Relevant bibliographies by topics / Handicraft Handicraft Handicraft Design Art and design

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  2. Dissertations / Theses
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Academic literature on the topic 'Handicraft Handicraft Handicraft Design Art and design'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Handicraft Handicraft Handicraft Design Art and design"

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Rahayu, Kania Sofiantina, and Anida Shafa Salsabila Putri. "PERANCANGAN PROGRAM EKOWISATA KERAJINAN TANGAN KOTA PALEMBANG PROVINSI SUMATERA SELATAN." Jurnal Sains Terapan 10, no. 2 (July 31, 2021): 1–13. http://dx.doi.org/10.29244/jstsv.10.2.1-13.

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ABSTRAKKota Palembang memiliki keanekaragaman sumberdaya budaya. Kesenian merupakan salah satu unsur budaya yang mencerminkan ciri khas suatu daerah asal kesenian. Kerajinan tangan merupakan salah satu kesenian Kota Palembang yang berpotensi sebagai daya tarik wisata. Ekowisata kerajinan tangan memiliki pengaruh dalam melestarikan produk kerajinan, meningkatkan perekonomian dan mensejahterakan para pengrajin tradisional di Kota Palembang. Tujuan penelitian ini adalah menginventarisasi dan mengindentifikasi sumberdaya kerajinan tangan di kota Palembang agar dapat dijadikan objek dalam rancangan program ekowisata di Kota Palembang Provinsi Sumatera Selatan. Metode yang digunakan yaitu studi literatur, wawancara, observasi langsung dan penyebaran kuisioner. Sumber daya wisata kerajinan tangan yang diinventarisasi terbagi menjadi dua klasifikasi yaitu kerajinan bahan keras dan bahan lunak. Terdapat empat kerajinan tangan di Kota Palembang yaitu terdiri dari satu kerajinan bahan keras dan tiga kerajinan bahan lunak. Sumber daya kerajinan tangan dianalis berdasarkan tujuh indikator penilaian Avenzora (2008) untuk mendapatkan hasil penilaian potensi sumber daya kerajinan tangan unggulan. Potensi kerajinan unggulan di Kota Palembang yaitu kerajinan Laker, Kain Songket, Kain Jumputan dan Ukir Kayu. Berdasarkan hasil identifikasi menunjukkan bahwa stakeholders setuju dan siap jika kerajinan tangan kota Palembang dimasukan ke dalam objek program ekowisata. Program Ekowisata dirancang dengan konsep eksplorasi kerajinan tangan yang melibatkan interaksi antara wisatawan dengan para pengrajin. Adanya program ekowisata kerajinan tangan ini diharapkan dapat merangsang pertumbuhan ekonomi kawasan dengan kapasitas masyarakat untuk mengelola sumberdaya. ABSTRACTPalembang City has the diversities of cultural resources. Art is the cultural element that reflects the characteristics of an area. The Handicraft is one of Palembang City's arts which has the potential as a tourist attraction. Handicraft ecotourism has the influences in preserving the handicraft products, improving the economy, and the welfare of traditional craftsmen in Palembang City. This research purpose is to inventory and identify the handicraft resources in Palembang city so that they can be used as objects in the ecotourism program design in Palembang City, South Sumatra Province. The method used is literature study, interview, direct observation, and the questionnaire distribution. The handicraft tourism resources that are inventoried are divided into two classifications, namely the handicrafts with hard materials and soft materials. There are four handicrafts in Palembang City, consisting of one hard material handcraft and three soft material handicrafts. The handicraft resources were analyzed based on the seven assessment indicators from Avenzora (2008) to get the results of the superior handicraft resources potential assessment. The superior handicrafts potentials in Palembang are Laker, Songket, Jumputan, and the wood carving. Based on the identification results, it shows that the Stakeholders agree and are ready if Palembang handicrafts are included in the ecotourism program object. The Ecotourism program is designed with the handicraft exploration concept that involves interaction between the tourists and the craftsmen. The handicraft ecotourism program is expected to stimulate regional economic growth through the resource arranged by the community.
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Rautray, Priyabrata, and Boris Eisenbart. "ADDITIVE MANUFACTURING – ENABLING DIGITAL ARTISANS." Proceedings of the Design Society 1 (July 27, 2021): 323–32. http://dx.doi.org/10.1017/pds.2021.33.

