Relevant bibliographies by topics / Handicraft History

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Handicraft History'

Author: Grafiati
Published: 11 December 2022
Last updated: 25 January 2023

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Journal articles on the topic "Handicraft History"

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JUNYA, MA, and TIM WRIGHT. "Industrialisation and Handicraft Cloth: The Jiangsu Peasant Economy in the Late Nineteenth and Early Twentieth Centuries." Modern Asian Studies 44, no. 6 (December 23, 2009): 1337–72. http://dx.doi.org/10.1017/s0026749x09990333.

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AbstractThis paper analyses the trajectories of handicraft cloth production in three major sub-regions of Jiangsu Province in the late nineteenth and early twentieth centuries. In contrast to traditional focus on the bankruptcy of rural handicrafts in the face of competition from the modern industry, it argues that the fate of handicrafts depended on the specific characteristics of each sub-regional economy. Thus in Song-Tai, handicraft weaving declined as labour was drawn off into modern industry. In Tong-Hai the availability of machine-spun yarn in the market enabled the development of a commercialised handicraft weaving sector. Finally, in Xu-Huai-Hai machine-spun yarn enabled the inhabitants to substitute their own subsistence handicraft production for cloth purchased from elsewhere.
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Mandal, Ram Krishna. "Present Scenario of Handloom and Handicrafts Industries of the ADIS." Journal of Global Economy 10, no. 3 (October 2, 2014): 191–203. http://dx.doi.org/10.1956/jge.v10i3.362.

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From beginning of the known history the handloom and handicrafts forms a valuable cultural trait of a society. The cultural pattern of a society is reflected in the quality and craftsmanship of their handicrafts. The term handloom and handicrafts refers those products of a common folk or a specific community, which are produced manually with their indigenous technology. The handicrafts of a society are one of the chief means of livelihood. The people of Arunachal Pradesh are artistically minded and gifted with deft hands and skilled fingers. Handloom and Handicraft for instance, offer wide scope to produce a variety of artistically blended and beautifully designed clothing. Handicraft is a very common craft in Arunachal Pradesh. The main handicraft items made in the state are masks, carpets, painted wooden vessels and silver articles. Cane and Bamboo play an important role in the rural economy of the state. Arunachal Pradesh has a rich tradition of Bamboo and Cane Handicrafts. The products reflect the rich and varied culture of the tribes inhabiting this enchanting State and the products featured are representative of the wide range of Handicrafts produced in the State.
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Li, Wen-Tao, Ming-Chyuan Ho, and Chun Yang. "A Design Thinking-Based Study of the Prospect of the Sustainable Development of Traditional Handicrafts." Sustainability 11, no. 18 (September 4, 2019): 4823. http://dx.doi.org/10.3390/su11184823.

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Traditional handicrafts have a time-honored history and tremendous cultural value in China. However, even with the strong impact of globalization and consumerism in recent years, design-oriented scientific thinking and sustainable development models are not yet available. Based on Stanford Design Thinking, this study explores the prospect of the sustainable development of traditional handicrafts. First, a literature review and analysis were conducted to show that design science, as a bridge between natural science and humanities, aims to improve the important methods and research tools for the sustainable development of traditional handicrafts. Then, we studied ceramic product design via workshops. Methods such as action research, expert questionnaires, and factor analysis were adopted to establish 24 “indicators of the sustainable value of handicraft design” and four value dimensions, namely, “material and innovative value”, “handicraft and cultural value”, “empirical and local value”, and “sharing and interactive value”. Next, an experimental method was employed to make design product prototypes according to the design-thinking procedure. These prototypes were measured and evaluated with the indicators to form an evaluation report. In addition, the exploration of the sustainable development of traditional handicraft design also contributes to the establishment of a sustainable development model of design thinking. It was demonstrated that scientific design is the current trend and future of the sustainable development of traditional handicrafts. Finally, this study put forward five dynamic thinking methods and design strategies, providing the most direct methods and theoretical evidence for the sustainable development of traditional handicraft design. Finally, taking design thinking as the sustainable design framework, five dynamic thinking approaches were proposed: Thinking with the body, thinking with the mind, thinking with the heart, thinking with the hands, and thinking with the soul. Five design strategies were also proposed: Enquiry learning, values education, future problem solving, experiential design, and appropriate assessment. These approaches and strategies provide the most direct method and theoretical basis for the future of sustainable design regarding traditional Chinese handicraft products.
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Buoi, Le Thi. "Traditional Handicraft Village in Thanh Hoa Today." Journal of Humanities and Education Development 4, no. 4 (2022): 43–51. http://dx.doi.org/10.22161/jhed.4.4.7.

