Relevant bibliographies by topics / Handmade paper

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  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Handmade paper'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Handmade paper"

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Sauvage, Leila, and Grison Marie-Noëlle. "The handmade blue paper project." Jaarboek voor Nederlandse Boekgeschiedenis 30, no. 2023 (September 1, 2023): 64–90. http://dx.doi.org/10.5117/jnb2023.004.gris.

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Marinković, Aleksandar, Milena Milošević, Marija Vuksanović, Radmila Jančić-Heinemann, Milica Matijašević, Vuk Radmilović, and Predrag Živković. "Surface hydrophobization of handmade paper." Tehnika 79, no. 2 (2024): 135–42. http://dx.doi.org/10.5937/tehnika2402135m.

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The paper shows the possibilities of increasing the hydrophobicity of the paper surface by applying layers of hydrophobic material to the surface. Various application techniques and the following substances were tested: stearic acid, shellac and zinc-hydroxide. Hydrophobicity was tested using the modified Cobb method, measuring the contact angle and drop retention time. The presence of hydrophobizing agents was confirmed by FTIR spectroscopy. It was found that the methods of applying the hydrophobizing agent, used in this work, give much better results with stearic acid, compared to shellac. This manuscript presents novel possibilities of increasing paper surface hydrophobicity by applying layers of hydrophobic material to the surface. Various layer application techniques were examined, as well as substances including: stearic acid, shellac and zinc-hydroxide. Hydrophobicity was tested using the modified Cobb method, measuring the contact angle and drop retention time. The presence of hydrophobizing agents was confirmed by FTIR spectroscopy. Based on the results achieved, it can be concluded that the methods of applying the hydrophobizing agent, used in this work, give much better results with stearic acid, compared to shellac.
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Arafat, KMY, J. Nayeem, AH Quadery, MA Quaiyyum, and M. Sarwar Jahan. "Handmade paper from waste banana fibre." Bangladesh Journal of Scientific and Industrial Research 53, no. 2 (May 27, 2018): 83–88. http://dx.doi.org/10.3329/bjsir.v53i2.36668.

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Banana fibre is a natural fibre with high strength, which can be blended easily with cotton fibre or synthetic fibre to produce composite material. In the fiber extraction process, a substantial amount of lignocellulosic wastes are generated, disposal of which creates problem in the adjacent area. In this paper, extracted banana fiber (EBF) and waste banana fiber (WBF) were characterized in terms of chemical and morphological properties to produce handmade paper. WBF was characterized with lower α–cellulose, lignin content and longer fiber length. Pulping of EBF and WBF was carried out with varying active alkali and cooking time at boiling temperature. Pulp yield of WBF was 35.9% after 120 min of cooking with 8% alkali charge. In the unbeaten state the degrees of drainage resistance i.e. SR values were 65 and 71 for EBF and WBF, respectively. The tensile, burst and tear indices of WBF were 23.7 N.m/g, 2.2 kPa.m2/g and 5.0 mN.m2/g, respectively; these were much lower as compared to EBF. These values however, meet the requirement for handmade paper.Bangladesh J. Sci. Ind. Res.53(2), 83-88, 2018
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Rajas, Neha, Om Kudal, Gaurav Magar, Amol Marewar, Mohammad Bilal, and Shivraj Pardeshi. "Handmade Paper Formation from Onion Peels." International Journal of Membrane Science and Technology 10, no. 2 (October 18, 2023): 2059–62. http://dx.doi.org/10.15379/ijmst.v10i2.2761.

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Every year above 15 million trees are cut down for various purposes. In which around 8 million trees are only cut down for paper production. This number is increasing every year which is causing climate calamities, disappearance of wildlife, emission of greenhouse gases, soil erosion, etc. We can’t stop the use of paper, but we can find an alternative for making of it. Every year tons of onion waste are produced worldwide in which outer onion skin contributes up to 70% of this waste. This waste can cause environmental problems when not properly treated. In this paper, an attempt has made for production of paper using onion peels. For the pulping of onion skin soda process has been used. Paper produced was light and white and can be used for decorative purposes.
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Chan, Cheuk Kei, and Xiaohui Yi. "Raw Materials of Chinese Traditional Handmade paper." Paper and Biomaterials 8, no. 3 (July 2023): 58–65. http://dx.doi.org/10.26599/pbm.2023.9260018.

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Kalra, Jasmeet, Vijay Kumar, and Shipra Gupta. "The Waste Paper Management in Educational Institutes and Improvement in Quality of Handmade Papers." International Journal of Social Ecology and Sustainable Development 13, no. 1 (January 2022): 1–10. http://dx.doi.org/10.4018/ijsesd.295968.

