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Journal articles on the topic 'Hand weaving. Weaving Weaving'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Buigasheva, Alla. "Hand Weaving in Modern Cultural Space of Ukraine: disappearing tradition." ART Space, no. 3 (2018): 86–89. http://dx.doi.org/10.28925/2519-4135.4.2018.3.15.

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The article shows the main problems of weaving. The content of the concept of “weaving” is revealed. It examines the role of weaving in a modern cultural space. The special attention is given to practical work of students who study tapestry art. It is explored the modern creative work of masters of weaving art of Ukraine.

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ORAN, Damla Fatma. "THE MOTHER ARCHETYPE and HANDS ON HIPS MOTIF." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 1 (2021): 335–55. http://dx.doi.org/10.46291/zfwt/130117.

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Symbols have become the most important tool for the human being’s self-expression from the first cave paintings to architecture. Each symbol has formed with values such as a message, thought and wish. In the memory of almost in every culture, the definition of weaving has been done over concepts such as eternity, immortality and plentifulness, however there is scarcely any data about their starting point. Archetype concept can be used to fill in these data blanks. Archetypes, propounded by the Swiss Psychiatrist Carl Gustav Jung, modelling the human character and collective unconscious relatio

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TROY, VIRGINIA GARDNER. "Weaving Diplomacy: Textiles and Hand-Weaving at Home and Abroad at Midcentury." Archives of American Art Journal 53, no. 1/2 (2014): 52–77. http://dx.doi.org/10.1086/aaa.53.1_2.43155543.

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YUKIMATSU, KEIKO. "Hand-Weaving Culture in Northeast Thailand." FIBER 67, no. 1 (2011): P.29—P.33. http://dx.doi.org/10.2115/fiber.67.p_29.

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5

Mills, Sarah. "The Eternal Renewal of Hand Weaving." Journal of Modern Craft 11, no. 2 (2018): 117–26. http://dx.doi.org/10.1080/17496772.2018.1493794.

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Stein, Richard A. "A Hand in Weaving Cells' Fates." Genetic Engineering & Biotechnology News 35, no. 14 (2015): 12, 14–15. http://dx.doi.org/10.1089/gen.35.14.07.

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7

Chai-Arayalert, Supaporn, and Supattra Puttinaovarat. "A Digital Micro-Game Approach to Improve the Learning of Hand-Weaving Art and History." International Journal of Emerging Technologies in Learning (iJET) 16, no. 08 (2021): 4. http://dx.doi.org/10.3991/ijet.v16i08.19795.

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This research focuses on the young people and an issue of national handicraft preservation in the form of southern style hand weaving. A game is used in the study on arts and cultures as a learning medium optimized for the young people who play an important role in preserving the traditional handicraft being at the verge of extinction. The “Exploring Na Muen Sri” was developed based on digital micro-game and Person-Artefact-Task model as well as the game production with the purpose of creating the learning media and a simulation containing new knowledge about hand-weaving art and history that

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Uzramma. "The Indian Loom, Climate Change, and Democracy." Comparative Studies of South Asia, Africa and the Middle East 39, no. 2 (2019): 233–40. http://dx.doi.org/10.1215/1089201x-7586753.

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Abstract Weaving on the handloom in India remains in the twenty-first century a large industry practiced by several million people, including, besides weavers themselves, others engaged in supporting activities. Indian hand weaving is a potentially viable ecological textile industry for the future, particularly if factors such as environmental damage and social costs are included in measuring viability. However, Indian hand weaving suffers from the perception that it is a relic of the past. Too, in the market it is undercut by cheaply made machine-produced cloth fraudulently sold as handmade.

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Clausen, Rosa Tolnov. "Having visits: Considerations on the researcher-as-host in participatory projects." Journal of Arts & Communities 10, no. 1-2 (2020): 109–27. http://dx.doi.org/10.1386/jaac_00009_1.

