Relevant bibliographies by topics / Handicraft. Industries

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Handicraft. Industries'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Handicraft. Industries"

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Mandal, Ram Krishna. "Present Scenario of Handloom and Handicrafts Industries of the ADIS." Journal of Global Economy 10, no. 3 (2014): 191–203. http://dx.doi.org/10.1956/jge.v10i3.362.

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From beginning of the known history the handloom and handicrafts forms a valuable cultural trait of a society. The cultural pattern of a society is reflected in the quality and craftsmanship of their handicrafts. The term handloom and handicrafts refers those products of a common folk or a specific community, which are produced manually with their indigenous technology. The handicrafts of a society are one of the chief means of livelihood. The people of Arunachal Pradesh are artistically minded and gifted with deft hands and skilled fingers. Handloom and Handicraft for instance, offer wide scope to produce a variety of artistically blended and beautifully designed clothing. Handicraft is a very common craft in Arunachal Pradesh. The main handicraft items made in the state are masks, carpets, painted wooden vessels and silver articles. Cane and Bamboo play an important role in the rural economy of the state. Arunachal Pradesh has a rich tradition of Bamboo and Cane Handicrafts. The products reflect the rich and varied culture of the tribes inhabiting this enchanting State and the products featured are representative of the wide range of Handicrafts produced in the State.
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Singh, Kavita, and Divya Rani Singh. "Handicraft Sector in India: An Instrument for Rural Economic Growth and Women Empowerment." Advances in Research 24, no. 5 (2023): 238–46. http://dx.doi.org/10.9734/air/2023/v24i5974.

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Nowadays, the Indian government is paying more attention to handicraft products and promoting handicraft artisans. Indian handicraft has so much potential to generate employment and income. Data is used from the 3rd and 4th handloom census and the Export Promotion Council of Handicraft (EPCH). This paper tries to explore the workforce participation of handloom workers and the export performance of handicraft products. A major finding in this paper is that Indian handicrafts is rural and women-based industries. About 25 lakh women and 27 lakh rural workers are engaged out of 31 lakh workers. Major contributing states are Assam, West Bengal, Manipur, Mizoram, Meghalaya, Andhra Pradesh, Tamil Nadu and Uttar Pradesh. Also, observed that worker engagement has risen over decades. In 2021, a total of 4.3 billion US dollars in handicraft products were exported from India. The USA is the main trading partner of handicraft products. And it also shows that the share of export of every handicraft product has increased in past years, therefore, we can undoubtedly say that Indian handicraft is the future of the world handicraft market, especially in the aspect of employment and income. Hence, it concludes that Indian handicraft industries are instruments of rural growth and women empowerment.
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Yadav, Uma Shankar, Ravindra Tripathi, and Mano Ashish Tripathi. "Strategies for Development of Handicraft Sector (Small Industries) in India." SEDME (Small Enterprises Development, Management & Extension Journal): A worldwide window on MSME Studies 47, no. 3 (2020): 175–93. http://dx.doi.org/10.1177/09708464211037466.

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Handicrafts products are made by hand, often with the use of simple tools and generally artistic and traditional. It is sometimes in the current scenario called Handomen craft (women handicraft) because most of the handicraft products are related to women artisans, and women have an apex role in the handicraft products of the rich Indian cultural heritage of the country. Indian handicraft industry is a decentralised, unorganised, labour-intensive cottage industry. The sector that has a strong potential to provide massive employment to the rural sector. However, it now faces several problems, and significant competition from machine-made and electronic products, and technology and artificial intelligence, and there is an increasing state of unemployment and jobless growth. For the welfare of Artisans especially women and their social and economic justice there is requirement of strong strategies for uplifting the standards of their life. This paper would discuss and cover important strategies in Handicraft sector and better labour relation, for their development and focused on level of Strategies and sustainable development of labour relation (SDR), Not only in India but also whole of the world and labour relation in management.
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Upadhyay, Manali, and U. C. Jain. "MANAGERIAL CHALLENGES OF HANDICRAFT INDUSTRY: AN INDIAN PERSPECTIVE." International Journal of Research -GRANTHAALAYAH 7, no. 11 (2019): 122–26. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3719.

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India is one of the most important suppliers of various handicrafts to the world market. The Indian Handicraft industries play an important role in world in Handicraft sector. This is one of the oldest cultures and tradition of India which represent different traditional art, of the different part of country. The handicraft products have very wide market in the world due to its growing potential. The Indian handicrafts industry is highly labour intensive cottage based industry and decentralized, being spread all over the country in rural and urban areas. The industry provides employment to over six million artisans who include a large number of women and people belonging to the weaker sections of the society. The Handicrafts Sector plays a significant & important role in the country’s economy. It provides employment to a vast segment of craft persons in rural & semi urban areas and generates substantial foreign exchange for the country, while preserving its cultural heritage. Handicrafts have great potential, as they hold the key for sustaining not only the existing set of millions of artisans spread over length and breadth of the country. But there are various issues associated with wide development of handicraft sector. The paper highlighted the problem and various issues associated with handicraft sector in India.
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Meng, Jiayun. "Innovative Marketing of Traditional Chinese Handicrafts." Advances in Economics, Management and Political Sciences 32, no. 1 (2023): 23–28. http://dx.doi.org/10.54254/2754-1169/32/20231558.