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Thanh Hoa is a land with a rich history and culture, with many long-standing traditional handicraft villages, which have been lost over time, now gradually been restored and promoted their values ​​in modern life. In the spirit of Decree No. 52 dated April 12, 2018, of the Government on the development of rural industries, Thanh Hoa province has issued many mechanisms and policies to encourage the development of traditional handicrafts. The article focuses on clarifying the system of traditional craft villages in Xu Thanh (The Land of Thanh), the size, characteristics and guidelines, and policies of Thanh Hoa province to maintain and develop handicraft villages to serve the economy - social sustainability.
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Ovchinnikov, V. A. "The Role of Educational and Demonstration Workshops in the Development of Vocational Education and Training for the Handicraft Industry of Tomsk Province in the Early XX Century." Bulletin of Kemerovo State University 21, no. 4 (December 31, 2019): 948–61. http://dx.doi.org/10.21603/2078-8975-2019-21-4-948-961.

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The present research featured educational and demonstration handicraft workshops in the Tomsk Province in the early XX century. The research objective was to determine the general course and features of the workshops that played a significant role in the modernization of technology and handicrafts in the region, along with other institutions of the Tomsk State Handicraft Committee, e.g. museums, warehouses, and libraries. The workshops became an important part of vocational education. A major role on the state level belonged to the administration of land management and agriculture and the Imperial Russian technical society. In the Tomsk province it belonged to the Tomsk Provincial Handicraft Committee and the Tomsk Department of the Russian Technical Society. By 1917, seventeen settlements in six parishes of the Province had seventeen workshops in nine areas of handicraft industry. Weaving, wagon-making, and agricultural engineering workshops predominated. They became centers for the development of vocational education and the popularization of new technologies. They organized educational support workshops for the adult population, sold modern machinery and materials, built warehouses for handicrafts and repair shops, instructor schools, etc. The network of workshops, along with vocational educational institutions, became the basis for the Soviet system of vocational education in Siberia in the post-revolutionary period. The paper contains an analysis of researches and historical sources. The results helped to fill the gaps in the history of vocational education in the South of Western Siberia.
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Awang @ Mohd Noor, Nor Hanim, Norfatiha Othman, and Nor Hayati Sa’at. "Pembentukan Usahawan Kraf Tangan Wanita di Malaysia: Peranan Sikap, Warisan Keluarga dan Pembudayaan Nilai Agama." Kajian Malaysia 39, no. 2 (October 29, 2021): 153–78. http://dx.doi.org/10.21315/km2021.39.2.7.

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The participation of women in entrepreneurship plays a significant role in economic development especially in reducing unemployment, increasing production and consumption, achieving gender equality, social and cultural reforms. One of the dominant areas for women is batik and songket entrepreneurs who are synonymous with women on the East Coast of Peninsular Malaysia. Studies have identified three key elements that contribute to the development of this craft entrepreneur, viz. attitude, business inheritance and religious value culture. Qualitative design methods based on case studies and in-depth interviews were used in this study on 12 informants in the state of Kelantan and Terengganu in Malaysia. The findings show that there are three main factors that cause the formation of women handicraft entrepreneurs, namely attitude, family heritage and religious values. Hence, all the factors that make up a female handicraft entrepreneur in Malaysia are discussed in this article. The findings imply that increasing women entrepreneurs in handicrafts can raise the quality of handicraft products into becoming the best tourism products in the East Coast.
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Deya Gayatri, G., and C. S. Udhayakumar. "A Study on Motivations for Career Switching to Entrepreneurship in Handicrafts Among Women." International Journal of Engineering & Technology 7, no. 3.6 (July 4, 2018): 21. http://dx.doi.org/10.14419/ijet.v7i3.6.14926.