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AbstractNew technologies have always been disruptive for established systems and processes. Additive Manufacturing (AM) is proving to be one such process which has the potential to disrupt handicraft and its manufacturing processes. AM is customisable, adopt multiple materials and is not restricted by the manufacturing process. Our research discusses this global phenomenon with case studies to highlights the growth of a new kind of professionals known as ‘Digital Artisans’. These artisans will assimilate the latest technologies with the cultural practices of the societies to create a new genre of products. The evolution of such artisans will be majorly led by people who have an equal inclination towards art and science and can act as the bridge between the handicrafts and technology. The development of such artisans will be supported by academics that will serve as a cradle and expose them to AM, design and handicraft. Its will also help in paving the growth of contemporary artisans who will utilise the strength of algorithms, artificial intelligence, CAD software and traditional aesthetics to create handicrafts of the future.
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Juliana, Juliana, and Hetty Zaharani. "REVITALISASI FILOSOFI ORNAMEN BERMOTIF MELAYU PADA DESAIN CORAK ANYAMAN GEDEBONG PISANG: KAJIAN KEARIFAN LOKAL BUDAYA MELAYU." Jurnal Lingua Idea 10, no. 1 (June 20, 2019): 12. http://dx.doi.org/10.20884/1.jli.2019.10.1.1541.

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This article aims to revitalize the phylosophy of Malay motif ornament in the design of woven gedebong. This research uses a qualitative descriptive method with ethnographic approach. The data were collected through observation, interview and documentation. There were four motifs used to revitalize and develop philosophical of Malay culture in the design of woven gedebong, they were flora, fauna, natural and wajik motifs. Firstly, flora motifs ornaments are from lined up flower (bunga berjajar), reap flower (bunga tampuk manggis), single florets (kuntum bujang), gundur florets, cloudy florets (kuntum awan larat), eartquake motion flower (bunga gerak gempa) on the handicraft of pencil case, cake box, skewer, kleenex box. Secondly, fauna motifs ornaments are from dragon (naga-nagaan) ant (semut beriring), twinned pigeon (merpati sekawan), return home duckling (itik pulang petang) on the handicrafts of sandal, kleenex box, and hat. Thirdly, outer space buih selari on the handicraft of astray. And lastly, Wajik motif are from portion form wajik (wajik petak tabur) and similar title of princess wajik (wajik payung sekaki tajuk puteri) on the handicraft of bag and stationery box. The philosophical local wisdom values of Malay ornaments are the values of good behaviours, taqwa (faith) to Allah, harmony, wisdom, heroic, affection, fertility, self-knowing, fair, responsibility. The result showed that there are some Malay motif ornaments used to develop in the woven gedebong that can be useful to revitalize the Malay philosophical of local wisdom values.
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Pattanapanithipong, Panu. "The Integration of the Pottery Handicraft Together with the Basketwork Handicraft Promoting Economic Community Strength." Asian Social Science 14, no. 6 (May 28, 2018): 50. http://dx.doi.org/10.5539/ass.v14n6p50.

