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1

Scott, Allen. "Simon Lyra and the Lutheran liturgy in the second half-century of the Reformation in Breslau." Muzyka 65, no. 1 (April 2, 2020): 3–18. http://dx.doi.org/10.36744/m.309.

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In 1593, Simon Lyra (1547-1601) was appointed cantor of the St. Elisabeth Church and Gymnasium in Breslau/Wrocław. In the same year, he drew up a list of prints and manuscripts that he considered appropriate for teaching and for use in Lutheran worship. In addition to this list, there are six music manuscripts dating from the 1580s and 1590s that either belonged to him or were collected under his direction. Taken together, Lyra’s repertoire list and the additional manuscripts contain well over a thousand items, including masses, motets, responsories, psalms, passions, vespers settings, and devotional songs. The music in the collections contain all of the items necessary for use in the liturgies performed in the St. Elisabeth Church and Gymnasium in the last quarter of the sixteenth century. This list provides valuable clues into the musical life of a well-established Lutheran church and school at the end of the sixteenth century. When studying collections of prints and manuscripts, I believe it is helpful to make a distinction between two types of use. Printed music represents possibilities. In other words, they are collections from which a cantor could make choices. In Lyra’s case, we can view his recommendations as general examples of what he considered liturgically and aesthetically appropriate for his time and position. On the other hand, manuscripts represent choices. The musical works in the six Bohn manuscripts associated with Lyra are the result of specific decisions to copy and place them in particular collections in a particular order. Therefore, they can provide clues as to what works were performed on which occasions. In other words, manuscripts provide a truer picture of a musical culture in a particular location. According to my analysis of Lyra’s recommendations, by the time he arrived at St. Elisabeth the liturgies, especially the mass, still followed Luther's Latin "Formula Missae" adopted in the 1520s. The music for the services consisted of Latin masses and motets by the most highly regarded, international composers of the first half of the sixteenth century. During his time as Signator and cantor, he updated the church and school choir repertory with music of his contemporaries, primarily composers from Central Europe. Three of these composers, Gregor Lange, Johann Knoefel, and Jacob Handl, may have been his friends and/or colleagues. In addition, some of the manuscripts collected under his direction provide evidence that the Breslau liturgies were beginning to change in the direction of the seventeenth-century Lutheran service in which the "Latin choir" gave way to more German-texted sacred music and greater congregational participation.
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2

Kukushkin, Maksim V. "On Smoothness of the Solution to the Abel Equation in Terms of the Jacobi Series Coefficients." Axioms 9, no. 3 (July 17, 2020): 81. http://dx.doi.org/10.3390/axioms9030081.

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In this paper, we continue our study of the Abel equation with the right-hand side belonging to the Lebesgue weighted space. We have improved the previously known result— the existence and uniqueness theorem formulated in terms of the Jacoby series coefficients that gives us an opportunity to find and classify a solution by virtue of an asymptotic of some relation containing the Jacobi series coefficients of the right-hand side. The main results are the following—the conditions imposed on the parameters, under which the Abel equation has a unique solution represented by the series, are formulated; the relationship between the values of the parameters and the solution smoothness is established. The independence between one of the parameters and the smoothness of the solution is proved.
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3

Druckman, Daniel, and Carmela Lutmar. "Jacob Bercovitch: Understanding Hands Across the Divide." Negotiation and Conflict Management Research 5, no. 4 (October 2, 2012): 325–30. http://dx.doi.org/10.1111/j.1750-4716.2012.00108.x.

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4

Haaland, Kathleen Y. "‘The Hand Is the Cutting Edge of the Mind’." Journal of the International Neuropsychological Society 6, no. 7 (November 2000): 829–30. http://dx.doi.org/10.1017/s1355617700247103.

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Connolly's preface to this book ends with Jacob Bronowski's very apt quote, “the hand is the cutting edge of the mind.” The “Preface” illustrates his fascination with the complexity of human movement.
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5

Bunta, Silviu. "The Likeness of the Image: Adamic Motifs and Anthropoly in Rabbinic Traditions about Jacob's Image Enthroned in Heaven." Journal for the Study of Judaism 37, no. 1 (2006): 55–84. http://dx.doi.org/10.1163/157006306775454497.

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AbstractThe present article analyzes the various texts concerning Jacob's image engraved on the throne of glory. It compares the Jacob texts with previous traditions regarding Adam's special status as the image of God or the equivalent of a cultic representation of an ancient Near Eastern king or of a Roman emperor. The Jacob texts reveal a similar anthropology that emphasizes the dichotomy of humanity. On one hand the earthliness of the functionality of the human body is associated with angelic opposition, and, on the other, the body's divine likeness gives rise to angelic veneration. The investigation of the two traditions demonstrates a conspicuous dependence of the Jacob texts on the Adamic traditions.
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Offenberg, Sara. "Jacob the Knight in Ezekiel's Chariot: Imagined Identity in a Micrography Decoration of an Ashkenazic Bible." AJS Review 40, no. 1 (April 2016): 1–16. http://dx.doi.org/10.1017/s0364009416000015.

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In an Ashkenazic Bible produced in the thirteenth century, we find a unique micrography decoration portraying Ezekiel's vision. On the bottom margin the Masorah micrography shows the full bodies of the four creatures: the lion facing the ox, and the man, in full armor and holding an object in each hand, facing the eagle. I suggest that the choice to portray the human figure in this micrography as an armored knight can be explained by reference to the tradition describing seeing Jacob's image engraved on the throne in Ezekiel's vision, as also reflected in the writings of Hasidei Ashkenaz. The decoration identifies the human figure as Jacob, which may illustrate the verse 'Avir Ya‘akov, meaning “mighty one of Jacob” or Jacob the Knight.
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7

INZELBERG, R. "Alien hand sign in Creutzfeldt-Jakob disease." Journal of Neurology, Neurosurgery & Psychiatry 68, no. 1 (January 1, 2000): 103–4. http://dx.doi.org/10.1136/jnnp.68.1.103.