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The handicraft sector in India, due to its rich history and promising growth has been attracting a large number of entrepreneurs in recent times. A significant portion of these are women who have quit their previous careers due to the allure of the handicrafts sector. This study makes a modest attempt to explore the reasons why women choose to switch their careers at various organizations in favor of becoming a handicraft entrepreneur. The methodology employed uses a structured questionnaire which was circulated among women entrepreneurs through mail survey. The data was collected from select 53 women entrepreneurs in India who managed small to medium sized enterprises and who met the criteria of having quit their previous jobs to pursue their current chosen career and it was analyzed through the statistical software S.P.S.S. The results reveal that most of the respondents were motivated to engage in an entrepreneurial career in handicrafts because it made sense, they regarded it as a personal achievement and for some of them it was because they wanted to challenge themselves.
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Li, Shaojie. "Innovative application of Diancui technology in modern jewelry design." BCP Social Sciences & Humanities 18 (June 30, 2022): 546–49. http://dx.doi.org/10.54691/bcpssh.v18i.1160.

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Diancui craft is a traditional Chinese handicraft, which has a history of more than 2000 years. Because of its complex production process and special materials, it has gradually faded out of the stage of history. In addition, due to the impact of western culture, many traditional Chinese handicrafts are facing the loss. This paper will study and analyze the history and development of Diancui craft, the production process of Diancui jewelry, and the application of Diancui craft in modern jewelry design. Combined with the relevant characteristics of modern jewelry design, we will find the commonness between traditional and modern, and provide new inspiration for the application of traditional crafts in modern jewelry design. How can we better inherit and develop the traditional Chinese Diancui craft.
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Korolkova, Mariia D. "Representation of the Handicraft Vocabulary of the Sura Volga Region in a Thematic Dictionary: Prerequisites for Creation, Composition and Structure." Voprosy leksikografii, no. 20 (2021): 40–66. http://dx.doi.org/10.17223/22274200/20/3.

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In the article, the author discusses the ways of grouping and representing the handi-craft vocabulary items of the Sura Volga region dialects in a thematic dictionary orga-nized by the onomasiological principle. First of all, the author localizes the dialects in question and gives a brief description of their emergence paralleled with the history of the territory where they are present nowadays, that is of modern Penza and Ulya-novsk Oblasts, which were colonized by Russian-speaking settlers only a couple of centuries ago. The author concludes that these secondary idioms belong mostly to the Middle Russian group of dialects and share a lot of common features, which allows regarding them as a certain continuum liable to description as a whole. The author justi-fies the necessity of a dictionary containing the dialectal handicraft vocabulary of the Sura Volga region and claims that an accurate depiction of a certain thematic group of dialectal lexical items, such as handicraft terms, demands specific principles of organi-sation. These principles widely contradict the traditional alphabetic arrangement: for example, a coherent description of a bunch of words denoting related items (e.g. craftsman, his working place and result of work), or drawing of areal maps typically used in linguistic geography. Having analyzed the terms related to felting, carpentry and weaving, the author develops a special method of representing the relevant material both via lin-guistic data, such as phonetic variants, syntactic distribution and morphological peculiari-ties of each item, and encyclopaedic information on how each handicraft action or instru-ment contributes to the result and what this final result is for each type of the handicrafts under consideration. Thus, the author has chosen to divide the words related to each handicraft into seven subgroups such as ‘actor’, ‘instrument’, ‘result’, and so on, which shows the whole picture of what handicraft activities are like and why they need the terms they actually have. If one wants to look for a certain word, not a notion, an alphabetic index at the end of the book can be addressed, where each word is provided with the information on how it can be found in the main text of the dictionary. Finally, the author describes the principles of illustrative material selection. In general, the author hopes her project can prove useful for the description of Russian dialectal handicraft vocabulary
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Egorov, Vladimir, and Olga Zozulya. "Handicraft industry in Russia in the second half of the 19th century: study results and further scientific research directions." OOO "Zhurnal "Voprosy Istorii" 2021, no. 04-1 (April 1, 2021): 51–73. http://dx.doi.org/10.31166/voprosyistorii202104statyi03.

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The article describes the current state of Russian handicraft industry research and outlines benchmarks for further studies. According to the authors, the completed historiographical path and the introduction of a wide range of sources into scientific circulation allows us to shift the focus of further research to issues related to determining the regional specifics of the traditional handicrafts transformation alongside the modernization of the social economy evolving in the second half of the XIX century. On the basis of the sources, including those introduced into scientific circulation for the first time, the authors show the specifics of the transformation of the peasant industry of the Black Earth Belt in the competitive business environment.
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Dissertations / Theses on the topic "Handicraft History"

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Paringatai, Karyn Ailsa, and n/a. "Poia mai taku poi: Unearthing the knowledge of the past : a critical review of written literature on the poi in New Zealand and the Pacific." University of Otago. Te Tumu - School of Maori, Pacific and Indigenous Studies, 2005. http://adt.otago.ac.nz./public/adt-NZDU20070430.110817.