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A study of the integration of the pottery handicraft together with the basketwork promoting economic community strength aims to 1) to study the basketwork identity to apply with the pottery handicraft 2) to examine the experimental design and to develop the pottery handicraft product combined with the basketwork in order to beautiful identical according to market qualifications and 3) to evaluate the market testing of the handicraft product developed conduce to the guidelines for producers apply to use. The samples were 400 people who interested in handicraft wherewith purposive sampling at the handicraft shop by used the accidental sampling, inquired for collect the data before as well as after design, evaluated by 3 groups of community product producer as 3 stars level which experience 10 years at least and 3 product design experts in order to evaluate the optimal pattern of product modified, therefrom, created the prototype as well as evaluated the opinion comments of consumer towards product designs. The results revealed that the most wanted of consumer that were the lamp product, basket product and decorated item products, the container rim of the 3rd pattern by weaving method was appropriate for forming pattern which were combined method with easy, strong and stable pattern, easy to fix when being ruined, the product pattern have been tested marketing by consumer found the satisfaction overall was the highest level, furthermore they satisfied in term of beauty than in term of usability.
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Garcerá Ruiz, Javier. "Ver desde el Hacer: Materia, Tiempo y Silencio en el Arte Contemporáneo." Barcelona Investigación Arte Creación 8, no. 3 (October 3, 2020): 204. http://dx.doi.org/10.17583/brac.2020.4227.

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Using as a starting point the artwork from a group of contemporary artists whose language is grounded on handicraft techniques, this article puts forward several reflections on the art production process and its impact on the act of seeing—in particular, creative processes which, by dissolving the watertight categories of arts, handicrafts, and design, focus on the sensory qualities of materials, rein in rational control on the act of making, and result in artwork which can only be understood beyond discourse. Drawing from ideas that are central to the writings of Juhani Pallasmaa, Richard Sennett, Byung-Chul Han, and Doris von Drathen, this article discusses various theoretical questions underlying the work of the aforementioned artists. They all point towards the possibility of an artistic practice that represents an ethics rooted in detachment and silence.
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Shen, Hua Ping, and Wei Li. "The Function of the Materials Science in Industrial Design." Advanced Materials Research 798-799 (September 2013): 357–60. http://dx.doi.org/10.4028/www.scientific.net/amr.798-799.357.

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It is known that design means the art of times. As the industrial development enters the high-tech stage in current society, handicraft, industry and high technology have integrated with each other well. Moreover, informatization has been rapidly applied in the various aspects of human life. However, with the advent of digitalized era, design now lies in the age of reconstructing languages.
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Chan, Patrick K. C. "A Collaborative Design Curriculum for Reviving Sheet Metal Handicraft." International Journal of Art & Design Education 34, no. 3 (October 2015): 369–77. http://dx.doi.org/10.1111/jade.12092.

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Rahmanpour, Nahid. "Applying the Kaizen Management System in the Manufacturing Process of Artistic Products in Handicraft Workshops." International Journal of Engineering & Technology 7, no. 2.15 (April 6, 2018): 185. http://dx.doi.org/10.14419/ijet.v7i2.15.12689.

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Being knowledge-based, handicrafts-manufacturing workshops established by art graduates are to design and manufacture innovative products in line with modern lifestyle. Unfortunately, such workshops are often encountered with challenges due to lacking the use of a specific management system in their production and supply processes. For this purpose, the application of Kaizen’s management system was discussed in the present study because of its ease of implementation, high effectiveness of results, low costs, and emphasis on teamwork in the production of handicrafts. This study was applied in terms of the research purpose with a descriptive survey design. The statistical population of the study included 17 handicrafts-manufacturing workshops established by art graduates in the last fifteen years. The results of this study showed that the application of Kaizen’s management system and its operational procedures could provide conditions for continuous improvement in the production process of handicrafts, reduce the cost and time of production, increase quality, and enhance delivery performance.
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Chandhasa, Rosjana, Jong Boonpracha, Somsakul Jerasilp, and Palang Wongtanasuporn. "The Guidelines of Product Design from the Vetivers Grass Fiber Innovation (Case Study of the Handicraft Product Group, Phayao Province)." Asian Social Science 13, no. 12 (November 28, 2017): 77. http://dx.doi.org/10.5539/ass.v13n12p77.