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This manuscript investigates the waste paper management (WPM) of an educational Institute and aware the people about the importance of waste paper management and recycling of waste papers by multidimensional approach. The research assessed two multi long term plans, considering all recycling settings feasible for educational scenario. To complete that purpose, support for the collection of waste papers, final disposal and environmental and financial impact assessment concerning transportation is required. Results suggest that the quality of handmade papers is improved by doping some external materials in cellulose of waste papers. In this manuscript, flour of wheat is mixed in waste paper cellulose. The analysis of handmade paper is done by a photometric test. It is found that at some percentages of doping of flour in waste paper pulp, the reflection properties of the paper is increased and surface of paper become smooth and hard. At some other percentages of doping, the papers are shown absorption properties.
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Jain, Prerna, and Charu Gupta. "A Sustainable Journey of Handmade Paper from Past to Present: A Review." Problemy Ekorozwoju 16, no. 2 (July 1, 2021): 233–44. http://dx.doi.org/10.35784/pe.2021.2.25.

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Paper is an excellent medium of expression and knowledge preservation and communication because of its writing, printing, and packaging abilities. It is a thin sheet or web-like structure made by a dilute suspension of cellulosic fibres. Handmade papermaking technology was mass accepted and considered a precious commodity before development of an industrialised wood- pulp based paper industry. This modern papermaking practice harms the environment as it uses enhanced natural resources (ample amount of water, trees as a primary source for wood pulp) and generates pollution due to release of harsh chemicals. This paper reviews the history and process of handmade paper manufacturing from past to present. Along with that, all the pillars of sustainability (environmental, economic, and social) in relation to the handmade paper industry are deep rooted since ancient times and very much relevant for the present era of sustainable development. Various kinds of cellulosic raw materials from plants (Paper mulberry, Kazo, Gampy, hemp, bamboo, banana, etc.) and other used materials (old rags, ropes, nets, newspapers etc.) with the chemical-free production process and products make this industry eco-friendly. Craft based, small scale and labour-intensive guild art gives it social strength; whereas an infinite product range having functional and decorative uses, as well as strong export potential of the industry gives it an economic strength. Due to the present need of sustainable production, waste minimisation, and circular economy, the handmade paper seems to very potential industry to recycle various kind of waste like weedy battles, textiles, tetra packs, currency, plastic etc. This paper is an attempt to review the journey of handmade papers, its recycling potential, various production processes, products, advantages and disadvantages of the industry from past to present.
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Liu, Peng, Hongbin Zhang, Sinong Wang, Hui Yu, Bingjie Lu, Xinran Li, Chun Wang, Yueer Yan, and Yi Tang. "Determination of crystallinity of Chinese handmade papers by means of X-ray diffraction." Restaurator. International Journal for the Preservation of Library and Archival Material 41, no. 2 (May 26, 2020): 69–86. http://dx.doi.org/10.1515/res-2019-0009.

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AbstractThe crystallinity indices (CrI) of Chinese handmade papers were investigated using the X-ray diffraction (XRD) method. Four Chinese handmade papers, Yingchun, Zhuma, Yuanshu and Longxucao papers were used as model substrates of mulberry bark, ramie, bamboo and Eulaliopsis binata papers, respectively. Two forms of the paper samples, paper sheets and their comminuted powders, were used in this study. The results showed that their XRD patterns belong to the cellulose-I type and Iβ dominates the cellulose microstructure of these paper samples. Moreover, it was found that the microstructures and CrIs of cellulose of these papers were changed by the grinding treatment. This work suggested that the sheet form of the handmade papers is suitable to determine CrI by XRD, despite the contribution of non-cellulosic components in the papers. The order of CrIs for these paper sheet samples was Yingchun, Zhuma, Longxucao and Yuanshu papers. Besides CrIs, differences in cross-sectional areas of the crystalline zone of cellulose can be used for comparing different types of handmade papers. It was also found that the CrIs and crystallite size of paper cellulose varied between the sheet samples and the powder samples, illustrating that the pulverisation has a negative influence on the microstructure of the handmade papers.
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Gao, Zhi Yong. "A Research on Early Spread of Traditional Hand-Made Paper in East Asia Countries." Advanced Materials Research 174 (December 2010): 537–40. http://dx.doi.org/10.4028/www.scientific.net/amr.174.537.