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The Weaving Kiosk project was a series of nine temporary weaving spaces that took place in Denmark, Sweden, Finland and Iceland throughout 2017 and 2018. Each Kiosk provided catalysts for conversations beyond preconceived ideas of what hand weaving in northern Europe means today. Using the two-year participatory Weaving Kiosk project as a case study, this article seeks to complement Donna Haraway’s concept of ‘visiting’ as a research inquiry method with the idea of ‘having visits’ as a method for approaching participation. The methods of visiting and having visits share their central ambition,

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Motamedzade, Majid, Alireza Choobineh, Mohammad Amin Mououdi, and Shirazeh Arghami. "Ergonomic design of carpet weaving hand tools." International Journal of Industrial Ergonomics 37, no. 7 (2007): 581–87. http://dx.doi.org/10.1016/j.ergon.2007.03.005.

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11

Chai-Arayalert, Supaporn, and Ketsaraporn Suttapong. "INCREASING POTENTIAL OF DISTRIBUTION CHANNELS FOR CREATIVE THAI HAND-WOVEN TEXTILE PRODUCTS IN THE DIGITAL ECONOMY." Creativity Studies 13, no. 2 (2020): 477–93. http://dx.doi.org/10.3846/cs.2020.11865.

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The research was to investigate the omni-channel distribution system for the weaving community enterprises. This research was qualitative, utilizing a case study approach. The results identify the limitations of selling creative products only through physical stores, which are unable to respond to customers’ purchasing behaviors and needs. Nevertheless, the online channel alone cannot communicate the delicacy of handmade woven products through digital media since they need to be touched and worn to be fully appreciated. This dichotomy led to the design and development of the first version of t

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12

Das, B. R., S. M. Ishtiaque, R. S. Rengasamy, and S. Hati. "Prediction of Weavability of Warp Yarns: A Critical Review." Research Journal of Textile and Apparel 15, no. 3 (2011): 38–49. http://dx.doi.org/10.1108/rjta-15-03-2011-b005.

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Warp yarns undergo various types of complex stress during the weaving process; namely tensile, cyclic-extension, compression, bending and abrasion. The capacity of the yarns to withstand these stresses is termed as their weavability. The prediction ofweavabilityis exploited to extract first-hand information about the expected performance of yarns in weaving. This critical review article discusses several approaches that are adopted by the researchers for the prediction of warp breakages in weaving; namely, empirical, statistical and instrumental. The recent developments in the field of predict

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13

Hu, Guo Jun, Han Qi, and Wei Qiang Zhao. "Design of Adjustment Devices of the Weaving Density for Computerized Knitting Machines." Advanced Materials Research 201-203 (February 2011): 606–9. http://dx.doi.org/10.4028/www.scientific.net/amr.201-203.606.

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The working principle of the adjustment device of the weaving density for the knitting machine is briefly introduced. Compared to the limitation from the adjustment device of the hand-cranked knitting machine, this paper presents another design method that the device is automatically controlled by the stepping motor to change the weaving density.

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14

YUKIMATSU, KEIKO. "Silk Yarn and Hand-Weaving Culture." Sen'i Gakkaishi 71, no. 2 (2015): P—80—P—83. http://dx.doi.org/10.2115/fiber.71.p-80.

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15

Yamborko, Olha. "Ukrainian industrial carpet weaving in 1940-1980s. in terms of the so called “folk handicrafts industry”: between folk art, artistic quality and economic efficiency." Bulletin of Lviv National Academy of Arts, no. 42 (December 27, 2019): 12–16. http://dx.doi.org/10.37131/2524-0943-2019-42-02.

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Background. Program of development of industrial carpet weaving in sub-Soviet Ukraine is considered. In this connection, influence of folk arts crafts on the the Ukrainian carpet weaving of a mass sample are analyzed: stylistics, artistic quality, production economy. Methodological approaches to the subject of folk crafts in the Soviet system are highlighted and the expediency of their revision from the standpoint of the present day is emphasized. Objectives. The Ukrainian Soviet carpet weaving as economic branch was a component of art industry in the segment of folk arts crafts. This directio

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16

Faruque, Saddam, and Bodrul Islam. "Evolution of Handloom Weaving Activity in India." Journal of University of Shanghai for Science and Technology 23, no. 09 (2021): 1069–72. http://dx.doi.org/10.51201/jusst/21/09627.