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This research aims to study the process and the physical property of the vitiate grass fiber by spinning vetiver grass with other natural fibers such as cotton, SamiaRicini, silk and plastic fiber such as plastic rope, wire rope and straw rope. The exploration was conducted by Ban KoSoa women group cooperative settlement, Ban Kae Mai handicraft product group and Ban Don Chai handicraft product group in Pusang District, Phayao Province. The physical properties examination, namely: ASTMD 1059:2001 Standard Test Method for Fiber Size, ASTM D 2256: 2002 Standard Test Method for Fiber Toughness with Hardness and Flexibility fiber Equipment, the results of examination would be brought to determinate for the handicraft product development design. The results from this exploration revealed that the fiber size was 0.73-0.15Ne, the tenacity (toughness) as maximum tensile strength was 4.75-9.97 kgf and the elongation at break was 7.73-11.48 percentages. The vetiver grass fiber mixed with straw rope had the tenacity as maximum tensile strength with differently at the statistically significant level of .05, the tenacity as maximum tensile strength average at 9.9 kgf, the vetiver grass fiber mixed with cotton fiber had the tenacity as maximum tensile strength with differently at the statistically significant level of .05, the tenacity as maximum tensile strength average at 6.60 kgf. The vetiver grass fiber mixed with wire rope had the highest elongation at break with differently at the statistically significant level of .05 by with the elongation break was 11.48 percentage. The vetiver grass fiber mixed with SamiaRicini fiber had the elongation break point with differently at the statistically significant level at .05, the elongation at break was 11.6 percentage. According to the handicraft product development guideline from the physical property of the vetiver grass fiber on the basis of this finding, the strength fiber as the vetiver grass fiber mixed with straw rope fiber or cotton fiber could be used for supporting weight product requirement, the elasticity fiber as the vetiver grass fiber mixed with straw rope fiber or SamiaRicini could be used for product which soft and flexibility requirement, the utility from using fiber color that spinning for beauty could be used the vetiver grass fiber that spinning and mixed with other fiber.
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Saitaer, Xiakeer. "The Traditional Dyes and Design Types of Uyghur Traditional Decorative Felt." Advanced Materials Research 472-475 (February 2012): 2801–4. http://dx.doi.org/10.4028/www.scientific.net/amr.472-475.2801.

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The ancient Uyghur people before entering the Tarim culture, that has not yet learned to grow cotton before, put the felt used to make houses, coat of important raw materials. As the title of felting Uyghur handicraft industry is a historical necessity, is indispensable for industrial and bedding material, Uygur ancestors felting skills to further develop, felt is not only common household items, and become aesthetic value of art, and also become a valuable asset of Uyghur people. Felt products with decorative designs are the most precious of the felt products. This paper discusses in detail the dye of traditional Uyghur decorative felt, the types of traditional Uyghur decorative felt designs, and sets forth reasons for its preservation.
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Dissertations / Theses on the topic "Handicraft Handicraft Handicraft Design Art and design"

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Rankin, Carin. "Development by design - an example in the South African craft industry the Due-South travel guide /." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-10082008-094907.

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Walker, Sue. "Resurgence this exegesis is submitted to Auckland University of Technology in partial fulfillment of the degree of Master of Art and Design, 2008." Click here to access this resource online, 2008. http://hdl.handle.net/10292/372.

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Exegesis (MA--Art and Design) -- AUT University, 2008.
Includes bibliographical references. Also held in print (111 leaves : col. ill. ; 22 x 30 cm.) in the Archive at the City Campus (T 746.92 WAL)
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Ivarsson, Linnéa. "Memento Mitten : Re-Collecting Human Hair as a Material." Thesis, Linnéuniversitetet, Institutionen för design (DE), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-99175.