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Lots of unearthed objects and historical documents indicate the paper-making technology which had been invented in Western Han Dynasty moved to Japan through the Korean peninsula. This paper took the development of paper-making technology and how it spread to the major countries of East Asia as a clue to find out evidence of the early transmission of traditional handmade paper from the ancient literature, archaeological materials, research papers, and museum collections. Literature studies, field inspections and the traditional ways of recovery process were the main methods we used. After collecting and studying the materials, we drew the outline of the general picture of traditional handmade paper transmitting in the major countries of East Asia, and made a discussion about the relevant issues on the condition that the traditional handmade paper how to adapt to the geographical variation and the printing technology.
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Naksata, W., and Manoch Naksata. "Sulphate-Based Flame-Retardant for Handmade Mulberry Paper." Advanced Materials Research 55-57 (August 2008): 833–36. http://dx.doi.org/10.4028/www.scientific.net/amr.55-57.833.

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Handmade mulberry paper was coated with flame retardants reagent: ammonium sulphate, at the various concentrations. The properties of mulberry paper, i.e. rate of water absorption, rate of flammability, flash point and mechanical properties expressed as Young’s modulus were studied. Mulberry paper coated with sulphate-based compound was not flammable and the rate of water absorption was decreased, while the elasticity was increased.
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Dissertations / Theses on the topic "Handmade paper"

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Hjort, Mikael. "Solar Powered Paper Drying in Bangladesh : A feasibility study on using a solar thermalenergy to dry handmade paper in Bangladesh." Thesis, Uppsala universitet, Fasta tillståndets fysik, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-210903.

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Solar energy has a great potential to give cheap and abundant energy to rural areas of the world, but is the technology ready to be implemented today? This stydy looked at the possibilities to introduce more renewable energy into the local hand-made paper production in Bangladesh. Specifically the potential of solar heated vacuum tubes filled with water as a heat carrier. This type of solar thermal collectors are cheap to produce, relatively efficient at converting both direct and diffuse solar energy into usable energy, and have a very simple construction that do not require a lot of training to handle. The study showed that the collector could convert about 70 % of the energy from the sun into usable energy in the form of hot water circulated in the system. On average in Bangladesh the 5 m2 collector used is expected to have an output of about 25.6 MJ per day (yearly average) and about 4.8 MJ was needed to evaporate 1 kg of water from the drying papers (including the system losses). This can be compared with the old system that used about 8 MJ per kg water evaporated. Finally the study includes a step by step guide into how to build a system like this by locally available material. The only parts that were imported were some measurement equipment and parts of the collector that was not yet available through local distributors. The pump was also not produced in Bangladesh, but a similar pump could be bought by local companies that import this type of equipment.
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Kharel, Arjun. "Is fair trade “fair”? : a study of handmade paper producers in Nepal." Thesis, Kansas State University, 2011. http://hdl.handle.net/2097/9192.

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Master of Arts
Department of Sociology, Anthropology, and Social Work
Gerad D. Middendorf
The label “fair-trade” might seem to be a definitive designation: either a product is or isn’t. In fact, a continuum exists, resultant mostly from the participation in fair-trade by diverse groups of producer organizations, buyers, certifying organizations, and consumers. Therefore, the way fair-trade is perceived and practiced cannot be presumed to be homogenous. In order to better understand the complexities of fair-trade, a qualitative study was carried out to examine one fair-trade product and its producers. Two Nepalese handmade paper companies, Bhaktapur Craft Paper (BCP) and Get Paper Industry (GPI), were studied to gain insight into the producers’ perceptions, interpretations, and practices of fair-trade. This study also assesses the impact of fair-trade affiliation on the socio-economic conditions of producers and workers. To provide the opportunity for comparison, the cases of BCP and GPI were also compared, where possible, to those of a non-fair-trade company, Bagmati Paper Industries (BPI). The study finds that the fair-trade producer organizations were affiliated with fair-trade networks primarily to promote their business by way of the multiple and committed trading partners involved in fair-trade. Also, affiliation seemed to have positive impacts on the overall business of the paper companies, contributing to growth in sales over the years. Likewise, different training programs sponsored by fair-trade organizations, such as Fair Trade Group Nepal and World Fair Trade Organization-Asia, and fair-trade buyers also contributed to the capacity enhancement of producer organizations. The producers in the paper companies lacked an understanding of fair-trade due to a lack of participation in decision making, a high level of illiteracy among producers, and because management did not consider producer awareness of fair-trade as significant. The study finds positive impacts of fair-trade involvement on the producers’ socio-economic position: a company’s participation in and practice of fair-trade is positively related to improvement in the socio-economic conditions of producers. Considering wages, work-hours, working conditions, and job satisfaction of workers, the fair-trade companies were determined to more favorably affect workers’ lives than the non-fair-trade company.
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Miles, Lisa. "Split infinity (no blue, no green)." Thesis, University of Iowa, 2017. https://ir.uiowa.edu/etd/5573.