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The primary objective of this thesis is to review literature written about poi in order to construct an historical overview of poi from pre-contact Maori society until the 1920s. The mythological and Polynesian origins of poi, traditional and contemporary materials and methods used to make poi, early travellers, explorers, and settlers accounts of poi and two case studies on the use of poi in the Taranaki and Te Arawa areas will be included in this thesis. The information will be used to show the changes in poi that have occured since Maori and European arrival to New Zealand until the 1920s.
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Johansson, Ulla. "Att skolas för hemmet : trädgårdsskötsel, slöjd, huslig ekonomi och nykterhetsundervisning i den svenska folkskolan 1842-1919 med exempel från Sköns församling." Doctoral thesis, Umeå universitet, Pedagogiska institutionen, 1987. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-16601.

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This study deals with how the subjects Gardening, Handicraft, Domestic Science and Temperance Instruction were introduced and developed in elementary school (compulsory school) in Sweden during the period 1842-1919. During this same period a capitalist mode of production replaced the feudal one with consequent changes in home life for the people. The school subjects dealt with have been selected to throw light on whether and to what extent the elementary school was used to bring about a reorganization in the lives of wage earner families.The official argument, curricula and school enquiries have been examined. Teaching content in relation to workers' family conditions has been studied in the parish of Skön in the sawmill region of northern Sweden.The main official argument was that the miserable conditions of working class life were caused just as much by ignorant housewives and drunken fathers as by low wages and poor housing. The cure was therefore seen to lie in education, and the introduction of the subjects in question can be seen in the light of this.The study shows how the state gradually took over more and more of the responsibility for child upbringing, and how the schools of the sawmill companies played a part in this process. The results, however, indicate that the actual effect of elementary school teaching on the home lives of sawmill workers was insignificant. Working class poverty was ol course caused primarily by economic and structural factors, but defining the problems in pedagogical terms meant that responsibility could be apportioned at an individual level - and thereby the bourgeoisie reaped considerable ideological profits.Key word: history of education, Swedish compulsory school, Gardening, Handicraft, Domestic Science, Temperance Instruction, working class family, sawmill region.
digitalisering@umu
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Jagell, Elisabet. "Förebilder i slöjd : en undersökning om vem som kan ses som förebild i nutida pedagogisk slöjd." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-352379.

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Uppsatsens frågeställning är vilka formgivare, konsthantverkare, hantverkare, slöjdare eller andra personer skulle kunna ses som förebilder i pedagogisk slöjd i en nutida kontext. Metoden för att undersöka frågan var en webbenkät riktad till ett urval av grupper som berörs av slöjd på olika sätt. Den vanligaste förebilden bland mina respondenter visade sig vara en svensk man som är släkting. På andra och tredje plats kom två etablerade och, i slöjdkretsar, kända professionella slöjdare; Jögge Surolle Sundqvist och Beth Moen. Respondenterna beskriver sina slöjdförebilder som kreativa, nyfikna och generösa. Bristen på kända förebilder inom slöjd kan i hög grad påverka den pedagogiska slöjdens status och ställning. Ett större fokus på att lyfta fram en bredd av förbilder för slöjd i undervisningen skulle kunna öppna upp för förbättrade möjligheter att arbeta mot det grundskolans kursplan i slöjd tar upp.
The essay's question is what designers, artisans, craftsmen, people working with sloyd or other people could be seen as role models in educational sloyd in a contemporary context. The method of investigating the issue was a web survey targeted at a selection of groups related to sloyd. The most common model among my respondents turned out to be a Swedish man who is a relative. Second and third place came two well-known professional craftsmen; Jögge Surolle Sundqvist and Beth Moen. Respondents describe their role models as creative, curious and generous. The lack of known models in sloyd can greatly affect the status and position of the educational sloyd. More focus on highlighting a width of rolemodels in sloyd teaching could open up for improved opportunities to work according to the elementary school's curriculum in sloyd.
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McLeod, Ellen Mary Easton Carleton University Dissertation Art History. "Enterprising women and the early history of the Canadian Handicrafts Guild, 1905-1936." Ottawa, 1994.

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Nord, Olsson Kristina. "För Wanja – i tiden : En studie av Wanja Djanaieffs klädkollektion till den svenska olympiatruppen i München 1972 och i Innsbruck 1976." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-435954.