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Traditional crafts are the continuation of the traditional culture and history of the nation. The cultural development of a group is documented by its artifacts, which also record the history of the nation or country and record its rise and fall. Marketing Innovation is an important contemporary marketing concept, and the effective use of innovation can rejuvenate traditional technologies. This paper analyzes the bottlenecks encountered by the contemporary Chinese traditional handicraft industry and provides new directions for the development of Chinese traditional handicraft industry by combining the innovation examples of related industries abroad. It can be concluded that modernizing the product and management structure of Chinese traditional handicrafts with modern advanced technology and management expertise, as well as innovating content marketing models and tools, can effectively enhance the development of Chinese traditional handicrafts. This can benefit the financial rewards of handicraft practitioners as well as the preservation of Chinese traditional handicrafts.
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Pokharel, Ram Raj. "Social Status of Women Working in the Handicraft Industry." Patan Prospective Journal 2, no. 2 (2022): 164–73. http://dx.doi.org/10.3126/ppj.v2i2.52916.

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The labors are the backbone of the industry. The study revealed that the majority of the handicraft working women in Patan industrial Area. This study is based on handicraft industries located on Lalitpur district. The women labors in Handicraft industry, had lack of knowledge, training, education and skill for prestigious job. They are far away from the knowledge of economic rights, women rights and other rights of labors. Some of them were even harassed and abused. Primary as well as secondary data were used in order to explore the status of handicraft working women labors. Out of 112 different industries only 8 handicraft industries were selected. Sample sizes of total 40 women were selected from 8 industries. Therefore total number of sampled workers was 40. There were no special changing rooms or facilities for women workers. The workers had no conscious about labor law but owners had all the ideas to exploit in different aspects. Although there were lots of difficulties for the female workers in Patan industrial estate, handicraft working women were still happy and hopeful that their children will go to school and do a better job in future. They spent some hardly saved money for entertainment, buying new clothes and feasting some days. They faced lots of problem in their day to day life for living. They are struggling for uplifting their social and economic status.
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Sharma, Munu. "Economic Status of Women Working in Handicraft Industry." National College of Computer Studies Research Journal 1, no. 1 (2021): 66–87. http://dx.doi.org/10.3126/nccsrj.v1i1.60044.

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The labors are the backbone of the industry. The study revealed that the majority of the handicraft working women in Patan industrial area, Lalitpur district. The women labors in Handicraft industry, had lack of knowledge, training, education and skill for prestigious job. They are far away from the knowledge of economic rights, human rights (women rights), equal rights and other rights of labors. Some of them were even harassed and abused. Primary as well as secondary data was used in order to explore the status of handicraft working women labors Out of 112 different industries only 8 handicraft industries are selected. Sample size of total 40 women are selected from 8 industries. Therefore total number of sampled workers is 40. There were no special changing rooms or facilities for women workers. Most of the women labors are not satisfied from their jobs and they work for more than 12 hours per day. The workers had no consciousness about labor law but owners had all the ideas to exploit in different aspects. Although there are lots of difficulties for the female workers in patan industrial estate, handicraft working women are still happy and hopeful that their children will go to school and do a better job in future. They spent some hardly saved money for entertainment, buying new clothes and feasting some days. They faced lots of problem in their day to day life for living. They are struggling for uplifting their social and economic status.
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Buoi, Le Thi. "Traditional Handicraft Village in Thanh Hoa Today." Journal of Humanities and Education Development 4, no. 4 (2022): 43–51. http://dx.doi.org/10.22161/jhed.4.4.7.

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Thanh Hoa is a land with a rich history and culture, with many long-standing traditional handicraft villages, which have been lost over time, now gradually been restored and promoted their values ​​in modern life. In the spirit of Decree No. 52 dated April 12, 2018, of the Government on the development of rural industries, Thanh Hoa province has issued many mechanisms and policies to encourage the development of traditional handicrafts. The article focuses on clarifying the system of traditional craft villages in Xu Thanh (The Land of Thanh), the size, characteristics and guidelines, and policies of Thanh Hoa province to maintain and develop handicraft villages to serve the economy - social sustainability.
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Kumar, Dilip, and P. V. Rajeev. "Present Scenario of Indian Handicraft Products." Asian Journal of Managerial Science 2, no. 1 (2013): 21–27. http://dx.doi.org/10.51983/ajms-2013.2.1.1116.