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Memento Mitten is a project about seeing human hair from the perspective of sustainability as a viable alternative material. The project also aims to question our reluctance in Western Europe to use it in projects and innovations. It explores the process of transforming hair from waste into a functional piece (a mitten) by using traditional handicraft (hand carding, hand spinning and nålbinding) as a change agent in order to alter our perception of hair. Relating anthropologist Mary Douglas’ theory on dirt to the Freudian definition of ‘Das Unheimliche’ (The Uncanny) the project further examines and dissects the emotional aspects of Uncanniness and the anxiety we perceive when in contact with disembodied hair.  Leaning on Douglas’ theory on dirt I developed a framework for action that could potentially have the transformative ability to, when applied to creative practices, recontextualize hair from uncanny waste into an emotionally safe material. Utilizing auto-ethnographic documentation, physical exploration and participatory elements (through design interventions), four phases were identified: rejection (identifying hair as waste), re-collection (collecting hair), dissolution (taking apart the hair through acts like hand carding) and assimilation (putting the hair into a new context). These phases, which I titled The Altered Phases of Dirt, showed that they had the potential to move our inner margins of comfort beyond Uncanniness through the physical engagement found in handicraft.
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BARROS, LUIZ ANTONIO DOS SANTOS. "DESIGN AND HANDICRAFT: THE POSSIBLE CHANGES." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9596@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
Essa pesquisa parte da premissa de que não é cabível questionar de se o designer deve ou não atuar junto ao segmento artesanal, mas sim, como deve se dar essa ação. A crescente participação do designer junto à cadeia produtiva do artesanato estabelece a presença deste profissional neste segmento e, configura um crescente campo para a atuação conjunta de designers e artesãos. Essa parceria busca através da comercialização dos produtos artesanais, a autosuficiência dos artesãos e das comunidades artesanais em nosso país. Nesta pesquisa é apontada a intermediação e a participação de designers no decorrer da trajetória de reconhecimento do artesanato na sociedade brasileira. O estudo apresenta as categorias artesanais, e suas particularidades, definindo parâmetros para a atuação dos designers neste segmento. A pesquisa apresenta diretrizes básicas para a atuação do designer, a partir do respeito e valorização das referências culturais de artesãos e comunidades. E determina que a atuação conjunta de designers e artesãos deve dispor como objetivo comum, agregar valor comercial aos produtos artesanais, otimizando seus processos de produção, comercialização, divulgação e manutenção, visando a auto-sustentabilidade do segmento artesanal.
This research departs from the assumption that is not appropriate to argue if the designer must or not to act attached to the handicraft segment but, indeed, how his action must take place. The increasing partnership of the designer attached to the productive chain of the handicraft establishes the presence of this professional in this segment and shapes a crescent field towards the joined operation of designers and craftsmen. This partnership aims, though the commercialization of the handicraft products, the self- sufficiency of the craftsmen and the handicraft communities in our country. In this research is pointed out the intermediation and the participation of designers in the process of recognition of the handicraft in the Brazilian society. The study presents the handicraft categories and their particularities, defining parameters for the performance of the designers in this segment. The research proposes basic directives for the performance of the designer, beginning with the respect and valorization of cultural references of craftsmen and communities. And, the research establishes that the joint performance of designers and craftsmen must envisage, as common objective, to aggregate commercial value to the handicraft products, maximizing their processes of production, commercialization, divulgation and maintenance, aiming to the self-sustaining handicraft segment.
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Nord, Olsson Kristina. "För Wanja – i tiden : En studie av Wanja Djanaieffs klädkollektion till den svenska olympiatruppen i München 1972 och i Innsbruck 1976." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-435954.

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This bachelor’s thesis traces the life and career of textile designer Wanja Djanaieff, in particu- lar the collections she designed for the Swedish Olympic team for the games in Munich 1972 and Innsbruck 1976, in order to investigate the hypothesis that the social and political climate in Sweden shaped and constrained the stylistic choices available to textile designers at the time. Through the use of a biographical method, including an interview with Wanja, her works are placed within a broader cultural and political context, and the ways in which her art was influenced by historical developments, such as the decline of the Swedish textile industry from the 50’s onwards, are highlighted. Additionally, it is investigated which constraints were imposed on her designs by her clients, and how Wanja faced these constraints. It is argued that presence of irony and androgynous designs in Wanja’s work mirrors contemporary social developments, lending support to the notion that art reflects broader societal trends.
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Offensend, Elizabeth Gillette. "Crafting a Space: A Feminist Analysis of the Relationship Between Women, Craft, Business and Technology on Etsy.com." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/892.