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Richard, Amy. "Drawing from the Book of Nature." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3172.

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My work is a response to the miraculous energy exhibited in nature, an invisible power that creates exquisite structures and designs in every living thing around us only to destroy them and begin again. Specifically, it is inspired by a lifelong fascination with the detritus left behind. Shimmering maple tree seeds, decaying oak leaves, or delicate marine relics awash on the beach are tangible (and daily) reminders that life is precious and fleeting, but also hopeful as that energy is always transformed into something new. The drawings, pulp prints and sculptures produced for my thesis are futher animated by the belief that nature is telling us something with its expressive vocabulary of lines, shapes, textures and colors. In every weather-worn remnant, there is a narrative—a life history and lessons to be learned. Captivated by the recurring forms and patterns found on land and in the sea, I find myself trying to decipher this language through close observation and interaction with the objects I collect, study and draw from, as well as the natural materials used to produce the work. Through the rituals of drawing and erasing, steaming, cooking and preparing fiber, concealing and revealing imagery, form and text, I find myself connecting with these narratives and participating in an age-old dialogue with nature.
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Aly, Islam Mahmoud Mohamed. "Using Historical Bindings in Producing Contemporary Artists' Books." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/4811.

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I regard the culturally rich bookbinding as formats that hold great meaning; I made models of books that existed in different cultures through the history of the book. I became interested in how each structure had unique features and how the books themselves transmitted knowledge about their form. This interest in bookbinding formats led me to explore ways to add content to The binding plays a powerful role in producing my artist's books, the look and presence of these bindings is an integral part of my work and they are linked to the content and aesthetics. The final pieces encourage the viewer to interact with the work.
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Tan, Wei Zhong. "Lantern's Diary." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3200.pdf.

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Beal, Lindsey Alissa. "The Venus series." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/924.

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The Venus Series is an attempt to recreate the power, mystery and primal beauty of the pre-historic Venus Figurines. I created my own Venus Figurines out of handmade paper incorporating history, contemporary culture and autobiography. I then photographed these sculptures with the wet-plate collodion process in order to re-create the beauty and drama of the original Venus Figurines.
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Evangelista, Maria do Socorro de Oliveira. "Tecendo Pap?is:viagem pelos saberes e pr?ticas do ensino de arte." Universidade Federal do Rio Grande do Norte, 2005. http://repositorio.ufrn.br:8080/jspui/handle/123456789/13580.

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Made available in DSpace on 2014-12-17T14:19:53Z (GMT). No. of bitstreams: 1 MariaSOE.pdf: 2714563 bytes, checksum: 2334cc432788b4b14ffbd7c43b7d713a (MD5) Previous issue date: 2005-07-16
Nowdays, recycling became a relevant social and educational aim among many other factors, which involve balance between man and nature. This study relates the experiences with the production of recycled handmade paper directed at the teaching in Universidade Federal do Rio Grande do Norte UFRN, and through workshops of carnauba recycled handcrafts papers as a pioneer activity accomplished at the Felix Rodrigues Foundation, in the city of Pend?ncias, A?u Valley, Rio Grande do Norte. A bibliographic review was done about the history of handmade paper and a discussion about carnauba?s paper artistic possibilities in art-education. Analyses within the context of art teaching, accordingly to Ana Mae Barbosa?s triangle propose and, also, Buoro, Ostrower and Nachmanovitch?s pedagogy of art. It deals with a group of artisans in order to establish the nature of their relationship and the possibilities of achieving more ecological awareness. Finally, we intend to realize a dialogue with Morin and other authors
Na contemporaneidade, a quest?o da reciclagem tem se destacado pela sua import?ncia social e educativa, entre tantos outros fatores que envolvem o equil?brio do homem e da natureza. Relata-se a experi?ncia de ensino de arte na Extens?o Universit?ria com a produ??o de papel reciclado artesanal, direcionado ao ensino no laborat?rio de artes pl?sticas da UFRN e em oficinas de papel artesanal com fibras de carna?ba, como atividade pioneira realizada na Funda??o F?lix Rodrigues, na cidade de Pend?ncias, munic?pio do Vale do A?u, no Rio Grande do Norte. Recomp?e-se a hist?ria do papel artesanal e um di?logo reflexivo sobre as possibilidades art?sticas do papel de carna?ba. Elabora-se ainda, uma discuss?o sobre o aproveitamento desse papel para a cria??o art?stica como elemento complementar no ensino da arte, conforme sugest?es das propostas de ensino de Ana Mae Barbosa, e outros autores da pedagogia do ensino de artes como Buoro, Ostrower, Nachmanovitch. Analisa-se a natureza das rela??es sociais estabelecidas nesses grupos numa perspectiva de renova??o da consci?ncia ecol?gica. Pretende-se trilhar os caminhos de religa??o entre saberes cient?ficos e da tradi??o, ? luz de um di?logo com Edgar Morin e outros autores
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Han, Ung Bin. "Characterization of chemical markers for the discrimination of East Asian handmade papers using pyrolysis, gas chromatography and mass spectrometry." Thesis, Paris, Muséum national d'histoire naturelle, 2018. http://www.theses.fr/2018MNHN0005/document.