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This bachelor’s thesis traces the life and career of textile designer Wanja Djanaieff, in particu- lar the collections she designed for the Swedish Olympic team for the games in Munich 1972 and Innsbruck 1976, in order to investigate the hypothesis that the social and political climate in Sweden shaped and constrained the stylistic choices available to textile designers at the time. Through the use of a biographical method, including an interview with Wanja, her works are placed within a broader cultural and political context, and the ways in which her art was influenced by historical developments, such as the decline of the Swedish textile industry from the 50’s onwards, are highlighted. Additionally, it is investigated which constraints were imposed on her designs by her clients, and how Wanja faced these constraints. It is argued that presence of irony and androgynous designs in Wanja’s work mirrors contemporary social developments, lending support to the notion that art reflects broader societal trends.
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Mok, Chi-yuen Derek. "Revitalization of the 'Lower Bazaar' : a new place for Chinese handicrafts /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25953163.

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Mok, Chi-yuen Derek, and 莫智遠. "Revitalization of the 'Lower Bazaar': a new place for Chinese handicrafts." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31985968.

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Brisart, Thomas. "Un art citoyen: recherches sur l'orientalisation des artisanats en Grèce proto-archaïque." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210339.

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Cette thèse cherche à mettre en évidence les raisons qui ont amené une large part des ateliers grecs à orientaliser leurs productions durant la "période orientalisante" (VIIe siècle avant J.-C.). La méthode déployée pour répondre à cet objectif consiste en une contextualisation sociale des artisanats orientalisants, laquelle s'effectue par le biais de l'analyse d'un certain nombre de contextes archéologiques et de textes. Une fois le rôle des objets orientalisants dans la société proto-archaïque mis en évidence, leurs raisons d'être apparaissent plus clairement.

Le développement de la citoyenneté en Grèce à partir de la seconde moitié du VIIIe siècle avant J.-C. a donné lieu à une extension du pouvoir politique et militaire à une part plus importante de la population des cités. La propagation de ce qui constituait autrefois les principaux modes de reconnaissance a amené les élites à développer de nouvelles façons de se distinguer dans le paysage social. Dans un même temps, les citoyens de chaque cité ont développé des institutions communales, telles que les cultes civiques et les repas en commun, afin d'unifier le groupe qu'ils formaient et de renforcer le fossé qui séparait celui-ci du reste de la société. Le travail de contextualisation entrepris dans cette thèse a montré que l'art orientalisant constituait un outil facilitant la mise en place de ces deux évolutions.

D'une part, parce qu'ils faisaient explicitement allusion aux cultures du Proche-Orient, dont les richesses exerçaient une réelle fascination sur les Grecs de cette époque, les objets orientalisants permettaient de rehausser le prestige de leurs propriétaires. Autrement dit, ils constituaient des modes de reconnaissance sociale particulièrement efficaces. De nombreuses données archéologiques et textuelles ont permis de confirmer ce point de vue, mettant en évidence que les objets orientalisants étaient utilisés lors de banquets prestigieux, comme offrandes ostentatoires aux dieux et aux morts, ou encore pour contenir de précieux parfums.

D'autre part, en tant qu'esthétique nouvelle, complètement libérée des formes géométriques utilisées durant les siècles précédents, l'art orientalisant figurait également au rang des pratiques censées unifier la citoyenneté. Cette seconde conclusion a été mise en évidence au travers de l'étude du cas de la Crète, où, au VIIe siècle, l'art orientalisant a en grande partie été utilisé dans le cadre d'institutions civiques :les banquets publics, les cultes civiques, et les guerres.

This dissertation aims at the understanding of the reasons lying behind the orientalization of artefacts in Greece during the so-called "Orientalizing period" (i.e. the 7th cent. BC). In order to achieve this goal, the author focused on archaeological contexts and textual information. They allowed him to replace the orientalizing objects back in their original social context and to understand their initial purposes.

The birth of the citizenship in Greece at the end of the 8th cent. BC gave rise to the extension of the political and military power to a wider part of the population. This created a need for the former elite to develop other means of social distinction. Conversely, the communities of citizens developed communal institutions, like civic cults, communal dinners, etc. meant to cement and to level the group, and to reinforce the gulf that separated it from the rest of the society. This thesis showed that orientalizing art contributed to the setting up of these changes.