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The epitome of India, lies in the art and craft, which symbolizes the culture, tradition and societal values. Indian handicraft industry is one of the oldest & biggest industries of India. It provides employment nearly sixty seven lakhs artisan and is one of the Important suppliers of Handicraft to the world Markets. The present research paper attempts to comprehend the essence of the art which hold the Indian craft in high esteem and demand in the international market. The paper primarily focuses on the immense opportunities that exist in the Indian handicraft industry and the impact of global recession on the industry and personnel associated with the craft. The paper tries to contemplate upon the hurdles in the marketing of handicraft products. In addition it would also plunge into the opportunities for Indian Handicraft products in its present state. The paper is divided into four sections as under: The first section speaks of the Indian Artifact industry and the recognition of Indian Handicraft sector in the Global market. It takes a look of the contribution of Indian handicraft industry in the Indian Economy. The dilemma of the growth in handicraft sector has become a thing of deep concern due to the recessionary trend witnessed in the global economy. Thus the first section prepares a convincing backdrop. The next section focuses on the review of existing research activities in the area of handicraft marketing. The third section is set to deal with the challenges faced in the marketing of handicraft products. It would delineate the bottlenecks in the marketing of Indian Handicraft products. Concluding observations would form the last section providing concrete information on the opportunities in marketing of handicrafts and the urgency the sector demands to sustain the traditional value of Indian Society.
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Meena, M. L., G. S. Dangayach, and A. Bhardwaj. "A Literature Review of Musculoskeletal Disorders in Handicraft Sector." International Journal of Applied Industrial Engineering 3, no. 2 (2016): 36–46. http://dx.doi.org/10.4018/ijaie.2016070103.

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This research review article made an attempt to review such issues pertaining to handicraft sector. It highlight/covers following aspects in detail: ergonomics interventions in handicraft industries, occupational risk factor, and musculoskeletal disorders. The literatures over a decade reported that ergonomics concepts are more applied in large-scale industries like steel plant, power plant, manufacturing plants, automotive sectors etc. rather than small-scale industries like handicraft. However, applying ergonomics concepts/principles in such industries would definitely lead to increase in the work-system-worker productivity by improvement in tools, methods, work-environment, minimizing injuries and disorders. Based on literature studies recommendations are made that significant lead to improvement in productivity of such industries.
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Dissertations / Theses on the topic "Handicraft. Industries"

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Szydlowski, Rachael A. "Expansion of the Vietnamese Handicraft Industry: From Local to Global." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1218497546.

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Barringer, Michelle L. K. "An analysis of the need for product development training in cultural craft micro-enterprise projects." Online access for everyone, 2008. http://www.dissertations.wsu.edu/Thesis/Summer2008/M_Barringer_070808.pdf.

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Baugh, Carol Traylor. "To teach and to learn settlement and missionary school fireside industry programs in eastern Kentucky, 1900-1930 /." Click to access To teach and to learn (Online), 2005. http://www.ohiolink.edu/etd/view.cgi?miami1123167119.

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Toops, Stanley Winfield. "The tourism and handicraft industries in Xinjiang : development and ethnicity in a minority periphery /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/5658.

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Makhado, Zwoitwa. "Crafting a livelihood: local-level trade in mats and baskets in Pondoland, South Africa." Thesis, University of the Western Cape, 2004. http://etd.uwc.ac.za/index.php?module=etd&amp.

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This study explored the dynamics of local-level trade in plant-based mats and baskets in Khanyayo village, Eastern Cape. These dynamics include social aspects of harvesting, resource tenure and trade. It also includes institutional issues such as legislation that enhances or restricts the degree to which local people could benefit from the trade or direct use. The study also explored the contribution of the trading in mats and baskets to the livelihoods of the Khanyayo people.
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Telford, N. J. M. "Making stories : an investigation of personal brand narratives in the Scottish craft microenterprise sector." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21910.

