journal of Industrial Ergonomics 37, no. 7 (2007): 581–87. http://dx.doi.org/10.1016/j.ergon.2007.03.005.

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Dissertations / Theses on the topic "Hand weaving. Weaving Weaving"

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Hemström, Mirjam. "The Metamorphosis of Weaving." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-25173.

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There is a link between the tactile and optical modes of perception. Woven textiles’ materiality and ability to take three dimensional form, make them a good medium for creating shapes containing several pattern scales and textures. By conciously working with tactile-visual qualities and aesthetics one can achieve the most powerful effects, and in turn, the textile can take the role of a sensation director. By interpreting Kasuri with large scaled threads on a computerized hand loom and in space, an exploration of details and spatial installation can be conducted simultaneously. The five examp
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Alruwais, Bader A. "The Tent and its Contents: a Study of the Traditional Arts of Weaving by the Otaibah Tribe in Saudi Arabia." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc500427/.

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This was an ethnographic study of the woven tent objects produced by the Bedouin Otaibah tribe in Najd, central Saudi Arabia; the study examines origin, techniques, character and significance of their weavings. A major objective of the researcher was to discern the relationship between the weavers' development of traditions and the factors of technique, medium and perceived meaning. The method used was investigative fieldwork that included techniques of face to face interviews and participant observation. Interviews with 50 Bedouin female weavers in Najd were conducted for 8 months. Background
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Rendleman, Susan Ruth. "Handweavers' enduring product involvement with craft yarns and selected information processing variables." Thesis, This resource online, 1990. http://scholar.lib.vt.edu/theses/available/etd-06112009-063405/.

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Jatcko, Sara A. "The love of research and the gift for new weavings the work, collections, and legacy of Marguerite Porter Davison /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 183 p, 2007. http://proquest.umi.com/pqdweb?did=1338863531&sid=10&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Clarke, Duncan Peter. "Aso Oke : the evolving tradition of hand woven textile design among the Yoruba of south western Nigeria." Thesis, SOAS, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286484.

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Gäfvert, Josefin. "Utfläkt på ditt golv (exposed on your floor)." Thesis, Konstfack, Textil, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7813.

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In this paper I have investigated the role of the weaver, from my own perspective as a weaver. I have discussed weaving in relation to function and painting, and how the weaving process and the collaboration with the loom have a great impact on what I create. I have found it difficult to believe in the future as a weaver, and with this project I wanted to find a meaning with weaving that I can lean on.   All five weaves are woven on the same warp, I call it a warp family. Every weave is a try and a failure to weave a rug. Instead they have all turned into different characters, portraying my on
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Maschke, Christina. "The patterned thread : new textiles inspired by ikat." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-11471.

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The work of this MA thesis develops a new approach to hand weaving in which the design process is led by the technique of resistant dyeing. The process is inspired by the visual properties of traditional ikats. It follows the technical ikat procedure of primary resistant dyeing and subsequently weaving. Whithin the research a new way of weaving is explored in which the dyed thread dictates the weaving process and therefore influences the weaving motif. In addition different design variables such as material, binding pattern and finishing are used to push forward the developed concept. The aim
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Ciechomska, Agata. "COLOUR IN LOOPS : Exploring colour perception in relation to lightin weaving and hand-tufting technique." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12684.

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The motivation for this MA work is based on the challenge to the preconception of hand-tufting through material, colour and light. When imagining a rug, a very specific image appears in our mind. Some details of that image could vary from person to person, but what is almost certain, dense and heavy, probably made out of wool, woven textile will pop up in front of our eyes. This work suggests a possibility of creating new expressions in design by the material driven approach. The investigation was led by practice based research including set up of experiments, experimental work and evaluation
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Dominique, Matilda. "The Architecture of Threads." Thesis, Konstfack, Textil, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-4751.

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Most people might not reflect upon textiles as anything more than the soft material in our clothes. As a crafts practitioner, I gain knowledge of woven materials that go beyond that. The knowledge of weaving and materials is developing the ideas that form the concept of this project. From the tacit knowledge, derived from years of practically working with textile materials, an intellectual understanding of materials and the worlds they construct is growing. In this project, I decipher my own ideas of the woven structure in order to invite others to experience the universe within textiles. I lo
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Dalton, Jane Emily. "Awakening the spirit /." Online version of thesis, 1987. http://hdl.handle.net/1850/10311.