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8

Susanto, Novie, Heru Prastawa, Manik Mahachandra, and Dinda Ayu Rakhmawati. "Evaluation of Usability on Bionic Anthropomorphic (BIMO) Hand for Disability Hand Patient." Jurnal Ilmiah Teknik Industri 18, no. 2 (December 19, 2019): 124–33. http://dx.doi.org/10.23917/jiti.v18i2.8133.

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One aspect that needs to be assessed to make better product is usability. Testing the level of usability on BIMO hand is performed using adapted Southampton Hand Assesment Procedure (SHAP) method. Users are given the task of using prosthetic hand to perform daily activities according to performance measurement rules. Based on the opinion of Jacob Nielsen, the theory used to measure usability are 5 main parameters, i.e: Learnability, Memorability, Efficiency, Satisfaction, and Errors. Testing is done by giving 15 task daily activity to the respondent. After testing, respondents were given USE questionnaires (Usefulness, Satisfaction and Ease of use) as a media for usability assessmentand received suggestions from respondents. Some suggestions were obtained from the respondents after the research was conducted, such as the size of the product, censoric product respond, the suitability shape and weight of product. Based on the percentage of USE questionnaire assessment known Usability Prosthetic hand level tested is in the status of GOOD, this indicates the respondents feel the product is good to use.
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9

Dobkowski, Michael N., and Stephen J. Whitfield. "Voices of Jacob, Hands of Esau: Jews in American Life and Thought." American Historical Review 92, no. 1 (February 1987): 221. http://dx.doi.org/10.2307/1862947.

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10

Hirai, Hiro. "The Invisible Hand of God in Seeds: Jacob Schegk's Theory of Plastic Faculty." Early Science and Medicine 12, no. 4 (2007): 377–404. http://dx.doi.org/10.1163/157338207x231404.

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AbstractIn his embryological treatise De plastica seminis facultate (Strasburg, 1580), Jacob Schegk (1511-1587), professor of philosophy and medicine at the University of Tübingen, developed, through a unique interpretation of the Aristotelian embryology, a theory of the "plastic faculty" (facultas plastica), whose origin lay in the Galenic idea of the formative power. The present study analyses the precise nature of Schegk's theory, by setting it in its historical and intellectual context. It will also discuss the hitherto unappreciated Neoplatonic dimension of Schegk's notion of the soul's vehicle.
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11

Schwartz, Sarah. "Isaac’s dual test in the blessings narrative: A new reading of Gen 27:18-29." Journal for the Study of the Old Testament 43, no. 4 (June 2019): 693–711. http://dx.doi.org/10.1177/0309089218786098.

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This essay explores the meeting scene between Isaac and Jacob in Gen 27:18-29. The repetition of Isaac’s act of blessing in vv. 23 and 27 exposes the parallel structure of the scene, and Isaac’s dual test to determine his son’s identity. This structure emphasizes the importance of the sensory tests and Esau’s external identity markers—his hairy hands and the scent of the field—that convinced Isaac to bless the son standing before him. These identity markers are not merely technical; they are literary devices that point to Esau’s character and hint at the motivation behind Isaac’s desire to bless Esau instead of Jacob. These motives are clarified through an analysis of Esau’s traits, links to Isaac’s personality, and the nature of the blessings he had intended for Esau. The conclusions contribute to a better understanding of the scene and resolve some of the fundamental difficulties in the blessings narrative of Gen 27:1-28:9.
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12

de León, M., and C. Sardón. "A geometric Hamilton–Jacobi theory on a Nambu–Jacobi manifold." International Journal of Geometric Methods in Modern Physics 16, supp01 (January 29, 2019): 1940007. http://dx.doi.org/10.1142/s0219887819400073.

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In this paper, we propose a geometric Hamilton–Jacobi (HJ) theory on a Nambu–Jacobi (NJ) manifold. The advantage of a geometric HJ theory is that if a Hamiltonian vector field [Formula: see text] can be projected into a configuration manifold by means of a one-form [Formula: see text], then the integral curves of the projected vector field [Formula: see text] can be transformed into integral curves of the vector field [Formula: see text] provided that [Formula: see text] is a solution of the HJ equation. This procedure allows us to reduce the dynamics to a lower-dimensional manifold in which we integrate the motion. On the other hand, the interest of a NJ structure resides in its role in the description of dynamics in terms of several Hamiltonian functions. It appears in fluid dynamics, for instance. Here, we derive an explicit expression for a geometric HJ equation on a NJ manifold and apply it to the third-order Riccati differential equation as an example.
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13

Ogrodnik, Benjamin. ""The Theatricality of the Emulsion!"." Screen Bodies 4, no. 2 (December 1, 2019): 1–22. http://dx.doi.org/10.3167/screen.2019.040202.

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This article reexamines the career of Roger Jacoby (1945–1985), an abstract painter and gay liberation activist who became renowned for processing film in his darkened bathtub and for films that featured his partner, Ondine, the Andy Warhol Superstar. Through a consideration of film shorts made in the 1970s and 1980s, the article argues that Jacoby’s principal innovation was the exploration of hand-processing, which resulted in films that resembled abstract expressionist paintings in motion. Additionally, it considers hand-processing as an overlooked, albeit powerful, vehicle for expressing non-normative sexuality in American avant-garde film. It situates Jacoby alongside gay filmmakers Kenneth Anger, Gregory Markopoulos, and Jack Smith, and considers how hand-processed media can generate a “corporealized” spectator and disrupt patterns of filmic illusionism and heterosexist protocols of sexual/gender representation.
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Zhulina, Alisa. "The Invisible Stage Hand; or, Henrik Ibsen's Theatre of Capital." Theatre Survey 59, no. 3 (July 27, 2018): 386–408. http://dx.doi.org/10.1017/s0040557418000315.