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This thesis examines the marketing and branding behaviours of a sample of microbusinesses that operate in Scotland’s diverse craft sector by examining brand narratives they create. Context of the sector is first given and demonstrates that this particular topic has received little specific attention in academic literature even though it has been recommended (Fillis 2003a; Fillis 2003b). Such an investigation also offers implications for SME marketing/ entrepreneurship in general, the creative industries in particular and craft brands’ contribution to the overall place branding of Scotland. An empirical methodology is proposed which takes a narrative phenomenological approach, generating narrative texts from depth interviews with creative producers which is subjected to a Grounded Theory approach and narrative analysis in view of craft producer typologies (Fillis 1999; Fillis 2010). The stories of makers are used to generate meaning and outputs to contribute to theory, practice and recommendations for policy. Care is taken to ensure that the testimony of participants is co-created and not entirely the result of the researcher’s interpretation even though this study is interpretive in nature (Rae & Carswell 2000; McAdams 2008; MacLean et al. 2011). Similar to other entrepreneurs or producers in the creative industries, the craft worker in the current era is typified as an individual sole trader who operates in a wider culture, society and economy of increasing complexity and competition (Fraser 2013). This thesis selects those owner/ managers whose businesses rely upon craft practice and are operating in Scotland as its focus, but aims its findings at a wider reach to establish themes for future research to understand how its participants build value into their market offerings by creating personal narratives within larger narratives of craft sector and creative industries discourse. A range of participants from new starts to well-established craft practitioners is featured in the text in order to give depth and breadth to the understanding of current practice in a diverse sector which increasingly interacts with other creative industry sectors (Yair & Schwarz 2011). This thesis posits that creative producers build value through their unique ‘auratic’ persona through their personal brand narrative. This is what differentiates their work and outputs from large corporatized mass-manufacturing systems. The products of individuals’ hand skill may be categorised and classified in many ways – from fine contemporary craft to the vernacular, the utile and that which pays homage to others’ designs. What remains constant, however, is that it emanates from personal identity and the identity of the maker mixing self with story (Leslie 1998). The thesis contributes to the gap in academic marketing literature on microenterprise brand development using the topics of personal narrative, business development, product development, marketing competency/ orientation, and technology use in production and marketing. Additional emergent themes of Microenterprise Social Responsibility, the role of life-work balance of makers parenthood which further ideas of career management in the creative industries are also revealed in the course of this research (see also Summerton 1990; Burroughs 2002; Neilson & Rossiter 2008; McDowell & Christopherson 2009; Banks & Hesmondhalgh 2009). Methodologically, this thesis is hybrid but crucially uses the equipment of story and narrative analysis to offer both insights into practice for the academy and a method that practitioners can use to further marketing development and their brand identity. Through the careful gathering and presentation of various stories – of biography, making and marketing, this thesis presents a current view of craft as created, communicated and exchanged by those working in the field in Scotland today. These case stories act as both informative examples that demonstrate how individual producers create value in their work. The findings are consistent with - but also develop - a maker typology offered by Fillis (1999; 2010) and Burns et al. (2012) thus contributing a methodological and conceptual approach and framework to understand the marketing and branding behaviours of Scottish craft microenterprises (McAuley 1999; Creative and Cultural Skills 2009) but which may also be applied to other types of microenterprise.
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Harling, Stalker L. Lynda. "Wool and needles in my casket : knitting as habit among rural Newfoundland women /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ55508.pdf.

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Cook, John S. "Culture, control and accountability in community enterprises among the Tiwi." Master's thesis, Northern Territory University, 1994. http://hdl.handle.net/1885/268567.

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This study reviews factors which have been found to affect the operation of Aboriginal enterprises in Australia and discuss these in relation to three empirical case studies of Aboriginal community enterprises located at Nguiu, Bathurst Island. In order to provide a theoretical framework within which valid questions concerning Aboriginal management might be formulated, what is generally known regarding the management and organisational development of Aboriginal enterprises was first discussed. Factors to do with historical and contemporary operations, Aboriginal attributes and the high degree of non-Aboriginal control over Aboriginal organisations were seen to be of major importance in understanding the problems for Aboriginal management and organisational development Importantly, the integrated social and economic life in communities appears to have a major impact on the success or failure of enterprise operations.
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Cote, Navarro Luz Andrea. "Patrimonialización y uso turístico de las artesanías en Santander, Colombia." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/670729.