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Books on the topic "Hand weaving. Weaving Weaving"

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ill, Mukhida Zul, ed. Weaving. Thomson Learning, 1993.

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Howard, Sarah. Creative weaving. Lark Books, 2007.

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Kids weaving. Stewart, Tabori & Chang, 2005.

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Vi. Landscape weaving. V. Larson, 1989.

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Hands on weaving. Interweave Press, 1986.

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Halsey, Mike. Foundations of weaving. Pitman, 1986.

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Sutton, Ann. Ideas in weaving. Interweave Press, 1989.

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Sutton, Ann. Ideas in weaving. Batsford, 1989.

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Spinning, dyeing & weaving. New Holland, 2009.

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Fannin, Allen. Handloom weaving technology. Design Books, 1998.

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Book chapters on the topic "Hand weaving. Weaving Weaving"

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Gooch, Jan W. "Weaving." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12755.

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Weik, Martin H. "weaving." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_21062.

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Howells, Coral Ann. "Weaving Fabrications." In Critical Approaches to the Fiction of Margaret Laurence. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-10092-7_7.

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Weik, Martin H. "network weaving." In Computer Science and Communications Dictionary. Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_12298.

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Gooch, Jan W. "Triaxial Weaving." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12075.

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Zhao, Feng. "Weaving Technology." In A History of Chinese Science and Technology. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-662-44166-4_4.

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Meiners, Chad R., Alex X. Liu, and Eric Torng. "Bit Weaving." In Hardware Based Packet Classification for High Speed Internet Routers. Springer US, 2010. http://dx.doi.org/10.1007/978-1-4419-6700-8_5.

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Carlin, Peta. "Appearing Weaving." In On Surface and Place. Routledge, 2018. http://dx.doi.org/10.4324/9781315598840-2.

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Sugun, B. S., and Prasad Shimpi. "Orthogonal Weaving." In Materials Horizons: From Nature to Nanomaterials. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80424-4_1.

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"Weaving, Hand." In On Weaving. Princeton University Press, 2018. http://dx.doi.org/10.1515/9781400889044-003.

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Conference papers on the topic "Hand weaving. Weaving Weaving"

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Deshpande, Himani, Haruki Takahashi, and Jeeeun Kim. "EscapeLoom: Fabricating New Affordances for Hand Weaving." In CHI '21: CHI Conference on Human Factors in Computing Systems. ACM, 2021. http://dx.doi.org/10.1145/3411764.3445600.

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Hu, Xudong, Yanhong Yuan, and Weiping Shen. "Weaving Loom Integration in Textile Enterprise." In ASME 2003 International Mechanical Engineering Congress and Exposition. ASMEDC, 2003. http://dx.doi.org/10.1115/imece2003-41661.

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Weaving technique represents the development of textile industry. After 25 years of open gate and reform of industry construction, textile manufacturing in China has been developed to a higher level. China had imported many modern weaving machines from Italy, Switzerland, Belgium, Japan, and other countries. The domestic textile machine manufacturers and research institutes developed and manufactured many kinds of shuttleless looms. According to the statistical calculation, the total number of shuttleless looms is more than shuttle looms in use in China currently [1]. The wide use of the shutt
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Tsuji, Ken-ichi, Chieko Narita, Atsushi Endo, et al. "Motion Analysis of Weaving “Kana-ami” Technique With Different Years of Experience." In ASME 2012 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/imece2012-88809.

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The technique of making “KANA-AMI” is traditional craftsmanship in Kyoto. All wire net fabrications are made by the hand work, so that it is expected that the craft man has the exquisiteness of motion. The purpose of this study is to clarify the characteristics of motion during the weaving the wire nets with different years of experience. The subjects were three males whose have experienced wire netting craftsman for 44 years, 8 years and 0 years respectively. The working environment was reproduced in the laboratory so that the subjects might work usual like working environment as much as poss
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Wannarak, Junphen, Patipol homyamyen, Thititana Trisit, Waiphot Kulachai, and Adi Prasetyo Tedjakusuma. "The Linkage Among Demographic Factors, Perceived Mindful Marketing, and the Purchase Intention of Hand-weaving Products Customers." In 18th International Symposium on Management (INSYMA 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/aebmr.k.210628.031.