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“Theatre is not political action. Political action happens in the streets.” This is how the German director Thomas Ostermeier addressed the audience in a recent conversation with Branden Jacobs-Jenkins at the Brooklyn Academy of Arts. All theatre can do is make us realize the “lies we tell ourselves.” Thomas Ostermeier made a name for himself staging the socially conscious dramas of Sarah Kane and Mark Ravenhill. After becoming the artistic director of Berlin's Schaubühne, Ostermeier turned to Henrik Ibsen because he thought that Ibsen's bourgeois world would appeal to the patrons of the Schaubühne: “Characters in Ibsen constantly worry about money.” Perhaps, this is also the reason behind Ostermeier's desire to bring his production of Ibsen'sAn Enemy of the People,adapted into English by Branden Jacobs-Jenkins, to the patrons of Broadway in the fall of 2018. It's a Trojan Horse. Get the haves into the theatre and make them see their own complicity in perpetuating the injustices of capitalism. Ostermeier's version ofAn Enemy of the Peoplebreaks the fourth wall during the play's town hall meeting and invites the audience to share their thoughts about capitalism and democracy. Ultimately, this audience participation reveals the anxiety that theatre might simply be a distraction.
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15

Oberndorfer, Stefan, Sabine Urbanits, Heinz Lahrmann, Christa Jarius, Gerhard Albrecht, and Wolfgang Grisold. "Familial Creutzfeldt-Jakob disease initially presenting with alien hand syndrome." Journal of Neurology 249, no. 5 (May 1, 2002): 631–32. http://dx.doi.org/10.1007/s004150200077.

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16

Majkiewicz, Anna. "Przekład literacki na cztery ręce, czyli o warsztacie niemieckiego tandemu tłumaczy Ksiąg Jakubowych Olgi Tokarczuk." Między Oryginałem a Przekładem 27, no. 2 (52) (June 21, 2021): 79–99. http://dx.doi.org/10.12797/moap.27.2021.52.04.

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Literary Translation in Four Hands – the Workshop of the German Translation Tandem of Olga Tokarczuk’s The Books of Jacob The Books of Jacob by Olga Tokarczuk, the Polish Nobel Prize winner in literature, was published in 2014 by Wydawnictwo Literackie (Krakow). The German translation of the novel is the result of the work of the tandem, Lisa Palmes and Lothar Quinkenstein, who by using the TOLEDO platform (Translators in Cultural Exchange) programme of the German Translators Fund, have made a “translation journal” entitled Die Funken der Erlösung. Journal zur Übersetzung des Romans Die Jakobsbücher von Olga Tokarczuk (Kampa) available. Its reading allows us to reconstruct the translation tandem’s successive activities in the preparation for the proper translation process: from the reconstruction of the boundary between history and fiction during the reading of the source texts, through the deconstruction of the image of the main character in the original and its reconstruction in the translation, to the exploration of the colour of the epoch, the polyphonicity and intertextuality of the novel and the definition of their translation strategies.
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Jansen, J. J. F. J. "An unpublished “Catalogue du Cabinet de C. J. Temminck” (c. 1803–1804)." Archives of Natural History 44, no. 2 (October 2017): 352–55. http://dx.doi.org/10.3366/anh.2017.0454.

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Coenraad Jacob Temminck (1778–1858) was the first director of the Rijksmuseum Natuurlijke Historie in Leiden, The Netherlands. His large private collection of specimens, composed primarily of birds and mammals, was listed by him in a catalogue published in 1807. However, an unpublished catalogue in Temminck's hand, drafted by him about four years earlier, has been found in the archives of Naturalis Biodiversity Center, Leiden. This paper compares the two catalogues, providing further insights into Temminck's work.
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Wayment, Thomas, and Alexander Ladenheim. "A New Fragment of the Protevangelium Jacobi." Harvard Theological Review 104, no. 3 (July 15, 2011): 381–84. http://dx.doi.org/10.1017/s0017816011000265.

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This single, mutilated leaf from a papyrus codex consists of twelve lines of text written in a nearly upright biblical uncial. The practiced scribal hand has consistent spacing of letters and serifs adorning τ, χ, κ, and η. A dieresis is written above iota in line 4, and an apostrophe marks the end of Iωακειμ (line 7), which may indicate that the name lacked an ordinary Greek declension. Joseph van Haelst originally dated the hand to the beginning of the fourth century, and its similarities to P.Oxy. 1250 and 4804 confirm a fourth century dating.1
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Parker, David S. "Law, Honor, and Impunity in Spanish America: The Debate over Dueling, 1870–1920." Law and History Review 19, no. 2 (2001): 311–41. http://dx.doi.org/10.2307/744132.

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One day in late February 1873, the comisario of section 10 in Buenos Aires arrived at the home of Jacobo Varela to investigate reports that Varela had been involved in a duel with another young man, Julio Benites. Varela's brother met the policeman at the door and reported that, lamentably, Jacobo was ill and could not see him. When asked if he knew anything about a duel, the brother replied that he most certainly did not. Yes, Jacobo was bedridden because of a sword wound, but that was an accident: he had slipped while playing with the weapon and had fallen on top of it, the blade entering his right side below the shoulder and passing through his body. The additional wounds on his hands came when he attempted to pull the sword out.
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Mu, Benrong, Peng Wang, and Haitang Yang. "Covariant GUP Deformed Hamilton-Jacobi Method." Advances in High Energy Physics 2017 (2017): 1–8. http://dx.doi.org/10.1155/2017/3191839.

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We first briefly revisit the original Hamilton-Jacobi method and show that the Hamilton-Jacobi equation for the action I of tunneling of a fermionic particle from a charged black hole can be written in the same form of that for a scalar particle. On the other hand, various theories of quantum gravity suggest the existence of a minimal length scale, incorporating of which into quantum mechanics implies a modification of the uncertainty principle. In the scenario incorporating the generalized uncertainty principle (GUP) into a quantum field theory (QFT) in a covariant way, we derive the deformed model-independent KG/Dirac and Hamilton-Jacobi equations using the methods of effective field theory. For this Lorentz invariant GUP modified QFT, we find that the effect of GUP on the Hamilton-Jacobi equations is simply to “renormalize” the mass of the emitted particles, from m to meff. Therefore, in this scenario, the Hawking temperature of a black hole does not receive any corrections from the GUP effect.
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GIRSTMAIR, KURT. "CONTINUED FRACTIONS AND JACOBI SYMBOLS." International Journal of Number Theory 07, no. 06 (September 2011): 1543–55. http://dx.doi.org/10.1142/s1793042111004848.