On one hand, because Greek orientalizing artefacts explicitly alluded to Near Eastern cultures, that were indeed perceived as being particularly rich at that time by the Greeks, they could enhance the individual prestige of the people using them. Archaeological research confirmed this hypothesis, showing that Greek orientalizing objects were used during conspicuous banquets, as lavish offerings for the dead and the gods, and for containing precious perfumes.

On the other hand, as artefacts decorated in a new style, completely freed from the geometric aesthetics displayed in the previous centuries, orientalizing objects also figured among the practices developed for strengthening the citizens’ corps. This second conclusion was reached through the study-case of Crete, where orientalizing art of the 7th cent. seems nearly exclusively used in a context of civic institutions :public banquets, civic cults and festivals, and wars.


Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Barrett, Niels. "The rise of a profession within a profession : the development of the architectural technology discipline within the profession of architecture." Thesis, Robert Gordon University, 2011. http://hdl.handle.net/10059/645.

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This thesis investigates the emergence of a new specialisation within the profession of architecture, namely that of the architectural technologist. The main original contributions from the research concern a deep understanding of how that emergence has been realised, and a study of the implications for buildings in the longer term. Using the UK and Denmark as examples it finds that this profession has existed for a long time, but until recently without formal recognition. It also finds that the consequences of the lack of attention are potentially major, and it suggests why recognition came so late. By researching literature the history of the building and architecture industries was investigated and it is shown how the architects were cooperating with well-trained craftsmen for many centuries. This is compared with the kind of cooperation with architectural technologists going on today, and what will most likely occur in the future. Questionnaires, to provide data about current architectural and architectural technologist education, were sent to groups of newly graduated professionals. After statistical treatment the resulting quantitative data were thoroughly analysed by discussing the possible interpretations. Focus groups of highly qualified professionals also interpreted the data and insights into the needs of industry in both the UK and Denmark were provided. Finally, the thesis concludes by identifying necessary means of improvement, and points at the serious risk of a further division of the construction industry into more consulting companies. This increases the risk of future architecture failing to properly integrate technology and design.
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Leblond, Caroline. "Histoire du verre d’époque gallo-romaine dans le nord-est de la France." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040186.

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Cette thèse se consacre aux découvertes en verre d’époque gallo-romaine (récipients, petits objets et verre architectural) effectuées sur les territoires des Mandubiens (Alésia), des Lingons (Langres et Mirebeau) et des Séquanes (Mandeure-Mathay), situés en Bourgogne et en Franche-Comté. À l’époque antique, cette zone constituait un des principaux carrefours du nord-est de la Gaule et le faciès du mobilier en verre en témoigne. Celui-ci est en effet composé d’importations du bassin rhodanien, de la Suisse occidentale, de Rhénanie et même d’Italie et de Méditerranée orientale. Cependant l’examen du répertoire des formes et de certains éléments caractéristiques liés à l’artisanat verrier indique que les besoins de vaisselle en verre devaient être principalement assurés par des ateliers régionaux. Par ailleurs, la confrontation des assemblages de mobilier issu de sites de nature différente (domestique, artisanale, cultuelle, funéraire) indique qu’une vaisselle en verre d’usage courant devait être choisie pour répondre à des besoins ou pratiques particuliers. Ainsi une étude comparative soutenue par une analyse statistique des ensembles de verreries peut contribuer à la caractérisation de sites archéologiques
This PhD thesis is devoted to the findings of glass material (recipients, small objects and architectural glass) dated to the Gallo-roman era in Mandubian (Alésia), Lingon (Langres et Mirebeau), and Sequanian (Mandeure-Mathay) territories, situated in Burgundy and Frank-County. In Antiquity, this area constituted one of the main crossroads of North-Eastern Gaul, a situation which is corroborated by the features of the findings glass in the region. It is composed of numerous imports from the Rhone basin, western Switzerland, the Rhine region and even Italy and the Eastern Mediterranean. However the present investigation of the available repertory of shapes and of certain elements representative of distinctive glassmakers indicates that the needs in glass vessel must have been primarily fulfilled by regional workshops. Moreover a confrontation of the different ensembles of from sites of various nature (domestic, handicraft, religious, funerary) indicates that vessel of common usage were specifically chosen to meet particular needs or practices. In this way, a comparative study supported by a statistical analysis of glass ensembles contributes to the characterization of archeological sites
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Books on the topic "Handicraft History"

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History of handicrafts: Pakistan-India. Islamabad, Pakistan: National Hijra Council, 1988.