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Los productos artesanos pasaron de circular en mercados locales populares a llamar la atención de etnólogos y folcloristas, constituirse en objeto de interés turístico y conformar actualmente una importante industria creativa que los ha llevado a los mercados nacionales e internacionales. En este último giro han coadyuvado el desarrollo de la categoría de patrimonio cultural inmaterial y la inclusión en ella de la llamada artesanía. Esta investigación se centra en las implicaciones que tienen las políticas transnacionales del turismo y el patrimonio para los sectores artesanales en espacios locales. Se indaga por la manera en que el uso turístico de las artesanías incide en su patrimonialización y cómo afecta esta relación a la dinámica artesanal de las localidades estudiadas, con especial atención a las estrategias de los artesanos para adaptarse y legitimarse en estos nuevos escenarios. Implica identificar el papel que juegan los distintos agentes sociales en dichos procesos; analizar la producción y negociación de narrativas de autenticidad; y reflexionar acerca de los significados que adquiere la artesanía en contextos de patrimonialización y desarrollo turístico. El estudio empírico se realizó en Colombia, país cuya experiencia en el desarrollo del sector artesanal ha resultado de gran interés a nivel internacional por lograr una consolidación de la artesanía como industria creativa, con base en asociaciones con otros sectores como el diseño industrial, diseño de modas y turismo. Se centra la atención en el núcleo turístico del departamento de Santander, específicamente en los casos de Barichara y Curití, municipios que se vienen consolidando como pueblos artesanos en el mapa multicultural y turístico nacional. Se concluye que la patrimonialización de la artesanía ha estado asociada a un proyecto económico local impulsado por agentes supra-locales en el que el turismo tiene una importancia creciente como vector que produce y reproduce valor patrimonial. Éste último, al recaer sobre oficios, materias primas y técnicas, y no sobre un canon de objetos, ha permitido una importante diversificación de la producción estimulada por la competencia en un mercado favorable a las artesanías que logran transmitir una conciliación entre tradición e innovación. Los artesanos se adaptan al nuevo contexto apropiando y reconfigurando criterios relevantes en él como los de identidad, calidad, innovación o creatividad, e implementando cambios en sus formas de producción y productos. Esta dinámica de transformación artesanal, que no ha estado exenta de conflictos intestinos, ha promovido la renovación de la artesanía como espacio productivo y simbólico a la vez, ya que su importancia en la nueva econ omía la transforma en un campo privilegiado para dirimir la identidad local.<br>Artisanal products went from circulating in popular local markets, to attracting the attention of ethnologists, folklorists and, then, tourists, to now shape an important creative industry that has taken them to national and international markets. The development of the category of intangible cultural heritage and the inclusion on it of the so-called crafts have contributed in this last turn. This research focuses on the implications of transnational heritage and tourism policies on local artisan sectors. The way in which tourist use of handicrafts affects their patrimonialization and how this relationship influence handicraft dynamics of localities are estudied, with special attention to the artisans strategies to adapt and legitimize themselves in these new scenarios. The role of different social agents in these processes, the negotiation of authenticity narratives and emergent meanings of crafts in contexts of heritage and tourism development, are also analyzed. Empirical study took place in Colombia, country that has gained international recognition for developing crafts as a creative industry based on partnerships with other sectors such as industrial design, fashion design and tourism. Turistic Nucleus of Santander region is focalized, specifically the cases of Barichara and Curití, localities that have been consolidating as artisan towns on the national multicultural and tourist map. It is concluded that patrimonialization of crafts has been associated with a local economic project promoted by supra-local agents in which tourism is an increasingly relevant vector that produces and reproduces heritage value. The latter, to the extent that have focused on trades, raw materials and techniques, have allowed an important heterogeneization of production stimulated by competition in a market favorable to handicrafts that shows a conciliation between tradition and innovation. Artisans adapt to this new context by appropriating and reconfiguring relevant criteria such as identity, quality, innovation or creativity, and introducing changes in their production process and products. This dynamic of transformation, which has not been exempt from internal conflicts, has promoted the renewal of crafts as a productive and symbolic space at the same time, since its importance in the new economy transforms it into a privileged field to resolve local identity.
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Amebode, Adetoun Adedotun. "Strategies for economically sustainable resist dyeing industries in Abeokuta, Ogun State, Nigeria." Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/162155/.

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Nigerian textile and clothing industries is face with crisis under the pressure of influx of smuggled second-hand clothing and cheap and poor quality of Chinese textiles. The situation has resulted to closure of many textile industries and massive unemployment with inability of the few existing industries to compete favourably base on price. The study was carried out in Abeokuta among tie-dye/batik practitioners and consumers of tie-dye/batik products with the aim to examine the challenges facing the resist dyeing industries. The research method is divided into three: Theoretical- this involves using secondary data from books, journal, newspaper, and the web to gather background information; Statistical- this involves the use of questionnaire to gather primary data. The data collected was analysed using SPSS (Statistical Package for Social Scientist); and Visual- this entails the use of images to establish facts and make judgement on the basis of the facts discovered. The findings revealed that the challenges facing the practitioners are multi-facet ranging from poor educational status, lack of adequate training/re-training programmes, poor financial status, low customers’ patronage, poor management and marketing skill, lack of adequate and functional social amenities, low purchasing power of consumers who often buy on credit and pay on instalment (some don’t bother to pay their debt), increased competition from smugglers of second-hand clothing and imported Chinese textiles, poor/ no knowledge of information technology, low access to international/ overseas markets and minimal willingness to take risk. Consumers of tie-dye/batik are pertinent to the study. The findings from the consumers shows that about half of the consumers interviewed cannot afford to buy clothes monthly while slightly more than half buy clothes on credit and pay on instalment. The industry has being affected with change in taste of consumers, consequently one third of the consumers do not patronise tie-dye/batik fabrics. Consumers pointed out that tie-dye/batik fabrics are not colourfast and the designs are too common (frequently seen). Consumers also complained of poor customers services of the practitioners. Base on the findings, the study proposes holistic approach to the challenges. A sustainable model of five major pillars (Continuous innovation, Customer Relationship Management, Government Policy Support, Networking and Practitioners Personal Capacity Development) is proposed. Absence of any of the pillar will result to sustainability collapse of tie-dye/batik industry. Other model being proposed include establishment of an Export Centre with an effective and efficient two way communication model; EVIPI an acronym of English words to stimulate innovative entrepreneurial drive in niche marketing, a model for internal secondhand clothing to revisit the pass me down clothing culture among the Yoruba and a networking model to complement each other for development.
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Books on the topic "Handicraft. Industries"