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Vartak, Yash, and Gaurav Singh. "Stiffness Comparison of Triangular and Square Lattice Composites for Given Statistical Strength." In ASME 2017 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/imece2017-70684.

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It had been claimed in an earlier article [1], using statistical theory of failure, that a triangular lattice composite structure is stiffer (i.e. has a higher overall Young’s modulus) than a square lattice composite structure for the same negligible volume fraction for a given statistical strength. In the present work, this claim has been experimentally validated. Copper/epoxy lattice composite structure is manufactured by hand-weaving copper wires of fixed size to create macroscopically isotropic structures of triangular and square shapes. The unit cell area in both cases is kept the same to
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Bekkerman, Ron, and Martin Scholz. "Data weaving." In Proceeding of the 17th ACM conference. ACM Press, 2008. http://dx.doi.org/10.1145/1458082.1458226.

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Hsiao, Hsuan, and Jason Anderson. "Thread Weaving." In DAC '19: The 56th Annual Design Automation Conference 2019. ACM, 2019. http://dx.doi.org/10.1145/3316781.3317924.

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Harvey, Claire, Emily Holtzman, Joy Ko, et al. "Weaving objects." In SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2019. http://dx.doi.org/10.1145/3306211.3320137.

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Hahn, Kim HongYoun. "Weaving for Justice." In Pivoting for the Pandemic. Iowa State University Digital Press, 2020. http://dx.doi.org/10.31274/itaa.11803.

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Siraj, Ambareen, Martha J. Kosa, and Summer-Mistine Olmstead. "Weaving a tapestry." In the 43rd ACM technical symposium. ACM Press, 2012. http://dx.doi.org/10.1145/2157136.2157282.

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Reports on the topic "Hand weaving. Weaving Weaving"

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Krauland, Konrad L. Universal Weaving for Turbine Engine Composite Preforms. Defense Technical Information Center, 1991. http://dx.doi.org/10.21236/ada237667.

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Crippen, Kaye. Continued Change in Geringsing Weaving in Tenganan, Bali. Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-138.

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Critchlow, Robert D. Weaving the Net: Linking Space Systems to Theater Operations. Defense Technical Information Center, 1998. http://dx.doi.org/10.21236/ada348377.

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Tomich, Nancy E. Weaving a National Surveillance System - The Role of Federal Healthcare. Defense Technical Information Center, 2003. http://dx.doi.org/10.21236/ada413073.

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Lee, Juyoung, Gallayanee Yaoyuneyong, Brigitte Burgess, and Jan Haynes. Impact through State-wide Collaboration, "Mississippi Cotton: Weaving Futures 2015". Iowa State University, Digital Repository, 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1513.

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Sanborn, Brett D., and Tusit Weerasooriya. Quantifying Damage at Multiple Loading Rates to Kevlar KM2 Fibers Due to Weaving and Finishing. Defense Technical Information Center, 2013. http://dx.doi.org/10.21236/ada585247.

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Sanborn, Brett, Nicole Racine, and Tusit Weerasooriya. The Effect of Weaving on the Strength of Kevlar KM2 Single Fibers at Different Loading Rates. Defense Technical Information Center, 2012. http://dx.doi.org/10.21236/ada574531.

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Kvalbein, Astrid. Wood or blood? Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481278.

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Wood or Blood? New scores and new sounds for voice and clarinet Astrid Kvalbein and Gjertrud Pedersen, Norwegian Academy of Music What is this thing called a score, and how do we relate to it as performers, in order to realize a musical work? This is the fundamental question of this exposition. As a duo we have related to scores in a variety of ways over the years: from the traditional reading and interpreting of sheet music of works by distant (some dead) composers, to learning new works in dialogue with living composers and to taking part in the creative processes from the commissioning of a
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Supporting Women Entrepreneurs in Tunisia. Oxfam IBIS, 2021. http://dx.doi.org/10.21201/2021.7871.

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Mabrouka Hdaya is a craftswoman who has been producing bags and baskets for 20 years. Support from the Youth Participation and Employment (YPE) project helped her overcome the technical and financial obstacles that she has faced since 2018 when she started her entrepreneurial journey. YPE, in partnership with the Local Initiative and Development Forum (FIDEL), selected Mabrouka for training to improve her weaving and business management skills. As a result, she has become more confident and developed working relationships with other people in her trade. Her business was doing well until the CO
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