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Relevant bibliographies by topics / Handweaving

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Journal articles
Dissertations / Theses
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Academic literature on the topic 'Handweaving'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Handweaving"

1

Dyki, Judy. "HANDWEAVING; AN ANNOTATED BIBLIOGRAPHY. Isabel Buschman." Art Documentation: Journal of the Art Libraries Society of North America 10, no. 4 (1991): 203. http://dx.doi.org/10.1086/adx.10.4.27948399.

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2

Mohanty, Gail Fowler. "Fascination with Fiber: Michigan's Handweaving Heritage by Marie A. Gile, Marion T. Marzolf." Michigan Historical Review 33, no. 2 (2007): 171–72. http://dx.doi.org/10.1353/mhr.2007.0049.

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Ohno, Akihiko. "Relational Contracting for Rural Artisanal Products: The Case of the Lao Handweaving Industry." Developing Economies 58, no. 1 (2019): 3–29. http://dx.doi.org/10.1111/deve.12210.

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4

Winton, Alexa Griffith. "“None of Us Is Sentimental About the Hand”: Dorothy Liebes, Handweaving, and Design for Industry." Journal of Modern Craft 4, no. 3 (2011): 251–67. http://dx.doi.org/10.2752/174967811x13179748904210.

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5

Fee, Sarah. "Historic Handweaving in Highland Madagascar: New Insights from a Vernacular Text Attributed to a Royal Diviner-Healer, c. 1870." Textile History 43, no. 1 (2012): 61–82. http://dx.doi.org/10.1179/174329512x13284471321208.

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6

Recupero, Annamaria, Patrizia Marti, and Simone Guercio. "Enabling inner creativity to surface: the design of an inclusive handweaving loom to promote self-reliance, autonomy and wellbeing." Behaviour & Information Technology 40, no. 5 (2021): 497–505. http://dx.doi.org/10.1080/0144929x.2021.1909654.

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7

"Handweaving: an annotated bibliography." Choice Reviews Online 29, no. 03 (1991): 29–1253. http://dx.doi.org/10.5860/choice.29-1253.

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"Fascination with fiber: Michigan's handweaving heritage." Choice Reviews Online 44, no. 06 (2007): 44–3073. http://dx.doi.org/10.5860/choice.44-3073.

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9

Leininger, Maggie. "Cottage Industry as Social Practice: Sustainability of Handweaving in the Post-Industrialist Era." Textile Society of America Symposium Proceedings, July 25, 2019. http://dx.doi.org/10.32873/unl.dc.tsasp.0065.

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Dissertations / Theses on the topic "Handweaving"

1

MacRae, Ann Cameron. "Women at the Loom: Handweaving in Washington County, Tennessee, 1840-1860." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0330101-134816/unrestricted/MacRae0420.pdf.

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2

Arolin, Ellen. "Salvage the selvedge! : Upcycling selvedge waste from industrial weaving, using handweaving techniques." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-22038.

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Waste is a big problem in the textile industry; one area of waste is cut off selvedges from the weaving industry. This degree work in textile design questions the need and motivation to produce fully new textiles, choosing instead to use waste material in order to create sustainable design. The work aims to apply waste selvedges in a textile design context by using it in handweaving, as both warp and weft. This project also explores food waste as dyestuff, dyeing selvedge waste with it, achieving a large variety of colours. Using selvedge waste in both warp and weft, along with dyeing using food waste, brought many possibilities in both technique and aestethics, as well as expanding the sustainable perspective in textile design by challenging the use of waste from textile and food production. The result is three handwoven examples with varying expressions, created to bring inspiration for others to use waste selvedges as a material.

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3

Champion, Deborah. "Quicksand Craft Center: Documentation & Analysis of a Handweaving Program in Vest, Kentucky." TopSCHOLAR®, 1989. https://digitalcommons.wku.edu/theses/2217.

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Data on the handweaving program at the Quicksand Craft Center in the Appalachian Mountains of Eastern Kentucky were compiled and analyzed. Four areas--history of the craft program, business organization and financial structure, weave patterns of goods woven and sold by the craft center, and weavers employed in the program --were examined to assess the success of the program in the local community. Factors in the four areas examined contributed to the success of the program. The benevolence, perseverance, and co-operation of the founders, directors and community members involved with the craft center have been largely responsible for the continued success of the program. The non-profit organizational structure of the craft program was financially stable and met federal guidelines for tax exemption. Weave patterns in goods produced at the craft center were basically traditional with modern adaptations in fibers and end products. Influence of the handweaving program in the lives of weavers and their families was primarily positive.

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4

Landestorp, Erika. "Vägen till en färdig textil." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-20239.