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Cette thèse a été conduite afin d’explorer le potentiel d’une nouvelle méthodologie utilisant la pyrolyse, la chromatographie gazeuse et la spectrométrie de masse pour la caractérisation et l’identification des fibres papetières utilisées dans la fabrication des papiers asiatiques traditionnels à partir de la caractérisation des métabolites de ces fibres. Cette méthodologie utilise un processus d’échantillonnage facilité nécessitant une très petite quantité d’échantillons (de l’ordre de quelques dizaines de µg). Après la pyrolyse des échantillons de papiers et la séparation chromatographique des composés formés, des distributions caractéristiques pour les métabolites des fibres papetières (considérant leur présence et leur intensité) ont été observées dans une région définie comme région d’intérêt dans les chromatogrammes: ces distributions se sont révélées spécifiques pour la caractérisation des papiers fabriqués à partir de différents types de fibres et ont été utilisées pour distinguer l’origine des différentes fibres papetières couramment utilisées dans la fabrication de papiers asiatiques traditionnels. Premièrement, les problèmes rencontrés dans l’étude des papiers faits à la main ont été présentés, comme l’origine de la fabrication du papier, l’incohérence de certains résultats dans l’identification des fibres (reportés dans différentes études scientifiques), les limites de la microscopie pour l’identification des fibres papetières d’origines botaniques similaires et les risques d’imprécision dans le référencement des échantillons. Tous ces problèmes montrent la nécessité d’explorer de nouvelles méthodes pour (1) améliorer la fiabilité de l’identification des fibres papetières des papiers asiatiques traditionnels, (2) valider et confirmer les résultats obtenus par l’analyse microscopique. À cette fin, dans un premier temps, des papiers asiatiques de référence ont été étudiés. Les résultats expérimentaux ont montré que les différentes fibres papetières utilisées pour la fabrication des papiers étudiés montraient des différences dans les distributions de leurs marqueurs spécifiques : par exemple, les fibres d’origine de la famille Moraceae montrent une distribution caractéristiques de composés triterpèniques alors que les fibres d’origine de la famille Thymelaeaceae montrent une distribution caractéristiques de composés de type stigmastanes. De leur côté, les fibres des plantes appartenant au groupe Ma montrent peu de métabolites caractéristiques. Les différences observées dans la distribution de ces métabolites ont été attestées par la comparaison entre distributions obtenues à partir des fibres végétales et celles des papiers faits à la main attestant de l’origine commune de ces métabolites issus des tissus végétaux d’origine. Ainsi, la méthodologie étudiée se révèle prometteuse en tant que méthode de chimiotaxonomie pour l’identification des fibres inconnues de papiers faits à la main. Avec les exemples d'applications fournies au cours du travail expérimental, le couplage de la pyrolyse, de la chromatographie en phase gazeuse et de la spectrométrie de masse (avec l’utilisation de la Py-GC/MS et de la Py-GCxGC/MS) a montré sa capacité à distinguer les fibres d'une même famille (qui peuvent présenter des caractéristiques similaires en microscopie) et peut ainsi constituer une méthode efficace d'identification des fibres et de validation des résultats d'identification obtenus par l'observation microscopique. Dans la présente thèse, les caractéristiques de la chromatographie gazeuse intégralement bidimensionnelle GCxGC, ses avantages pour les applications dans le domaine du patrimoine culturel et son apport potentiel pour le traitement des données 1D ont été discutées (...)
This study was conducted to explore a new methodology for handmade fiber characterizationand identification using pyrolysis, gas chromatography and mass spectrometry. It employseasy sampling process with minor quantity of samples required. After pyrolysis of handmadepapers, a featured metabolites distribution patterns (presence plus intensity) eluting in the defined region of interest (ROI) was observed to be characteristic for handmade papers of different material origins. The method utilizes these metabolites distribution patterns as markers to discriminate different fiber origins. Firstly, the problems encountered in the investigation of handmade papers were introduced such as the origin of papermaking, the inconsistency in the fiber identification results sometimes gained by different scholars, the limits of microscopy in identifying fibers from similar species and the likely imprecision of the reference sample labeling. All these problems showed the necessity to explore a new method in order to (i) make precise fiber identification of handmade papers and (ii) to validate or confirm the identification results obtained by microscopy. Then, modern reference handmade papers were firstly studied. The result revealed that different plant fibers used for papermaking have different marker distributions in the ROI, forinstance, the Moraceae family with a featured distribution of terpene compounds and theThymelaeaceae family with a featured distribution of stigmasta compounds. The fibers fromthe ma group usually revealed few compounds in the ROI. This metabolites difference in theROI was attested from the plant tissues with their similar distribution in handmade papers and plant raw fibers. Thus, the chosen methodology offers promise as a method of chemotaxonomy for unknown handmade paper fiber identification. With the examples ofapplications provided during the experimental work, the coupling of pyrolysis, gaschromatography and mass spectrometry (through the use of Py-GC/MS and Py-GCxGC/MS)showed its ability to distinguish fibers from the same plant family (that may present similar microscopic features) and thus, can constitutes an effective method for fiber identification as well as to validate the identification results of the microscopic observation. In the present thesis, the features of GCxGC and the benefits for cultural heritage applications and its help for the ID data treatment were discussed. The tested Py-GCxGC/MS methodology has been for the first time proposed in the cultural heritage field and it harbors the potential to promote the research in this domain, enhancing our capacity to handle small quantities of complex samples while providing an exhaustive response on its composition
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Ye, Yu-Ting, and 葉育廷. "Improvement on the Water Absorbency of Handmade Paper." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/56912863470342120491.