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Handicrafts of the Korean people. Seoul, Korea: Dahal Media, 2004.

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Get creative with your family history. Denver, Colorado: OutskirtsPress, 2015.

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McLeod, Ellen Mary Easton. In good hands: The women of the Canadian Handicrafts Guild. Montreal: Published for Carleton University by McGill-Queen's University Press, 1999.

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Hanʼgugin ŭi somssi: Handicrafts of the Korean people. Sŏul-si: Tahal Midiŏ, 2001.

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Novel craft: Victorian domestic handicraft and nineteenth-century fiction. New York: Oxford University Press, 2011.

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Vượng, Bùi Văn. Di sản thủ công mỹ nghệ Việt Nam =: The Vietnamese fine art handicraft heritages. [Hà Nội]: Nhà xuá̂t bản Thanh niên, 2000.

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Chinese arts & crafts: History, techniques and legends. 2nd ed. [Beijing]: China Intercontinental Press, 2010.

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Métiers d'art et société au XVIIe siecle: L'exemple de Dijon. Dijon: Éditions universitaires de Dijon, 2011.

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Zhongguo shou gong ye jian shi. Beijing: Dang dai Zhongguo chu ban she, 1998.

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Book chapters on the topic "Handicraft History"

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Dai, Wusan. "Kaogong ji and Ancient Chinese Handicraft." In History of Science and Technology in China, 111–45. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-7853-3_4.

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Faroqhi, Suraiya N. "Guildsmen and handicraft producers." In The Cambridge History of Turkey, 336–55. Cambridge University Press, 2006. http://dx.doi.org/10.1017/chol9780521620956.016.

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Grove, Linda, and Tōru Kubo. "Handicraft and Modern Industries." In The Cambridge Economic History of China, 124–66. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108348485.005.

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"18. Handicraft And Manufactured Cotton Textiles In China, 1871–1910." In Chinese Economic History up to 1949 (2 vols), 236–66. Global Oriental, 2008. http://dx.doi.org/10.1163/ej.9781905246526.i-676.64.

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Clancy-Smith, Julia. "A Woman Without Her Distaff: Gender, Work, and Handicraft Production in Colonial North Africa*." In Social History of Women and Gender in the Modern Middle East, 25–62. Routledge, 2018. http://dx.doi.org/10.4324/9780429502606-2.

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Mahoney, Dillon. "Crafts Traders versus the State." In Art of Connection. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520292871.003.0003.

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This chapter traces the development of Kenya’s tourism and handicraft industries from their roots in 20th century British colonialism to provide some of the broader history of Kenya’s tourism and co-operative development, their emergence in Mombasa, and their relationships with local governments. I draw on archival as well as ethnographic data collected just before the 2002 demolition of Mombasa’s roadside kiosks, which form the starting point for the larger longitudinal study. I focus on the array of experiences of Mombasa’s roadside traders of diverse backgrounds as they struggle with the privatization and segregation of urban residential and commercial space both before and after the demolitions. The economy was radically altered as the roadsides were “cleaned” and a new wave of economic formalization characterized the relationship between small-scale businesspeople and the state. For many entrepreneurs invested in the global crafts trade, this was the final straw that pushed them toward new technologies, jumping scales into global markets, and investing in export and wholesale businesses that were not spatially dependent upon a connection to the city center.
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Cattaneo-Vietti, Riccardo, Mauro Doneddu, and Egidio Trainito. "Handicrafts and the Kitsch." In MAN and SHELLS Molluscs in the History, 93–103. BENTHAM SCIENCE PUBLISHERS, 2016. http://dx.doi.org/10.2174/9781681082257116010009.

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Roy, Tirthankar. "Small-Scale Industry." In The Economic History of India, 1857-2010, 139–60. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190128296.003.0005.

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In 1900, the majority of India’s industrial workers were in industries that did not use either machinery or large factories. This chapter describes their experience. Traditional handicrafts formed a large part of this set. According to a popular interpretation, the handicrafts declined owing to competition from machine-made goods imported from Britain. Recent scholarship questioned and revised that view to suggest that the effect was more differentiated because small-scale industry was quite diverse within. The chapter builds on that reinterpretation.
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Fanchette, Sylvie, and Nicholas Stedman. "Handicrafts in the red river Delta: history repeating itself." In Discovering Craft Villages in Vietnam, 16–59. IRD Éditions, 2016. http://dx.doi.org/10.4000/books.irdeditions.26079.