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This work describes the process from sketch to functional textile. Starting points are thoughts about the transition from sketch to fabric, and the possibility to sketch before decisions are made about the quality of the final fabric. The first result of this study is the final product, a hand weaved clothing in thin wool that fulfils set demands. The second result is the knowledge that it is possible to make a purposeful sketch without knowing the final product.<br>Uppsatsnivå: C

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5

Bessel, Claire. "Heterarchy, Weaving and Skateboarders." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-19627.

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The aim of this project is to design and craft sustainable fabrics according to slow fashion principles. Furthermore the intention is to develop these fabrics, to make them exciting and congenial for use as trouser fabric for skateboarders.

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6

Donnelly, Andrea. "Mind, Body, and Handwoven Cloth." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2104.

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My work explores the nature of individual perception, and the side of our lives lived entirely within our minds. I do this through the lens of self-reflection, examining the images of my own mental life and translating them into delicately handwoven cloth. These images and their structures become sensory experiences of the intangible, and a meeting place for my internal life and that of my viewer. The cloth I weave is simultaneously familiar and strange. Through woven surface and imbedded imagery, I attempt to illuminate the deep emotions that necessarily isolate us from each other, and the shared experiences of our physical beings, which connect us. The quiet, ritualistic act of weaving expresses an overlapping of mental and physical space: the resulting cloth bears within each line of warp and weft the metaphor of that process.

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7

Edling, Susanna. "Textil och glas : ett universum." Thesis, Högskolan i Borås, Institutionen Textilhögskolan, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18539.

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This work is about presenting the weave in a new and different context, by bringing textile and glass together. The work is characterized by material and shape experiments with silver and copper weave and hand blown glass. From experiments and sketches, the work has resulted in four sculptures, symbolizing four selected stages in a lifecycle; the birth, the development, the maturity and the death. One important part of the work has been to combine different materials and techniques. Studies of literature, sketching, handweaving and integration of silver and copper weave in the glass have been important methods in the working process. Inspired by the flower, the human being and the universe, a story about the life cycle has taken shape. The paper describes the working process with choices and analyses. It describes the experiments and the making of the sculptures.<br><p>Uppsatsnivå: C</p>

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8

"Women at the Loom: Handweaving in Washington County, Tennessee, 1840-1860." East Tennessee State University, 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0330101-134816/.

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Books on the topic "Handweaving"

1

Buschman, Isabel. Handweaving: An annotated bibliography. Scarecrow Press, 1991.

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2

Oglesby, Lin. The art of creative handweaving. L. Oglesby, 1993.

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3

T, Marzolf Marion, and Michigan State University Museum, eds. Fascination with fiber: Michigan's handweaving heritage. University of Michigan Press, 2006.

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4

Eriksson, Mariana. Warp and weft: Lessons in drafting for handweaving. Trafalgar Square, 2011.

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5

Eriksson, Mariana. Warp and weft: Lessons in drafting for handweaving. Trafalgar Square, 2011.

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6

1939-, Brusic Lucy McTeer, ed. Weaving for worship: Handweaving for churches and synagogues. Robin and Russ Handweavers, 1998.

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7

Navarrete, Diana Marcela Camelo. Objetos textiles guambianos. IADAP, 1994.

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8

Lundell, Laila. The big book of weaving: Handweaving in the Swedish tradition : techniques, patterns, designs, and materials. 3rd ed. Trafalgar Square, 2007.

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Lundell, Laila. The big book of weaving: Handweaving in the Swedish tradition : techniques, patterns, designs, and materials. 3rd ed. Trafalgar Square, 2007.

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10

Atwater, Mary M. Byways in Handweaving. Macmillan Publishing Company, 2000.

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Conference papers on the topic "Handweaving"

1

Albaugh, Lea, Scott E. Hudson, Lining Yao, and Laura Devendorf. "Investigating Underdetermination Through Interactive Computational Handweaving." In DIS '20: Designing Interactive Systems Conference 2020. ACM, 2020. http://dx.doi.org/10.1145/3357236.3395538.

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Albaugh, Lea, James McCann, Lining Yao, and Scott E. Hudson. "Enabling Personal Computational Handweaving with a Low-Cost Jacquard Loom." In CHI '21: CHI Conference on Human Factors in Computing Systems. ACM, 2021. http://dx.doi.org/10.1145/3411764.3445750.

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3

Recupero, Annamaria, Patrizia Marti, and Simone Guercio. "Balancing guidance and flexibility in the design of an inclusive handweaving loom." In ECCE 2021: European Conference on Cognitive Ergonomics 2021. ACM, 2021. http://dx.doi.org/10.1145/3452853.3452892.

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