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This paper seeks to place the evolution of handloom weaving activity and its current scenario in Indian economy. Though the handloom weaving of India had a glorious past, the colonial regime shattered the hand spinning culture of traditional handloom sector of India and forced the country as the supplier of raw materials to Britain. Factory-made cheap cloths had replaced the Indian hand-woven fabrics within the country, and weavers lost their employment due to the shutdown of handloom units. Despite such adversity of handloom sector, Indian artisans had stood the test of time and had kept this

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Louise Gould, S. "The Tellem Weavers Meet the Graphing Calculator." Mathematics Teacher 99, no. 4 (2005): 230–36. http://dx.doi.org/10.5951/mt.99.4.0230.

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A hands-on activity that explores weaving patterns of the Tellem people. Students can look for patterns and discuss similarities and differences between their classmates' patterns. A graphing calculator program that simulates the weaving pattern is included.

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Da Cunha, Theresia Emilia Beci. "Legal Protection Of Property Rights In The Natural Dyes Of Sikka Woven Fabrics Industry Assessed From Law Number 28 Year 2014 In Terms Of Copyright." Widya Yuridika 3, no. 2 (2020): 155. http://dx.doi.org/10.31328/wy.v3i2.1604.

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This study aims to study and analyze the principles in the Copyright Law and the qualifications of the Sikka Weaving natural coloring compound in Article 40 of Law Number 28 Year 2014 regarding Copyright as Intellectual Property Rights. The method used in this research is normative legal research method. Normative legal research examines library materials or secondary materials by collaborating the statute approach and the descriptive conceptual approach. The results of the findings and analysis of the study researchers, Intellectual Property Rights in the form of natural dye material for hand

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19

Oshchepkov, V. I., M. F. Kuzmin, and G. V. Pavlova. "Sanitary characteristics of the working conditions in the carpet weaving workshops of the factory of art goods." Kazan medical journal 66, no. 4 (1985): 260–61. http://dx.doi.org/10.17816/kazmj61771.

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Oshchepkov, V. I., M. F. Kuzmin, and G. V. Pavlova. "Sanitary characteristics of working conditions in carpet weaving workshops of an art goods factory." Kazan medical journal 66, no. 4 (1985): 318. http://dx.doi.org/10.17816/kazmj61923.

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21

Inwood, Kris, and Phyllis Wagg. "The Survival of Handloom Weaving in Rural Canada Circa 1870." Journal of Economic History 53, no. 2 (1993): 346–58. http://dx.doi.org/10.1017/s0022050700012961.

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Handloom weaving with a mixture of wool and cotton yarn was common in late nineteenth-century Canada. The hand technology survived using industrial inputs and part-time female labor whose opportunity cost was relatively low in rural areas. The demand for homespun was income-sensitive and reinforced by the cold Canadian climate. The patterns of weaving by men and women differed, but both produced for the market in addition to home consumption. Cloth constituted a significant share of farm production, especially in low-income areas.

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Suwardi, Adi Bejo, Baihaqi, and Fazrina Saumi. "Coconut Palm Waste Product Innovation by Using Eco Friendly Technology." Agrokreatif Jurnal Ilmiah Pengabdian kepada Masyarakat 4, no. 1 (2018): 22. http://dx.doi.org/10.29244/agrokreatif.4.1.22-30.

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Karya Muda women group was one of the weaving group in Aceh Tamiang District produced various kinds of handicraft. The lack of technology for production equipment and lack of knowledge of natural coloring become an obstacle in developing of their product. The purpose of this activity was produced of weaving product made of stick cesspool from high quality palm oil and market demand by using ATBM and application of natural dyes to product. The activity conducted for five months started from April–August 2017. The method used discussion and active participatory from beneficiaries group by applyi

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23

Tsuchiya, Tomoyoshi, Nobuo Suezawa, Daisaku Murayarna, Masayuki Awasaki, Yoshiharu Imanishi, and Taro Nishimura. "Automatization of Weaving for a Hand Loom Using Mechatronic Technology-Development of Automatic Motions for Weaving and Embroidery Robot." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 51, no. 7 (1998): T138—T145. http://dx.doi.org/10.4188/transjtmsj.51.7_t138.

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24

Muxtar Aliyeva, Kubra. "EMBROIDERED CARPETS BY SHAKHLA ASKEROVA TRADITION AND MODERNITY IN THE CARPETS OF AZERBAIJAN." SCIENTIFIC WORK 67, no. 06 (2021): 6–16. http://dx.doi.org/10.36719/2663-4619/67/6-16.