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In recent years, craft fairs, shows and markets where crafters sell their handmade goods such as pottery, jewelry, handmade clothes and needlework have grown in popularity across the United States. A common intent among individuals in this community echo political statements made by the turn of the century Arts and Crafts movement, while there are political aspects of the community that can also be seen as an extension of the third wave feminist do-it-yourself (DIY) ethic of the late 1990s. This newly enlarged community of crafters that congregates in person also has a strong online presence. Etsy.com plays a large role in this community. The introduction of websites such as Etsy.com to the communities they serve has widespread impacts. The aim of this study is to analyze how Etsy.com impacts the lives of women who use the website to earn income. Following ethnographic traditions, the researcher interviewed five community members. The focus was on thick description of the DIY community and thematization of interview narratives. To meet participant observation criteria, the researcher also volunteered at the Independent Publishing Resource Center (IPRC) in Portland, Oregon for 4 months. Additionally, the researcher conducted a textual analysis of blogs, websites, artwork, and other sources of data collected from the online hand crafting community. The study presents and discusses the themes that emerged from the data, including women's work, feminism and technology, the crafters' political statements, the crafters as owners of legitimate businesses, and Etsy.com's impact on local economy. The results paint a picture of the community (both on and offline) and how Etsy.com helps to shape this. The researcher then discusses how to assess the impacts tools such as community websites will have on the communities they serve.
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Dowsett, Kathleen Joan. "The Women's Art Association of Canada and its designs on Canadian handicraft, 1898-1939." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ37947.pdf.

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Mårtensson, Mikaela. "Renaissancing Diagonally : An investigation in the handicraft of knitting and crochet with diagonal construction." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-26593.

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In this project a collection of clothing, based on the handicraft of knitting and crocheting, has been developed. Today most garments are produced on industrial machines, cheaply, fast and with a low quality. An alternative to this is slow fashion which aims for long-lasting, locally manufactured clothing, primarily made from sustainably sourced fair-trade fabrics. The aim of this project is to raise awareness of slow fashion by working with the handicraft of knitting and crochet. The work has a slow process of making, and the items are carefully made by hand which raises the value of the garments and is a more sustainable way of using the materials.  Traditional flat pattern construction is based on symmetrical squares and vertical and horizontal lines. This work's construction is based on diagonal lines around the women's body, as a suggestion that it fits the knitted fabric property and the women's body better. Design decisions were made by looking at renaissance fashion and paintings. To highlight an older way of making fashion and to push the expression in knitwear and show the potential in the craft.
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Almeida, Ana Julia Melo. "Design e artesanato: a experiência das bordadeiras de Passira com a moda nacional." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-22112013-200350/.