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We consider the regular continued fraction expansion of a rational number m/N, m ≥ 0, N ≥ 1, (m, N) = 1. Let s/t, (s, t) = 1, be the kth convergent of this expansion and p/q, (p, q) = 1, be the complete quotient belonging to s/t. We give some relations for Jacobi symbols, a typical example of which is [Formula: see text] for k, t, q, N odd, with a simple right-hand side depending on t, q, N (mod 4). As an application, we prove the periodicity of the Jacobi symbol [Formula: see text] for the convergents s/t of infinite purely periodic continued fractions.
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Galaska, Mary L., Larry D. Sqrow, J. Douglas Wolf, and Alexander B. Morgan. "Flammability Characteristics of Animal Fibers: Single Breed Wools, Alpaca/Wool, and Llama/Wool Blends." Fibers 7, no. 1 (January 3, 2019): 3. http://dx.doi.org/10.3390/fib7010003.

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Animal protein-based fibers used in textiles often are assumed to have uniform properties independent of source, and yet are different when considering texture, structure, and color. Differences between fibers from animal species have been studied in regard to general flammability behavior, but differences between fibers from breeds of the same species have not been studied. Fibers from two sheep breeds (Jacob, CVM/Romeldale) and two camelids (Alpaca, Llama) were studied for flammability effects on fabrics hand knit from yarns made from these different fibers. A total of five different yarns were studied: 100% Jacob, 100% CVM/Romeldale, 100% Alpaca, 50% Llama/Merino wool, and 50% Alpaca/Merino wool. Flammability was studied with cone calorimeter, microcombustion calorimeter, and vertical flame spread techniques. The results from this limited study demonstrate that there are differences between fibers from different breeds and differences between species, but the differences cannot be easily explained on the basis of inherent heat release or chemistry of the fiber. Sometimes yarn density and the tightness of the knit have more of an effect on self-extinguishment in vertical flame spread tests than does fiber heat release/chemistry. Pure Alpaca fiber, however, displays self-extinguishing behavior and low heat release when subjected to combustion conditions. This may be related to the amount of sulfur in its chemical structure, and its ability to be spun into a yarn which yields a tighter hand-knit density.
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Priever, Andreas. "Liesborn in Amsterdam. Jacob de Wits Porträt des Liesborner Abtes Gregor Waltmann von 1716." Oud Holland - Quarterly for Dutch Art History 121, no. 4 (2008): 245–55. http://dx.doi.org/10.1163/187501708788426666.

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AbstractIn 1971 the Museum Abtei Lieborn of the Warendorf area came into possession of a remarkable and qualitative Portrait of Gregor Waltmann (1661-1739), who had been the abbot of the Benedictine Abbey of Liesborn between 1698 and 1739. During its restoration, the portrait could be identified as a signed work of the Amsterdam painter Jacob de Wit (1695-1754), dated 1716. To this day the only known portrait of De Wit was the Portrait of Pater Aegidius de Glabbais of 1718 (collection Commissie Monumentenzorg Minderbroeders Franciscanen Nederland).This article reconstructs the provenance of the Portrait of Gregor Waltmann, which was most likely assigned to Jacob de Wit by Gregor's brother Jan Woltman in Amsterdam. Most likely the abbot himself never saw his portrait; there is no account of a journey to Amsterdam in 1716, nor is there evidence that Gregor Waltmann knew the catholic painter personally. De Wit returned to Amsterdam from Antwerp in 1715 and devoted himself with success to portrait painting and was initially supported by the catholic community.In the early nineteenth century the portrait was still owned by the Woltman family, who had emigrated to Amsterdam from Lüdinghausen, Westfalen in the 1690s and who over generations had run the soap factory De Vergulde Hand. While the name of the painter over the course of time became forgotten, the catholic family kept the memory of the in 1739 deceased abbot alive with a memorial note.Hardly known outside the county of Münster the signed and dated portrait is an important prerequisite for the determination of further, possibly still preserved portraits of Jacob de Wit.
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Mañas-Mañas, Juan F., Juan J. Moreno-Balcázar, and Richard Wellman. "Eigenvalue Problem for Discrete Jacobi–Sobolev Orthogonal Polynomials." Mathematics 8, no. 2 (February 3, 2020): 182. http://dx.doi.org/10.3390/math8020182.

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In this paper, we consider a discrete Sobolev inner product involving the Jacobi weight with a twofold objective. On the one hand, since the orthonormal polynomials with respect to this inner product are eigenfunctions of a certain differential operator, we are interested in the corresponding eigenvalues, more exactly, in their asymptotic behavior. Thus, we can determine a limit value which links this asymptotic behavior and the uniform norm of the orthonormal polynomials in a logarithmic scale. This value appears in the theory of reproducing kernel Hilbert spaces. On the other hand, we tackle a more general case than the one considered in the literature previously.
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Schmalz, G. "Daniel van Steenberghe hands over the Associate Editor position to Reinhilde Jacobs." Clinical Oral Investigations 11, no. 1 (January 24, 2007): 3. http://dx.doi.org/10.1007/s00784-007-0098-z.

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De Bodt, Saskia. "Borduurwerkers aan het werk voor de Utrechtse kapittel- en parochiekerken 1500-1580." Oud Holland - Quarterly for Dutch Art History 105, no. 1 (1991): 1–31. http://dx.doi.org/10.1163/187501791x00047.