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Goodwin, Harold. "Responsible Tourism and the Conservation of Heritage in Asian Urban Areas." In The Planning and Management of Responsible Urban Heritage Destinations in Asia. Goodfellow Publishers, 2018. http://dx.doi.org/10.23912/978-1-911396-58-1-4048.

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Fundamental to the conservation of heritage in urban areas is a planning, design, development and management process based on responsible and sustainable objectives and criteria. Culture and heritage are valued worldwide. The Universal Declaration on Cultural Diversity reminds us that the “defence of cultural diversity is an ethical imperative, inseparable from respect for human dignity” (UNESCO, 2001, Article 4). This is because cultural diversity “is one of the roots of development” (ibid, Article 3). Cultural heritage is esteemed and handed on to future generations because it contributes to local, national and international identity. While national identity is state sponsored, local identity emerges “naturally through the evolution of the history and cultural experience of the people” (Embong, 2011: 16). Cultural heritage is also valued as it is “the wellspring of creativity” (UNESCO, 2001, Article 7). Cultural heritage is made up of both physical (movable and fixed) and intangible elements that are successfully passed from one generation to the next. Movable physical elements include handicrafts, sculptures, paintings, archaeological objects, musical instruments and furniture. Fixed cultural dimensions include “houses, factories, commercial buildings, places of worship, cemeteries, monuments and built infrastructure such as roads, railways and bridges; physically created places such as gardens, mining sites and stock routes; and other places of historical significance such as archaeological sites” (Modern Heritage Matters, 2013); as well as historic districts and townscapes.
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Conference papers on the topic "Handicraft History"

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Fu, Yu. "Research on Influence of Handicraft in Design History from the Diagrammatic Perspective." In 2015 International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icadce-15.2015.113.

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RANE, Mandar, Ravi Mokashi PUNEKAR, and Avinash SHENDE. "Design of an entrepreneurial model in product development and strategy for marketing of handicraft products in the northeast of India: Shken.in – craft community collectives." In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-03_004.

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Lee, Yuk Yee Karen, and Kin Yin Li. "THE LANDSCAPE OF ONE BREAST: EMPOWERING BREAST CANCER SURVIVORS THROUGH DEVELOPING A TRANSDISCIPLINARY INTERVENTION FRAMEWORK IN A JIANGMEN BREAST CANCER HOSPITAL IN CHINA." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact003.

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"Breast cancer is a major concern in women’s health in Mainland China. Literatures demonstrates that women with breast cancer (WBC) need to pay much effort into resisting stigma and the impact of treatment side-effects; they suffer from overwhelming consequences due to bodily disfigurement and all these experiences will be unbeneficial for their mental and sexual health. However, related studies in this area are rare in China. The objectives of this study are 1) To understand WBC’s treatment experiences, 2) To understand what kinds of support should be contained in a transdisciplinary intervention framework (TIP) for Chinese WBC through the lens that is sensitive to gender, societal, cultural and practical experience. In this study, the feminist participatory action research (FPAR) approach containing the four cyclical processes of action research was adopted. WBC’s stories were collected through oral history, group materials such as drawings, theme songs, poetry, handicraft, storytelling, and public speech content; research team members and peer counselors were involved in the development of the model. This study revealed that WBC faces difficulties returning to the job market and discrimination, oppression and gender stereotypes are commonly found in the whole treatment process. WBC suffered from structural stigma, public stigma, and self-stigma. The research findings revealed that forming a critical timeline for intervention is essential, including stage 1: Stage of suspected breast cancer (SS), stage 2: Stage of diagnosis (SD), stage 3: Stage of treatment and prognosis (ST), and stage 4: Stage of rehabilitation and integration (SRI). Risk factors for coping with breast cancer are treatment side effects, changes to body image, fear of being stigmatized both in social networks and the job market, and lack of personal care during hospitalization. Protective factors for coping with breast cancer are the support of health professionals, spouses, and peers with the same experience, enhancing coping strategies, and reduction of symptom distress; all these are crucial to enhance resistance when fighting breast cancer. Benefit finding is crucial for WBC to rebuild their self-respect and identity. Collaboration is essential between 1) Health and medical care, 2) Medical social work, 3) Peer counselor network, and 4) self-help organization to form the TIF for quality care. The research findings are crucial for China Health Bureau to develop medical social services through a lens that is sensitive to gender, societal, cultural, and practical experiences of breast cancer survivors and their families."
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