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碩士
國立嘉義大學
林產科學暨家具工程學系研究所
99
Handmade paper, always adds straw pulp to spread ink evenly, and often adds rosin size to control the water absorption. However, the addition of straw pulp in handmade paper often decreases the absorbency of handmade paper, and it is reported that the application of alum in traditional rosin sizing has caused the deterioration of paper seriously. The purpose of this study was to investigate the effect of alkali treatment of straw pulp on the water absorbency of handmade paper. Commercial alum and paper alum were compared and their impact on the deterioration of handmade paper was also determined. The results showed that alkaline impregnating treatment can really increase the absorbency of handmade paper, and the high temperature alkali treatment show more effective than room temperature treatment. Among the three alkaline impregnating reagents, CaCO3 have the best result, followed by NaOH, and Ca(OH)2 of the worst. Acid leaching after alkali treatment can further improve the water absorbency of paper. All kinds of alum used in this study accelerate the deterioration of paper, and there are different effects among paper alum (Al2(SO4)3) and the commercial alum (KAl(SO4)2 •12H2O).
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Books on the topic "Handmade paper"

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Susanne, Krause, ed. Über handgemachtes Buntpapier: Eine Zusammenfassung = On handmade decorated paper : a summary. 2nd ed. Hamburg: Buntpapierverlag, 2007.

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Macfarlane, Nigel. Handmade papers of the Himalayas. Winchester (Hampshire]: Alembic Press, 1986.

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Sŏn-hwa, Chŏng, Chʻoe Ho-sik, and Kungnip Munhwajae Yŏnʼguso (Korea), eds. Hanjijang: Chungyo muhyŏng munhwajae che 117-ho. Sŏul-si: Minsogwŏn, 2006.

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Ramsay, Angela. The handmade paper book. Pownal, Vt: Storey Books, 1999.

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Worrell, Nancy. Paper plus: Unique projects using handmade paper. Iola, WI: Krause Publications, 1997.

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Barone, Patricia. Handmade paper: Poems. Minneapolis, MN: New Rivers Press, 1994.

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Elaine, Koretsky, Bird & Bull Press., and Press Collection (Library of Congress), eds. Chinese handmade paper. Newtown, Pa: Bird & Bull Press, 1986.

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Mansfield, Jane. Decorative handmade paper. London: Merehurst, 1995.