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AbstractThe article starts by taking stock of research into North and South Netherlandish professional embroidery in the sixteenth and seventeenth centuries. Such embroidery, which was rarely or never signed, and much of which has been lost, has hitherto been studied largely on stylistic grounds and grouped around noted schools of painting. Classifications include 'circle of Jacob Cornelisz van Oostsanen', for instance, or 'Leiden school/influence of Lucas van Leyden'. The author advocates a more relative approach to such classification into schools. She suggests that only systematic archive research in each location can shed new light on the production of embroidery studios and that well-founded attributions hinge solely on such research. The embroidery produced in Utrecht between 1500 and 1580 is cited as an example. The invoices of Utrecht parish and collegiate churches from circa 1500 to the Reformation record not onlv commissions to painters, goldsmiths and sculptors but also many items referring to textiles, notably embroidery. Together they provide a clear and relatively complete picture of the activities of sixteenth-century Utrecht embroiderers, whose principal customers were the churches. The items in question moreover exemplify the craft of the North Netherlandish embroiderer in that period in general in terms of what was produced as well as of the method and position of these artistic craftsmen, who were less overshadowed by painters than is generally assumed. A brief introduction outlining the organization of professional Utrecht embroiderers, who became independent of the tailors' guild in 1610 and acquired their own warrant, is followed by the analysis of an order from the Buurkerk in Utrecht for crimson paraments in 1530: three copes, a chasuble and two dalmatics. The activities of all those involved in their production are recorded : the merchants who supplied the fabric, the tracers of the embroidery patterns, the embroiderer, the cutter, various silver-smiths and the maker of the chest in which the set of garments was kept. The embroiderer was the best-paid of all these specialists. It is interesting to note that some Utrecht guild-members worked free of charge on these paraments, and that the collection at the first mass at which they were worn was very generous. There were probably political reasons for this: some of the donators, Evert Zoudenbalch and Goerd van Voirde, had been mayors at the time of the guild rebellion in Utrecht, and the Buurkerk was the parish church where the guild altars stood. After this detailed example the author discusses Utrecht embroiderers known by name and their studios,comparing them with a list of major commissions carried out for churches in Utrecht (appendix I). It transpires that in each case one studio received the most important Utrecht orders. This is followed by the reconstruction of three leading figures' careers. First Jacob van Malborch, active till 1525; a contract (1510) with the Pieterskerk in Utrecht regarding blue velvet copes is cited (appendix 11). He is followed by the embroiderers Reyer Jacobs and Sebastiaen dc Laet. Among his other activities, the latter was responsible for repairing and altering the famous garments of Bishop David of Burgundy. Items on invoices arc then cited as evidence that the sleeves of two dalmatics now in the Catharijneconvent Museum, embroidered on both sides with aurifriezes donated by Bishop David, were made by Jacob van Malborch in 1504/1505. This shows that systematic scrutiny of invoices and the results of archive research concentrated on individual embroiderers in a single city, compared with preserved items of embroidery, yield information that can lead to exact attributions to an artist or a studio (figs.4a to c and 5a to c). The Catharijneconvent Museum also possesses a series of figures of saints embroidered by the same hand (fig. 14). Finally, the author points out that a group of embroidered work (previously mentioned by H. L. M. Defoer in the catalogue Schilderen met gouddraad en zyde (1987)) which historical data suggest was done in Utrecht and which was produced in the same period, are almost certain to have come from Jacob van Malborch's studio, despite the lack of archival evidence (figs. 6 to 13).
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Donchev, Tzanko, and Ammara Nosheen. "Value Function and Optimal Control of Differential Inclusions." Annals of the Alexandru Ioan Cuza University - Mathematics 61, no. 1 (January 1, 2015): 181–93. http://dx.doi.org/10.2478/aicu-2014-0031.

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Abstract Optimal control system described by differential inclusion with continuous and one sided Perron right-hand side in a finite dimensional space is studied in the paper. We prove that the value function is the unique solution of a proximal Hamilton-Jacobi inequalities.
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Hoch, Liron, and Menachem Kellner. "“The voice is the voice of Jacob, but the hands are the hands of Esau”: Isaac Abravanel between Judah Halevi and Moses Maimonides." Jewish History 26, no. 1-2 (May 2012): 61–83. http://dx.doi.org/10.1007/s10835-012-9157-3.

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29

Chung, Il-Seung. "Jeremiah’s Call and Jacob’s Birth: A Test Case for Investigating Prophetic Influence on the Book of Genesis." Expository Times 128, no. 7 (November 25, 2016): 325–33. http://dx.doi.org/10.1177/0014524616679043.

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The present study explores prophetic influence on the present text of Genesis. It argues that the account of the birth of Jacob (Gen. 25:19–26) is modeled largely on the account of Jeremiah’s call (Jer. 1:1–10). Both accounts follow a pattern of background, conception, and fateful hand. A detailed analysis of two passages (Jer. 1:1–10 and Gen. 25:19–26) indicates a possibility that the writing of Genesis is partly dependent on Jeremiah. No matter how great the difference between the two texts seems, Genesis shows acquaintance with Jeremiah’s prophetic message.
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30

BERTELLINI, GIORGIO. "Black hands and white hearts: Italian immigrants as ‘urban racial types’ in early American film culture." Urban History 31, no. 3 (December 2004): 375–99. http://dx.doi.org/10.1017/s0963926805002427.

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Through the concept of ‘character’ or ‘urban racial type’, traversing literature, science and metropolitan life, Bertellini reconsiders early American cinema's colour-based biracialism epitomized by D.W. Griffith's The Birth of a Nation (1915). In the New York-based film industry race also emerged from the city's dense intermingling of ‘white ethnics’ and broader shifts in epistemological emphasis – from inheritance to the environment. If Italian immigrants were racialized as innately violent in early gangster films, after 1915 heartbreaking melodramas of destitution and misfortunes adopted instead a combination of still othering and universal characterizations.Half the people in ‘the Bend’ are christened Pasquale…When the police do not know the name of an escaped murderer, they guess at Pasquale and send the name out on alarm; in nine cases out of ten it fits. Jacob Riis, 1890I like to play the Italian because his costume, his mannerisms, his gestures, and his unlikeness to the everyday people of the street make him stand out as a romantic and picturesque person. Actor and director George Beban, 1921
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31

Güttler, Jörg, Dany Bassily, Christos Georgoulas, Thomas Linner, and Thomas Bock. "Unobtrusive Tremor Detection While Gesture Controlling a Robotic Arm." Journal of Robotics and Mechatronics 27, no. 1 (February 20, 2015): 103–4. http://dx.doi.org/10.20965/jrm.2015.p0103.