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Teh, Hashim Haji Wan. Malay handicraft industries: Origins and development. Dewan Bahasa dan Pustaka, 1996.

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Nguyẽ̂n, Hà. Hanoi handicraft trade villages. Information and Communication Pub. House, 2010.

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(Mauritius), National Handicraft Centre, Mauritius. Ministry of Industry and Commerce., and ʼAssises de lʼartisanatʼ (1996 : University of Mauritius), eds. Strategy for Handicraft Development. National Handicraft Centre, 1997.

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Vijayagopalan, S. Economic status of handicraft artisans. National Council of Applied Economic Research, 1993.

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Garg, Ajay K. Managing quality in Indian handicraft industry. Readworthy Publications, 2012.

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bālaśelṭān, Ethiopia YaMāʻekalāwi stātistiks, ed. Report on cottage/handicraft manufacturing industries survey: November 2002. Federal Democratic Republic of Ethiopia, Central Statistical Authority, 2003.

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Santosh, Gupta. Jammu Kashmir handicrafts and global market. Anmol Publications, 1992.

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Group, Lao Handicraft, ed. Report on the Lao handicraft industry. Lao Handicraft Group, 2003.

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Duy, Văn. Làng nghề cổ truyền huyện Thủy Nguyên-Hải Phòng. Nhà xuất bản Văn hóa dân tộc, 2011.

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Cielo, Quiñones Aguilar Ana, ed. Reflexiones en torno a la artesanía y el diseño en Colombia. Centro Editorial Javeriano, 2003.

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Book chapters on the topic "Handicraft. Industries"

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Sattar, Sanjukta. "Handloom and Handicraft in India." In Creative Industries in India. Routledge India, 2022. http://dx.doi.org/10.4324/9781003129370-19.

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Muthukrishnan, Raja, and O. K. Remadevi. "Powderpost Beetle Menace in Wooden Handicraft Industries and Their Management." In Wood is Good. Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3115-1_26.

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Mukunda, B. G., Shwetasaibal Samanta Sahoo, Giridhari Mohanta, and Ravish Mathew. "Tourist's Perception of Handicraft Tourism Development: A Study on Channapattana Toy Town in Karnataka." In Emerging Trends and Innovations in Industries of the Developing World. CRC Press, 2023. http://dx.doi.org/10.1201/9781003457602-9.

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Mohtar, Tini Maizura, Azaze-Azizi Abdul Adis, Mohd Rizwan Abd Majid, and Anne Antah. "Certification Mark for Sabah Handicrafts." In Impact of Artificial Intelligence, and the Fourth Industrial Revolution on Business Success. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08093-7_26.

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Wu, Wen-yuan. "The Integration of the 3D Printing Technology and Traditional Chinese Handicrafts." In Proceedings of the 22nd International Conference on Industrial Engineering and Engineering Management 2015. Atlantis Press, 2016. http://dx.doi.org/10.2991/978-94-6239-180-2_29.

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Martins, Nuno, Heitor Alvelos, Susana Barreto, et al. "Anti-Amnesia: Developing a Collaborative e-learning and Digital Archive Platform Towards Contributing to the Preservation and Revitalization of Handicrafts Industries." In Springer Series in Design and Innovation. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-86596-2_28.

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Grove, Linda, and Tōru Kubo. "Handicraft and Modern Industries." In The Cambridge Economic History of China. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108348485.005.

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Loftus, Donna. "The world of work." In Routledge Historical Resources - 19th Century British Society. Routledge, 2023. http://dx.doi.org/10.4324/9780367030278-hobs31-1.

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This essay gives an overview of the changing nature of work in the nineteenth century. It focuses on the organisation of work and the persistence of custom alongside the growing influence of contracts, political economy, and state regulation. It explores attitudes to work and the moral values attached to earning a living. It shows that whilst some things changed beyond all expectation, illustrated most obviously in the rise of the factory, others changed very little at all. By the end of the period, a modernised workforce in new bureaucracies and industries, managed by professionals attuned to market forces but regulated by the state, existed alongside handicraft producers and penny capitalists, organising work through middle-men subcontracting to networks of producers with rhythms shaped by seasonal demand, family dynamics, and consumer habits.
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Mahoney, Dillon. "Crafts Traders versus the State." In Art of Connection. University of California Press, 2017. http://dx.doi.org/10.1525/california/9780520292871.003.0003.