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The article deals with one traditional kind of decorative and applied art of Azerbaijan about carpet weaving, which has an ancient history. The carpets, hand-woven by folk craftsmen at home, consisted of pile carpets, woven using two technologies - symmetric and asymmetric knot, and pileness carpets were created using 11 technologies. But in addition to traditional types of carpet weaving in Azerbaijan, folk embroidery also developed in different regions of Azerbaijan. They are also different from each other both in composition and in technology. The article talks about how the lovers of the c

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25

BÜYÜKBAYRAKTAR, BEFRU R., and GÜLCAN ERCIVAN BATUR. "The comparison of classical weaving and laser technology in denim fabric’s design." Industria Textila 72, no. 04 (2021): 418–25. http://dx.doi.org/10.35530/it.072.04.1790.

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Denim fabrics became a preferred product by many people, because of especially being a symbol of comfort. In thisstudy, the aesthetic and physical design of denim fabrics were carried out. It was aimed to compare the surface designsand structural parameters of denim fabrics obtained by weaving and laser technologies. Besides the design steps ofweaving and laser technologies were explained and compared. Twelve denim fabrics having different surface designswere obtained with the intersection of indigo dyed warp and non-dyed weft yarns based on the theme of “contrast” byusing derivatives of twill

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Minturn, Leigh. "The Economic Importance and Technological Complexity of Hand-Spinning and Hand-Weaving." Cross-Cultural Research 30, no. 4 (1996): 330–51. http://dx.doi.org/10.1177/106939719603000404.

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27

Ashir, Moniruddoza, Andreas Nocke, and Chokri Cherif. "Adaptive fiber-reinforced plastics based on open reed weaving and tailored fiber placement technology." Textile Research Journal 90, no. 9-10 (2019): 981–90. http://dx.doi.org/10.1177/0040517519884578.

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The textile-technical integration of shape memory alloys into reinforcing fabrics for the development of adaptive fiber-reinforced plastics (FRPs) has been developed in recent years. This is aimed at reproduction, automation, and series production as well as reduced delamination of shape memory alloys in FRPs, and higher force transmission from shape memory alloys to FRPs. This type of integration can be executed in several ways, for example, by weaving or by tailored fiber placement technology. We present a comparative study of the functional properties of adaptive FRPs based on both types of

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Shrivastava, Archana. "Weaving sustainability in Indian higher education system." Emerald Emerging Markets Case Studies 10, no. 3 (2020): 1–14. http://dx.doi.org/10.1108/eemcs-01-2020-0015.

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Learning outcomes The specific teaching and learning objectives are as follows: to help students manage virtual communication in cross-cultural settings and developing the trust in virtual teams. To have them assess their effectiveness in the virtual collaboration process. To design the strategies to combat the challenges involved in working collaboratively on a common computing platform. Case overview/synopsis Higher education institutions in India are facing intense criticism for failing to impart employability skills to the students. Despite being one of the largest education systems in the

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Liu, Zhi Jun, Li Gang Yao, Jian Ye Yan, and Dong Liang Lin. "Number and Colors Recognition for the Beaded Pad." Advanced Materials Research 694-697 (May 2013): 1964–69. http://dx.doi.org/10.4028/www.scientific.net/amr.694-697.1964.

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The hand made beaded pad is getting more and more expensive due to the increasing labor costs and its necessary to develop the beaded pads weaving machine. One of the key problems for beaded pads weaving machine developing is the beaded pad image pattern recognitions including the beads number and colors. This paper focuses on the researches of identifying the beads number and the colors of the beaded pad image. First, the beads number of the pad image is identified by threshold and calibration methods. Then, the beads are separated from the image background and the beads colors are identified

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Ahmed elshekh, Samia, Ahmed Hatem said, and Mai Ateia. "TRANING ON HAND WEAVING SKILLS FOR MENTALLY CHALLENGED PEOPLE USING MULTIMEDIA PROGRAM." المجلة العلمیة لجمعیة امسیا – التربیة عن طریق الفن 1, no. 2 (2015): 241–60. http://dx.doi.org/10.21608/amesea.2015.71184.