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<div class=""abs_img""><img src=""[disp_template_path]/JRM/abst-image/00270001/12.jpg"" width=""300"" />Gesture based validation</div> A light weight robotic arm (Jaco) has been interfaced with a novel gesture detection sensor (Leap Motion Controller), substituting complicated conventional input devices, i.e., joysticks and pads. Due to the enhanced precision and high throughput capabilities of the Leap Motion Controller, the unobtrusive measurement of physiological tremor can be extracted. An algorithm was developed to constantly detect and indicate potential user hand tremor patterns in real-time. Additionally a calibration algorithm was developed to allow an optimum mapping between the user hand movement, tracked by the Leap Motion Controller, and the Jaco arm, by filtering unwanted oscillations, allowing for a more natural human-computer interaction. </span>
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CARRILHO, Paulo Eduardo Mestrinelli, and Ricardo NITRINI. "The controversial Third Reich history of Hans Creutzfeldt: was he a supporter or just another adept of the “hand washing policy”?" Arquivos de Neuro-Psiquiatria 79, no. 1 (January 2021): 84–87. http://dx.doi.org/10.1590/0004-282x-anp-2020-0274.

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ABSTRACT Creutzfeldt-Jakob disease (CJD) is a transmissible spongiform encephalopathy whose initial description is associated with two German authors, Alfons Maria Jakob and Hans Gerhard Creutzfeldt. As polemic as the issue about the Creutzfeldt’s merit in the first description of the disease, is his history during the Third Reich. Some evidence pointed to the idea that he was essentially against the Nazi ideology, though some did not. He was an official member of the SS, but his own wife was convicted by a Nazi court. Some authors have argued that Creutzfeldt helped save many patients during Aktion T4 operation, but, in fact, he could have done more. Even during the post-war period, he sent a letter to authorities reporting the name of a Nazi physician who worked as a medical reviewer at the euthanasia court, but he did not proceed any further when his letter initially failed to start an investigation.
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33

Roth∗, M., N. Cooley, G. Havener, and N. Khardori. "Cost-Effective Way To Handle Possible Creutzfeld-Jakob Disease (CJD)–Contaminated Surgical Instruments." American Journal of Infection Control 32, no. 3 (May 2004): E103. http://dx.doi.org/10.1016/j.ajic.2004.04.153.

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34

Haridas, Rajesh P., Michael Gionfriddo, and George S. Bause. "Etymology of Letheon." Anesthesiology 131, no. 6 (December 1, 2019): 1210–22. http://dx.doi.org/10.1097/aln.0000000000002969.

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Abstract In late 1846, following his successful public demonstrations of surgical anesthesia, Boston dentist William T. G. Morton selected Letheon as the commercial name for the ether-based “preparation” he had used to produce insensibility to pain. We have not identified a first-hand account of the coinage of Letheon. Although the name ultimately derives from the Greek Lēthē, the adjective Lethean, much in use in the mid-19th century, may have influenced Morton and those he called on to assist in finding a commercial name. By one unverified account, the name Letheon might have been coined independently by both Augustus Addison Gould, M.D., and Henry Jacob Bigelow, M.D.
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35

TÖPFER, TILL. "The type series of Chloris sinica tschiliensis Jacobi, 1923 (Aves, Fringillidae)." Zootaxa 3609, no. 2 (January 29, 2013): 248–50. http://dx.doi.org/10.11646/zootaxa.3609.2.12.

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The Oriental Greenfinch Carduelis sinica (Linnaeus, 1766) is currently regarded as consisting of five to six subspecies (Dickinson 2003: 749; Clement 2010: 543–544; Clements et al. 2012; Gill & Donsker 2012; treated as Chloris sinica by the latter two authors). In 1923, Arnold Jacobi, then working at the Zoological Museum in Dresden, described the subspecies Chloris sinica tschiliensis, but it was recognized for just a few years before being synonymised by Howell et al. (1968: 236) under Carduelis s. sinica (Linnaeus, 1766). The description is based on twelve specimens (six males, five adult females, one juvenile female) obtained by Hugo Weigold during his participation in Walt(h)er Stötzner’s 1914–1916 Sichuan expedition (Jacobi 1923). Although most of the birds have ever since been present in different collections, the whereabouts of the type series remained unclear for several years (e.g., van den Elzen 2010). Thus, in the following I present a comprehensive overview of the identity and contemporary availability of the original specimens that Jacobi had at hand.
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36

Gaytan-Garcia, S., J. J. Gilbert, J. H. N. Deck, and J. C. E. Kaufmann. "Jakob-Creutzfeldt Disease Associated with Wernicke Encephalopathy." Canadian Journal of Neurological Sciences / Journal Canadien des Sciences Neurologiques 15, no. 2 (May 1988): 156–60. http://dx.doi.org/10.1017/s0317167100027542.

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ABSTRACT:Wernicke disease (WD) is a complication of alcoholism and malnutrition and usually presents acutely and is characterized by disturbances of consciousness, paralysis of the external ocular muscles, and ataxia. The disease results from deficiency of vitamin B 1, or thiamine, an essential coenzyme in intermediate carbohydrate metabolism. On the other hand, Jakob-Creutzfeldt disease (J-C) results from infection with an unconventional agent with a long incubation period and is characterized by a rapidly progressive dementia and histologically by a spongiform encephalopathy associated with neuronal destruction and pronounced astrogliosis. Combination of both diseases has not been reported in the literature previously and their relationship is uncertain. We present 3 cases with this interesting association and consider their relationship.
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37

Stokols, Logan F., and Alexis F. Vasseur. "De Giorgi techniques applied to Hamilton–Jacobi equations with unbounded right-hand side." Communications in Mathematical Sciences 16, no. 6 (2018): 1465–87. http://dx.doi.org/10.4310/cms.2018.v16.n6.a1.

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38

DESIMONE, ALISON. "AMERICAN HANDEL FESTIVAL JACOBS SCHOOL OF MUSIC, INDIANA UNIVERSITY BLOOMINGTON, 7–10 FEBRUARY 2019." Eighteenth Century Music 16, no. 2 (August 20, 2019): 200–203. http://dx.doi.org/10.1017/s1478570619000095.

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39

Lack, H. Walter. "The botanical illustrations of Franz Scheidl (fl. 1770–1795)." Archives of Natural History 47, no. 1 (April 2020): 51–62. http://dx.doi.org/10.3366/anh.2020.0621.