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This chapter traces the development of Kenya’s tourism and handicraft industries from their roots in 20th century British colonialism to provide some of the broader history of Kenya’s tourism and co-operative development, their emergence in Mombasa, and their relationships with local governments. I draw on archival as well as ethnographic data collected just before the 2002 demolition of Mombasa’s roadside kiosks, which form the starting point for the larger longitudinal study. I focus on the array of experiences of Mombasa’s roadside traders of diverse backgrounds as they struggle with the privatization and segregation of urban residential and commercial space both before and after the demolitions. The economy was radically altered as the roadsides were “cleaned” and a new wave of economic formalization characterized the relationship between small-scale businesspeople and the state. For many entrepreneurs invested in the global crafts trade, this was the final straw that pushed them toward new technologies, jumping scales into global markets, and investing in export and wholesale businesses that were not spatially dependent upon a connection to the city center.
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Roy, Tirthankar. "Small-Scale Industry." In The Economic History of India, 1857-2010. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190128296.003.0005.

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In 1900, the majority of India’s industrial workers were in industries that did not use either machinery or large factories. This chapter describes their experience. Traditional handicrafts formed a large part of this set. According to a popular interpretation, the handicrafts declined owing to competition from machine-made goods imported from Britain. Recent scholarship questioned and revised that view to suggest that the effect was more differentiated because small-scale industry was quite diverse within. The chapter builds on that reinterpretation.
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Conference papers on the topic "Handicraft. Industries"

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Semina, Shezhana. "Transition to Industrialization and the Fate of the Small and Handicraft Industries of the Irkutsk Province (Late 1920s)." In Irkutsk Historical and Economic Yearbook 2021. Baikal State University, 2021. http://dx.doi.org/10.17150/978-5-7253-3040-3.25.

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Сonsideration of the impact of the command and control on the development of handicraft and trade cooperation; specifics of the gradual growth of small and handicraft industries into large-scale production, which was one of the leading areas of public policy in the late 1920s and early 1930s.
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Adebola Abisuga, Oluwayemisi, and Deon De Beer. "A Systematic Literature Review and Prospects for the Additive Manufacturing in the Creative Industries." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001584.

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In the Creative Industries (CI), Additive Manufacturing is one of the new areas of investigation and without doubt has the potential for disruptive innovation capable to transform the traditional manufacturing paradigm and increase the largely accepted and required shift towards the design, conceptualisation, and adoption of sustainable Additive Manufacturing (AM) process. The objective of this study is to conduct a Systematic Literature Review (SLR) to identify and describe different publications that can contribute to additive manufacturing in the creative industry’s knowledge base. The purpose is to identify the publication trends that largely explain the adoption the additive manufacturing in the manufacturing process of handicraft industry product literature through the description of the main discourse rising newly in the field. This research contributes to filling the gap in terms of SLR on the importance of CI and AM for industrial development conducted by bibliometric analysis. The results of this systematic review revealed that: notwithstanding the increasing concern about the growth of the CI, issues related to product innovation and technological development of the industries are understudied; there is promising literature for the development of contextual creative industry practice which researchers are dedicating their works. However, a further focus of research on the fashion, textile, architecture, sculpture, and archeological sites has emerged in the more specialised literature.
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Chen, Junchun, and Jian Peng. "Artistic Characteristics and Multi-value of Huayao Cross-stitch from the Perspective of Cultural Ecology." In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003643.

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Huayao cross-stitch is a traditional handicraft with distinctive regional characteristics in China. Aesthetically appealing with rich cultural implications, Huayao cross-stitch has been listed in the first national list of intangible cultural heritage of China since 2006. With the rapid development of cultural consumption globally, the innovative design and industrial transformation potential have made traditional handicrafts highly-valued resources, and the analysis of cultural representation and multi-value of traditional handicrafts is the basis of cultural reuse. From the perspective of cultural ecology, the current study aims to summarize the spatial organization mode of Huayao cross-stitch patterns and conduct a deep analysis of the concepts and beliefs represented in Huayao cross-stitch by examining 70 samples of cross-stitch skirt pieces collected from the composition and semantics of patterns. The study then analyzes the basis of multi-value of the Huayao cross-stitch from both aesthetic and cultural dimensions, providing a research basis for the innovation and regeneration of Huayao’s cross-stitch, through which its value can be seen in contemporary times as well as in the future.
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Du, Hemin, and Suihuai Yu. "Study on the sculpture method modeling of folk handicraft." In 2008 9th International Conference on Computer-Aided Industrial Design & Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730662.