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31

Piper, Anna, and Katherine Townsend. "Crafting the Composite Garment: The role of hand weaving in digital creation." Journal of Textile Design Research and Practice 3, no. 1-2 (2015): 3–26. http://dx.doi.org/10.1080/20511787.2015.1127037.

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Muslimah, Isrotul, Tomas Iriyanto, and Evania Yafie. "Peningkatan Keterampilan Motorik Halus Melalui Kegiatan Menganyam Ceria pada Kelompok B TK PGRI 03 Tumpang Malang." Jurnal Pembelajaran, Bimbingan, dan Pengelolaan Pendidikan 1, no. 2 (2021): 115–19. http://dx.doi.org/10.17977/um065v1i22021p115-119.

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Abstract: The purpose of this study was to find out how the application of cheerful weaving activities to improve children's fine motor skills and describe whether through cheerful weaving activities can improve children's fine motor skills. This study uses a classroom action research (CAR) design with qualitative and quantitative approaches. This classroom action research is conducted in two cycles, each cycle of which there are two meetings consisting of planning, implementing, observing, and selecting. The subjects of this study were group B TK PGRI 03 overlapping with 16 children. This res

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Wady, Mona Maher. "Inspiration: The Inspiring Seed as an Approach in Creative Contemporary Hand Weaving Education." International Journal of Arts Education 7, no. 2 (2013): 1–13. http://dx.doi.org/10.18848/2326-9944/cgp/v07i02/36134.

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Choobineh, Alireza, Mohammadali Lahmi, Mostafa Hosseini, Houshang Shahnavaz, and Reza Khani Jazani. "Workstation Design in Carpet Hand-Weaving Operation: Guidelines for Prevention of Musculoskeletal Disorders." International Journal of Occupational Safety and Ergonomics 10, no. 4 (2004): 411–24. http://dx.doi.org/10.1080/10803548.2004.11076625.

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de Almeida, Pedro Alexandre Santos Carvalho, Abhishek Chatterjee, and António João Fernandes Lourenço Gomes. "Rediscovering Almalaguês: A Strategic Design Approach to a Traditional Portuguese Hand-Weaving Technique." Journal of Textile Design Research and Practice 5, no. 2 (2017): 110–37. http://dx.doi.org/10.1080/20511787.2018.1449075.

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Mukhamedyanova, Adilya Sh. "REPRESENTATION OF TREES IN SWEDISH CARPETS AND TAPESTRY." Architecton: Proceedings of Higher Education, no. 2(70) (June 29, 2020): 22. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-22.

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The translation of natural motifs into carpet drawings is considered with special attention given to compositions depicting coniferous trees. Comparisons are made between works by outstanding authors who worked in this field in the late 19th and first half of the 20th century when hand weaving was an active field for self-expression and creativity. It is concluded that that imagery and symbolism prevailed in the images of trees.

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Khongdet Phasinam, Thanwamas Kassanuk,. "Design and Construction of Bamboo Stripping machine for Bamboo Basketry." Psychology and Education Journal 58, no. 1 (2021): 1632–35. http://dx.doi.org/10.17762/pae.v58i1.958.

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Handicraft of bamboo weaving has been a tradition that has been inherited for a long time, by using bamboo strips to weave into shapes to make tools and appliances. The bamboo strips are from dividing the longitudinal bamboo trunks into thin strips. In which most farmers will make the strips by hand by using a big knife or sharp objects. As a result, it takes a long time to prepare the bamboo strips to be used in the weaving work. There is also a risk of accidents from the use of sharp objects, including the size of the bamboo strips that is not the same size. This research aims to design and

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38

Allen, Robert C. "The hand-loom weaver and the power loom: a Schumpeterian perspective†." European Review of Economic History 22, no. 4 (2018): 381–402. http://dx.doi.org/10.1093/ereh/hex030.

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Abstract The invention of the power loom was a response to the increase in supply of yarn in the 1780s. This led to an expansion of handloom weaving and a rise in earnings in the 1790s, thereby, creating the “golden age”. The high earnings increased the profitability of developing the power loom by raising the value of the labour that it saved. Consequently, less efficient—hence, cheaper to develop—power looms could be brought into commercial use than would have been the case had the golden age not occurred. The power loom, in turn, devalued the old skills, so poverty accompanied progress.