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Franz Scheidl created approximately 800 botanical illustrations published in Vienna as coloured copperplate engravings in Nikolaus Joseph von Jacquin's Hortus botanicus Vindobonensis and Florae Austriacae icones between 1770 and 1778. Johann Jacob von Well's unpublished “Phytanthologia eikonike”, an illustrated manuscript intended as a kind of florilegium and produced between 1768 and 1780, consists in part of plant illustrations based on living specimens, in part of incomplete copies of pre-existing images; these are also by Scheidl's hand. Another manuscript, “Pflanzen Blumen und Früchte”, held by the Oak Spring Garden Foundation Library in Upperville, Virginia, to date incompletely known and possessing similar characteristics, has also been ascribed to Scheidl; its contents are analysed here. These materials help to understand the work of a botanical illustrator and copyist working in the late eighteenth century.
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40

Santo, Niccolò Dal, Simone Deparis, and Andrea Manzoni. "A numerical investigation of multi space reduced basis preconditioners for parametrized elliptic advection-diffusion equations." Communications in Applied and Industrial Mathematics 8, no. 1 (December 20, 2017): 282–97. http://dx.doi.org/10.1515/caim-2017-0015.

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AbstractWe analyze the numerical performance of a preconditioning technique recently proposed in [1] for the efficient solution of parametrized linear systems arising from the finite element (FE) discretization of parameterdependent elliptic partial differential equations (PDEs). In order to exploit the parametric dependence of the PDE, the proposed preconditioner takes advantage of the reduced basis (RB) method within the preconditioned iterative solver employed to solve the linear system, and combines a RB solver, playing the role of coarse component, with a traditional fine grid (such as Additive Schwarz or block Jacobi) preconditioner. A sequence of RB spaces is required to handle the approximation of the error-residual equation at each step of the iterative method at hand, whence the name of Multi Space Reduced Basis (MSRB) method. In this paper, a numerical investigation of the proposed technique is carried on in the case of a Richardson iterative method, and then extended to the flexible GMRES method, in order to solve parameterized advection-diffusion problems. Particular attention is payed to the impact of anisotropic diffusion coefficients and (possibly dominant) transport terms on the proposed preconditioner, by carrying out detailed comparisons with the current state of the art algebraic multigrid preconditioners.
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41

Groenewald, M. "Songs about Zuma: revelations of divisions after democracy." Literator 31, no. 1 (July 13, 2010): 123–46. http://dx.doi.org/10.4102/lit.v31i1.40.

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In February 2006, when he was Deputy President of the country, Mr Jacob Gedleyihlekisa Zuma appeared in the Supreme Court in Johannesburg to defend himself against charges of rape. The charge of rape by a woman known only as Khwezi against a powerful politician, popular with many trade unions and many ordinary folk, not only gave rise to one of the major media events in that year in South Africa, but also revealed divisions in society and in politics. While Zuma supporters sang in his defence and to his praise, activists against women abuse criticised Zuma. On the one hand, the supporters of Zuma defended him with reference to his moral integrity; they also stated that he was the popular choice for future president, while they ridiculed the futile actions of his enemies. On the other hand, the activists against women abuse attempted to highlight Zuma’s behaviour as immoral and urged women to speak out against abuse. This opposition revealed new divisions in society at large, as will be shown in the analysis of the songs.
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42

Imran, Hasyim Ali. "Fenomena Perkembangan ICT dan Media Cetak." Jurnal Penelitian Pos dan Informatika 5, no. 2 (March 6, 2017): 139. http://dx.doi.org/10.17933/jppi.2015.0502002.

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<p align="center"><strong>ABSTRAK</strong><strong></strong></p><p><strong> </strong>Berdasarkan hasil analisis data sekunder disimpulkan bahwa terkait fenomena <em>strukturasi</em>, Jakob Oetama menjadi <em>the prime</em> <em>social agent </em>dalam struktur KKG. Dalam konteks teori ekonomi poliTIK, terkait dengan struktur KKG, maka Jacob Oetama menjadi <em>the prime</em> <em>social agent </em>yang<em> </em>tetap dipertahankan dalam struktur KKG dengan gaya kepemimpinannya yang <em>manajemen kolektif</em> sehubungan ketidaksiapan para agen lainnya menerima suksesi. Berkaitan fenomena <em>spasialisasi</em> maka perkembangan TIK<em> </em>memiliki aspek positif dan negatif bagi media. Fenomena spasialisasi ini di sisi lain bisa pula menjadi indikasi bahwa <em>the prime social agent</em> dalam struktur KKG dalam sedikit hal yang relatif bersifat <em>force major</em> ternyata bisa juga terpengaruh oleh struktur eksternal (perkembangan TIK). Kebijakan spasialisasi melalui konvergensi media sekalipun masih rugi namun tetap dipertahankan para <em>the prime social agent</em><em> di dunia termasuk </em>di struktur KKG karena dinilai dapat menguatkan posisi <em>marketing</em> mereka dan di masa mendatang diyakini semakin membaik. Namun optimisme tersebut bisa terganggu juga dengan munculnya fenomena spasialisasi yang muncul dari anggota masyarakat sejalan dengan perkembangan teknologi <em>gadget</em> seperti melalui pemunculan berbagai sistem operasi yang ada kini (I OS, Android OS atau Microsoft OS).</p><p> </p><p align="center"><strong><em>Abstract</em></strong></p><p><em>Based on the analysis of secondary data concluded that the related phenomenon of structuration, Oetama become the prime social agent in KKG structure. In the context of the theory of political economy, associated with the structure of KKG, then Jacob Oetama become the prime social agent will be retained in the structure KKG in the style of leadership of collective management in respect of the unpreparedness of the other agent receives succession. This spatialization phenomenon, on the other hand, it could also be an indication that the prime social agent in KKG structure in terms of a relatively little force major nature it can also be affected by external structure (development of ICT). Spatialization policy through media convergence, though still a loss, but maintained the prime social agent in the world including KKG structure as assessed can strengthen their marketing position in the foreseeable future and is believed to be getting better. However, such optimism may be disturbed also by the emergence of the phenomenon of spatialization arising from members of the public in line with developments in technology gadgets such as through the appearance of a variety of operating systems that exist now (I OS, Android OS or Microsoft OS).</em><em></em></p>
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43

Kashuri, Artion, and Rozana Liko. "New conformable fractional integrals of Ostrowski type using new generalized (s, m, ϕ)-preinvex mappings." Moroccan Journal of Pure and Applied Analysis 3, no. 2 (December 1, 2017): 173–85. http://dx.doi.org/10.1515/mjpaa-2017-0014.