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O trabalho apresenta uma reflexão acerca da aproximação entre o design e o artesanato. Para abordar esse contato, a pesquisa tem como objeto de estudo o encontro das bordadeiras de Passira (PE) com a moda nacional. O estudo expõe como esses dois campos se relacionaram e as repercussões dessa interação no trabalho das artesãs. Desse modo, analisa como os processos criativos e produtivos dialogam, além de compreender o que é gerado por meio dessa ligação.
This work presents a reflection about the approach between design and handicraft. To broach this relation, the research aims to study the encounter of Passira (PE) embroiders with brazilian fashion. The study exposes how these two fields are related and the repercussions of this interaction in the artisans work. Thus, analyzes how the creative and productive processes dialogue, besides understanding what is generated through that connection.
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COUTINHO, DAVISON DA SILVA. "DESIGN, MATERIAL CULTURE, HANDICRAFT AND MEMORY IN FAVELA MUSEUM OF RIO DE JANEIRO." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=28046@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
Esta dissertação propõe uma metodologia de análise da imagem em parceria com as artesãs da Rede do Museu de Favela do Rio de Janeiro (MUF) do material produzido e comercializado pela Rede. A pesquisa realiza oficinas colaborativas de criação da Exposição Mulheres Guerreiras 2013 com as artesãs do MUF realizando um diálogo com os conceitos de Memória, Cultura Material e Linguagem Pedagógica das Coisas do autor Pier Paolo Pasolini em conjunção com a metodologia do Design Participativo. Todas as etapas do processo foram construídas pelos moradores e pesquisadores envolvidos através das aulas expositivas e das oficinas práticas, nas quais é problematizada a ideia de uma identidade visual local. Os dados revelaram que a participação ativa dos moradores para construção de uma linguagem própria os transforma em potenciais multiplicadores dos fazeres locais, ressaltando os seus saberes da cultura material da comunidade envolvida.
This paper proposes an aesthetic analysis methodology in partnership with artisans of the Network of Favela Museum of Rio de Janeiro (MUF) from the material produced and marketed by the Network. The research conducts collaborative workshops to create the Exhibition Women Warriors 2013 with the artisans of MUF. This establishes a dialog with the concepts of Memory, Material Culture and Educational Language of Things by Pier Paolo Pasolini in conjunction with the methodology of Participatory Design. All process steps have been built by residents and researchers involved through the lectures and hands-on workshop in which we question the idea of a local visual identity. The data have shown that the active participation of residents for construction of a proper language turns them into potential multipliers of local activities. This emphasizes their knowledge of the material culture of the community involved.
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Books on the topic "Handicraft Handicraft Handicraft Design Art and design"

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1981-, Heimerl Cortney, ed. Handmade nation: The rise of DIY, art, craft, and design. New York: Princeton Architectural Press, 2008.

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Borges, Adélia. Design + artesanato: O caminho brasileiro. São Paulo, SP: Editora Terceiro Nome, 2011.

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Bardi, Lina Bo. Tempos de grossura: O design no impasse. [São Paulo]: Instituto Lina Bo e P.M. Bardi, 1994.

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Filani, Kunle. Art, design and technology in the 21st century. Lagos: Culture and Creative Art Forum (CCAF), 2007.

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Speight, Bev. Art life: Make amazing art and unlock your creativity. London: Ilex, 2017.

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N.Y.) Jacob K. Javits Convention Center (New York. Japan by design kaisai hōkokusho. [Tokyo]: Nihon Bōeki Shinkō Kikō, 2009.

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Brabec, Barbara. The craft business answer book: Starting, managing, and marketing a home-based art, crafts, design business. New York: M. Evans & Co., 2006.

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1953-, Williams Robin, ed. Robin Williams handmade design workshop: Create handmade elements for digital design. Berkeley, CA: Peachpit Press, 2010.

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Wallpaper Projects: 50 Craft and Design Ideas for Four Home, from Accents to Art. San Francisco, CA: Chronicle Books, 2009.

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A voyage in Sri Lankan design: Art, craft, architecture. Colombo: Vijitha Yapa Publications, 2012.

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Book chapters on the topic "Handicraft Handicraft Handicraft Design Art and design"

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Ning, Ou. "Handicraft, Design, and Art." In Contemporary East Asian Visual Cultures, Societies and Politics, 237–66. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-5791-0_12.

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Blaauwendraad, J., and A. W. M. Kok. "Handicraft in Finite Elements." In Numerical Techniques for Engineering Analysis and Design, 543–52. Dordrecht: Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3653-9_60.