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Mansfield, Jane. Decorative handmade paper. London: Chancellor Press, 1996.

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Maurer-Mathison, Diane V. Decorative paper. London: Merehurst, 1993.

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Book chapters on the topic "Handmade paper"

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Rowland, Jess. "Paper Speakers." In Handmade Electronic Music, 60–66. Third edition. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-12.

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Blasser, Peter. "Paper Circuits." In Handmade Electronic Music, 266–73. Third edition. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429264818-30.

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Ehrich, Martha Emilie. "Building Paper Industria." In Palgrave Studies in Economic History, 43–64. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54324-1_3.

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AbstractThis chapter delves into the evolution of the Dutch paper industry during the era of Dutch monarchic liberalism, spanning the years between 1815 and 1914. In the early nineteenth century, the industry faced a period of stagnation attributed to the widespread adoption of steam-powered mills for chemically produced paper throughout Europe and Northern America. While this marked a significant transformation for the Dutch paper industry, transitioning from small-scale, handmade, peasant-based paper manufacturing to the dominance of a large-scale, corporate sector, the establishment of Industria served to sustain Dutch paper production without allowing it to match the industrialization levels seen in neighboring countries.
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Chauhan, Sunita, Shri Baleshwer Prasad, Shri Badri Lal Meena, and Pradeep Bhatnagar. "Exploring the Less Travelled Path of Ecofriendly Handmade Paper Production." In Innovations in Environmental Biotechnology, 387–414. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-4445-0_17.

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Bustarret, Claire, and Jonathan Bloom. "The Handmade Tale: The Paper Medium as the Place for Action." In Genesis and Revision in Modern British and Irish Writers, 169–99. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50277-5_9.

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Nisha, Raman Singh, and Kuldeep Singh. "Handmade Paper Industry: A Green and Sustainable Enterprise and Its Challenges." In Biotechnological Innovations for Environmental Bioremediation, 171–88. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9001-3_7.

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Saakshy, A. K. Sharma, R. K. Jain, and R. K. Jain. "Application of Natural Dyes: An Emerging Environment-Friendly Solution to Handmade Paper Industry." In Biotechnology for Environmental Management and Resource Recovery, 279–88. India: Springer India, 2013. http://dx.doi.org/10.1007/978-81-322-0876-1_15.

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Agrawal, Geetika, and Cláudia Pato de Carvalho. "Interview with Geetika Agrawal about vacation with an artist." In Creative tourism: activating cultural resources and engaging creative travellers, 68–72. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789243536.0010.

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Abstract This paper talks about the background of Vacation With An Artist (VWAA) project. The project touches on a few trends that we are seeing in the world. First of all, we as a society, we are tired of mass consumption. We want things to be handmade and we want to know the story about how it was made, what were the materials, and what is the source. People are just tired of seeing things on Amazon and having no history, no heritage, nothing to it. VAWAA also provides a very safe and welcome environment in a studio of an artist to immerse yourself in it and experience it yourself. Every single VAWAA guest has left the studio after a few days completely transformed. Because they suddenly realize that the creativity is not in the perfect drawing. Creativity is feeling comfortable to get out of our comfort zone and play.
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Morya, Prabudh, Ghanshyam Das Agrawal, and Rohit Misra. "Drying of Off-White Handmade Papers in Greenhouse Solar Dryer: An Experimental Study." In Lecture Notes in Mechanical Engineering, 429–37. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-0918-2_35.

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"Handmade Paper." In The Visual Dictionary of Pre-Press & Production, 128. AVA Publishing SA, 2010. http://dx.doi.org/10.5040/9781474293747.0112.

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Conference papers on the topic "Handmade paper"

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Brunvand, Erik. "LED Paper: Physical Computing with Handmade Paper." In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450549.3464418.

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NAGBENJAPORN, P., T. GAISURAPONG, P. SRINOPHAKUN, and R. MORMANEE. "ALTERNATIVE CHEMICALS OF HANDMADE PAPER PULPING." In Proceedings of the Third Asia-Pacific Conference. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812791924_0118.

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Zhang, Yanxiang, Chunyong Yang, Fangbemi Abassin, Natsuki Takayama, Shunbing Meng, and Hiroki Takahashi. ""Cho-Shi" Animation Based on Traditional Chinese Handmade Paper Texture." In 2011 Second International Conference on Culture and Computing (Culture Computing). IEEE, 2011. http://dx.doi.org/10.1109/culture-computing.2011.63.