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Martins, Nuno, Leonardo Pereira, Daniel Brandao, Daniel Raposo, Joao Neves, and Jose Silva. "Craft Academy : Design of an e-learning solution for the handicrafts' industries preservation." In 2021 16th Iberian Conference on Information Systems and Technologies (CISTI). IEEE, 2021. http://dx.doi.org/10.23919/cisti52073.2021.9476456.

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Cai, Yannan. "Image Retrieval Technology and System Implementation of Handicraft Based on Genetic Algorithm." In 2023 International Conference on Mechatronics, IoT and Industrial Informatics (ICMIII). IEEE, 2023. http://dx.doi.org/10.1109/icmiii58949.2023.00072.

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Alford, Grant. "Arts & Crafts (and iPads): Digital Craft and Political Economy." In 109th ACSA Annual Meeting. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.20.

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In discussions of craft since the digital revolution in architecture of the past twenty years it is common for an author to situate their position relative to the Arts and Crafts movement of the late 19th and early 20th centuries. Scholars have repeatedly and rightly noticed striking parallels between reactions in design thinking to the industrial revolution and reactions to the digital revolution in architecture. Proponents of various digital schools invoke the likes of William Morris and John Ruskin as historical theoretical foils to visions of craft in the digital age. There is, however, a tendency to overlook or dismiss as naïve the socio-political ambitions that underwrite the better-known aesthetic styles of various craft movements. Revisiting the political economy of movements like the Arts and Crafts and its allies prompts questions about various contemporary formulations of digital craft. Reinterpreting, for example, Ruskin’s prescient critiques of the technological revolution of his time still suggest social, political, and economic implications for handicraft in our own digital age. To define these questions and potentials, this paper will review the historical moral imperative of craft; survey representative attitudes towards craft in several prominent digital schools of thought; and suggest alternative ways of engaging the socio-political possibilities of digital handicraft through architectural drawing with digital tablet computers, such as the iPad.
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Zhu Yihao and Zhu Yuning. "The strategic research of traditional handicraft products' modern development bases on consumer psychology." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design 1. IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681353.

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Rofieq, Mochammad, Ken Erliana, Ni Made Wiati, and Samsudin Hariyanto. "The Work Posture Evaluation at Assembly Work Station in MSEs of Silver Jewelry Handicraft with the REBA Method." In Proceedings of the 2019 1st International Conference on Engineering and Management in Industrial System (ICOEMIS 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/icoemis-19.2019.13.

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Sharadh Patel, Sarthak, Dhananjay Kumar, and Samrat Dev. "Transforming Multi-Layered Plastic Waste into Upcycled Functional Art: A Sustainable Approach to Plastic Recycling." In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1004791.

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Today, the environment is threatened by different sources, and the environmental impact of plastic trash has become increasingly critical day by day, with the use of multi-layered plastic presenting particular difficulties because of its slow breakdown and enduring nature. Therefore, the study aims to predesign some useful art, lifestyle, and industrial products made from upcycled materials and address the problem of multi-layered plastic trash in an inventive way.For this study, a detailed survey was conducted among 106 randomly selected people aged 18 to 55 years. A comprehensive questionnaire was developed and performed to determine their opinion about the use of plastics, their impact on the environment, and sustainable products. They may buy or use any product made of upcycled plastics, and the answers to these questions helped to shape the environmental carelessness of multi-layered plastic. Further information about the possible market for these products was obtained from end-sellers. To collect the multi-layered plastic packets like Maggie, chips, biscuits, etc., we appointed a few people and took the help of a small restaurant or food stall to store the packets. By involving local communities, this collection technique attempts to lessen the negative effects of multi-layered plastic on the environment. Finally, based on user feedback and market research, we try to develop a few products after following the design process. After the analysis of the questionnaire, it was found that most users were aware of the side effects of multi-layered plastics and their adverse effects on the ecosystem. From the research, one interesting point came out: people are interested in buying products made of recycled plastic. So after brainstorming and based on the users and market trends, developing useful products by using design-thinking ideas was the focus of the research. Plastic packets that were collected were turned into yarn and weaved into textiles to make a variety of items, including laptop bags, pouches, totes, book covers, and bags. Through the development of handicraft skills, this method not only promoted employment prospects but also addressed environmental issues. According to the study's findings, implementing such a strategy can successfully increase public knowledge of inventive plastic recycling and help to lower environmental pollution. Additionally, the approach offers a viable way to create jobs while encouraging the incorporation of environmentally beneficial behaviors into daily life. This study promotes a change in approach towards creative, neighborhood-focused solutions to address the expanding issue of plastic trash.Finally, we can conclude that awareness related to multi-layered plastics is required and simultaneously increases the utilization of the used plastics for art, lifestyle products, and any industrial products that not only give an alternative to the users but also bring new sources of employment.
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