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KHAKHLARI, PARMITA. "SILK PRODUCTS AND MARKETING STRATEGY OF A WEAVING INDUSTRY IN ASSAM." Humanities & Social Sciences Reviews 8, no. 2 (2020): 91–101. http://dx.doi.org/10.18510/hssr.2020.8212.

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Purpose of the study: The present paper attempts to trace the development of the weaving industry in Sualkuchi in the Kamrup district of Assam and tries to understand the organizational structure of the Sualkuchi weaving Industry. The paper also tries to identify the avenues of silk products and their marketing. Methodology: In the present research work, an exploratory research design has been adopted. For the primary data, the respondents were selected using purposive sampling and were administered with an interview schedule. Secondary data are collected from Government reports, books,

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TSUTIYA, Tomoyoshi. "Weaving Techniques of Hand Loom in Nishijin Textiles and Development of Its Automatic Motion." Sen'i Kikai Gakkaishi (Journal of the Textile Machinery Society of Japan) 51, no. 4 (1998): P225—P230. http://dx.doi.org/10.4188/transjtmsj.51.4_p225.

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Abdullah, Zulkeflee, Nurul Fadzlina, Mohd Amran, Shamsul Anuar, Mohd Shahir, and Khairul Fadzli. "Design and Development of Weaving Aid Tool for Rattan Handicraft." Applied Mechanics and Materials 761 (May 2015): 277–81. http://dx.doi.org/10.4028/www.scientific.net/amm.761.277.

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The main purpose of this project is to design and develop an assisting tool in manufacturing of rattan handicraft. Rattan is a non-timber forest resource which has a variety of functions in the making of handicrafts and furniture. The production of rattan handicraft typically carried out using manual and traditional methods. However, there are some problems to be faced by the craftsman in making the handicrafts such as the time constraints for the creation of products, due to the difficulty in term of the size, and the pain in the hands while making the handicraft products. Therefore, assistin

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Saitaer, Xiakeer, and Chu Yang Zhang. "Brief Analysis of Folk Hand-Woven Carpet Craft in Xinjiang." Advanced Materials Research 821-822 (September 2013): 459–63. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.459.

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As a kind of handicraft of Uygur, Xinjiang Hetian carpet takes up a pivotal position in Uygurs life, because Hetian was the birthplace of the Uygur carpet and the production of carpet in Xinjiang has always been centered on this place. Elaborately made by folk artists with traditional hand craft, Uyghur carpet is sophisticated in materials, delicate in textile technology, which is one of the major reasons why it is favored by customers from both home and abroad. With distinctive national features and strong local colors, Uyghur carpet is called as a distinctive oriental carpet. [ The raw mater

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Meyer, Patrick, Johannes Boblenz, Cornelia Sennewald, et al. "Development and Testing of Woven FRP Flexure Hinges for Pressure-Actuated Cellular Structures with Regard to Morphing Wing Applications." Aerospace 6, no. 11 (2019): 116. http://dx.doi.org/10.3390/aerospace6110116.

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Shape-variable structures can change their geometry in a targeted way and thus adapt their outer shape to different operating conditions. The potential applications in aviation are manifold and far-reaching. The substitution of conventional flaps in high-lift systems or even the deformation of entire wing profiles is conceivable. All morphing approaches have to deal with the same challenge: A conflict between minimizing actuating forces on the one hand, and maximizing structural deflections and resistance to external forces on the other. A promising concept of shape variability to face this ch

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Turkeltaub, Daniel. "Penelope's ‘Stout Hand’ and Odyssean Humour." Journal of Hellenic Studies 134 (2014): 103–19. http://dx.doi.org/10.1017/s0075426914000081.

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Abstract:Penelope's ‘stout hand’ (χειρί παχείηι) in Odyssey 21.6 has troubled readers with its implication that the 20 years Penelope has spent waiting, worrying and weaving have sapped her beauty. Attempts to redeem the verse have only been partially successful at best. By applying semiolinguistic models for jokes to both Odyssey 21.6 and Penelope's increase in stoutness at Odyssey 18.195, this paper pursues the possibility that both passages are humorous. Rather than deride Penelope, the humour celebrates her quintessentially human susceptibility to age and suffering, as well as the virtues

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Mahjoubi, Sepideh Taravati. "The Pathology of Weaving and Production of the Hand-woven Carpets: Heriz Region Case Study." Journal of History Culture and Art Research 6, no. 2 (2017): 153. http://dx.doi.org/10.7596/taksad.v6i2.868.