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Mahato, Kiran Kumari, Pratul Chandra Kalita, and Amarendra Kumar Das. "Design and Development of Affordable Tool for Metal Handicraft." In Smart Innovation, Systems and Technologies, 357–67. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-5974-3_31.

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Chen, Yu. "New Requirements for User Experience on Non-legacy Contemporary Design of Traditional Handicraft Skills." In Design, User Experience, and Usability. Design Philosophy and Theory, 34–46. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23570-3_4.

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Wu, Yan, Li-Yu Chen, and Lei Ren. "Implementation of Service Design on Innovation Development of Traditional Handicraft: A Case Study of Yongchun Lacquered Basket." In Cross-Cultural Design, 232–40. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57931-3_19.

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Man, Qianhe. "The Research on the Practice of Traditional Handicraft Entering into College Quality Education Class." In Design, User Experience, and Usability: Designing Interactions, 83–95. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91803-7_7.

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Bie, Bingmei, Ye Zhang, and Rongrong Fu. "Study on Display Space Design of Off-line Experience Stores of Traditional Handicraft Derivative Product of ICH Based on Multi-sensory Integration." In Design, User Experience, and Usability: Users, Contexts and Case Studies, 459–70. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91806-8_36.

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Edwards, Clive. "John D. Sedding, Art and Handicraft." In Nineteenth-Century Design, 93–97. Routledge, 2021. http://dx.doi.org/10.4324/9780429279492-13.

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Cavalcanti, Virgínia Pereira. "Report: Design and Handicraft." In Design Ecovisions: Research on Design and Sustainability In Brazil - Volume 2, 199–210. Editora Blucher, 2021. http://dx.doi.org/10.5151/9786555500653-16.

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Edwards, Clive. "William Morris, ‘The Revival of Handicraft’ 1." In Nineteenth-Century Design, 361–69. Routledge, 2021. http://dx.doi.org/10.4324/9780429279485-49.

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Conference papers on the topic "Handicraft Handicraft Handicraft Design Art and design"

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Wang, Wei, and Min Ma. "Research on Traditional Handicraft: The Painting Art of Beijing-style Inside Painting Snuff Bottles." In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.061.

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Chen, Yuan. "Study on the “Activation” of Traditional Qi-Lu Folk Handicraft in Modern Design Art." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.84.

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Fu, Yu. "Research on Influence of Handicraft in Design History from the Diagrammatic Perspective." In 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.113.

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Chen, Yuan. "Research on the Development Dilemma and lActivationr Redesign of Traditional Folk Handicraft A Case of Juancheng Lu Brocade." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.101.

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Xie, Minhan, and Zhixiong Huang. "Research on the Practice of Social Design Concept in the Protection and Development of Intangible Cultural Heritage Handicraft." In The 6th International Conference on Arts, Design and Contemporary Education (ICADCE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210106.077.

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Zhang, Wanyu, and Muqie Refu. "Handicrafts and Aesthetics of Qiang People's Silver Accessories." In 3rd International Conference on Arts, Design and Contemporary Education (ICADCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icadce-17.2017.87.

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Du, Hemin, and Suihuai Yu. "Study on the sculpture method modeling of folk handicraft." In 2008 9th International Conference on Computer-Aided Industrial Design & Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730662.

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Wu, Tong. "Conversion of Handicraftrs Return in Modern Design." In 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.102.

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Dai, Yixuan, and Dongrun Yang. "Application of online trading market in rural handicraft protection design strategy : ——Take "Fang yuan" app handicraft exchange trading platform as an example." In 2020 International Conference on Innovation Design and Digital Technology (ICIDDT). IEEE, 2020. http://dx.doi.org/10.1109/iciddt52279.2020.00058.

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Zhou, Cheng Jun, and Peng Fei Hu. "Design Strategy of Rural Handicraft Products Based on Kano Model." In 2021 International Conference on Computer Technology and Media Convergence Design (CTMCD). IEEE, 2021. http://dx.doi.org/10.1109/ctmcd53128.2021.00020.

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