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Zhong, Chen. "Research on The living Intelligent Communication of Chinese Traditional Handmade Paper." In International Conference on Emerging Media & Communication. European Publisher, 2022. http://dx.doi.org/10.15405/epsbs.2022.01.02.28.

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Yan, Wang, and Cheng Sijia. "Art Creation Practice Based on the Retrospect of Traditional Handmade Paper Culture." In 2022 International Conference on Comprehensive Art and Cultural Communication (CACC 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220502.062.

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Imajo, Akihiko, Takashi Yoshikawa, and Nobutaka Saeki. "Analyze of the Rhythm of the Neck in Handmade Japanese Paper Manufacturing Movement." In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-37771.

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In Japan, the production of traditional handmade Japanese paper using the spring water has been performed in the Shuso area of Shikoku Island. However, the method of production was been handed down by trial and error and observation of the expert movement until now. The produced papers are counted one unit that is five hundred sheets of Japanese paper. Five hundred sheets of Japanese paper are called 1 [lot]. The paper has two type of thickness and its size is 600mm × 1500mm. Thick paper is 9[kgf] per lot. The other hand, thin paper is 8[kgf] per lot. In other words, the expert is making paper which is the difference of 2[gf] per sheet. This time, we have been able to obtain cooperation with traditional craftsman for the digitizing of his skills. Therefore, we visualize the tacit knowledge of the expert’s skill. The expert subject has 34 years of experience of traditional hand-made Japanese paper. We have digitized his manufacturing movement by using motion capture. His movements are analyzed by attaching infrared reflective markers of 20 on each parts of the body. In this study, we found that constant rhythm of the neck in handmade Japanese paper manufacturing movement. Furthermore, the first scoop is performed at the time much shorter than in the case of other scoops.
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Li, Shuyi, Zhou Zhong, and Xiaopeng Peng. "Research on Design Strategy of Handmade Paper Products under the Concept of Cultural Consumption." In Proceedings of the 2nd International Conference on Humanities Education and Social Sciences (ICHESS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ichess-19.2019.127.

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Wang, Min, and Yonghui Chen. "Research on Design and Evaluation of Children's Handmade Paper Art Information Graphic in the Background of Big Data Analysis." In Proceedings of the 2nd International Conference on Information, Control and Automation, ICICA 2022, December 2-4, 2022, Chongqing, China. EAI, 2023. http://dx.doi.org/10.4108/eai.2-12-2022.2327923.

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Aprianti, Tine, Rosihan Pebrianto, Debby Yulinar Permata, Millahi Nursyafa’ah, and Miranda Aristy. "Lignin removal in handmade paper production using acetosolve process with sugarcane bagasse and banana midrib mixture as raw materials." In TOWARD ADAPTIVE RESEARCH AND TECHNOLOGY DEVELOPMENT FOR FUTURE LIFE. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0116448.

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Tenuta, Livia, Alba Cappellieri, Susanna Testa, Beatrice Rossato, and Fernando Moreira Da Silva. "Hand-Made Jewelry in the Age of Digital Technology." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001368.

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People have always been central players in the world of jewelry. Not only as artisans who have given life to masterpieces of inestimable material and creative value, but also as users who have used jewelry as a means of expression, as a guardian of immaterial values or as a vehicle for messages. Over time, the human being has accepted the support of the machine in the productive, creative, and communicative processes, and today the world of jewelry swings between handmade and machine-made. Digital technology is increasingly affecting the production processes, the product itself, and the services connected to it. First, the paper aims to highlight the complexity in defining the role of luxury and handmade associated with the world of jewelry. Secondly, it aims to analyze the handmade relationship in the world of jewelry as a driving force for creating new values, of which the designer is the mediator. How the machine-made paradigm fits into the design, production, or communication of jewelry is described with contextual research from the second half of the last century until today, outlining the best examples in Italy and abroad. Then, an academic workshop is presented to investigate better the role of design in managing craftsmanship combined with new emerging technologies. The research on the context brings out the different declinations that the hand-machine relationship brings out in the world of jewelry. Then, the results obtained involve the analysis of the projects developed during the workshop, mediated through the relationship between hand and machine, underlining the designer's role. Innovation and technology, together with design methodology, redefine the stylistic features but also - and above all - deconstructs the classic concept of preciousness, resulting in the modification of the perception of the value. This implies a redefinition of the traditional parameters of luxury and the role of the human being, and a different way of designing its products. Finally, the paper analyzes the jewelry field and the designer's ability to develop the relationship between craftsmanship and new technologies, underlining the new value systems that this relationship can create.
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