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AbstractIn the present paper, the notion of new generalized (s, m, ϕ)-preinvex mapping is introduced and some new integral inequalities for the left-hand side of Gauss-Jacobi type quadrature formula involving new generalized (s, m, ϕ)-preinvex mappings along with beta function are given. Moreover, some generalizations of Ostrowski type inequalities for new generalized (s, m, ϕ)-preinvex mappings via conformable fractional integrals are established. At the end, some applications to special means are given.
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44

Gundersheimer, Werner L. "Renaissance Concepts of Shame and Pocaterra'sDialoghi Delia Vergogna." Renaissance Quarterly 47, no. 1 (1994): 34–56. http://dx.doi.org/10.2307/2863110.

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Persons of authority in early modern Europe—whether parents, preachers or princes—knew well that among the resources available to them for controlling behavior and maintaining hierarchies, there was always shame. Humankind, to its woe, had experienced shame in the Garden of Eden. Noah had been shamed by his nakedness, Sarah by her barrenness, Jacob by his effeminate body, Potiphar's wife through her brazen advances. Hesiod had introduced two sorts of shame: the right kind, derived from modesty; and the wrong kind, produced by poverty. These instances, and many others from ancient and medieval sources, lay at hand for easy use by Renaissance moralists, and who is not a moralist? Applying their own imaginative skills to techniques and rituals of humiliation, medieval and early modern people devised such innovations as thepitture infamanti, the dunce cap, the stocks, the charivari, the yellow badge.
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45

Porck, Thijs. "An Old English Love Poem, a Beowulf Summary and a Recommendation Letter from Eduard Sievers: G. J. P. J. Bolland (1854–1922) as an Aspiring Old Germanicist." Amsterdamer Beiträge zur älteren Germanistik 78, no. 2-3 (August 30, 2018): 262–91. http://dx.doi.org/10.1163/18756719-12340118.

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AbstractThis article calls attention to documents relating to the early academic life of G. J. P. J. Bolland (1854–1922). During the late 1870s and early 1880s, Bolland was enthralled by the study of Old Germanic languages and Old English in particular. His endeavours soon caught the eye of Pieter Jacob Cosijn (1840–1899), Professor of Germanic Philology and Anglo-Saxon at Leiden University, who helped the Groningen-born student to further his studies. During his stays in London and Jena, Bolland communicated with prominent scholars, including Henry Sweet, Richard Morris and Eduard Sievers. Bolland’s annotated books, hand-written notes and scholarly correspondence provide a unique insight into academic life and student-professor relationships during the late nineteenth century. In addition, Bolland produced an Old English love poem and aBeowulfsummary that are published here for the first time.
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46

Hashimoto, Meiko, Jun Shimizu, Yuichiro Shirota, Yoshio Momose, Jun Goto, Katsuhiko Takeda, and Shoji Tsuji. "Alien hand sign observed at the initial stage of a case of Creutzfeldt-Jakob disease." Rinsho Shinkeigaku 49, no. 2/3 (2009): 109–14. http://dx.doi.org/10.5692/clinicalneurol.49.109.

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47

Kiselev, Arthemy V. "The right-hand side of the Jacobi identity: to be naught or not to be ?" Journal of Physics: Conference Series 670 (January 25, 2016): 012030. http://dx.doi.org/10.1088/1742-6596/670/1/012030.

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48

Blidariu, Şerban Dan. "The Other Half of the Truth: Incidents in the Life of a Slave Girl, A First-Hand Account of Slavery from a Woman’s Perspective." Gender Studies 16, no. 1 (December 1, 2017): 29–39. http://dx.doi.org/10.2478/genst-2018-0004.

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Abstract While Frederick Douglass’ autobiography is a classic and offers an image of slavery based on the memories of a former slave, that image remains incomplete because it is centered on attributes and events seen as predominantly masculine. For a more thorough understanding of what slavery was for all, another perspective must be put forth: that of a woman and a mother. In order to achieve this, the paper will focus on Incidents in the Life of a Slave Girl by Harriet Jacobs.
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49

Gustafson, David M. "August Davis and the Free-Free." PNEUMA 37, no. 2 (2015): 201–23. http://dx.doi.org/10.1163/15700747-03702002.

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August Davis (1852–1936) led a group of Swedish Free Mission Friends in America known as the Free-Free, an early branch of what is today the Evangelical Free Church of America. Davis and his followers were known for such phenomena as falling down in the Spirit, having ecstatic visions, uttering unintelligible sounds, communicating the Holy Spirit through the laying on of hands, and teaching the baptism of the Holy Spirit as a second work of grace. Such activities occurred mostly in Chicago, Illinois, and throughout western Minnesota between 1885 and 1900. Davis and the Free-Free had direct organizational ties in the Scandinavian Mission Society U.S.A. to emerging Swedish-American Pentecostals in Minnesota and South Dakota such as John Thompson, Mary Johnson, and Jacob Bakken. This group known pejoratively as the Free-Free is another of several impulses that birthed a distinctly Pentecostal form of Christianity in America.
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50

Odudu, Okeoghene. "The Meaning of Undertaking within 81 EC." Cambridge Yearbook of European Legal Studies 7 (2005): 211–41. http://dx.doi.org/10.5235/152888712802730783.

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Who is bound by the competition rules in the EC Treaty? Article 81 EC applies to agreements and concerted practices between undertakings and to decisions of associations of undertakings; two addressees are specified: (a) undertakings and (b) associations of undertakings. This paper is mainly concerned with the meaning of (a) undertaking. As noted by Advocate General Jacobs, ‘the concept of “undertaking” serves a dual purpose in the system of Article [81]. On the one hand—and this function is more obvious—it makes it possible to determine the categories of actors to which the competition rules apply. . . . On the other hand, it serves to establish the entity to which a certain behaviour is attributable’.
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