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Vail, Gabrielle. "The Serpent Within: Birth Rituals and Midwifery Practices in Pre-Hispanic and Colonial Mesoamerican Cultures." Ethnohistory 66, no. 4 (2019): 689–719. http://dx.doi.org/10.1215/00141801-7683294.

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Abstract This article focuses on female-gendered activities in Mesoamerican culture and reveals a strong link between conception, pregnancy, and childbirth on the one hand and weaving and other activities that produce cloth on the other. Supporting evidence from sources such as codices painted during the Postclassic period (13th to 15th centuries) in the northern Maya area indicates that these associations have a longtime depth, spanning at least a millennium. Ethnohistoric sources from highland Guatemala, paired with contemporary practices in that region, provide further insights into beliefs

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BRAHMA, MANAJ KUMAR. "The Inter-Relation Of Dress And Culture In Bodo Society." Think India 22, no. 3 (2019): 506–13. http://dx.doi.org/10.26643/think-india.v22i3.8317.

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Dress and culture is play very important role in Bodo society. From the primitive age to modern, the traditional dresses and ornaments have played a very important role in molding the socio-cultural life of the Bodos. They have their own culture, tradition, belief and customs, etc. The women still wear their traditional dress like- Dokhna, Gamacha, Jwmgra Phali, Sadri and Aronai. The Bodo people weave traditional hand woven dresses such as Dokhna, Sadri, Gamsa and Aronai. The Bodo women are bestowed with expertise in weaving their own traditional dresses. The Bodo women wear Dokhna and Sadri,

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Kenning, Gail. "Creative Craft-Based Textile Activity in the Age of Digital Systems and Practices." Leonardo 48, no. 5 (2015): 450–56. http://dx.doi.org/10.1162/leon_a_00907.

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Domestic craft-based textile activities, such as knitting, crochet, hand weaving and lace making, are often viewed as being of limited creative potential. The perceived lack of creativity arises, in part, out of the extent to which these activities copy, reproduce and re-create existing pattern forms and use preexisting templates. This paper reports on the findings of an experimental research project that explored the creative potential of crochet lace making using digital media, technologies and practices. It provides critical analysis of how new technologies, practices and theoretical framew

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Pebriyeni, Eliya. "PERKEMBANGAN FUNGSI SENI KERAJINAN TENUN SONGKET SILUNGKANG." Gorga : Jurnal Seni Rupa 8, no. 1 (2019): 214. http://dx.doi.org/10.24114/gr.v8i1.13585.

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AbstrakMotif tenun songket Silungkang yang ada pada sehelai kain dahulu sangat kaya dengan motif-motif yang mempunyai nilai-nilai estetika yan tinggi dan membutuhkan proses penciptaan dan pembuatan yang panjang dan lama. Sekarang motif yang ada cendrung berbentuk praktis dan sederhana, tidak memakai banyak motif, motifnya sudah dimodifikasi sesederhana mungkin. Pada waktu sekarang unsur-unsur yang dibuat cendrung berdasarkan nilai-nilai estetika semata yang mengarah kepada fungsi dekoratif, hanya sebagai hiasan saja. Kadang kala sipemakai perlengkapan pakaian adat tidak bisa menjelaskan makna-

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Sriagustini, Isyeu, and Teni Supriyani. "The Risk Assessment on Bamboo Weaving Craftsmen in Rajapolah District Tasikmalaya Regency." Indonesian Journal Of Occupational Safety and Health 10, no. 1 (2021): 64. http://dx.doi.org/10.20473/ijosh.v10i1.2021.64-78.

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Introduction: Tasikmalaya Regency is one of the areas in West Java that has a large industrial potential, especially small and handicraft industries. Every workplace, both formal and informal, has various potential hazards that can affect the health of workers or can cause occupational diseases. As bamboo is sharp, the craftsmen must be very careful in treating bamboo as a woven materialbecause the risk of accidents such as cutting off hands, being punctured by bamboo slats, and the risk of other potential mechanical hazards can occur. The purpose of this study is to analyze the occupational h

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